Added: 1 year ago
From: primohomme
Views: 37,070
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:

All Comments (85)

Sign In or Sign Up now to post a comment!
  • That's bloody horrible.

    I couldn't stop laughing though. They really castrated these poor, young men to preserve the quality of their voices? LOOL

  • @ParadoxAnonymous

    Yes, and some of them went on to become the greatest singers that have ever lived

  • @primohomme

    So the sacrifices was justified?

    Poor, unwilling children.

  • @ParadoxAnonymous

    If the topic disturbs you so much why did you even watch the video?

    And you seem to have some mental problems; first you think it's fine, then you feel outraged this actually went on...

    Are you off your meds?

  • @primohomme

    First of all, someone linked me to the video because they found it absolutely hilarious that people believe it was perfectly acceptable to castrate young boys in order to preserve the quality of their voices. I agreed with him.

    It doesn't necessarily disturb me. I find it not only funny, but fascinating.

    Oh, the insult was unnecessary, but if you feel as though you must, I forgive you anyway.

  • @ParadoxAnonymous

    That you don't understand the historical context of it doesn't mean that it wasn't done for a particular reason. It truly came down to religious impositions, women were not allowed to sing or perform publically, so children were used for higher voices...and then castration was deviced in order to keep their voices from deepening. That plus years of training allowed them to become the most virtuosic singers in history.

  • @primohomme

    Insulting me and now assuming that I'm incapable of understanding their ridiculous religious reasons for castrating young boys. Hm.

    No, no. You're wrong. I perfectly understand it, but that does not mean I shouldn't be able to find it hilarious; which it is.

  • Thank you for posting this, very interesting movie.

  • Anyone know the name of the piece at the very end of this part?

  • @ThePrimusGuy

    "Al lampo dell'armi" from the opera Giulio Cesare by Handel

    written for the castrato Senesino.

  • Ah-Ha!!!! I knew something was wrong with his singing!!! Yes, I am kinda pissed!!! NEVER PERFORM WHAT YOU AREN'T READY FOR!!!!! NEVER!!!!!!

  • 0:50 - 1:10 -- kid is noticeably off-key. I wonder if any of the musicians are super-pissed.

  • @7beers

    Most of the singers chosen here sing off key...except for the mezzo and the natural male soprano

  • @primohomme Could be. I didn't listen too much after the first few minutes.

  • @7beers I was actually thinking why couldn't have chosen a better singer.

  • @7beers

    He's fucking shit!!!

  • @jualkyn

    Boys were originally castrated to preserve their voices into adulhood because women were not allowed to sing in public because of religious and cultural reasons at the time.

    But even considering such ridiculous reason, women do not have the vocal range the average castrati developed (more than 3 octaves) or the breathe control (holding a note a full minute) and the virtuosity they developed by study as women were only allowed to study music past age 16 and boys since age 6.

  • Comment removed

  • it's too bad that we can't hear any real castratos. i wanna hear then in real life cuz it must have been mind-blowing. too bad they didn't have any recording devices back in the 18th century. =(

  • @DoggieAngel12345 Alessandro Moreschi, you'll see him in the suggestions, he was the very last castrato.

  • ................

    start out the documentary by sharpening a knife

    how fitting....

  • I WOULD LIKE TO VIEW THE PART 3 TOO. PLEASE! THANK YOU!

  • @yvrknv

    I'm sorry but youtube blocked it :(

  • Fantastic. No words.

  • DIOS!! LOS CASTRATO ERAN PRODIGIOS Y LOS CONTRATENORES ACTUALES SON DIGNOS DE SER NOMBRADOS LA MEJOR VOZ Y SIN EMBARGO LOS DISCRIMINAN!!!

  • 4:35 The 3 nutless wonders!

  • anyone know which arias are played in this part? Specially 4:10

  • @fmcfurlan Venti turbini, aria de Rinaldo, Acto I from Händel's opera Rinaldo from 1711

  • wow....it's just sad no recording devices were available back then to record such a phenomenon...such relics will never be seen again in the modern days....castrato extincted like the dinosaurs...

  • @aiayumi yes there was a recorded castrato.

    Search youtube for Alessandro Moreschi. He was recorded on something like a phongraph around 1902.

