You probably did not understand the problem: on my screen this recording of Bach sounded a semitone above! Why - I do not know now sound normal. Internet jokes?
to project the prelude´s 'gould-articulation' onto the following fugue doesnt simply succeed because the character of this piece might be a bit more intimate,namely the intimacy of a string quartet playing 'molto legato'.
Yes I know that my fellow listener. And that is exactly wht makes me wonder why he choosed to play it staccato and not little bit more legato, wich would have been the naturla way of play. That was what I meant. To play it legato as the more natural way of the piece to sound.
Actually, Gould's interpretations are anything about the 'character' of the piece, they are almost always about structures. Sokolov's idea of this fugue, as I understand it, follows Gould's premises.
Gould is known to be one of Sokolov's professed favourite pianists. I like to think that Sokolov's take on this P&F is a loving homage to the Torontian. The arpeggios in the prelude are articulated the same way as Gould's (just a little brisker), while in the fugue the articulation of the subject is worked out as Gould could have done, by making more audible some remarkable structural device (in this case, the stretti all through the fugue).
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Hi,i am looking for a fugue speciallist to tell me what is that chromatic fugue:
youtube.com/watch?v=yotypIIavlQ&list=HL1326399726&feature=mh_lolz
I found it as notes and then i made it with a music notation program
Enlightenment82 1 month ago
What amazingly clear articulation. Sokolov is truly outstanding!
AdagioVenezia 5 months ago
Staccato, but with pedal!
smudgepots 9 months ago
Interpretazione a dir poco stupenda e meravigliosa padronanza dello strumento,
siamo MOLTO fortunati a poter sentire simili musicisti, grazie.
pdorprimo 1 year ago
You probably did not understand the problem: on my screen this recording of Bach sounded a semitone above! Why - I do not know now sound normal. Internet jokes?
jazzman1945 1 year ago
@jazzman1945
Yes, the piano seems tuned just slightly sharp (not a semitone above). One more homage to Gould, definitely... ;)
thetunr 1 year ago
too ostentatious in my opinion.
to project the prelude´s 'gould-articulation' onto the following fugue doesnt simply succeed because the character of this piece might be a bit more intimate,namely the intimacy of a string quartet playing 'molto legato'.
berlinzerberus 1 year ago
@berlinzerberus
You are totally right, he forgot about the legato shit.
aperisimo 1 year ago
@aperisimo where did you read that these Prelude and Fugue have to be played legato???
Bach didn't write "legato" or "staccato" on his scores!
PieroBolzano 1 year ago
@aperisimo where did you read that these Prelude and Fugue have to be played "legato"???
Bach didn't wrote "legato" on his score!
PieroBolzano 1 year ago
@PieroBolzano
Yes I know that my fellow listener. And that is exactly wht makes me wonder why he choosed to play it staccato and not little bit more legato, wich would have been the naturla way of play. That was what I meant. To play it legato as the more natural way of the piece to sound.
aperisimo 1 year ago
@aperisimo probably you are right, and Bach probably meant it legato...who knows?
Sokolov's is just an original interpretation! But he didn't forgot about anything in my opinion!
PieroBolzano 1 year ago
@berlinzerberus
Actually, Gould's interpretations are anything about the 'character' of the piece, they are almost always about structures. Sokolov's idea of this fugue, as I understand it, follows Gould's premises.
thetunr 1 year ago 2
for my taste its a bit too rushing..but no doubt solokov is one of the best pianists in the world.
hotbebimauz 1 year ago
This is C major???
jazzman1945 1 year ago
@jazzman1945
depends on the measure you are analyzing!!
aperisimo 1 year ago
Goulds mother was I think a prouct of the Russian school but don t quote me.
chad410 2 years ago
An interesting hybrid of styles. Kind of like how Gould would play it if he had been educated at the Moscow Conservatory.
Pogouldiwitz 2 years ago 13
...hehe,pretty sarcastical,but in a way true...
i would add ..and having drunk 2 wodka [at least!] ;))
berlinzerberus 2 years ago
Interesting point, PGW.
Gould is known to be one of Sokolov's professed favourite pianists. I like to think that Sokolov's take on this P&F is a loving homage to the Torontian. The arpeggios in the prelude are articulated the same way as Gould's (just a little brisker), while in the fugue the articulation of the subject is worked out as Gould could have done, by making more audible some remarkable structural device (in this case, the stretti all through the fugue).
thetunr 2 years ago 2