For me it's amazing istening to these pieces of Bach played by Bream. I remember when I tried to interpret these pieces when I was younger and finaly today...I can hear that it wasn't so bad. Bream interprets the score very good in my ears. Thanks for laying the video out.
@gmtnosa00 Absolutely true! I think everyone is looking for a defect to perfection while demonstrating its virtues as experts or as virtuous but the performance is simply wonderful and we shouldn't say anything more about that. Totally agree with you. :)
(1) it's a honor to find mistakes in virtuoso play. D.Knuth has been sending $2.56 checks for every error found in his books, Bream isn't sending for each buzz found but it's still a honor to find :)
(2) it's perfect by default, you don't have to say it. people say what's imperfect.
(3) technique is imperfect, let's face it. Bream's advantage is very good technique (yet imperfect) + great expression. E.g. Goluses plays BWV1001 cleaner, but less expression
great recording/interpretation of this piece. This is the piece of music that made me dedicate my life to classical guitar almost 20 years ago. I usually hold Bream in lower regard than some of the other modern greats, but he pwns this piece here
dukdik23@gmail.com Fingers need to be like a piston" LOL I like that description. It also affirms what I felt when I saw John Williams left hand technique. Here was his hand fixed in 1 position during a certain part of the piece & the 4 fingers were pressing & depressing the strings with such smoothness & fluidity - almost mechanical in timing & precision like pistons in a car! & yes, hardly any tension in the hand or fingers. So totally relaxed. I think you're spot on there.
Gosh it's all flat. I mean, he didn't make me be interested, he didn't involve me in the listening, although I like this piece very much. Good technique but very low sound beauty. I'm so disappointed of you Bream
kpingvin, haha, i used to say this when i was about 15, WHY doesnt my teacher make a mistake!!, Well after years of learning its called anchoring and relaxing. Dissolving any musculature tension at every opportunity. Fingers need to be like a piston, when needed on the upthrust, bang its there, on the down, free of tension, no resistance Thats my take on it. .
@bigmuso123 "Fingers need to be like a piston" LOL I like that description. It also affirms what I felt when I saw John Williams left hand technique. Here was his hand fixed in 1 position during a certain part of the piece & the 4 fingers were pressing & depressing the strings with such smoothness & fluidity - almost mechanical in timing & precision like pistons in a car! & yes, hardly any tension in the hand or fingers. So totally relaxed. I think you're spot on there.
"...a little light relief" he says? How about a sprinkling of the tears of God upon our souls? I think that better describes what Mr. Bream has done here.
This is probably the "definitive" interpretation; one that I like to listen to more than anyone else. Then there's Christopher Parkening's interpretation which is also quite
enjoyable. Thank you for posting. All around good quality.
@TheJamesalden: We share the same thoughts, i have not seen this one of Julian Bream and I love it!... Christopher Parkening in the mid 70's and Alirio Diaz, Also an Andres Segovia Student, had recordings of this piece on 33 rpm LP Vinyl disks... Alirio Diaz playing is so FLAWLESS and ALIVE...
Does anyone know where to find the version of this piece Julian Bream is playing. I have saw several variations, none written quite the way he plays it.
@globule200 j'avais eu la partition dans un "Guitare Classique" de 2003 ou 2002, mais j'ai perdu la partoche (dans mon souvenir, elle était absolument identique à la version de Julian Bream) et je n'arrive pas à me souvenir du morceau entier (normal). Je suis complètement dèg...
Dude, are you serious? You can't just play the Bach fugue in a from a score from the internet.. Why don't you just go to your local music store? There are great versions of this song, but quality has it's price.
This is one monster of a piece. When I learned it, I refused to perform it for a good six months. While bwv 1000 is not as technically demanding as the chaconne, it is at least as challenging as the chaconne in terms of musical considerations. I agree that many players play this too fast. At times the texture is for four voices. Each are important and they may get lost if the tempo is to quick.
Just perfect, I love the tempo, most everyone else plays this piece too fast and it just ruins the beauty of this fugue. In Breams version you can really hear the separate parts very distinctly.
all we hear are notes - not string buz or other guitar sounds it's all just music at every instance - style, perfect technique and mastery all in one = Julian Bream *****...
