I absolutely love Dwayne Croft (the Count). He's one of the first opera singers I ever heard. He's a very natural singer and actor; everything he does is "in character."
Although it is rather well sung, nothing can beat the mithycal production of Giorgio Strehler's at the Paris Opera House which was created in 1973 under the great Rolf Liebermann directorship. It has not taken a single wrinkle more than 30 years after its creation and was revivaled last autumn and is due to be played again this may. The only huge mistake that the Paris opera house is again doing is not to stage it at the old Opera Garnier which is the only right place to perform Mozart operas.
It's that Susanna is usually played by a soprano in the Soubrette range, not a mezzo like Cecilia. Her voice is a big lower with a little more"body" to it, but it certainly falls well within her range.
You're welcome! A soubrette is a young role,usually playful maids or confidants-Susanna being the most famous.The voice is light and sweet, with not a lot of vibrato, but can be played by a soprano or a mezzo.
@suzanneetmoi and Nibor7301,Let me correct you the word "Soubrette" has nothing to do with theatrical performances at its origin.. It is a colloquial word to call a young servant used in the middle of the XVII th century from the provençal "soubreto" which gave "sobrar" in the same south of France language of the time which means to be "one to much".. Then the word entered the theatrical language meaning an arrogant young servant and confident..
@1AdrianR I'm sorry her on a stage it's not acting but it's a show! She plays too much! For exemple in the scene where figaro meets his parents, bartoli show too much her feelings while there is no reason to show that
For the record, this very same production (by Jonathan Miller) was first unveiled in Vienna's Theater an der Wien in May of 1991 with this splendid cast. It was released on video by SONY and is now long overdue for rerelease on DVD.
I absolutely love Dwayne Croft (the Count). He's one of the first opera singers I ever heard. He's a very natural singer and actor; everything he does is "in character."
Detectivefiction 2 months ago
Best Act II finale I have ever heard. Perfect balance between both sides of argument in the voices. Perfect!
1AdrianR 8 months ago
Although it is rather well sung, nothing can beat the mithycal production of Giorgio Strehler's at the Paris Opera House which was created in 1973 under the great Rolf Liebermann directorship. It has not taken a single wrinkle more than 30 years after its creation and was revivaled last autumn and is due to be played again this may. The only huge mistake that the Paris opera house is again doing is not to stage it at the old Opera Garnier which is the only right place to perform Mozart operas.
jvdesuit1 9 months ago
Mozart smiles everytime someone listens to this version...
eplacier 1 year ago 3
Don Basilio's looking a little put off... XD
entropyftw 1 year ago
che orrore
tristanoartu 1 year ago
Viva Cecilia Bartoli!
benvenutiguido 1 year ago 2
Who's singing Basilio?
leporello56 1 year ago
@leporello56 Heinz Zednik
maxtanz 5 months ago
I love it!
samk1101 1 year ago
Cecilia is perfect !!!!!!!!!!!!
Actually the cast is just perfect.
musiccoloratura 2 years ago
Bravo!
Jomabeks 2 years ago 4
Wendy White in the role of Marcellina is great!! Superb
tomassvoice 2 years ago 4
I cant picture anybody other than Wendy White playing Marcellina. It's so good!
toshavery 2 years ago 9
I LOVE MARCHELINA
goldie1102 2 years ago 6
How could a mere mortal like Mozart write such Godly music? God bless the wunderkind!
ForTheHorde420 2 years ago 15
As much as I adore Bartolli, I'm rather more acustomed to a somewhat different voice for Suzanna. Maybe it's the amount of vibrato.
Then again, the barroqueness of the set compensates for that a bit (I'm most familiar with Bartolli signing barroque :P).
Nibor7301 2 years ago 2
Also, I don't think I've ever a version of the climax in which you hear some of the lowers voices so clearly (well... clearer, at least.).
Nibor7301 2 years ago
@Nibor7301
It's that Susanna is usually played by a soprano in the Soubrette range, not a mezzo like Cecilia. Her voice is a big lower with a little more"body" to it, but it certainly falls well within her range.
suzanneetmoi 1 year ago
Thanks. :P I hadn't come across the term Soubrette before.
Nibor7301 1 year ago
@Nibor7301
You're welcome! A soubrette is a young role,usually playful maids or confidants-Susanna being the most famous.The voice is light and sweet, with not a lot of vibrato, but can be played by a soprano or a mezzo.
suzanneetmoi 1 year ago
@suzanneetmoi and Nibor7301,Let me correct you the word "Soubrette" has nothing to do with theatrical performances at its origin.. It is a colloquial word to call a young servant used in the middle of the XVII th century from the provençal "soubreto" which gave "sobrar" in the same south of France language of the time which means to be "one to much".. Then the word entered the theatrical language meaning an arrogant young servant and confident..
jvdesuit1 9 months ago
3:12 Bartoli the best woman, and Terfel the best men. Both are the best!!!!!!!!!
jaitower83 2 years ago 5
Dwayne is so sexy
JasminaH79 2 years ago 4
good performance, thanks for posting the vid...
INTERNETVID 2 years ago
OMG I cannot get enough of Dwayne Croft!! I wish he would sing more Mozart in NYC.
FiorentinaNJ 2 years ago
high G by Croft is perfect...)) 0:52
JustFlash88 2 years ago 3
This comment has received too many negative votes show
too much bartoli :(
mouthmouse 3 years ago
@mouthmouse You can never have too much Bartoli!
1AdrianR 1 year ago
@1AdrianR I'm sorry her on a stage it's not acting but it's a show! She plays too much! For exemple in the scene where figaro meets his parents, bartoli show too much her feelings while there is no reason to show that
mouthmouse 1 year ago
and the genius Heinz Zednik as Basilio
cachaflita 3 years ago 3
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For the record, this very same production (by Jonathan Miller) was first unveiled in Vienna's Theater an der Wien in May of 1991 with this splendid cast. It was released on video by SONY and is now long overdue for rerelease on DVD.
La contessa Almaviva: Cheryl Studer
Il conte Almaviva: Ruggero Raimondi
Suzanna: Marie McLaughlin
Figaro: Lucio Gallo
Cherubino: Gabriele Sima
& others
Wiener Philharmoniker
Claudio Abbado, conductor
Scalatti 3 years ago