Added: 4 years ago
From: kennethsmithesq
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  • L'amour....

  • 4:00 !!!

    

  • @mrpossibilities Your sarcasm is almost insulting. Smh.

  • @Vaderduder I never thought of it from the unfamiliar-viewer's perspective! Of course, just a preference. I've actually seen this opera production online in its entirety - and it's generally quite great!

  • ich liebe das sung :')

  • The soprano here is Waltraud Meier. Wonderful vocalist. Wonderful performance.

  • Bravo !

  • bravo

  • hmz bin aus hamburg

  • gebe besseres

    doch

  • What a nonsense. The vocals couldn't be better.

  • While the vocals aren't nearly as perfect as Flagstad, Nilsson or even Stemme, her command of the lyrics and emotion of the piece are virtually unparalleled. It'd be difficult to find another video of a Liebestod acted so beautifully. Although we don't really need the annoying reunion with Tristan, and the borderline tacky usage of the caskets.

    To quote another: "The hair, the backdrop, the look of Sutherland in her face, the lips, the everything"

  • @Conoror536 No! reunion and caskets are a way of expressing the death too people who maybe don't know the story line, in a beautiful and poetic way. Without it, it would still stand as a very poignant and moving performance. This just adds a drop more of emotion to the song. but then again it is your opinion and your opinion alone

  • Waltraud, mi favorita, el día que se retire me pego un tiro, haha

  • That's why he was so persistant and consistent in writing all his lebrettes by himself. So was a Wagner one of the youtube's responders he would have totally nilled the arguments of those who try to sepperate the two : his music and his beliefs or philosopgy. They are one in his creative genious. Tha's the reason why for me personally its very hard to hear Parcifal opera'

    , knowing what he tried to depict in Klingsor image opera -

  • @sh24jame

    I agree obviously on Wagner's genious beeing singular and unseperable from his philosophical views.

    However I suggest you listen Parsifal with open ears. Those who try to find socalled jewish caricatures in his works have long since been debunked by the majority of renowned wagner scholars.

    Parsifal is budhist and schopenhaurian, not a metaphor of redemption through Christianity.

    Wagner identified the one good thing about "primal" original Christianity as beeing Joshua's focus on...

  • @sh24jame

    (con)... empathy or unconditional love.

    That's what Parsifal is about. Klingsor is the antipode to that concept seeking false, superfical ( material ) recognition and goes berserk when denied. He is the personification of human will in Schopenhauer's understanding of the world. And even if you disagree about that analysis I think it's safe to say a composer who has the whole palette of absolutely taboo topics in his dramas ( including incest etc. you name it ) would not have been...

  • @sh24jame

    (con2) ...shy to include actual jewish figures if he wanted to make a point. Indeed it's a strange phenomenon that most of the anectdotal evidence of Wagner's antisemitism (outside of his scourn for what he thought was the decadent, jewish artistic elite at his time - cultural socio-anarchic antisemitism so to say) comes from Cosimas diaries who was indeed a racist and bigot of the highest order.

    Honestly - you can listen to Parsifal. Don't take my word for it.

  • @sh24jame

    Indeed after having wrestled with the issue for years I have come to admire not only the singular musical figure that is Richard Wagner but much more so the philosopher and poet.

    I might be bold in claiming this but in all the time I have spend with so called great art I have not come across a singular author without some stains.

    In his message, in his works - in what really mattered to Wagner above everything else:

    I find the most thorough humanist of all the great geniouses.

  • @sh24jame

    One more thing about Parsifal ( forgive me for trying your patience).

    A nice introduction to the problem:

    allegoriesofthering.wordpress

    .

    com/wagner-was-not-an-anti-sem­ite/

  • @HuninMunin I agree that for all W's unsavory character-flaws (& they were not slight!), he was in aggregate more of a good person than a bad. I think the reason Wagner's antisemitism disturbs us more than Kant's or Dickins' (lets face it, almost everyone back there was) is that his art is so beautiful as to manipulate our expectations: we inherently think anyone writing such music must be thoroughly good, & W's failure becomes all the more apparent for that reason...