Well, it's not what Bream is about but he does make some minor mistakes (no wrong notes though) in this - to list them is pointless - but the playing is suddenly at a faster tempo at one point, which indicates that this video has been edited together. His recordings are heavily edited, and he himself seldom chose to listen to his own recordings. But this is such the demand in the modern era of requiring perfection in recordings. Everybody is at it including J.W., who has many edits too.
yes, recordings have been edited since their inception. Glenn gould heavily edited his tapes even though there were no missed notes. That's doesn't mean that bream hasn't played, or even recorded this live, as flawlessly as this(excluding 1 or 2 missed notes)
@kpingvin because of the love and respect he had for Bach he worked hard at it - j williams said he couldn't have put the hours in that Mr Bream did and felt people shouldn't start so late in learning, Mr Bream is a lesson to all who think it might be too late to learn music. He produces more vital performances and is more rewarding to listen to, iin my opionion, than Williams - who is also great.
@kpingvin Bream used to make tons of mistakes in concert. He was just not stupid to do that in front of the TV camera. Many people criticize his technique, but when we are talking of such a superlative musical standard technique is something to be put in perspective.
@kpingvin : Really he made at least two little little mistake (that i've notice) , one at 1:28 ( i cant'hear one note of the subject in the bass) and one at 4:13 he missed one note; That , at my advice is valueless and not influence the beautiful interpretation :) , but take something or someone as a model of perfection and deny anything small impurity or imprecision is alway dangerous, because these are the thing that make we human
there are only a small few, a handful of the worlds greatest classicla guitarists. To critique them shows a lack of true understnadning unless you are among them. Just lsiten that is the only requirement listen, enjoy find enlightenment
Wonderful! Best interpretation I've heard by now.. Only thing I would change is at 0:54 or so, I would let the high e ring.. But I'm learing the piece at the moment, so will try my best.. If I'll succeed, I'll upload my version to show you what I mean..
Amazing to hear him play this utterly classical piece and think that one of his great inspirations to play guitar was gypsy Jazz musician Django Reinhard. You'd never guess a jazz guitarist influenced him to play classical. I love listening to him. I knew his music before I new Segovia's and it touched me more deeply, I must say.
bwv 1000 is NOT bwv 1001 transcribed, it's bach arrangement of bwv 1001 with significant additions and modifications and for the lute. Bach must have liked this fugue very much, for he made another arranegemt of it for organ with an added prelude (bwv 539)
@ernent And I think bwv 1000´s beauty went wayyyyyy beyond bwv 1001´s. I can´t believe anyone could ever write a piece music like this. And the answer is as obvious as unique: only Bach.
I remember on an Autumn night in 1974 watching this programme called the 5 faces of the guitar. B Kessell [jazz], J beck [rock], P Pena [flamenco], J Renbourn [folk], and J Bream [classical], from which this comes. Never thought it'd be repeated! Fab
I wish you have the lute version played by Luca Pianca. Simply the most sublime piece of music ever written and ever played. Bach is the other son of God sent to Earth.
i think john williams is an absolute genius at the guitar, i love his version of rodrigo's fantasia para un gentilhombre-
but--- i just can listen and listen to bream all the time- i don't know what it is but his playing really gets to me, maybe its his sound,! anyway both geniuses and bach would have loved to write pieces for both of them i agree
this is not the 1001?
rehpot16 1 week ago
I LOVE IT!!!
<3
susiq424 2 weeks ago
bach=pure genius, he stands the apex of western musicality. i feel his music should be played with deep passion and spiritual fire
jamesedwardtheobald 2 weeks ago in playlist Favorite videos
:))))))))))))
robotghostify 1 month ago
For me it's amazing istening to these pieces of Bach played by Bream. I remember when I tried to interpret these pieces when I was younger and finaly today...I can hear that it wasn't so bad. Bream interprets the score very good in my ears. Thanks for laying the video out.
moopsypoo 2 months ago
Crazy all the posts about little mistakes who would listen to such beauty and be thinking about pointless faults?? This is gorgeous
gmtnosa00 4 months ago
@gmtnosa00 Absolutely true! I think everyone is looking for a defect to perfection while demonstrating its virtues as experts or as virtuous but the performance is simply wonderful and we shouldn't say anything more about that. Totally agree with you. :)
paquitolo 4 months ago
@gmtnosa00
(1) it's a honor to find mistakes in virtuoso play. D.Knuth has been sending $2.56 checks for every error found in his books, Bream isn't sending for each buzz found but it's still a honor to find :)
(2) it's perfect by default, you don't have to say it. people say what's imperfect.
