Added: 4 years ago
From: musicedworld
Views: 29,055
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  • The vibrato is absurd.

  • A goodperformance, overall. Probably is much better watching it live. I'd love to sing it with a choral group backing up one of the many sopranos in the Asheville, NC, USA,

    My favorite recording of this piece is on a CD with the great Cheryl Studer doing this and many other pieces in the repertoire with religious themes. Good posting! Thanks!

  • Superb. Even a Yank can appreciate this.

  • Good performance, Sophie Yelland. The acoustics rather spoil it but that is not your fault.

    It's a shame that you've had such silly remarks. When YouTube started we had Americans with a mental age of 10, saying 'this sucks' to everything they didn't understand but now we have so-called experts proving what smart-arses they are at the expense of good efforts like this. I think I prefer the 10yo yanks.

  • they're amateurs lol give them a  chance

  • We did this in choir - Warrington Musical Society. I love this piece <3 xx

  • who wrote this????

  • Mendelssohn

  • Mendelssohn

  • too much vibrato...doesnt work.

    good otherwise

  • Far too much vibrato - it's not natural, sounds odd, and doesn't work for this piece. It's also too slow and partly because of this, sung with a complete lack of any feeling or passion. Doesn't really sound like iniquity and hatred are being cast upon them!

  • Well and when I hear the chorus.........everything seems like getting worse= =

    More room for resonance, please!

  • Sound like the solo drews her voice too backward in oral cavity and the retroflex is terribily obvious.....

    My opinion. Pardon me if I offend anyone.

  • Its terrible with a soprano... The solo should always be sung by a treble (in my opinion). We're singing it again on Sunday, and our treble is fantastic... He was the runner up of the chorister of the year competition!

  • i think the recit is done abit quick

  • the soloist's singing is a little bit too throaty, but it's quite good overall

  • My favourite version is Kiri te Kanawa with the Mormon Tabernacle Choir.

  • A bit too much vibrato for my liking from the soloist, and the rubato style singing again isn't to my fancy. Our chapel choir did this in our college a couple years back (I'm a tenor in our choir) and it is a marvelous piece.

  • I agree. One of the most beautiful pieces ever written. And I also think that the Soloist has a little too much vibrato, but since I sing base I could not do any better. All in all it is well performed.

    On some points our choir sang it a little faster. But it is still good.

  • To be a boy soprano, he is very good. My respect!

  • i'm pretty sure it's not a boy soprano... forgive me for being frank but how many boys do you know called Sophie?

  • Well, the soloist, if you look closely, has 2 ponytails, and no boy has that much vibrato, you'd have to be a man to have that much vibrato, and by then, you wouldn't be a soprano any more...in most cases.

    And from 5.34, the solo bit is what I'm doing for my church choir audition in 4 days, on Friday.

  • A shame that here (and on the download from your link) the song isn't recorded untill the finish:(

  • The video is complete; the remainder of it is in part 2 as there is a time limit for videos. However, thanks for alerting me to the mp3 on my site, it does finish a few seconds early. I will fix that soon.

  • awesome!! it's really good both the soloist and the choir! respect!!!

  • Great we loved it.

  • Nice solo. My choir did this for my installation as a treble.

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