Added: 3 years ago
From: billyboy647
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  • Love the shameless plug

  • Thank you for sharing this trick! I've had a difficult time switching from A to bell B. I kept trying to adjust my air and force a little more air out but it just kept squeaking. I was getting upset and found this video so I'll definitely try this in band! And yes I will PRACTICE this!

  • Thanks. I think this technique will help. I've been moved up to first chair in Wind Symphony and I don't want to embarrass myself as Concert Master. I can play grade six music, but I don't want to seem incapable of playing a simple tuning note for the band.

  • you have a preety clarinet

  • Is the killer B as bad as those tarantulas outside ? Hahaha !! I like your special effects. Entertaining.  What brand/model of clarinet is that ? It looks like a nice one.

  • What kind of clarinet do you have? I does not look like wood...

  • @ShinyAndTouchable I am playing one of my own clarinets, a Lyrique 576BC, made of pure, natural hard rubber.

  • @billyboy647 I understand that many people like to use hard rubber because it has a darker tone because it is more dense. but what about the smell? Every hard rubber mouthpeice I have ever tried started to smell really, 'rubbery' after a while, and after I clean it, it still smells. Is this only some hard rubber? I don't care for that smell but I wouldn't mind having the better tone.

  • @ShinyAndTouchable I have not noticed any such smell from my clarinets. I think a lot of the results are due to how you process the rubber.

    Every material has some odor, including wood clarinets---but you normally have to get your nose right up to the substance to detect it. After almost a decade of selling hard rubber clarinets I've never had a complaint about oder.

  • what is bell bee

  • @dragonfly3895 It's the B natural, 3rd line of the staff, that is produced with the entire length of the clarinet's air column vibrating. The sound comes out of the bell entirely, not from any of the tone holes. Hence the term 'bell B'.

  • 1:05-1:15...amazing acting lol!

  • hello

    i played for about 6 years

    and i just want to know

    when is it a proper time to change your reed, and about how long would u use one of u play everyday?

  • What the hell?

    gah!

    that was so funny.Laughing at you, not with I swear.

  • I'm going to be a student clarinetist as my double (no I can't get a teacher) Are there any mouthpieces, reeds, and ligatures you recommend for classical work? Any other advice would be fantastic

  • I really love the Vandoren Reeds, but I suggest starting on a size 2 Rico. Also vandorens are generally cut half a size bigger than rico, too.

    I also recommend a plastic mouthpiece (no rubber on top) until you start to really get to know what kind of style you want.

  • Have you ever played the saxophone? It seems interesting because Vandorens seem popular to clarinetists and not saxophone players. I personally make my own reeds for saxophone and clarinet reeds are a little easier to work with so I'm thinking about it.

    Are there any clarinets you might recommend as one of those ebay free bashers? You go on ebay and find bundy clarinets in full working condition for $20 and I'm on a TINY budget. I can also change pads and felts and corks

  • Jupiters are great! but maybe a little pricey depending where you get it from. Buffets are nice, but your pad/cork changing skills will come into use much more often than say a yamaha. The new Yamahas are made in Indonesia, they're pretty good, but if you can find an older one made in the western part o fthe world, it might be a little nicer.

    I myself use a yamaha 250 at the moment. It's one of their newer models.

    if you get your hands on a jupiter, go for it. They are fantastic instruments.

  • my B is always slightly flat. i've tried tightening at the corners, but nothing has worked. any ideas?

  • Some times the bell B has to be physically tuned. A properly placed and sized hole in the bell usually does the job. In lieu of doing that you can play B the way you normally do and then open the throat A key; that will make the B play freer, respond more quickly and be slightly higher in pitch.

  • sorry to be slow in responding. There are a number of way to correct this. You should not have to do anything extraordinary to play the B in tune. The length of the bell is too long and/or the bore is also small. If you like the way the bell plays and sounds I would drill a small hole in the bell and tune it until it is perfect. No amount of lipping will fix this. There are other corrections to that could also work, depending on how the clarinet tests out. I can fix it, no problem.

  • @owarning27 my teacher suggested a similartechnique to the 'venting' idea but you only have to put down your left ring finger (c in lower chalemeau) and the throat Bb. Also when you play make a swallowing motion in your throat when you blow the Bb. This works for me, it mite work for you

  • is that a wooden clarinet?

  • it's a clarinet of his own design made of hard-rubber a.k.a. ebonite

  • God, what type of barrel is that? Most of the barrels I have seen aren't so round.

  • THANK YOU!!! :D

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