(3) technique is imperfect, let's face it. Bream's advantage is very good technique (yet imperfect) + great expression. E.g. Goluses plays BWV1001 cleaner, but less expression
1828459045 3 months ago
@gmtnosa00
(4) if you aren't listening to mistakes, good chances are that you aren't listening to the music all.
1828459045 3 months ago
@1828459045 Of Course!! I'm not listening that must be it! Thanks a bunch for the advice I'll listen again
gmtnosa00 3 months ago
@gmtnosa00 I agree, we must remember that this is a human art and not of machines.
WisemanMusician 3 weeks ago
Julian Dream
insaneguitarfreak 4 months ago
and that,s how you do that.
lapisredux 4 months ago
great recording/interpretation of this piece. This is the piece of music that made me dedicate my life to classical guitar almost 20 years ago. I usually hold Bream in lower regard than some of the other modern greats, but he pwns this piece here
trainora 6 months ago
dukdik23@gmail.com Fingers need to be like a piston" LOL I like that description. It also affirms what I felt when I saw John Williams left hand technique. Here was his hand fixed in 1 position during a certain part of the piece & the 4 fingers were pressing & depressing the strings with such smoothness & fluidity - almost mechanical in timing & precision like pistons in a car! & yes, hardly any tension in the hand or fingers. So totally relaxed. I think you're spot on there.
DUKGUITAR 6 months ago
Gosh it's all flat. I mean, he didn't make me be interested, he didn't involve me in the listening, although I like this piece very much. Good technique but very low sound beauty. I'm so disappointed of you Bream
tWiLiGhiNa1995 7 months ago
@tWiLiGhiNa1995 I´m sure you´re kidding.
theeclecticist06 7 months ago
Listening Bream is like in dream...
2802luvi 8 months ago
welll...3rd bar 4th semi-quaver, my score says C#??
crazyjonah 8 months ago
I can EASILY some mistakes.
jsnauwaert 10 months ago
kpingvin, haha, i used to say this when i was about 15, WHY doesnt my teacher make a mistake!!, Well after years of learning its called anchoring and relaxing. Dissolving any musculature tension at every opportunity. Fingers need to be like a piston, when needed on the upthrust, bang its there, on the down, free of tension, no resistance Thats my take on it. .
bigmuso123 10 months ago
@bigmuso123 "Fingers need to be like a piston" LOL I like that description. It also affirms what I felt when I saw John Williams left hand technique. Here was his hand fixed in 1 position during a certain part of the piece & the 4 fingers were pressing & depressing the strings with such smoothness & fluidity - almost mechanical in timing & precision like pistons in a car! & yes, hardly any tension in the hand or fingers. So totally relaxed. I think you're spot on there.
jbdoggy 7 months ago
Not a single mistake. wow. Bravo.
CatGoesBOOM 1 year ago
I wish I could play like this.
I'm just learning to play BWV 1001 and it is very difficult. I think it takes years to play a such difficult piece like that.
TeamPowerMT2 1 year ago
Magnificent! Bach would be quite proud to hear Julian play his masterpiece.
2royplayer 1 year ago
who the fuck are 3 losers...i would like to teach'em about what music is
juandiegometallica 1 year ago
this is not bwv 1000
ChundomanX 1 year ago
@ChundomanX yes it is...
MrSweedypie 11 months ago
Fantastic, Bravo!
VolodiaLukianov 1 year ago
Fantastic
His playing is so compelling.
ClassicalGuitar1111 1 year ago
Which version does he use? Because I have many versions with very different fingerings and I don't find this version which seems to be great!!
That's important for me because it's for a competition!
So if anyone can tell me which version is it?
Thank you very much.