  • @NESHero : unfortunately, Moreschi was a very poorly gifted singer, with a frail and feeble voice. So in fact, there is no real way to know what good castrati really sounded like: can you imagine Haendel composing pieces for voices like Moreschi? He may not have been the grumpy bear Jeroen Krabbé made him to look like in the film Farinelli, but he wàs demanding where quality was concerned!

  • Its typical british ego that fails to mention the french singer jaquossky or the turkish singer who may be considered modern day "castrato". If they were to include these people, we may have a richer picture of these magnificent singers.....

  • @51m0n77: Nothing to do with Britsh ego! The documentary is from before Jaroussky's becoming famous. High-pitched male singers aren't called castrati anymore, since it isn't done anymore; bytheway, since people found out a boy could keep on to his angel's voice without having to be castrated, naturally there are more and more boys who make a career as a countertenor, and all those beautiful pieces for castati from 18th century can be enjoyed by us again.

  • Thanks for posting this series - very informative & interesting. Fortunately for me, I don't come with a lot of baggage on the issues of countertenors, falsettos, castrati, etc. so I can just enjoy this. ;-)

  • I probably wouldn't agree with his statement that the castrati vocal folds were the same length of a child. There simply isn't any proof of that. I would also say that like women, castrati would have had a falsetto voice too. Higher up on the scale than a countertenor.

  • What is the song that starts right at the end. At 10.13

  • @MasterIsh91

    Why could you not maintain your self respect? are you saying men with high singing voices are not worthy of respect? or are you sayig effeminate men are not worthy of respect? or are you saying if you were either of them you could not respect yourself? ...how twisted.

  • Comment removed

  • @primohomme that's a very polite way of seeing it all (although it does sound quite full of it), but truth is, for most men, it's pretty hard and painful to imagine this amount of testosterone not quite there. for instance, ask a straight man about being gay, he's either gonna roll his eyes or sight : oh god. Most of us have to much pride (in the negative sense) for that

  • @BowetBurger

    you admit its a negative way of looking at it so why are you defending such ignorance?

  • @primohomme Well in regards of the comment that got disliked.. It's not about men with high singining voices naturally.. It's about the the castrato phenomenon... Boys were forced in young age to get their testicles removed in order to please the general public...

  • @TheSjpatrik the boys weren't always forced. In fact, most of the times they weren't! In those days, medical knowledge was limited: people had no idea about hormones and stuff. We over-estimate the gravity of this "operation". In 18th century, life as a castrato, successfull and rich, was preferable to starvation. And such was the fear of the boys to lose their golden voice at puberty, that most of them asked to be castrated themselves. As for the pain: pulling a tooth hurt more, back then...

  • @Mangasakka Not sure if I believe that the boys really asked for the operation, more believeable that they did the operation in order to support their family. They probably got persuaded by their peers and siblings to do this. Forced or not I do not believe they wanted this themselves.

  • @TheSjpatrik: I realise it must be hard to believe, today, now we know the function of the testicles, and the consequences of the ablation thereof so much better. But back then, they didn't even know you couldn't have children anymore as a castrato!. Also those children were often orphans and didn't have a family to support, just themselves. So the drama of it must be relativated. Certain is, that nobody forced Carlo Broschi: he really wanted it himself, out of love for music.

  • @Mangasakka yeah that is true, most of them were orphans, I blame the church! hehe

  • @TheSjpatrik: why? The church didn't make them orphans, disease or poverty did. The church took care of their upbringing: orphanages in non-catholic countries were much worse. Just think of Oliver Twist! Anyway, The Broschi family was one of music-lovers, like the Mozarts: Father and oldest son gifted composers, youngest fabulous interpreter. He loved music so much he volutarily had the operation in order to keep his voice and serve music all his life. They weren't poor.

  • Comment removed

  • @primohomme

    hahaha awesome. That idiot got owned.

  • @MasterIsh91 If you were a singer(counter-tenor or not) and had a successful career, then of course you'd have great self-respect and respect from others. But if you didn't have a career at all (singer or any other profession), would you have enjoyed self-respect just because your voice was low?

  • @MasterIsh91 If you were a singer(counter-tenor or not) and had a successful career, then of course you'd have great self-respect and respect from others. But if you didn't have a career at all (singer or any other profession), would you have enjoyed self-respect just because your voice was low? The most confident people are bass/baritones?

  • @MasterIsh91 you sound like Samson from the Bible: he believed his strenght lay in his long hair. When they cut it, he lost all force. You think your self-respect lays in the pitch of your voice? I can't believe you mean that for real. It's too silly. Just give it a thought...

