This stuff comes naturally if you play triplets starting slow with a metronome then work your way up and play all the variations from The Stick Control Book.
@Andoriu116 yes, it can. jojo mayer does a similar kind of thing, and a lot of drummers with refined hand technique use that continuous drop motion to play repeated notes.
@Andoriu116 I think at that point you have to switch to the Moeller technique (if you don't know it you should definitely look it up). Depending on your chops, Moeller technique can allow you to play continuous eighths, sixteenths, or whatever else at a high tempo. It's a pain to develop, but once you have it you can pretty much blow anyone's mind who doesn't know what you're doing.
Youtube is, patently not exclusively a forum for 'new ideas'. The 'OHHH I know about that!!! let's move on' generation. Perhaps knowing something is different to just knowing about it. Capitalism has made too many surface dwellers and not enough deep sea............I want a car horn that plays john bonham triplets!!! That aside what can be new is really buckling down and finishing this essay. To know the depths life has to offer you must learn,like aquaman or a pornstar, to breath underwater.
It feels like all of the coordination I've developed for comping with the other limbs while playing "wrist strokes" is lost when I start doing this. I also feel like I have more control over accent patterns using wrist strokes, AND I can play the wrist strokes faster. It's also very, very difficult to do with the left hand (and I play ambidextrously ).
Still, I'm going to keep working on this because it feels really, really cool once it gets moving. Jojo Mayer is all over this stuff, too.
You have to do it all. If you are one dimensional in any part of your playing music, chops, technique, passion....it'll show through negatively, somehow some way. That's the way I've always approached it and have been taught. The more you know and can do, the better vibe you'll give when you play in all aspects.
Having said that, use those fingers as much as your wrists and more than your forearms! practice each finger independently, valving like a horn player
@Santi2c i install flooring for a living. i go thru many lifting pulling exercises everyday. the bodys quite resilient and while its important to get it right, it really is, worrying bout getting hurt from drumming is the pussifacation of america.
i think that " you can get hurt" thing is bs. yeah carpal tunnel blah blah. if it hurts you wont be able to keep doing it. or youll drop tempo. not that this isnt good instruction but ppl act like were made of soft cheese. drummers who play for a period of time will come to understand speed = relaxing not tensing. it may take awhile to get it , but you will if you stick with
Awesome. Any advice on how to comp with tempos which are that fast? Should I just read through your book and play all the comp patterns as sixteenths?
If you want to get your ride tempo up, especially with jazz, I recommend smaller and thinner sticks. The larger your sticks are, the more force you will have to apply to 'throwing' or bouncing the stick to get a rhythm.
Am working through his book on be-bop drumming. It's very good, many insights I'd never thought of especially regarding structure - where to do stuff.
not everyone prefers dry or pingy ride cymbals. for certain gigs, i love thin/light/dark/washy rides. even for "rock"(pop) music, i love blending the washes of a pair of rides. also, the cymbal is not being mic-ed close; it's the camera mic.
Watch Bill Stewarts R.H and Jeff Tains R.H.Different ways but both work.I think not using any upper arm means that you have to rely on the volume of your cymbal more if the band is playing loud.You can tonk it Tony style if you work on the other way on playing cymbal time.
Without giving away any names, lately I've come across some DVDs by great DRUMMERS who should just stay away from teaching: they only make it more confusing. When you catch gentlemen such as John Riley and Ed Soph, you realize that being a teacher is a completely different ball game. This is a very helpful video lesson, in a short amount of time.
Wtf... nice.. at slow tempos its like one wrist movement and one "drop and catch" but the fast tempo ride looks like it bounces twice before he "catches".. hav to try tt..
Exactly. If you watch this thinking this is "uptempo ride playing - the exhaustive guide", then you really need to just go check out some Travis Barker videos. You'll be much more satisfied. Basically, if you don't "get" this, then you have no business commenting negatively on it. Riley's only one of the greatest players and teachers in existence - a VERY uncommon combination. I think he's coming to the college in my town next year. I'll definitely go see him!
Brilliant.
thudmother 1 month ago
This is just push pull. There are hundreds of videos on youtube teaching this better. Jojo's dvd is the best I've seen.
adamtuminaro89 1 month ago
watch this video all the time. Best teacher since dawson?
