actually he's surprisingly accurate. and where he misses notes, it can be forgiven by being one of the most intense piano recordings I've ever heard.
With no doubt, the best paraphrase on Folies d'Espagne is what Liszt has created. I've seen more than 20 different works based on this theme, but none of them is as great as Liszt's Rhapsodie Espagnole.
Hear to Cziffra's interpretations (recording in 1957-1959 and not the 1972 ones) of Liszt rhapsodies, which are still now a reference of virtuosity and musicality (no one made pianissimos like him).
Totally agree that Cziffra has done the best ever recordings of Liszt's Hungarian Rhapsodies and Transcendental Etudes. You can easily distinguish his works at friskas, lassans and prestissimos: Fast exactly when needed - Slow exactly when needed. And you can never hear a harsh sound in his works, even for a single note... I totally agree... No one has ever understood Liszt like Cziffra. But, I've never heard of his recording of "Rhapsodie Espagnole." Could you send it to me if you have it?
That exactly isn't true: Cziffra's way of playing Liszt is wonderful and sometimes very lyrical, but above all virtuous and he plays each passage as an isolated piece, so if there are more virtuous sequences in a composition, he plays them like a series of short compositions. Whereas Gilels' and Lazar Berman's interpretations are interpretations in the real sense of the word. And noone plays the Transcendental Studies as well as Lazar Berman, especially Nos. 2, 11 and 12.
Actually, if you listen to Lazar Berman's interpretation of Liszt, you will realize he could play incredible pianissomos: try the slow introduction of the Étude d'éxécution transcendante no. 11 (Harmonie du soir) and the first appearance of the main theme.
@loboris1995 I didn't say anything about other works composed by Liszt (which are actually wonderful mostly) - I just said that among themes (transcriptions, paraphrases, variations, etc.) based on Folies d'Espagne, written during the past 4-5 centuries, Liszt's Rhapsodie Espagnole is the best (other good works that can be listed are composed by Lully, Vivaldi, Corelli, Bach and Salieri... But still I believe Liszt made the best one).
He makes the piano cry
davidbaker03 1 month ago
reminds me of rachaminoff's corelli variations so much.
Brilliant performance
aaaaaaaaa6804 10 months ago
That Corelli theme again. The Rachmaninoff variations on the same melody are his last masterpiece.
briandonohue100 1 year ago
It's a pity,I would like to hear Richter playing this pièce^^
loboris1995 1 year ago
Gilels for ever...
Cziffra is wonderful in this piece, but this discovery of Gilels is amazing...
pianopianissima 1 year ago 4
@pianopianissima Cziffra performence is too cold for me in my taste.
loboris1995 1 year ago
Gilels is one of the best virtuosos of any time, some of those wrong notes just remind us that he is human, thats all:)
gugunchik 2 years ago 3
actually he's surprisingly accurate. and where he misses notes, it can be forgiven by being one of the most intense piano recordings I've ever heard.
theoryjoe 2 years ago 6
i hope you were trying to make a good joke.
deandusk 2 years ago
With no doubt, the best paraphrase on Folies d'Espagne is what Liszt has created. I've seen more than 20 different works based on this theme, but none of them is as great as Liszt's Rhapsodie Espagnole.
And Gilels' is the best performance I guess.
alibeshjr 3 years ago 7
Hear to Cziffra's interpretations (recording in 1957-1959 and not the 1972 ones) of Liszt rhapsodies, which are still now a reference of virtuosity and musicality (no one made pianissimos like him).
CziffraLegacy 2 years ago
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Totally agree that Cziffra has done the best ever recordings of Liszt's Hungarian Rhapsodies and Transcendental Etudes. You can easily distinguish his works at friskas, lassans and prestissimos: Fast exactly when needed - Slow exactly when needed. And you can never hear a harsh sound in his works, even for a single note... I totally agree... No one has ever understood Liszt like Cziffra. But, I've never heard of his recording of "Rhapsodie Espagnole." Could you send it to me if you have it?
alibeshjr 2 years ago
That exactly isn't true: Cziffra's way of playing Liszt is wonderful and sometimes very lyrical, but above all virtuous and he plays each passage as an isolated piece, so if there are more virtuous sequences in a composition, he plays them like a series of short compositions. Whereas Gilels' and Lazar Berman's interpretations are interpretations in the real sense of the word. And noone plays the Transcendental Studies as well as Lazar Berman, especially Nos. 2, 11 and 12.
cioccolateria 2 years ago
Actually, if you listen to Lazar Berman's interpretation of Liszt, you will realize he could play incredible pianissomos: try the slow introduction of the Étude d'éxécution transcendante no. 11 (Harmonie du soir) and the first appearance of the main theme.
cioccolateria 2 years ago
@alibeshjr It's very beautifull,but liszt has done so many works and they are all very diffrent.
loboris1995 1 year ago
@loboris1995 I didn't say anything about other works composed by Liszt (which are actually wonderful mostly) - I just said that among themes (transcriptions, paraphrases, variations, etc.) based on Folies d'Espagne, written during the past 4-5 centuries, Liszt's Rhapsodie Espagnole is the best (other good works that can be listed are composed by Lully, Vivaldi, Corelli, Bach and Salieri... But still I believe Liszt made the best one).
alibeshjr 1 year ago
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@alibeshjr Every one his taste^^
loboris1995 1 year ago