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  • vaghean karet aliee ; mamnoon misham nahveye mezrrab zadanesh ham neshon bedi, ya agar notesh ro dari baram befreti ,shoma note e ahanghaye mohsen namjoo ro dari kheili donbaleh hastam,, agar dari lofan be email e man befrestin ye donia mamnoon

  • vaghean karet aliee ; mamnoon misham nahveye mezrrab zadanesh ham neshon bedi, ya agar notesh ro dari baram befreti ,shoma note e ahanghaye mohsen namjoo ro dari kheili donbaleh hastam,, agar dari lofan be email e man befrestin ye donia mamnoon

  • well if you realy want to understand these musics then let me give you a turkish folk singer name here in you tube and try it and let me know what you thing about it ? just dail as this ; ERDAL ERZINCAN GULLERIM ALI CAGIRIR then you see a man with a instroment like this one here in his hand with a very red back groung in picture and listen .

  • Great job. Love it!

  • impressive

  • I am not too fond of shaari's flamenco type playing.  That's why I called the first half yankee-doodle.

  • Familiar with a guy named Harry Partch? I also recommend Toby Twining. There's a whole lot more to music than major and minor.

    I am sometimes irritated by Shaari's harmonizing, but sometimes it puts me in mind of flamenco, which I like.

  • The 43 steps I propose are relatively equal intervals and harry parch's are not. I also think Parch was a bit crazy, naming each tone with a sensation etc. Oh well.

  • Oh, yeah, he was way out there. What I'm saying is that we shouldn't be frightened of unfamiliar sonorities. They can be extremely beautiful when we open up our minds a bit.

  • good job ahsant

    very educative

  • Very innovative! It certainly is a unique sound and method for the setar...

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