A truly remarkable Musetta. Flirtatious, vivacious, seductive - a soaring, melodic version, as good as any recorded by anyone. Moffo is one of the truly great sopranos.
ADG, I thought of another good example of what I was trying to say. There's an old movie "Fort Apache" with Paul Newman, 1981. The part of the drug dealer went to a real street gang hudlum. I defy any acting school method actor could play the role better. This kid was a natural.
This was pre-nose job Anna Moffo, before she became "La Bellisima." She used stage acting instead of T.V./film acting, which made her seem a little hammy. The voice was exquisite. Too bad her career didn't last longer.
@AOG93 Lyantine Price once said about Aida that this role was made for her. Being black and Aida being an Ethiopian princess. I don't think Ms Moffo could say that about Musetta.
@aristopus Umm... ok, so one can only play charachters who are the same colour/nationality/rligion/etc as you????? Being an artist, that to me seems VERY close minded and unreal. Portraying a charachter is all about becoming someone else and acting out something that is already a lie, no matter how "realistic" the story may be. I like Price, but I don't think she was born to play Aïda just becuase she was black. Then she wouldn't play Leonora(s), Elvira, Liú....
@AOG93 I only said, "it was difficult to act the part of the other." Musetta wasn't a natural role for her.
Who can play the role of a gay better? The effeminate movements, the devil-may-care, the swish. A gay or a straight actor. Being gay makes the portrayal more convincing.
As far as Lyantine goes, those were her words, not mine. There weren't that many black singers, nor black characters. It's quite understandable she should feel that way.
@aristopus OK, I get what you say, but it's a whole other discusion now if you think all gays are effeminate... and straight actors have made a good job of gay roles, and by the number of gay actors, closeted and out past and present [Like Brando, Grant, Neil P-H, etc], gays have also done a good job of straight roles...
But maybe you're right... and Anna was too "correct" for Musetta...haha..
@AOG93 Ever consider how many major roles involve the abuse of women (by men)? Lucia, Juliet, Leonora in La Forza, , the saintly Desdemona, many others. Here I want a soprano who's sweet, delicate and lovely to love at. Sort of like a lovely flower in full blossom. Here Anna Moffo is perfect. Loveliness adds to the emotion. Not that Martina Arroyo or Prince couldn't do it. Leontine Price's Leonora is considered classic.
The Marcello looks an awful lot like Sergio Franchi, with whom Moffo recorded 3 albums in the early 60's. And, yes, she would have been perfect as Adalgisa.
Moffo should do Adalgisa, not Norma. She would have been ideal. I love to imagine that in perhaps 1955, there existed a Norma live video recording featuring Callas, Moffo & Corelli in all their vocal and visual splendour.... I would have died and gone to heaven!
You're right. Moffo would have been a fine Adalgisa. The role was orginally written for Giulia Grisi, who probably had a voice very similar to Moffo's.
She turned down an offer from Hollywood. No doubt with her looks she would have hit it big there, but thank goodness she chose opera over the film industry!
You can't compare Moffo and Netrebko in looks. Moffo was a classic Audrey-Hepburn type beauty and Netrebko is a make-up enhanced Jennifer-Garner type beauty. They are completely different.
But unfortunately only the presence of a pretty face and a pretty voice(even with problems with top notes) cannot substitute the inner culture,"noblesse" and a REAL musicality.Anna Moffo without doubts belongs to the generation of great singers of the past and moreover was a great actress.Anna Netrebko is a talented and musical lady like many others,but she made an incredible career due to a great publicity.Between Moffo and Netrebko common is only the Name Anna.
There cannot be any comparison between Moffo and Netrebko.Of course Netrebko WOULD LOVE to be like Moffo and she is trying to do everything at least to look like her when she is singing her roles.
Moffo is really got a perfect technique and a great shine to a voice.Not tiny or thin but she also sings coloratura as well as Puccini. she is the highest echelon. Why is Tebaldi and Callas so beloved whenMoffo was around.A little less intense i guess and they had that thing that the masses stick to.Callas is grt but it aint alln the voice.she communicated at a level few ever reach,Material vs. spirit I guess.i love this moffo sound..
agree, she to me is the perfect Musetta. Moffo has such beauty and the purity in her voice. It's a shame she's underrated because to me, she will always be the best.