Carpediemeuh 1 year ago
@Carpediemeuh I was wondering the same thing. Maybe he made his own?
juancomp 1 year ago
@Carpediemeuh the right version is 'fuga bwv 1000' of alfonso borghese in A minor.
greekrocker93 1 year ago
@greekrocker93 Thanks! :)
Carpediemeuh 1 year ago
Is this after his car accident?
ThrashCore13R 1 year ago
Insane.
key2kingdom 1 year ago
"...a little light relief" he says? How about a sprinkling of the tears of God upon our souls? I think that better describes what Mr. Bream has done here.
smoothie66 1 year ago 4
This made my eyes water, amazing.
weedlike2present 1 year ago
BRAVO!!!!!!!!!! ;-)))
4goscott 1 year ago
There isn't any other guitarrist in the world who can make my cry with each piece he plays. WHAT A BEAM OF EMOTIONS, BREAM!
SaiyanCHW 1 year ago
This is probably the "definitive" interpretation; one that I like to listen to more than anyone else. Then there's Christopher Parkening's interpretation which is also quite
enjoyable. Thank you for posting. All around good quality.
TheJamesalden 1 year ago
@TheJamesalden: We share the same thoughts, i have not seen this one of Julian Bream and I love it!... Christopher Parkening in the mid 70's and Alirio Diaz, Also an Andres Segovia Student, had recordings of this piece on 33 rpm LP Vinyl disks... Alirio Diaz playing is so FLAWLESS and ALIVE...
LAPUbutsekikMAG 1 year ago
Segovia is magic, Williams is perfection and Bream plays with amazing emotion.
MrSnorlax22 1 year ago 4
Bream is NOT a human.......one comment: perfect.
LisztBusoni 1 year ago
This has been flagged as spam show
i want to fuck you in the ass
lightmyfire90 2 years ago
Magnifico!!!
ZOLTANHODOSSY59 2 years ago 6
This has been flagged as spam show
the epitome of baroque guitar playing !
mrstrings65 2 years ago
His musical colour is unique !
Along with his tremendous tecnique, this colour
makes his performances THE reference point in the guitar repertoire .
nikosz66 2 years ago 4
Does anyone know where to find the version of this piece Julian Bream is playing. I have saw several variations, none written quite the way he plays it.
mygraybaby 2 years ago
try imeem
chingvang559 2 years ago
@mygraybaby Hey, I know I'm working on a version similar. If you still want it, write in private I'll send you.
Regards.
globule200 1 year ago
@globule200 j'avais eu la partition dans un "Guitare Classique" de 2003 ou 2002, mais j'ai perdu la partoche (dans mon souvenir, elle était absolument identique à la version de Julian Bream) et je n'arrive pas à me souvenir du morceau entier (normal). Je suis complètement dèg...
KurwaRomek 1 year ago
@KurwaRomek Je te l'envoie par mail si tu me donnes ton email (par message privé). Amicalement.
globule200 1 year ago
Hi,
Where to find scores for this piece?
Reference21 2 years ago
Dude, are you serious? You can't just play the Bach fugue in a from a score from the internet.. Why don't you just go to your local music store? There are great versions of this song, but quality has it's price.
JohannesKuenel 2 years ago
This is one monster of a piece. When I learned it, I refused to perform it for a good six months. While bwv 1000 is not as technically demanding as the chaconne, it is at least as challenging as the chaconne in terms of musical considerations. I agree that many players play this too fast. At times the texture is for four voices. Each are important and they may get lost if the tempo is to quick.
koyunbaba73 2 years ago
Comment removed
diegoarboli 2 years ago
Who's the bloke at the start?
Justinchess 2 years ago
ummm...J.B!
Mkamalid 2 years ago
That's Julian Bream, albeit about 30 years after playing the fugue in this video.
SaigheadBhriste 2 years ago
This has been flagged as spam show
it is Julian Bream you dumb fuck!
delta9tetrahydroca 2 years ago
Bach wrote great music for the guitar, he just didn't know it at the time...