  • Comment removed

  • First I'm to be honest and admit that i'm a jew by birth,i'm from Israel and i agree that Wagber was a genious- one of a kind. I've read the most af the response and it seemed to me that the major argue was about putting or not putting aside Wagner's political views. It seems to me that people read a bit about Wagner before stating such things. Wagners philosophy was that there's no sepparation between the music, the words and the philosophy behind them.

  • that's cool if you're a national socialist. it's a free country and you're entitled to your point of view but Christ, i'd like to talk about Wagner without his anti-semitism being brought up. Lot's of people hated jews. big deal. besides, he apparently abandoned his bigotry later in life. I hear nothing of hate in this music, only love.

  • Sends chills down my spine, every time

  • Those who dislike the political views of Wagner can keep their "opinions" to themselves.

    There are other people who believe like me , that his beliefs are the proof of his genius

  • @Napoleontas he inspired nazis... but that doesn't mean that his music isn't better than anything else ever written ever

  • @Savedpianolover Iam a national socialist my self

  • @Napoleontas Regardless of your political views and those of the Nazi party, it is wrong to believe that any race has supremacy over all others (or any other). I don't really know what Wagner believed concerning the German race, but Hitler's beliefs were inherently wrong.

    But you have to understand, my main point was that this is unbelievably beautiful music no matter what Wagner believed.

  • @Savedpianolover Well inherently wrong? The only thing inherent is our selves, you were taught to believe that what the Fuhrer believed was wrong, that doesnt make it so, i believe that the opossite is wrong.

    No matter our political beliefs though, (Wagner was a racialist-or racist call him whatever you like) and his operas for eg parsifal(in my opinion the greatest musical drama that was ever created) was based on his beliefs. Wagner was a genius and probably the greatest composer ever

  • @twooffour

    "The opposite is wrong"... means the opposite of "Hitler was wrong", i.e. "Hitler was right", is wrong? Yea, saying Hitler was right is wrong.

    Thanks for clearing things up for us, you idiot.

  • @SavedpAlso as a national socialist i dont believe that i should rule over the other races, thats just propaganda , and has nothing to do with national socialism this is Hollywood not reality.

    Anyway, i know why modern westerners find it so diffilcult to accept that certain races have different potentials and capabilities than others, i was brought up the same way, i changed my mind though. My main point is that i find a sign of unbarable stupidity what is going on by Jews on wagners videos

  • @Napoleontas We agree that Wagner's music was extraordinary. We disagree about the nature of society, humanity and truth. That is all I have to say. Thank you for your engaging discussion

  • @Napoleontas Wagner was an idole to Hitler...

  • @raulcat19 According to me thats perfectly fine

  • @languagelover18 Music sucks because of you.

  • one of the best best opera productions ever, an immense Isolde. this is Tristan, my friends!! I must quote Nietzsche:“Tristan and Isolde is the real opus metaphysicum of all art. . . insatiable and sweet craving for the secrets of night and death. . . it is overpowering in its simple grandeur”, “Even now I am still in search of a work which exercises such a dangerous fascination, such a spine-tingling and blissful infinity as Tristan — I have sought in vain, in every art.

  • I have to find away to see Tristan und Isolde the opera. The story of me falling in love with this aria is as follows:

    Once upon a time I watched William Shakespeare's Romeo + Juliet 1996 version. At the end once they kill themselves the end of Liebestod comes on. It was such an emotional song that I had to find out what the whole song sounds like and where it came from. And low and behold I came here heard this and have been dying to see this opera ever since!

  • Le falta maquillaje a la isolda...

  • I saw Waltraud Meier at the Vienna State Opera as Kundry in Wagner's Parsifal earlier this year. It was truly a life-changing and ever-memorable experience. Her emotions, her acting and her singing are indeed one-of-a-kind.

  • I played the Liszt transcription when I was in high school, but I don't think I "got it" then, and it seems that many others don't get it now, either. If the repeated, climbing, gradually becoming louder three note fragment in the last few minutes don't describe sexual intercourse (followed immediately by a "calming down" period--usually accompanied by a cigarette in the movies) then I'm a virgin. In fact, I'm a grandfather.