DanDjembe 3 months ago
Make sure you put a minute on each exercise at a set tempo then increase it and play that for one minute until you get up to 200 and beyond.
What I do anyway lol.
Jellybeantiger 4 months ago
This stuff comes naturally if you play triplets starting slow with a metronome then work your way up and play all the variations from The Stick Control Book.
RLR LRL
RRL LRR
RLL RLL
RRL RRL
RLR RLR
And starting left hand as well.
Stick Control is my bible lol.
Jellybeantiger 4 months ago
@Jellybeantiger
Stick control is Genesis :)
Gretsche87 3 months ago
Can that drop technique also be used to play fast, continuous straight eighths?
Andoriu116 6 months ago
@Andoriu116 yes, it can. jojo mayer does a similar kind of thing, and a lot of drummers with refined hand technique use that continuous drop motion to play repeated notes.
flipadiddle 5 months ago
@Andoriu116 I think at that point you have to switch to the Moeller technique (if you don't know it you should definitely look it up). Depending on your chops, Moeller technique can allow you to play continuous eighths, sixteenths, or whatever else at a high tempo. It's a pain to develop, but once you have it you can pretty much blow anyone's mind who doesn't know what you're doing.
Percussionoholic 5 months ago
Very useful video! Thank you for this...
ExCreatioNihilo 7 months ago
I'll be learning from him if I go to SUNY Purchase next fall. That would be cool.
darthjoey13 8 months ago
Beast
bassdrumbone64 9 months ago
It's a Push pull technique with other words, with some variation, strokes n' stuff.
skinkpaj 10 months ago
he reminds me of a guy in the process of turning into a werewolf, at the point where their face starts stretching
AmericanZero13 10 months ago 2
he reminds me john arbuckle
OfivetwoekVeeDee 10 months ago
@OfivetwoekVeeDee
John Arbuckle and John Travoltas love child.
bassdrumbone64 9 months ago
I can watch that all day.
mooniemoney 11 months ago
Youtube is, patently not exclusively a forum for 'new ideas'. The 'OHHH I know about that!!! let's move on' generation. Perhaps knowing something is different to just knowing about it. Capitalism has made too many surface dwellers and not enough deep sea............I want a car horn that plays john bonham triplets!!! That aside what can be new is really buckling down and finishing this essay. To know the depths life has to offer you must learn,like aquaman or a pornstar, to breath underwater.
tonerxx11 1 year ago
@tonerxx11 You're awesome.
Paullove89 1 month ago
a controlled rebound using the fingers. Is this really a new idea? Isn't this how every jazz drummer plays swing ride patterns????
peanutpeanut123 1 year ago
what sticks?
ljdcrazy13 1 year ago
@ljdcrazy13 He actually has his own signature sticks called the John Riley Concert Jazz stick by Zildjian.
sterlingtx75 9 months ago
It is safe to say, but I'm sure someone will want to fight about it.
timoteodeldesierto 1 year ago
great instruction
zpantro9 1 year ago
thanx 4 the lesson
zpantro9 1 year ago
this technique he is using; is it safe to say its similar to the moeller technique?
thatsfuckenfunny 1 year ago
Yeah, I guess to a certain point. Moeller is more arm, whereas this technique is all about controlling the rebound.
spacitydrummer4JC 1 year ago
This has been flagged as spam show
Where's the swing?no need of all that if you know how slow is fast!
budychris 1 year ago
where's the swing ? No nooed of all that if you know slow is fast...LOL
budychris 1 year ago
@budychris what..the fuck......did you just say???
shitlerface 1 year ago 3
@shitlerface lmao right? made no sense at all to me
Kobeownzu81 1 year ago
Not a great advert for Zildjian, is it? That ride sounds like a bloody dustbin lid!
davepellowtv 1 year ago
It feels like all of the coordination I've developed for comping with the other limbs while playing "wrist strokes" is lost when I start doing this. I also feel like I have more control over accent patterns using wrist strokes, AND I can play the wrist strokes faster. It's also very, very difficult to do with the left hand (and I play ambidextrously ).