There are so much fine singers that were underrated at that time. The world was not only Callas and Tebaldi. Let's listen to Anna Moffo, Virzinea Zeani, Leyla Gencer, Magda Olivero and lots of other fine italian, french, belgian, german,american en all over the world sopranos. It will richesness our ears.
Yes I agree. The 1960s was the second golden age of opera and so many great singers like the few you mention were overshadowed. I saw the only performance Zeani did at the Met in La Traviata.
(or was it 2 performances). Olivero did only 2 Tosca perfs.
Anna Moffo was beautiful like Anna Netrebko, but she was also a very good soprano.
All wanted her, and her sung too much and had a short career, because she forced too much her physicist. Netrebko can do the same, also because she has a bad technique.
I agree that Moffo is superior to Netrebko, but Netrebko does NOT deserve to be bashed. Get a grip people, just because she is current does not mean she is bad. I hate when people criticize new things just for the sake of sounding learned and experienced. It's called SNOBBERY.
Netrebko has been granted the keys to the kingdom strictly because of her sex appeal. Her voice is not in the same universe as any of the great singers of today or the past. Her technique, diction, and lack of style are all objectively problematic. The problem is not that she is current, or even that she is very pretty...the problem is that she doesn't sing very well, and sullies virtually every piece of music she attempts. Moffo...that was a voice!
Netrebko fans, in addition to having commercial taste and/or cold-war nationalistic tendencies and/or no sense of pitch and/or sticky hands are apparently logic-deficient, as well. No comparison here. Viva Moffo!
Why do you listen to Moffo and think about Netrebko at the same time?They are both great and different.If you prefer Moffo you don`t have to spit at Netrebko.
I completely agree with this comment. Netrebko is very sexy, and though her voice is good, she is not a great operatic soprano in my estimation. She's lovely, and there is no doubt that she's quite talented, but she is not of Moffo's calibre... Not even close.
Part of Netrebko's problem, in my estimation, is that she can't seem to decide what fach she's in...
*giggles* Yes. I think she is actually a much lighter voice than she tries to be -- perhaps trying to pick up some of Renee's following as a fuller lyric?
The offensive thing is when Netrebko tries to pass herself off as a coloratura soprano, and she just hasn't the agility for it.
The problem with singers these days is that they just sing whatever they want, regardless of fach. Moffo hardly ever pushed her voice beyond its limits, but Netrebko needs to realize that a soprano will hardly EVER sing Susanna and Norma in the same career. Honestly...
Moffo hardly ever pushed her voice beyond its limits? She didn't support her tone, the upper regions were screamed, the lower register breathy. Though she CLAIMED to have sung Norma, please name an opera house that featured Moffo as Norma. Her voice was in ruins by the age of 35.
This is true. But she was brilliant at what she did. She was a lyric soprano who sang coloratura roles and paid the price for it. Here, in her correct territory, she was wonderful.
@classictomatosoup the way i see it, she did actually decide already, only it was the wrong decision (she swears she can sing coloratura parts, which she cant)
Wow, does this clip take me back to the days of my youth. John Dailey from "Whats My Line" fame nararating The absolute voice of the nightingale. Anna does Pucinni justice in the flow of the melody. In my not so humble opinion I beleive Puccini was the most melodic of the composers. Verdi was the most powerful. Opera di taliano numero uno.
Netrebko - pah! This is a free and secure technique. No comparrison is possible. I have sung in 16 productions of Boheme over the years, and you simply do not hear singing like this anymore.
The only singer to have recorded Mimi and Musetta.I love Moffo and I hate how the compare her to Netrebko,Moffo was a great musician and a very stylish singer.Wouldn't Miss Netrebko like to be Moffo for a day.
Does anyone else think the Marcello s hot??!! Oh, and Moffo is a fabulous Musetta!! Check her out on the Callas Boheme. Excellent!!