  • @MasterIsh91: Aw, it's okay. Maybe think a bit longer before you write down something, next time? Maybe you wanted to say somenthing funny; but don't forget when you've put it on the net, it stays there and after a while, when everyone is frowning, you realise it isn't as funny as you thought..

  • @Mangasakka I think I wasn't in a particularly receptive mood when I made the comment and didn't really appreciate the offence it could cause. After attending quite a few lectures and classes with counter-tenors I realise just how short sighted my comment was. Anyway, I hope the youtube community will not bear a grudge against me for my past immaturity.

  • @MasterIsh91: somebody who can apologize so eloquently, can't but be pardoned by all, Masterlsh. ;-)

  • I don't know what all the fuss is about. It's just a woman's voice.

  • @saintsaens21

    No it wasn't at all like a woman's voice, if anything was more like a child's voice but with the power of a grown man's.

  • @primohomme I understand, but, if they didn't have the testosterone, thus the muscle tissue of a grown man, it coul't have the power of a man's voice! Thanks for the upload.

  • @saintsaens21

    The power was given by the breathe support capacity (with bigger lungs) and in fact their chest cavity grew larger than that of a normal man, so they were able to hold phrases of endless coloratura without having to retake a breathe for a whole minute.

  • @primohomme OMG that sounds unhuman.

  • @saintsaens21: that's not at all true. It was unlike a woman's, a man's or a child's. And I was reading an article by Clapton who did the reproduction for this documentary. He took a boy's voice, but just the laryngeal output and spliced the harmonics from a tenor singing the same thing onto it to mimic the larynx of a boy with the body (and therefore resonance) of a man. It's fascinating!

  • check out alessandro morchesi. the last and only castrato to record an album. poor quality but then again its over 80 years old and he was past his prime.

  • That doctors explaination was cool as hell,thanks for posting!!!

  • Does anyone know who the soprano is at 8:24?

  • @THL95

    She is a mezzo-soprano, and her name is Jennifer Johnston, I think.

  • I feel sick. Sorry.

  • I kinda agree lol the treble seems to be slightly throaty or breathy, thin, shrill at times (for instance at the opening 'cara' was sharp), and the countertenor is slightly aspirated and his vibrato is wobbly/spreading, do you know the physological factors responsible for this perhaps bad placement? cuz i can make my vibrato tight and narrow and more center and I feel it "ringing" out evenly or I can spread it and wobble it slowly like his making my voice sound older/tired! lol

  • @whistlenotelover

    The short answer would be...Breathe control

  • I don't know why they used that treble and that countertenor, their intonation is HORRIBLE.

  • @primohomme I kinda agree lol the treble seems to be slightly throaty or breathy bushing too tighyly at times, and the countertenor is slightly aspirated and his vibrato is wobbly/spreading, do you know the physological factors responsible for this perhaps bad placement? cuz i can make my vibrato tight and narrow and more center and I feel it "ringing" out evenly or I can spread it and wobble it slowly like his which makes my voice sound old & tired, worn down. lol

  • @primohomme Yeah. The general public already has little enough knowledge of and respect for guys who sing high. The countertenor is a historian of the castrati so you can see why they had him singing but the use of the treble really annoys me. Nowhere near enough boys sing treble as it is and the ones who do often get teased for it. They could have found a twelve- or thirteen-year-old from a cathedral choir with a strong full mature voice and good technique.

  • @primohomme cont'd They shouldn't be perpetuating the notion that children who sing have weak thin 'angelic' voices not good for much.

  • Does anybody know which is the piece played at 06:18?. Thank you!!

  • What was the name of the song at the end of part 1 of 6?

  • @Bublerap12

    "al Lampo Dell Armi" from Handel's Giulio Cesare, and it seems is the recording by David Daniels

  • @primohomme Thanks man

  • @primohomme yes is al Lampo dell Armi from Handel's Giulio Cesare, but the singer in this recording is James Bowman no David Daniels, thanks

  • BBC ROCKS!!!!!!!

  • the last Castrato died in Rome in 1922! the only one to exist in all Europe at that time!

  • Interesting bunch... looking forward to this!

  • @TheWisemonkey8

    Check out the rest of the videos, it's quite an interesting documentary :)

Loading...
Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more