@bbnut Your opinion can't hurt us. It can only hurt you. I'd rather listen to an hour and a half of this than an hour and a half of *insert random corporate pop artist*.
@eldonthedevil Haha!! You're response here to my comment is pretty funny. Not gonna lie. Helped me get into a better mood because I have a midterm for school tomorrow.
I'd like to thank the five people that make it all the way through beforehand. Apologize to your date for dragging her to this, and if nothing else, you saw the end of classical music go out with a whimper and not a bang.. It had a good run, but nobody could justify paying to sit through an hour and a half of this.
"The day after I finally won the Italian TV quiz on mushrooms, I received anonymously in the mail Volume II of a French book on mushrooms that had been published in Germany. I was studying it in a crowded streetcar going to downtown Milan. The lady next to me said, “What are you reading that for? That’s finished.”
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright - And this was very odd, because it was The middle of the night
One of the best things he ever did. I love the way the performers keep a sense of forward motion going throughout, so it's hypnotic rather than suffocating. Many thanks for this.
Nice! I'm currently studying contemporary music. This is very interesting. Feldman also had an interest in Persian rugs. Perhaps the complexity of the interwoven patterns in the rugs can be made parallel to the delicate, yet heavily expressive texture of this piece. Nice recording!
there's other pieces that have a more direct connection to his interest in 'teppich' but all of his late works are connected to the ideas he derived from his study and collection -- not just the patterns but, more specifically, the way in handmade rugs and hand-dyed thread that the patterns are not quite symmetrical. this 'crippled symmetry' has its own expressive power.
j'aime beaucoup cette partition de Feldman ... la dernière partie surtout !! (avec cet "arpège" de 6 notes répété sur l'ensemble du registre, au piano ...).
seriez-vous interessé de diffuser les 75 minutes de l'oeuvre, intégralement ? je crois que l'oeuvre mérite qu'on s'y attarde un peu ...
This is beautiful, haunting. Very spare, but with enough flesh for expression. This is my first taste of Feldman, and I like it very much. I'm enjoying my musical journey very much here. Thanks for sharing this, minirausch, I love many of these modern classical composers even though I don't have much knowledge of them, I know what I like. lol
1) I´d like to correct the title: (GELL MINIRAUSCH): FELDMAN CALLED IT PIANO, VIOLIN, VIOLA, CELLO!!! (There aren´t 2 violins just one so it´s not a string quartet). It´s Feldman´s last work, written in 1987.
2) The piece is excellent, I even prefer it to Palais de Mari or Triadic memories, I had a recording of the piece where the piano arpeggio at the beginning and throughout the piece is played more slowly what I prefer, but this recording´s great, too.
actually you're speaking of a different piece -- this one comes from '85. i've seen the score of "piano, violin, viola and cello" as well, looks like a marvelous piece, but as far as i know it's currently unavailable on recording. there's another recording of this piece (piano/SQ) with aki takahashi and the kronos quartet.
as for this piece itself, it's one of his most austere pieces, and that has its own appeal; i prefer the slightly more differentiated scores, though. "patterns in a chromatic field" is my favorite late work by a long shot, but i love it all. feldman's music is very dear to me....
Thank´s for letting me know better... I´ll look it up anyway. I agree you have really a great music taste. Feldman is the musical expression - at least as he was able to achieve it with the posibilities of soud - of non-dualism. It is at the same time "emotional", without being a conceptual constuction of what "traditional" composers want to express emotionally, and well constructed, without wanting to reach only musicians who are lost in their music architecture conceptual system.
But I thought normally no one can like ANY music, there seems to be something wrong with any kind of music... Pop is too stupid for intellectual ones, Boulez is too intellectual for emotionally superficial ones. Feldman wants to go beyond these extremes, but he might be too boring for both Boulez and Britney Spears fans. There is no music everyone could like..but there are people in the world who go beyond all the limits, they are ok with any kind of music or noise, they must be the enlightened.
@bbnut Your opinion can't hurt us. It can only hurt you. I'd rather listen to an hour and a half of this than an hour and a half of *insert random corporate pop artist*.
AyumuVanguard 1 month ago
This piece is clearly a glimpse of genius.
AAAbstractJack 9 months ago
i like it..but..i dont understand. :( i want to understand..:(
AmandiMasen 11 months ago
Comment removed
AAAbstractJack 9 months ago
@AmandiMasen
I do understand...
don't think...
listen only
and then you'll
understand.
AAAbstractJack 9 months ago
@eldonthedevil Haha!! You're response here to my comment is pretty funny. Not gonna lie. Helped me get into a better mood because I have a midterm for school tomorrow.
avb20540 1 year ago
i love Feldman style, this spectral music. *_*
TheFate23 1 year ago
@TheFate23 Spectral Music?
You are on the correct path - there's much more out there.
Feldman's music is, most of the time, brilliant.
AAAbstractJack 9 months ago
As filled with Feldmanesque wonder and mystery as anything he wrote.
PolkRidgeAesthete 1 year ago
musica hermosa bella ... Feldam is a genius ... perfect music
Lisette224 1 year ago
@Lisette224
So true.
AAAbstractJack 9 months ago
This piece will be performed by Vicki Ray with the Eclipse Quartet in Los Angeles.