Still, I'm going to keep working on this because it feels really, really cool once it gets moving. Jojo Mayer is all over this stuff, too.
sheldonknowsall 1 year ago 3
@sheldonknowsall
You have to do it all. If you are one dimensional in any part of your playing music, chops, technique, passion....it'll show through negatively, somehow some way. That's the way I've always approached it and have been taught. The more you know and can do, the better vibe you'll give when you play in all aspects.
Having said that, use those fingers as much as your wrists and more than your forearms! practice each finger independently, valving like a horn player
PositivelyBored 1 year ago
gotta use moeller and sit at the right level to prevent injury, no slouching either.
lateralus1007 1 year ago
@Santi2c i install flooring for a living. i go thru many lifting pulling exercises everyday. the bodys quite resilient and while its important to get it right, it really is, worrying bout getting hurt from drumming is the pussifacation of america.
adzug 1 year ago
i think that " you can get hurt" thing is bs. yeah carpal tunnel blah blah. if it hurts you wont be able to keep doing it. or youll drop tempo. not that this isnt good instruction but ppl act like were made of soft cheese. drummers who play for a period of time will come to understand speed = relaxing not tensing. it may take awhile to get it , but you will if you stick with
adzug 1 year ago
@adzug you're wrong
flipadiddle 1 year ago
Sweet technique. I don't think I've seen that one before.
mmaier2112 1 year ago
Awesome. Any advice on how to comp with tempos which are that fast? Should I just read through your book and play all the comp patterns as sixteenths?
Jackinthehizzle 1 year ago
If you want to get your ride tempo up, especially with jazz, I recommend smaller and thinner sticks. The larger your sticks are, the more force you will have to apply to 'throwing' or bouncing the stick to get a rhythm.
SoldatSolutrea 1 year ago
nice hands....
DRUMKIND 1 year ago
nice ride
MyManDan 1 year ago
I love John Riley... like Adam Nussbaum..very underated... IMHO
63Brummie 2 years ago
THIS is a great lesson!!!
63Brummie 2 years ago
Thank you very much :-)
Alez
AlezDrums 2 years ago
great lesson master
martin84jazz 2 years ago
ottimo john...grande...il tuo libro soprattutto:davvero illuminante...
rebop73 2 years ago
anyone that enjoyed this video should check out jojo mayer's dvd, secret weapons for the modern drummer
brock786 2 years ago 3
Wow
Drummerwithagroove 2 years ago
awesome
Rossco9992 2 years ago
Thanks John...you really brought the use of the arm, wrist and fingers into focus!
bcc50 2 years ago
when he plays live to really fast songs his wrists go insane and you can barely see them
browniesareg 2 years ago
Man he's got some chops.... I bet he can do that for 5 minutes straight too.
Timmyinc44 2 years ago
Yeah JR. The drum scientist.
ns81 2 years ago
Am working through his book on be-bop drumming. It's very good, many insights I'd never thought of especially regarding structure - where to do stuff.
clarkewi 2 years ago
This has been flagged as spam show
Ha! hes so Good
cincijazzdrummer 2 years ago
thats fast as
Rossco9992 2 years ago 2
This comment has received too many negative votes show
Sounds like the Moeller technique.
What model ride is that?
What model sticks?
I want to be sure never to buy those - sounds like crap.
theaggravator 2 years ago
The ride looks like a 20" K constantinople. His sticks are really thin, like a 7A. That's my guess.
Great player and teacher though.
thatsmypeanuts 2 years ago 2
The lousy sound has more to do with the recording
WillyLee0 2 years ago 16
Probably the Zildjian John Riley model hahaha
dvmtb13 2 years ago
Comment removed
chrisnewhook111 2 years ago
not everyone prefers dry or pingy ride cymbals. for certain gigs, i love thin/light/dark/washy rides. even for "rock"(pop) music, i love blending the washes of a pair of rides. also, the cymbal is not being mic-ed close; it's the camera mic.
jasonfifi 2 years ago
THIS GUY IS SMART
youdevil6 2 years ago 2
Watch Bill Stewarts R.H and Jeff Tains R.H.Different ways but both work.I think not using any upper arm means that you have to rely on the volume of your cymbal more if the band is playing loud.You can tonk it Tony style if you work on the other way on playing cymbal time.
sonortubelug 2 years ago
Without giving away any names, lately I've come across some DVDs by great DRUMMERS who should just stay away from teaching: they only make it more confusing. When you catch gentlemen such as John Riley and Ed Soph, you realize that being a teacher is a completely different ball game. This is a very helpful video lesson, in a short amount of time.
mjulio71 2 years ago 9
OMG i've been looking for this lesson so long! thanks maaaaan!
lesnombredix 2 years ago 3
Watched this once and I didn't get it, now I do.