1Freeman 2 years ago 2
Julian Bream is the best classic guitar player ...
globule200 2 years ago 3
Just perfect, I love the tempo, most everyone else plays this piece too fast and it just ruins the beauty of this fugue. In Breams version you can really hear the separate parts very distinctly.
slymuse 2 years ago
la transcripcion es de él mismo
melopheas 2 years ago
all we hear are notes - not string buz or other guitar sounds it's all just music at every instance - style, perfect technique and mastery all in one = Julian Bream *****...
dasgroover 2 years ago
Wonderful!!!!!!!!!! Thats beauty!
muclata 2 years ago
fucking amazing
aem26w4fi79ecc2vr 2 years ago
the best interpretation i ever heard!!
agogico12345 2 years ago 2
de qui est la transcription ?
babybel50 2 years ago
Why doesn't he make a mistake? Why? Why? At least one little mistake! A little buzz, or anything!
Unbelievable!!
kpingvin 2 years ago 34
Well, it's not what Bream is about but he does make some minor mistakes (no wrong notes though) in this - to list them is pointless - but the playing is suddenly at a faster tempo at one point, which indicates that this video has been edited together. His recordings are heavily edited, and he himself seldom chose to listen to his own recordings. But this is such the demand in the modern era of requiring perfection in recordings. Everybody is at it including J.W., who has many edits too.
daleharrisguitar 2 years ago
yes, recordings have been edited since their inception. Glenn gould heavily edited his tapes even though there were no missed notes. That's doesn't mean that bream hasn't played, or even recorded this live, as flawlessly as this(excluding 1 or 2 missed notes)
thejugglenaut91 2 years ago
@kpingvin because of the love and respect he had for Bach he worked hard at it - j williams said he couldn't have put the hours in that Mr Bream did and felt people shouldn't start so late in learning, Mr Bream is a lesson to all who think it might be too late to learn music. He produces more vital performances and is more rewarding to listen to, iin my opionion, than Williams - who is also great.
laug66 1 year ago
@kpingvin I saw Bream make a big mistake in the late 90's in Cleveland. I thought it was cool because it showed me that he was human. (:
TheClassicFrank 1 year ago 7
@kpingvin Bream used to make tons of mistakes in concert. He was just not stupid to do that in front of the TV camera. Many people criticize his technique, but when we are talking of such a superlative musical standard technique is something to be put in perspective.
viandante 1 year ago
@viandante I do have recordings of Bream where you can hear little buzzes and slips here and there, ya.
jjobie 10 months ago
@kpingvin i hear some notes that are not long enough if that counts as mistake for you :-)
kowalsky111 11 months ago
@kpingvin : Really he made at least two little little mistake (that i've notice) , one at 1:28 ( i cant'hear one note of the subject in the bass) and one at 4:13 he missed one note; That , at my advice is valueless and not influence the beautiful interpretation :) , but take something or someone as a model of perfection and deny anything small impurity or imprecision is alway dangerous, because these are the thing that make we human
Freecontact1 9 months ago 3
@Freecontact1 Minor mistakes are irelevant. Feel is everything. Bream was the master of feel !!
Pipixcan69 8 months ago
@kpingvin A little Buzz at :16
FourFatherTy 5 months ago
@kpingvin Theres a buzz right after 0:15... But who cares its still sublime.
brunthroath6912 4 months ago
Comment removed
delameu 4 months ago
@delameu they can also be 'squeak'-hives too! :D
jamesedwardtheobald 2 weeks ago
This has been flagged as spam show
@brunthroath6912 seriously have you ever played guitar lol i bet its worst than a bee hive
delameu 4 months ago
0:52 AMAZING
andrebarnas 2 years ago
Sublime.
RFeynman 2 years ago
there are only a small few, a handful of the worlds greatest classicla guitarists. To critique them shows a lack of true understnadning unless you are among them. Just lsiten that is the only requirement listen, enjoy find enlightenment
ericcharlesmokotoff 2 years ago 2
Wonderful! Best interpretation I've heard by now.. Only thing I would change is at 0:54 or so, I would let the high e ring.. But I'm learing the piece at the moment, so will try my best.. If I'll succeed, I'll upload my version to show you what I mean..
0TheBell0 2 years ago
I hope you'll succeed but I'm sure that Julian Bream is better than all of us;)
SmilinShadow 2 years ago
For sure he is and i guess there aren't many good guitarists who dare to claim anything else ;)
0TheBell0 2 years ago
wait, wait, wait... wow! just wow. You're going to show julian bream, i'm pretty sure the best guitarist on the planet at present, how to play it?
thejugglenaut91 2 years ago
Hell no, I said "the only thing IIII would change"!! I was talking about the way I like to play it, not about the way Bream should play it!!