Josquinquin 1 month ago
stupenda in tutti i sensi
luwaig1 4 months ago
I agree. Netrebeko is not of Moffo"s calibre.
hazelssister 5 months ago
wonderful. thank you for posting this rarity
gestas60323 6 months ago
A truly remarkable Musetta. Flirtatious, vivacious, seductive - a soaring, melodic version, as good as any recorded by anyone. Moffo is one of the truly great sopranos.
jd1906sf 1 year ago
ADG, I thought of another good example of what I was trying to say. There's an old movie "Fort Apache" with Paul Newman, 1981. The part of the drug dealer went to a real street gang hudlum. I defy any acting school method actor could play the role better. This kid was a natural.
aristopus 1 year ago
Anna in top form. Youth, beauty, voice,acting ability, the whole deal.Fabulous.
opera888able 1 year ago
This was pre-nose job Anna Moffo, before she became "La Bellisima." She used stage acting instead of T.V./film acting, which made her seem a little hammy. The voice was exquisite. Too bad her career didn't last longer.
DCFunBud 1 year ago
I saw Anna sing Gilda years ago. But I question if she's sexy enough to play the coquettish Musetta.
Anna is a family chick, and Musetta is a fast chick. It's difficult to act the part of the other. Sort of like trying to act gay when you're not.
aristopus 1 year ago
@aristopus That's what acting is about. A good artist can portray anything and become anyone.
AOG93 1 year ago
@AOG93 Lyantine Price once said about Aida that this role was made for her. Being black and Aida being an Ethiopian princess. I don't think Ms Moffo could say that about Musetta.
aristopus 1 year ago
@aristopus Umm... ok, so one can only play charachters who are the same colour/nationality/rligion/etc as you????? Being an artist, that to me seems VERY close minded and unreal. Portraying a charachter is all about becoming someone else and acting out something that is already a lie, no matter how "realistic" the story may be. I like Price, but I don't think she was born to play Aïda just becuase she was black. Then she wouldn't play Leonora(s), Elvira, Liú....
AOG93 1 year ago
@AOG93 I only said, "it was difficult to act the part of the other." Musetta wasn't a natural role for her.
Who can play the role of a gay better? The effeminate movements, the devil-may-care, the swish. A gay or a straight actor. Being gay makes the portrayal more convincing.
As far as Lyantine goes, those were her words, not mine. There weren't that many black singers, nor black characters. It's quite understandable she should feel that way.
aristopus 1 year ago
@aristopus OK, I get what you say, but it's a whole other discusion now if you think all gays are effeminate... and straight actors have made a good job of gay roles, and by the number of gay actors, closeted and out past and present [Like Brando, Grant, Neil P-H, etc], gays have also done a good job of straight roles...
But maybe you're right... and Anna was too "correct" for Musetta...haha..
AOG93 1 year ago
@AOG93 Ever consider how many major roles involve the abuse of women (by men)? Lucia, Juliet, Leonora in La Forza, , the saintly Desdemona, many others. Here I want a soprano who's sweet, delicate and lovely to love at. Sort of like a lovely flower in full blossom. Here Anna Moffo is perfect. Loveliness adds to the emotion. Not that Martina Arroyo or Prince couldn't do it. Leontine Price's Leonora is considered classic.
aristopus 1 year ago
Anna Mofo will always be Musetta. The Texture and tone of her voice is just perfect.
ComaLies225 2 years ago 2
Oh, Anna. The things you do to my musical heart. <3
P.S. The Marcello in this is....absolutely beautiful. Does anyone know who he is?
MasochisticLion42 2 years ago
This is the 10th time this day I replay this clip. Her expression at high notes are marvellous
sirpolopaul 2 years ago 2
Excellent control over voice and breath. I fall in love with voice texture.
sirpolopaul 2 years ago 5
Fantastic, could listen to Anna all day, and sometimes do.
DAVIDA1944 2 years ago 13
The Marcello looks an awful lot like Sergio Franchi, with whom Moffo recorded 3 albums in the early 60's. And, yes, she would have been perfect as Adalgisa.
leporello33 3 years ago
Too many affectations.
796824 3 years ago
Hardly. Who would you suggest?
Iareto 2 years ago
Moffo should do Adalgisa, not Norma. She would have been ideal. I love to imagine that in perhaps 1955, there existed a Norma live video recording featuring Callas, Moffo & Corelli in all their vocal and visual splendour.... I would have died and gone to heaven!
Chaconnesque 3 years ago 6
You're right. Moffo would have been a fine Adalgisa. The role was orginally written for Giulia Grisi, who probably had a voice very similar to Moffo's.
dougbalt 3 years ago
Who was the Marcello here? Is he even a baritone, or is he just some guy they put into the scene? Haha.
forallyouknow 3 years ago
She turned down an offer from Hollywood. No doubt with her looks she would have hit it big there, but thank goodness she chose opera over the film industry!