The shuffle part did it for me.
webstercat 2 years ago
I have his book, and that is my favorite for Be-bop Jazz drumming, really a nice book.
The Art of Bop Drumming
DruMmMeuR 3 years ago
Ya his books are great i just got "jazz drummers workshop" and i cant stay away from it
Francislikesdrums 2 years ago
A great lesson from a great master!!
mendozaman9 3 years ago 2
lol its called a diddle retard
elmfuzzy1 3 years ago
This was helpful. Thanks.
crispiegee1 3 years ago
OOOOH!!! a push n pull!!!
dartthewarrior 3 years ago
i know right!!!
i finally know what it is!!!
alexMarinick 3 years ago
this is a great drum lesson !!!
Masterfilm15 3 years ago
so, to get it to go at faster tempos, you just practice it into the ground right?
I've gotten it to an OK speed. It's actually even relaxing to play, it's got like a flow to it.
Hippomonkey3 3 years ago
hey, I didn't know bill nye the science guy played the drums!
MrDownbeat 3 years ago
thanks John for .. BeBop drumming !!and ,Beyon the bebop drumming !! that make me to increase my time and sound !!!
mimiboom 3 years ago
Hi- the same Thing Billy does, quite
economic. Great Technique from France ! greetings,uncle bop
msjekhd 3 years ago
Wtf... nice.. at slow tempos its like one wrist movement and one "drop and catch" but the fast tempo ride looks like it bounces twice before he "catches".. hav to try tt..
mikelim9 3 years ago
ahhh thx!
sorrypretty 3 years ago
thanks john
eskizoide 3 years ago
This comment has received too many negative votes show
poor lesson. you don't explain how to move from the slow tempo to the up tempo. be more specific.
sorrypretty 3 years ago
Could it be you're a poor student? I can't imagine. Maybe you'd benefit from a Travis Barker video.
bigboyhomer 3 years ago 4
but its obviously just a promo for zildjian... its not like riley couldnt explain it for hours if needed and you were paying him for private lessons.
bigbossmatt 3 years ago
Exactly. If you watch this thinking this is "uptempo ride playing - the exhaustive guide", then you really need to just go check out some Travis Barker videos. You'll be much more satisfied. Basically, if you don't "get" this, then you have no business commenting negatively on it. Riley's only one of the greatest players and teachers in existence - a VERY uncommon combination. I think he's coming to the college in my town next year. I'll definitely go see him!
delaynestallman 3 years ago
Lustig :) ich habs mir selber beigebracht, ich sehr zum ersten mal ein video darüber^^
ForenWal 3 years ago
Geht mir genau so!!! bleib dran :)
stanondrums 3 years ago
I learned that from watching tony williams!
jazzmessenger8 3 years ago
thank you!!!
Bonzaibananas 3 years ago
THATS MY TEACHER!!! YES!
funkflash 3 years ago
Jesus this guy can burn
666tommytomtom666 3 years ago 2
Yes, he's so seriuos in his teaching, be it in new york for his student or for a kid in small village in the middle of nowhere in europe.
lifticus 3 years ago 2
holy fuckin shit
flipadiddle 3 years ago
his paradiddle exercises in MD are quite helpful for me. Thanks John!!
paradiddle1 3 years ago
legend
sequentialproduction 3 years ago
Fantastic musician, tremendous teacher and great person!
lifticus 3 years ago 2
couldn't of said it better
he really believes in what he does
tnsoltw 3 years ago
that's hard to do, he makes it sound so easy
thepossessor 3 years ago
yes!!!! and once again yes!!!
stanondrums 3 years ago
maestro,master.
anchix06 3 years ago 2
john riley has great publications out, a great educator.
1856hfx 4 years ago 26