  • A truly breathtaking and sensitive performance. The best version on the liebestod that I've heard.

  • Wagner at his most grandiose...this aria is one of the greatest in the western repertoire. Regardless of your views on Wagner and the political endorsement by the likes ofA Hitler, remember that one of our national treasures (Stephen Fry) and one Michel Portillo are also overwhelmed by this.

  • Not many know it but Tristan und Isolde was the most revolutionary peace of art of the 19th century at least musically, and probably the amongst the greatest musical masterpieces of all time.

  • Probably the best liebestod there is

  • einfach wunderbar ! kein Ton gepresst, stimmgewaltig-ohne zu brüllen ! Liebe, Trauer,Entsetzen - alles dies vermag W. Meier meisterhaft in Ton und Ausdruck wiederzugeben. Danke !!!!

  • Every time I watch opera in german i have to wipe schmutz off the inside of my computer screen. ughhhh /xxxx/. ach-lauts, ich-lauts, and popping consonants. Who's got some kleenex.

  • Tarquin likes this

  • She looks like an eagle and sings like it.

  • Wonderfull i love it.She is the best

    

  • Crying...

    

  • Ich bin sprachlos....

  • In a word -- heavenly.

  • Man sollte Opernsängern wirklich nicht die ganze Zeit in Nahaufnahme ins Gesicht sehen - die Mimik und Frisur erinnern mich doch teilweise sehr an Zarah Leander ;-)) (nicht böse sein)

  • @vully70 Na, und was könnte es Tolleres geben als Zarah Leander als Isolde (der wir, übrigens, Birgit Nilsson zu verdanken haben - denn ich hörte, Nilsson habe wegen Leander den Wunsch gehabt, Sängerin zu werden).

  • I wish I understood what she's singing. Funny, though, it still pulls at my heart.

  • I don't really want anyone singing but if someone has to then Birgit is OK

  • This is the best rendition. All other singers sound bored when they perform this, only Waltraud Meier puts the passion in, she sets the benchmark.

  • @Wranger243 Try listening to Flagstad

  • she's good isn't she?

  • der tot ist ein meister aus deutschland !

  • @afrikakorp47 meine Güte, was für ein Unsinn! Tja, Zitate können sich eben selbst nie wehren vor ihrem Missbrauch.

  • der tot ist ein meister aus deutschland !

  • odd production--typical German director expessionist schist. Do traditional!!

  • @windstorm1000 this is by far the best I've seen, at least as far as this aria is concerned. Everything fades. Just curtains and Waltraud Meier's gorgeous facial expressions... You can tell she's in ecstasy...

  • This soprano is incredble!! Her voice/expression is so powerful--like a laser beam in the darkness. Her voice more feminine than Flagstad or Nillson. But please why isn't she listed?--I'm shaking my finger at the poster!! Some one tell us.

  • @windstorm1000 Her name is Waltraud Meier

  • @samosval92 Stupid pig!

  • Meir is Wagner in flesh...

    

  • Soll ich schlürfen? Funny how slurp is such a pretty, poetic word in German...

  • I love this piece, I have just written an article about this which I hope does it justice 

  • So, so beautiful. Gets me every single time

  • Gorgeous.

  • Are they standing in front of their own graves?

  • a legend of our time....i wish i could have been there live...

  • Beyond merely incredible.

  • He who says German is an ugly language should be made to listen to Wagner's operas, and Richard Strauss's Vier Letzte Lieder. Those pieces lay this somewhat pathetic cliche to rest. I'd also point out that there are various Goethe and Heine poems out there which, when read untranslated, sound absolutely beautiful.

  • How his operas affect me is a detriment of reason.

  • tears in my eyes..

  • ps, thank you for finally resolving to the tonic, wagner.

  • fawk. listening to this during an all nighter for a music history test, and i still love it.

  • beautiful women, great music

    Such as Kim Novak

  • sin palabras

  • Who is she????

