I've been doing this for a while now :) I use FL and use ghost notes to make the chords with the different instruments, never knew what it was called though. I just found you on here today and you have some great tutorials. You explain things really well and have some great music.
@Enjuw An yeah if you can do a tutorial with some tricks on how you do all those clicky sound will be really fantastic. i have been always fascinated on this type of sound but i find difficult to variate and EQing in different manners how you do :) thannxxx
really awesome! never thought of making chords with different sounds, I have no idea why. maybe because I was to lazy to switch between the different midi tracks, thanks ! liked faved
An awesome video, you nailed a lot of the techniques I have struggle to master over the years and this has been a real eye opener. Just a couple of quick questions though, where do you find your choir/vocal samples from? They sound amazing, and also how do you achieve such a "big" sound on the kick drums. Is it from layering multiple kicks and EQ or is it as simple as combining a kick with some impact sound design?
I can't help but notice some of the names you have for different audio tracks and instruments. What is all of this Arvo Part stuff (Did you actually sample Arvo Part or was it inspired in some way by him)?
@PrivateBuckwheat there are no samples of Arvo Part. I made an EXS kit of chimes mixed with choir reverb tails that was inspired by Arvo Part's choral and string works. I name things by influence or so that I will remember what they are.... so looking at them in a big session I know what they are ... hence the "Curish bass" which is inspired by The Cure, but obviously not a sample etc.
@altosax314 haha! true true well the parallel 5ths and octaves are the part borrowed from indie rock :D Yeah I think parallel octaves, 5ths and unisons weren't allowed with true modal counterpoint.
@altosax314 oh wait I take that back! Prior to 1725-ish parallel 5ths and octaves were a very common practice in chants and plainsong. It wasn't frowned upon until tonal harmony starts to take shape in 1725 pre-classical period and after.
PS: I'm quite new to making music and first learned that call-response technique from one of your vids and love using it.
How you create your sounds is interesting, but nobody talks enough about how they actually come up with their melodies and why a song works etc., that's extremely helpful to people like me with very limited knowledge of music theory and experience, so thanks a lot for that.
amazing track! what is that instrument? sounds almost like a delayed piano? can you tell me please, it's alittle after the beginning. sounds abit like coldplay.
Yes... So good. Definitely going to try messing with this concept. Usually it's something that's there, but you don't even really notice it. Thanks for the video.
nice, I'm inspired now to try this technique out. And please don't do those 'how to make a skrillex bassline in massive vst' tutorials, there's tons of them all over youtube, and your tips are way more interesting and engaging anyway.
@beaver12 thanks for the interest. I don't know Excision personally... so I'm not sure how he creates his basslines. I think there are a couple of threads and interviews on DOA and/or dubstepforum about Excision's sounds. Best to learn from Excision himself (via interviews etc) if possible. Good luck!
Hi, Trifonic - I'm a big fan, can you tell me how to make phat, wide sounding bass sounds, thank :)
ParaTroXic 3 days ago
shit this sound so good. keep it up man
NoiseINCofficial 1 week ago
how do you get that sustaining, percussive sound from what you call the "sculpture"?
cloud041089 4 weeks ago
Where can I find this Angels remix? It sounds amazing.
HideousParabol 1 month ago in playlist Uploaded videos
Very inspiring. Think you can do a tutorial on how to make good pad sounds?
Xiphion 2 months ago in playlist More videos from nextstepaudio
I've been doing this for a while now :) I use FL and use ghost notes to make the chords with the different instruments, never knew what it was called though. I just found you on here today and you have some great tutorials. You explain things really well and have some great music.
SpeakerFrequer 3 months ago in playlist More videos from nextstepaudio
Good to see you again Brian. Love form England.
Enev4 4 months ago
Yesss waiting a lot for your new tutorials please don't stop!!
