Added: 4 years ago
From: DannyBiker
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  • anyone notice how much hans zimmer seemed to emulate danny elfman when composing for the lion king?

  • honestly, since I never saw hellraiser, I like the music from the film better. it was more scarier and filled with wonder in my opinion.

  • actually, i liked the hellraiser tune better with this scene

    but I would pick Elfman over Young anyday

  • This is better. I find the Hellraiser score distracting.

  • Why isn't this on the Spider-Man 2 soundtrack?

  • I'm comparing both scores, and this one is much better. But I suppose none of you needed to be told that. lol

  • OMG! at 7:29!

  • I love Elfman's stuff. Batman and Spider-Man have scores you just can't mess with. You can't put their music on another movie and have it sound right.

  • NOW Elfman bitches about not wanting to make Hellraiser-ish type music, considering how much of Hellbound he took and intergrated into Batman AND Sleepy Hollow?

    Batman - Finale - Dead or Living? from Hellbound

    Sleepy Hollow - Love Lost - Headless Wizard from Hellbound

  • I'm not exactly sure I can place the name to the track, but Batman - Finale sounded nothing like anything in the Hellraiser movies, IMO.

  • The opening of the Batman finale (when Gordon first turns on the Bat Signal) sounds like a sped-up and more triumphant version of :40 - :44 of "Dead or Living?".

  • @AngelofMusic04

    You forgot Hellbound Main Title + A Little Fixing Up = Batman Main Titles....

  • Whilst I can see the point with the sequenced not being scored in the final cut, I must say that I actually feel the sequence with score has a very menacing & chilling feel. Also, not having score here is just a throw back to Raimi's old days (Evil Dead etc) when he left music out for scenes similar to this. It might have been nice to see him stray from this. The choice of Raimi for Spiderman itself was very different.

  • good music

  • It's good to get some light about the infamous dispute between Elfman and Raimi, because so far I didn't understand why that long time partnership ended in such harsh terms.

  • Hm... I can say that I prefer Danny's handling of everything following the initial activation of the tentacles through the end of the experiment. There are a few moments I would've liked to have in the final cut of the hospital scene, in terms of his score, but the absence of outside music definitely added to the horror of that scene.

    ...It's interesting to hear Danny's score for these scenes, since I've been wanting to hear his original for the experiment for a while.

  • The only scene that Raimi was right about was the hospital scene. It is way more chilling with the only noise coming from screams and the tentacles slamming things around.

  • Well i think Youngs music had more of a suspense feeling than Elfmans more bashing cues in this scene. Im a die hard Elfman fan but ill have to say that the Young cues worked better on this one.

  • i actually like what Chris Young did much more; coming from a die hard Elfman fan.

  • i must say, as much as i love Elfman, i prefer the attack sequence as it was heard on film (sans score). it made it much more intense.

  • I like elfmans a lot better...but I think its good that in the final cut they didnt put music in the hospital scene, its much better that way imo.

  • I like this! Even the hospital room scene is pretty good! But, what Chris Young re-scored was good but his flaw was that he had the same notes over and over again. Elfman atleast threw some different stuff at us, you know.

  • Very Nice. Please post more music of doc ock!

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