Pardon my asking, but do you know where I can find readily available sources on the fighting techniques with the Renaissance-era true two-handed swords? Thanks.
@DaUsher Thanks for your kind words. Unfortunately though, I'm afraid that the two-handed sword of the Renaissance is not covered by my field of expertise. I am not aware of any German sources but believe that the Iberian material about the montante offers some insight in this respect. As for the availability of sources, I am very sorry not being able to help you there.
@POPEPO71 As always, Master Liechtenauer's verses (or in this case, Master Falkner's adaptation of them) are tremendously tricky to understand and they withstand a clear translation. Double meanings of words have to be taken into consideration, and after all, they are verses, a very condensed form. The "war" (krieg) is what happens from the "bind" i.e. when the swords have made contact. One should not leave the bind because it is the bind that gives the fencer information about his adversary's
@POPEPO71 intentions, his position, his strength, and, of course, his blade. Also, one has to stay in the "vor", that is to retain the initiative. If you fail to do so, the adversary might take advantage of this and threaten you with his point. So, if you concentrate too much on a specific target and fail to reach it, you might find yourself hit at another opening. The winding is the action taken from the bind. As stated above, you should not leave the bind in order to gather information;
Pardon my asking, but do you know where I can find readily available sources on the fighting techniques with the Renaissance-era true two-handed swords? Thanks.
And great channel!
DaUsher 2 months ago
@DaUsher Thanks for your kind words. Unfortunately though, I'm afraid that the two-handed sword of the Renaissance is not covered by my field of expertise. I am not aware of any German sources but believe that the Iberian material about the montante offers some insight in this respect. As for the availability of sources, I am very sorry not being able to help you there.
DierkHagedorn 2 months ago
I love this stuff, euro sword play is fun stuff to watch, love compairing the simularities that show up in euro sword play to the Iai I study.
Alot that is different too, because you can not used a curved weapon exactly the same as a straight edge but still alot of simularities.
OMFGHUGEWOLF 3 months ago
"Who endeavours the war
above will be humilliated below.
Learn to find stroke and thrust in every winding."
what does this mean?????
anyone can explain it to me?
POPEPO71 7 months ago
@POPEPO71 As always, Master Liechtenauer's verses (or in this case, Master Falkner's adaptation of them) are tremendously tricky to understand and they withstand a clear translation. Double meanings of words have to be taken into consideration, and after all, they are verses, a very condensed form. The "war" (krieg) is what happens from the "bind" i.e. when the swords have made contact. One should not leave the bind because it is the bind that gives the fencer information about his adversary's
DierkHagedorn 7 months ago
@POPEPO71 intentions, his position, his strength, and, of course, his blade. Also, one has to stay in the "vor", that is to retain the initiative. If you fail to do so, the adversary might take advantage of this and threaten you with his point. So, if you concentrate too much on a specific target and fail to reach it, you might find yourself hit at another opening. The winding is the action taken from the bind. As stated above, you should not leave the bind in order to gather information;
DierkHagedorn 7 months ago
@POPEPO71 and from the bind you seek your opponent's next opening. Depending on the distance, you can either strike or thrust at him.
DierkHagedorn 7 months ago
youll see me there well when i move to germany :)
digitalurbantactics 7 months ago
The demonstration would be more realistic if they stood within a realistic distance. At 1:39 their blade would not even touch the other.
ranpleasant 8 months ago in playlist Longsword Techniques: Peter Falkner
Sehr Gut. aber wo ist die gerausch(?)? (Sorry if I mangled the german but I'm not a speaker.)
orcawne 8 months ago
@orcawne Sorry for the inconvenience. I'm afraid, you'll have to turn up the volume a bit.
DierkHagedorn 8 months ago
Thank you for this.
terrylk2 1 year ago
Hübsches Beispiel, in dem das Indes sehr schön gezeigt wird.
Schöne Grüße aus Linz!
Veilliron 1 year ago
Sehr schöne Arbeit. Weiter so Dierk
Fechtergruß
Heiko M.
TheSchwert 2 years ago
Cool counter against winding into ochs.
Thanks.
warzechas 2 years ago