GermanOperaSinger 3 years ago
Moffo was a lovely Musetta to Callas' Mimì, and she's equally lovely here.
MusicaParola 3 years ago 3
Lovely stuff. Does anyone think she looks like the young Liz Hurley here? Partly the eyebrows!
Apparently Moffo later had a nosejob ...
yesys 3 years ago
You can't compare Moffo and Netrebko in looks. Moffo was a classic Audrey-Hepburn type beauty and Netrebko is a make-up enhanced Jennifer-Garner type beauty. They are completely different.
Enochulation 3 years ago 3
But unfortunately only the presence of a pretty face and a pretty voice(even with problems with top notes) cannot substitute the inner culture,"noblesse" and a REAL musicality.Anna Moffo without doubts belongs to the generation of great singers of the past and moreover was a great actress.Anna Netrebko is a talented and musical lady like many others,but she made an incredible career due to a great publicity.Between Moffo and Netrebko common is only the Name Anna.
Desideria7 3 years ago 2
WHERE do you see any problems with her top notes?
ILoveTobin 3 years ago
There cannot be any comparison between Moffo and Netrebko.Of course Netrebko WOULD LOVE to be like Moffo and she is trying to do everything at least to look like her when she is singing her roles.
Desideria7 3 years ago
Moffo is really got a perfect technique and a great shine to a voice.Not tiny or thin but she also sings coloratura as well as Puccini. she is the highest echelon. Why is Tebaldi and Callas so beloved whenMoffo was around.A little less intense i guess and they had that thing that the masses stick to.Callas is grt but it aint alln the voice.she communicated at a level few ever reach,Material vs. spirit I guess.i love this moffo sound..
lovesGenet 3 years ago
wow now THAT's singing!
Symbioteofadiety 4 years ago
Wow, Anna is a most beautiful Musetta. She knows that she is not a Mimmi. Callas had have learn something of this lovely Anna.
Hans
qklq42 4 years ago
agree, she to me is the perfect Musetta. Moffo has such beauty and the purity in her voice. It's a shame she's underrated because to me, she will always be the best.
ComaLies225 3 years ago
There are so much fine singers that were underrated at that time. The world was not only Callas and Tebaldi. Let's listen to Anna Moffo, Virzinea Zeani, Leyla Gencer, Magda Olivero and lots of other fine italian, french, belgian, german,american en all over the world sopranos. It will richesness our ears.
Hans NL
qklq42 3 years ago
Yes I agree. The 1960s was the second golden age of opera and so many great singers like the few you mention were overshadowed. I saw the only performance Zeani did at the Met in La Traviata.
(or was it 2 performances). Olivero did only 2 Tosca perfs.
profgv 3 years ago
she was an awesome Mimi as well! I have a recording of it which is to die for!
suzugurl 2 years ago 3
Anna Moffo was beautiful like Anna Netrebko, but she was also a very good soprano.
All wanted her, and her sung too much and had a short career, because she forced too much her physicist. Netrebko can do the same, also because she has a bad technique.
xilpix 4 years ago
Her beaty is much more noble than that of Netrebko....
caspiman 4 years ago 3
Anna Moffo is La Boheme! What a voice, the greatest!
pisces49 4 years ago
I agree that Moffo is superior to Netrebko, but Netrebko does NOT deserve to be bashed. Get a grip people, just because she is current does not mean she is bad. I hate when people criticize new things just for the sake of sounding learned and experienced. It's called SNOBBERY.
x4812k 4 years ago 2
Netrebko has been granted the keys to the kingdom strictly because of her sex appeal. Her voice is not in the same universe as any of the great singers of today or the past. Her technique, diction, and lack of style are all objectively problematic. The problem is not that she is current, or even that she is very pretty...the problem is that she doesn't sing very well, and sullies virtually every piece of music she attempts. Moffo...that was a voice!
xgianpatrick 4 years ago 6
This comment has received too many negative votes show
Baby, you just very jelous, Netrebko is GREAT!