Nov. 30th, 2010
Zipper Concert Hall
LererDesignStudio 1 year ago
@LererDesignStudio
I'd like to thank the five people that make it all the way through beforehand. Apologize to your date for dragging her to this, and if nothing else, you saw the end of classical music go out with a whimper and not a bang.. It had a good run, but nobody could justify paying to sit through an hour and a half of this.
bbnut 1 year ago
@bbnut Here's a John Cage quote:
"The day after I finally won the Italian TV quiz on mushrooms, I received anonymously in the mail Volume II of a French book on mushrooms that had been published in Germany. I was studying it in a crowded streetcar going to downtown Milan. The lady next to me said, “What are you reading that for? That’s finished.”
LererDesignStudio 1 year ago
@LererDesignStudio
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright - And this was very odd, because it was The middle of the night
bbnut 1 year ago
One of the best things he ever did. I love the way the performers keep a sense of forward motion going throughout, so it's hypnotic rather than suffocating. Many thanks for this.
flibbertergibbet 1 year ago
notable pieza
la magnifica honestidad del espacio, como diria e.e.cummings.
kepuysac 1 year ago
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This music, the whole quartet I mean, is like a Jacuzzi bath to my lonely neuron.
A 37°C bath with massaging jets...
theprof1958 1 year ago
This comment has received too many negative votes show
i can make these sounds with my mouth, no big deal
poypoy09 2 years ago
Then you have a really weird, awful mouth and a really small brain ;-)!
EdiEllerymissing 2 years ago
Nice! I'm currently studying contemporary music. This is very interesting. Feldman also had an interest in Persian rugs. Perhaps the complexity of the interwoven patterns in the rugs can be made parallel to the delicate, yet heavily expressive texture of this piece. Nice recording!
avb20540 2 years ago 3
there's other pieces that have a more direct connection to his interest in 'teppich' but all of his late works are connected to the ideas he derived from his study and collection -- not just the patterns but, more specifically, the way in handmade rugs and hand-dyed thread that the patterns are not quite symmetrical. this 'crippled symmetry' has its own expressive power.
minirausch 2 years ago 2
@avb20540
I think THE MUSIC OF MORTON FELDMAN is a book I read that talked about 'crippled symmetry' with regard to him and his compositional intent.
posquint 1 year ago
@avb20540 GJ()_UOW#
afkhajiit 10 months ago
genius
lizly7 2 years ago
j'aime beaucoup cette partition de Feldman ... la dernière partie surtout !! (avec cet "arpège" de 6 notes répété sur l'ensemble du registre, au piano ...).
seriez-vous interessé de diffuser les 75 minutes de l'oeuvre, intégralement ? je crois que l'oeuvre mérite qu'on s'y attarde un peu ...
merci d'avance !!
MrRaph87 2 years ago
on va voir.. =) j'ai pas beaucoup de temps cet été. bien sur, on doit écouter toute la pièce...
minirausch 2 years ago
merci infiniment de votre part !!
je connais déjà bien l'oeuvre, mais c'est effectivement bien venu de pouvoir la diffuser, même s'il faut beaucoup de temps à lui accorder ...
"thanks a lot, dear Mr Rausch !!"
MrRaph87 2 years ago
I love feldman's work. and for me, this is one of his best pieces. what is it about him that gets me so?....i have listened to
may of his works...they are always haunting and beautiful. there is something about feldman that is so....
.....always there...for me.
quazichimp 2 years ago 3
This is beautiful, haunting. Very spare, but with enough flesh for expression. This is my first taste of Feldman, and I like it very much. I'm enjoying my musical journey very much here. Thanks for sharing this, minirausch, I love many of these modern classical composers even though I don't have much knowledge of them, I know what I like. lol
syr1811 2 years ago 9
1) I´d like to correct the title: (GELL MINIRAUSCH): FELDMAN CALLED IT PIANO, VIOLIN, VIOLA, CELLO!!! (There aren´t 2 violins just one so it´s not a string quartet). It´s Feldman´s last work, written in 1987.
2) The piece is excellent, I even prefer it to Palais de Mari or Triadic memories, I had a recording of the piece where the piano arpeggio at the beginning and throughout the piece is played more slowly what I prefer, but this recording´s great, too.
cristlang 3 years ago
actually you're speaking of a different piece -- this one comes from '85. i've seen the score of "piano, violin, viola and cello" as well, looks like a marvelous piece, but as far as i know it's currently unavailable on recording. there's another recording of this piece (piano/SQ) with aki takahashi and the kronos quartet.
minirausch 3 years ago
"Piano, Violin, Viola, Cello (1987)" One of his last and longest works, should be available on the Hat (now)Art label.
kylebobbydunn 2 years ago
as for this piece itself, it's one of his most austere pieces, and that has its own appeal; i prefer the slightly more differentiated scores, though. "patterns in a chromatic field" is my favorite late work by a long shot, but i love it all. feldman's music is very dear to me....
minirausch 3 years ago
Thank´s for letting me know better... I´ll look it up anyway. I agree you have really a great music taste. Feldman is the musical expression - at least as he was able to achieve it with the posibilities of soud - of non-dualism. It is at the same time "emotional", without being a conceptual constuction of what "traditional" composers want to express emotionally, and well constructed, without wanting to reach only musicians who are lost in their music architecture conceptual system.
cristlang 3 years ago
But I thought normally no one can like ANY music, there seems to be something wrong with any kind of music... Pop is too stupid for intellectual ones, Boulez is too intellectual for emotionally superficial ones. Feldman wants to go beyond these extremes, but he might be too boring for both Boulez and Britney Spears fans. There is no music everyone could like..but there are people in the world who go beyond all the limits, they are ok with any kind of music or noise, they must be the enlightened.
cristlang 3 years ago 2
@cristlang I am sorry to recorrect your comment but this piece is really PIANO AND STRING QUARTET, written in 1985...
ddakhtik 1 year ago