  • @anaparga1 : Waltraud Meier

  • simply beautiful, I never get tired of hearing this!

  • Soundtrack to my daily masturbation. I'm not even joking.

  • @caesiume I understand what you mean. This music means death, but also an orgasm.

  • Como a brisa da manhã que faz perder o tempo, o amor eterno e verdadeiro não tem duração, razão, motivo ou algo além do senso de perfeição que natureza nos encharca.

    Não é dor nem bênção, mas um algo que caminha como uma sombra sob o sol da vida.

  • No words to describe. One of the most beautiful things i´ve ever seen. Wagner really makes me cry with this piece of art.

  • @lucasyattes YES, I AGREE, NO OTHER THING COULD BE MORE BEAUTIFUL IN THIS WORLD THAN THIS...WAGNER WILL BE ALIVE FOREVER.

  • Simply divine and the best Isolde ever, IMO

  • I can't stand this piece. The huge build up makes me sick and ever time I hear the Tristan chord it sounds like the musical personification of all that's perverted...

  • @Hobbes379 Sounds to me like you read Nietzsche's The Wagner Case too much and got brain-washed. Well, if you don't like it, fuck off and go listen to Bizet's Carmen...

  • Such a shame that the production was so bad, apart from the singing. Tristan, in particular, just came across in this production as a grinning oaf. The guy who played that part seriously needs acting lessons.

  • 6:07 onward makes me cry! It's soo pretty! I love the violins

  • To bad, there was no Siegfried Jersualem (Tristan) around, lying dead.

    Thanks anyway Waltraud.

  • @Severolus Well, at least the two of them are on DVD in one of the most legendary stagings EVER!

  • wunderbaren Gesang!

    ~who is the soloist and orchestra?

  • This is a Wonder,Wagner is Everliving.

  • One of the most beautiful operatic arias ever written, IMHO. Very lovely performance from both Waltraud Meier and the orchestra. Thank you for posting this! Please tell us where this was performed and with what orchestra...

  • Man muss schon wirklich halb taub sein, um den Text hier nicht zu verstehen. It's ridiculous to deny the in fact very clear diction and intelligibility of this overwhelming performance.

  • @wagthedog100

    Also ich muss ganz ehrlich sein, bis auf ein paar Wörter check ich kein bisschen was die da singt. Kann dir nach Gehör die gesamte Melodie und jeden Akkord aufschreiben, aber den Texscht, sorry ne! :D

    "Freude... Freunde?? Seht..." und weiter??

    schwinget, mich... wat??

  • @twooffour

    "in mich dringet... auf mich schwinget"

    ähh... vielleicht will ich auch einfach nicht verstehen :PP

  • @twooffour - tja, ich fürchte auch.

  • @wagthedog100

    Ne Spaß - ich versteh wirklich kein einziges Wort bis auf ein paar.... doppeldeutige... Schnipsel, außer ich les den Text mit. Am nächsten Tag weiß ich den Text nicht mehr, und versteh wieder nix :D

  • @twooffour

    na macht ja nichts. Sonst geht's ja offenbar ganz gut.

    Und im Mit- und Vorlesen kriegst Du bald bestimmt eine tolle 2!

  • @wagthedog100

    also solangs die lyrics vom death metal nicht entschlüsseln kannst, wär ich da mal nicht zu stolz :p

  • @twooffour

    oh toll mensch, meine Güte, sogar sowas Schweres kriegst Du hin! Da können wir mit diesem komischen "Liebestod" hier ja wirklich einpacken.

  • @wagthedog100

    nein, das krieg ich eben NICHT hin... weil es noch viel schwieriger ist als das hier, und doch können einige leute es verstehn weil sie sich durch viel hören daran gewohnt haben... etwa wie popgesang, oder leichterer, leichterer liedgesang, viel einfacher zu verstehn ist als lauter, schwerer operngesang, obwohl man sich auch da "konditionieren kann".

    Das hat nix mit "Taubheit" zu tun, und mit Sicherheit ist dies NICHT wie sich "die deutsche Sprache anhört".