Just becouse there were great singers yesterday, it does not mean today there are none, I know it hurts (jelousy) but get over it!
ognianok 4 years ago
Netrebko fans, in addition to having commercial taste and/or cold-war nationalistic tendencies and/or no sense of pitch and/or sticky hands are apparently logic-deficient, as well. No comparison here. Viva Moffo!
xgianpatrick 4 years ago 4
You can bet Netrebko fans are not gay!(:
ognianok 4 years ago
Why do you listen to Moffo and think about Netrebko at the same time?They are both great and different.If you prefer Moffo you don`t have to spit at Netrebko.
sarasava 4 years ago
I was responding to a comment already here. Reading...it's a good thing.
xgianpatrick 4 years ago
I completely agree with this comment. Netrebko is very sexy, and though her voice is good, she is not a great operatic soprano in my estimation. She's lovely, and there is no doubt that she's quite talented, but she is not of Moffo's calibre... Not even close.
Part of Netrebko's problem, in my estimation, is that she can't seem to decide what fach she's in...
classictomatosoup 3 years ago 13
This comment has received too many negative votes show
And she always sounds as though there are marbles shoved in her mouth, and down her throat...
KatherineXIX 3 years ago
*giggles* Yes. I think she is actually a much lighter voice than she tries to be -- perhaps trying to pick up some of Renee's following as a fuller lyric?
The offensive thing is when Netrebko tries to pass herself off as a coloratura soprano, and she just hasn't the agility for it.
classictomatosoup 3 years ago 4
The problem with singers these days is that they just sing whatever they want, regardless of fach. Moffo hardly ever pushed her voice beyond its limits, but Netrebko needs to realize that a soprano will hardly EVER sing Susanna and Norma in the same career. Honestly...
KatherineXIX 3 years ago 3
Exactly. Anna is right up there with Hayley Westenra on my list of very popular singers doing not-so-good things to classical music.
classictomatosoup 3 years ago
Moffo hardly ever pushed her voice beyond its limits? She didn't support her tone, the upper regions were screamed, the lower register breathy. Though she CLAIMED to have sung Norma, please name an opera house that featured Moffo as Norma. Her voice was in ruins by the age of 35.
sigridonegin 3 years ago
This is true. But she was brilliant at what she did. She was a lyric soprano who sang coloratura roles and paid the price for it. Here, in her correct territory, she was wonderful.
Iareto 3 years ago 4
@classictomatosoup the way i see it, she did actually decide already, only it was the wrong decision (she swears she can sing coloratura parts, which she cant)
SiEtIn1 1 year ago
Wow, does this clip take me back to the days of my youth. John Dailey from "Whats My Line" fame nararating The absolute voice of the nightingale. Anna does Pucinni justice in the flow of the melody. In my not so humble opinion I beleive Puccini was the most melodic of the composers. Verdi was the most powerful. Opera di taliano numero uno.
sigclu 4 years ago
Dear god, I have witnessed an angel and I'm in love!
ComaLies225 4 years ago
Netrebko - pah! This is a free and secure technique. No comparrison is possible. I have sung in 16 productions of Boheme over the years, and you simply do not hear singing like this anymore.
theropodia 4 years ago 3
Renata Scotto also did both Mimi and Musetta, I think, but Anna Moffo is better. She is convincing in both roles.
The other "beautiful and talented soprano named Anna" (Netrebko) has charisma, but she is nowhere near as great as Anna Moffo.
Milordvega 4 years ago
ahhh she's great!!
Italia1987 4 years ago
I think that people that really love music and beautiful singing, know how superior Moffo is, and there´s no way in comparing her with netrebko.
SueAnnNivens 4 years ago 2
Absolutely! What a great way to put it! :)
LaReineDesTulipes 4 years ago
Is it possible that they compare Moffo with Netrebko? They have absolutely nothing to be compared...
stellasapon 4 years ago
Moffo's Musetta is charming and vibrant. Her warm,sensuous tone fits this character like a glove.
gvjps123 4 years ago
agree
ComaLies225 4 years ago
Oh Boy! I find more MOFFO every day on you tube. This is too good to be true. Thank you.
patjan1992 4 years ago
The only singer to have recorded Mimi and Musetta.I love Moffo and I hate how the compare her to Netrebko,Moffo was a great musician and a very stylish singer.Wouldn't Miss Netrebko like to be Moffo for a day.
mariogorga 4 years ago
Thank you, Yes its true!
Parryprime 4 years ago
moffo is really charming more than netroko
sophiemozart 4 years ago 2
Moffo was perfect in this role.
mrrk 4 years ago