Enjuw 4 months ago
@Enjuw An yeah if you can do a tutorial with some tricks on how you do all those clicky sound will be really fantastic. i have been always fascinated on this type of sound but i find difficult to variate and EQing in different manners how you do :) thannxxx
Enjuw 4 months ago
i like your efforts towards independent melodic counterpoint.
frabur1 4 months ago
really awesome! never thought of making chords with different sounds, I have no idea why. maybe because I was to lazy to switch between the different midi tracks, thanks ! liked faved
Tr0ll321 4 months ago
An awesome video, you nailed a lot of the techniques I have struggle to master over the years and this has been a real eye opener. Just a couple of quick questions though, where do you find your choir/vocal samples from? They sound amazing, and also how do you achieve such a "big" sound on the kick drums. Is it from layering multiple kicks and EQ or is it as simple as combining a kick with some impact sound design?
Hybridized 4 months ago
I can't help but notice some of the names you have for different audio tracks and instruments. What is all of this Arvo Part stuff (Did you actually sample Arvo Part or was it inspired in some way by him)?
PrivateBuckwheat 4 months ago
@PrivateBuckwheat there are no samples of Arvo Part. I made an EXS kit of chimes mixed with choir reverb tails that was inspired by Arvo Part's choral and string works. I name things by influence or so that I will remember what they are.... so looking at them in a big session I know what they are ... hence the "Curish bass" which is inspired by The Cure, but obviously not a sample etc.
nextstepaudio 4 months ago
Some parallel octaves at 1:40... BAD Trifonic. *naughty naughty* LMAO! Nice to see a MUSIC tutorial in the electronic music world....
altosax314 4 months ago
@altosax314 haha! true true well the parallel 5ths and octaves are the part borrowed from indie rock :D Yeah I think parallel octaves, 5ths and unisons weren't allowed with true modal counterpoint.
nextstepaudio 4 months ago
@altosax314 oh wait I take that back! Prior to 1725-ish parallel 5ths and octaves were a very common practice in chants and plainsong. It wasn't frowned upon until tonal harmony starts to take shape in 1725 pre-classical period and after.
nextstepaudio 4 months ago
very good!!
mykldxn 4 months ago
Everyone speaks so highly of you i subscribed :)
This video is simply AWESOME! :D
rekaepa 4 months ago
PS: I'm quite new to making music and first learned that call-response technique from one of your vids and love using it.
How you create your sounds is interesting, but nobody talks enough about how they actually come up with their melodies and why a song works etc., that's extremely helpful to people like me with very limited knowledge of music theory and experience, so thanks a lot for that.
Xo1ot1 4 months ago
amazing track! what is that instrument? sounds almost like a delayed piano? can you tell me please, it's alittle after the beginning. sounds abit like coldplay.
bedroom58 4 months ago
Yes... So good. Definitely going to try messing with this concept. Usually it's something that's there, but you don't even really notice it. Thanks for the video.
Ceb773 4 months ago
So goddamn happy you are back. I seriously thought you were going to stop making tutorials. I think you make one of the best tutorials on the net!
vanCroon 4 months ago
Awesome tutorial. Thanks for the up on this one. I've got some new ideas from this! :)
Keep up the great work!
KelseyBDJ 4 months ago
finally new stuff, yeappy!
a65urd 4 months ago
pretty cool !
greenlinkmusic 4 months ago
nice, I'm inspired now to try this technique out. And please don't do those 'how to make a skrillex bassline in massive vst' tutorials, there's tons of them all over youtube, and your tips are way more interesting and engaging anyway.
Shemassault 4 months ago 12
@Shemassault couldn't agree more. please keep more vids coming :)
Xo1ot1 4 months ago
@Shemassault thanks! I don't plan on doing any Skrillex videos until Skrillex starts making videos on how to create trifonic sounds :)
nextstepaudio 4 months ago 14
one of the best tuts i`ve seen in a long time. please make more tutorials with tips on melodies , progressions and stuff like that
reaver2033 4 months ago 2
your tutorials are the best on the internet, period
tylerblue1984 4 months ago 3
please tutorial on basslines,excision style please please i beg u !!!!
beaver12 4 months ago
@beaver12 thanks for the interest. I don't know Excision personally... so I'm not sure how he creates his basslines. I think there are a couple of threads and interviews on DOA and/or dubstepforum about Excision's sounds. Best to learn from Excision himself (via interviews etc) if possible. Good luck!
nextstepaudio 4 months ago
Love your stuff, thanks so much for sharing your talent!
twtyler 4 months ago