0TheBell0 2 years ago
haha just giving you a hard tim
thejugglenaut91 2 years ago
Spero tanto che riuscirò ad arrivare a questo livello nel suonare!!!! "Sneza la musica la vita sarebbe un errore..." =)
lella22leeloo4 2 years ago 2
bellissimo sembra quasi facile a vedersi...
linihetfield 2 years ago 3
Simply amazing. Bach´s music at its best.
giopia0 2 years ago 4
Amazing to hear him play this utterly classical piece and think that one of his great inspirations to play guitar was gypsy Jazz musician Django Reinhard. You'd never guess a jazz guitarist influenced him to play classical. I love listening to him. I knew his music before I new Segovia's and it touched me more deeply, I must say.
philomelodia 3 years ago
bwv 1000 is NOT bwv 1001 transcribed, it's bach arrangement of bwv 1001 with significant additions and modifications and for the lute. Bach must have liked this fugue very much, for he made another arranegemt of it for organ with an added prelude (bwv 539)
ernent 3 years ago 25
@ernent And I think bwv 1000´s beauty went wayyyyyy beyond bwv 1001´s. I can´t believe anyone could ever write a piece music like this. And the answer is as obvious as unique: only Bach.
diegoarboli 6 months ago
sublime y conmovedora interpetacion
guitarclasic4693 3 years ago
Dear Christ that was great. I stopped breathing for a good 2 minutes in the middle of that. LOL
JapJackson 3 years ago 3
Extremely clean performance. And the timing is perfect. He completely owned the piece.
Rei0Arthur0Pendragon 3 years ago
probably one of the best ive heard of him
bobbobby1992 3 years ago 2
that was sublime
101piesaregood 3 years ago
I remember on an Autumn night in 1974 watching this programme called the 5 faces of the guitar. B Kessell [jazz], J beck [rock], P Pena [flamenco], J Renbourn [folk], and J Bream [classical], from which this comes. Never thought it'd be repeated! Fab
martinjp1958 3 years ago 2
I wish you have the lute version played by Luca Pianca. Simply the most sublime piece of music ever written and ever played. Bach is the other son of God sent to Earth.
diegoarboli 3 years ago
This is stunning. A beautiful piece of art. Thanks for sharing.
planetcaravan72 3 years ago 2
Paul Galbraith play Bach best!
theodor28uzunov 3 years ago
The best interpretation of this piece ever.
andrebarnas 3 years ago
Superb !The best guitarist of 20th century
erpenguin 3 years ago
Such maturity and sophistication! Amazing!
mars7272 3 years ago 3
its the most beautiful thing i`ve ever heard.
znotty 3 years ago
STILL think bream's the best- such emotion and so great at this melancholy stuff of the old composers- nobody sounds like him
tokaicarl 3 years ago
How does he compare to Williams do you think?
Bach would have loved Julian,Bach would have written Hundreds for the guitar if Julian & John had been around to play em.
znotty 3 years ago
i think john williams is an absolute genius at the guitar, i love his version of rodrigo's fantasia para un gentilhombre-
but--- i just can listen and listen to bream all the time- i don't know what it is but his playing really gets to me, maybe its his sound,! anyway both geniuses and bach would have loved to write pieces for both of them i agree
tokaicarl 3 years ago 3
This musical piece is brilliant! The musician
plays it very well.
tobeaMD 3 years ago
Impresionante este tío!!
infernalfog 3 years ago
The Maestro.
Hauser43 3 years ago 3
great
zambrano696 3 years ago
does anyone have Bream's transcription of this piece...
SmallGaruda 3 years ago
Fantastico !!
Semplicemente si rimane senza parole di fronte alla tecnica e all'espressività di Bream.
Esegue brani estremamente difficili facendoli sembrare quasi accessibili ai comuni mortali!
Bream for president.
BRAVO
5*
Tonty53 3 years ago 2
Great vid, thanks for posting. Yes, its bwv1000
scree123 3 years ago
hes amazing btw its bwv1000
slodderwobbel 3 years ago