Joachim did not leave us recordings as polished and full of verve as this. Why not? Did Ysaye really write over a 600 pieces. I'm a pianist.His sonatas have yet to reach me. I didn't know he also conducted. Great man.Capable of anything.
Ysaye was a fine conductor too. His records with the Cincinnati SO (Columbia, circa 1920) are among the most successful orchestral recordings of the acoustic period, with (as one might expect) a real warmth in the string tone.
He iz amazing. And now he has a second life. Edward Grach and his pupils now plais Wienyawsky ? and it" exellent.I like very much Yakub Unec playing Wienyawsky, And Lev Solodovnikov is very interesting in Wienyawski.
One hundred years later classical music badly needs supreme masters like Ysaye and geniuses like Wieniawski. Entire generatios of violinists have made their careers and fortunes upon his compositions. If he lived to make 0.1% of profit on royalties Wieniawski would be a billionaire today
I know this piece very well.... I have played it...and THE REAL SPEED IS UNCOMPARABLY SLOWER!!! I don't think that suck an immense violinist such as Ysaye would have played it so fast, just to prove that he could. the piece is a dance, not a fuga. I am sad that I really would have enjoyed listening the piece at the real speed, because there are many details that at this speed are hard to detect...
Records could only hold around 5 minutes in those days, pieces were often played faster than intended to fit on one side, either that or split in pieces.
As I only know it from this Ysaye recording..the speed doesn't bother me at all.. sounds normal ;-)
Cóż... żeby grać mazurki trzeba siłą rzeczy mieć coś z Polski, znać przynajmniej ten polski dryg. Tutaj mi brakuje tej chwiejności mazurka. Gdyby było trochę wolniej...
Incredible! No wonder, he could write stuff like his sonatas! The recording seems to be played too fast, though: The pitch is nearly half a tone too sharp.
No, it's just vibrato. There's only 3 spots with trills; near the beginning, in the middle section, and the resumption of the main theme near the end.
Joachim did not leave us recordings as polished and full of verve as this. Why not? Did Ysaye really write over a 600 pieces. I'm a pianist.His sonatas have yet to reach me. I didn't know he also conducted. Great man.Capable of anything.
lovesGenet 1 year ago
What is the piece he is playing in second half of the recording?
gr8tfullyyours 1 year ago
Ysaye was a fine conductor too. His records with the Cincinnati SO (Columbia, circa 1920) are among the most successful orchestral recordings of the acoustic period, with (as one might expect) a real warmth in the string tone.
Menophanes 1 year ago
wow his trills are amazing.
jin12345678 1 year ago
He iz amazing. And now he has a second life. Edward Grach and his pupils now plais Wienyawsky ? and it" exellent.I like very much Yakub Unec playing Wienyawsky, And Lev Solodovnikov is very interesting in Wienyawski.
ArtemisDEfes 1 year ago
One hundred years later classical music badly needs supreme masters like Ysaye and geniuses like Wieniawski. Entire generatios of violinists have made their careers and fortunes upon his compositions. If he lived to make 0.1% of profit on royalties Wieniawski would be a billionaire today
ofsn00 2 years ago 2
Ysaye whistles on the violin...
unnamableusername 2 years ago 2
Invisible technique, supreme artistry.
Awesome!! Thank you.
Kievest 2 years ago 2
first it is pas de basque - like then the ordinary"run"...
POLMAZURKA 2 years ago
Comment removed
jonathancaramin 3 years ago
so in tune and so human at the same time
pviola314 3 years ago 2
This has been flagged as spam show
I know this piece very well.... I have played it...and THE REAL SPEED IS UNCOMPARABLY SLOWER!!! I don't think that suck an immense violinist such as Ysaye would have played it so fast, just to prove that he could. the piece is a dance, not a fuga. I am sad that I really would have enjoyed listening the piece at the real speed, because there are many details that at this speed are hard to detect...
flioshk87 3 years ago
Records could only hold around 5 minutes in those days, pieces were often played faster than intended to fit on one side, either that or split in pieces.
As I only know it from this Ysaye recording..the speed doesn't bother me at all.. sounds normal ;-)
sobie99 3 years ago 6
Cóż... żeby grać mazurki trzeba siłą rzeczy mieć coś z Polski, znać przynajmniej ten polski dryg. Tutaj mi brakuje tej chwiejności mazurka. Gdyby było trochę wolniej...
Katamanteuomos 4 years ago
co chcesz całkiem z drygiem, robi co trzeba i gdzie trzeba. Tacy wyjątkowi to nie jesteśmy
sousique 3 years ago
Incredible! No wonder, he could write stuff like his sonatas! The recording seems to be played too fast, though: The pitch is nearly half a tone too sharp.
mariusfelix 4 years ago 3
the great Belgian !!!!
Rephrat 4 years ago 6
@Rephrat De groot-STE!
TheFactoryOfLight 4 months ago
Does anyone hear a bird toward the end of the first movement when he hits that real high note? :P Did he really do that while trilling? o_O
One of a kind performance, obviously a master.
kaisergeist22 4 years ago 3
No, it's just vibrato. There's only 3 spots with trills; near the beginning, in the middle section, and the resumption of the main theme near the end.
mellomania05 4 years ago
Ysaye was truly one of the god's of the violin!
legman36 4 years ago 3
true master
greatizzgood 4 years ago 3
Boy, the sonority of his Guarnerius comes through clearly from a recording almost a century old!
winrx 4 years ago 3
Yeah. In fact, I think the purpose of this recording was to show off the sound of two Guarnerius'. How's that for a demo tape!
aimson 4 years ago