Added: 3 years ago
From: filippeo85
Views: 35,446
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  • Bellissimo. Peccato non abbia suonato anche le ripetizioni passando da AABA a ABA.

  • プロの至芸を聴かせてもらいました。

  • Thank you! Thank YOU!

    I love you for sharing this with me! Now my eyes are wet! Thank you!

  • 1.我提出問號的目的在於引發有心人一同交流感想。

    2.對我而言,Mozart的音樂表情是故作表情的孤獨。他機智­般的作曲結構,是天才悲情的宣洩。我點出這個看法是因為我非常喜­歡這個版本,而這是我偏好的原因。事實上,這版本微妙的氛圍確實­與眾不同。

    3.漢字是我最能完整表達看法的語言,雖然有時我也打英文,但語­意上表達若容易模糊時,我只會選擇用中文。

    4.Thanks for your opnion.

  • @seremerow i am from taiwan too, but it would be better when u use english...

  • 季雪金並沒有誇大(特別強調)莫札特的音符表情。就某種程度聽起­來,有種身為表演者的無奈。好像內心並沒有像曲子本身來得豐富(­熱情)。後半段快速的樂段,感覺又太急切,很想早點結束的感覺。­我沒有貶低這個演奏的意思,我只是好奇他為何要這樣演奏?他明明­可以做的和其他鋼琴家一樣的活潑,但他卻沒有選擇這樣做!大家不­會好奇嗎?

  • He is perfect !

    Thanks for sharing.

  • Sweet-natured. Vigorous-but-never-aggressive. GOOD!

    However, the memory of Clara Haskil's luminous perfection in these variations haunts me still fifty years after hearing it for the first time. Her ornaments were comparable to those of Gould for their extreme clarity and brilliant sparkle --- each a perfectly cut, perfectly-proportioned diamond perfectly enhancing the body of each phrase..

  • one the best recording of this.

    Wonderfull !

  • a very good and delicate piece.

    It soothes my ear drums so marvelous!!!

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