    So langsam...

  • @wagthedog100

    ... fängst du an wie ein volldepp rüberzukommen :)

    "komischer" Liebestod? Was...?!

  • @twooffour

    ach so, Du kannst es nicht haben, wenn man Dir die Rolle des "volldeppen" klaut. Na entschuldige bitte, spiel' Du sie nur selbst hübsch weiter! Und immer schön diffus bleiben und Nichtverstehenwollen dabei!

  • @wagthedog100

    Ähm, wie genau spiel ich den "Volldeppen", indem ich ehrlich sage, dass ich einen Liedtext aufgrund der Gesangsweise AKKUSTISCH nicht verstehe, und dass es weder an Taubheit noch mangelndem Sprachverständnis liegt, sondern an Hörgewohnheiten?

    Inwiefern bedeutet "wiederholtes akkustisches Nichtverstehen" als "nicht verstehen wollen"?

    Inwiefern ist irgendwas davon "diffus"? Glaub, du bist in echt ein Volldepp :p

  • @twooffour ich würde Dir raten: lies mal von Beginn an Deine Kommentare noch mal durch, vielleicht verstehst Du dann, wieso man so oder so darauf reagiert. Offenbar kannst oder willst Du Dich nicht differenziert ausdrücken. Dass Du jetzt nur noch mit Beschimpfungen antwortest, spricht ganz für sich.

  • @wagthedog100

    ... was auch immer

  • Opera isn't for non trained ears...

  • Sind es Wogen wonniger Düfte? Wie sie schwellen, mich umrauschen, soll ich atmen, soll ich lauschen? Soll ich schlürfen, untertauchen? Süß in Düften mich verhauchen? In dem wogenden Schwall, in dem tönenden Schall, in des Welt-Atems wehendem All --- ertrinken, versinken --- unbewußt --- höchste Lust!
  • Hör ich nur diese Weise, die so wunder- voll und leise, Wonne klagend, alles sagend, mild versöhnend aus ihm tönend, in mich dringet, auf sich schwinget, hold erhallend um mich klinget? Heller schallend, mich umwallend, sind es Wellen sanfter Lüfte?
  • Wie das Herz ihm

    mutig schwillt,

    voll und hehr

    im Busen ihm quillt?

    Wie den Lippen,

    wonnig mild,

    süßer Atem

    sanft entweht ---

    Freunde! Seht!

    Fühlt und seht ihr's nicht?

  • To understand what she sings you need to 'listen' and not just 'hear'... Follow the lyrics and you'll get it, if understand German, of course: Isolde's Liebestod (the text) Mild und leise wie er lächelt, wie das Auge hold er öffnet --- seht ihr's Freunde? Seht ihr's nicht? Immer lichter wie er leuchtet, stern-umstrahlet hoch sich hebt? Seht ihr's nicht?
  • One to learn to 'listen' and just 'hear'. Just follow the lyrics and you'll get it, if understand German, of course: Isolde's Liebestod (the text) Mild und leise wie er lächelt, wie das Auge hold er öffnet --- seht ihr's Freunde? Seht ihr's nicht? Immer lichter wie er leuchtet, stern-umstrahlet hoch sich hebt?
  • who is this? She sounds fabulous?

  • @bushkabear3 Waltraud Meier

  • The beauty, the power. Thank you.

  • not the equine nature of the german language can disturb the sublime music of

    Richard Wagner.

  • Bella voz. Exuberante. Simplemente PRECIOSO !!!

  • ...because on stage, there is the actual physical singing, and unexpecteds that inevitably happen, to handle..IF that work done before, we have become the "rôle", if not what we do will be artificial in any case, not convincing to the heart of the listener..and better let the music then do its magic simply.

  • verdammt ist die gut.

  • cool.. tristan is my name :D

  • @GmadaGfack You have a good name.

  • @witness124 thanks You to ;D

  • Divine; perfection

  • Waltraud Meier, was gesagt werden kann puristische Isolde bei weitem, das weiß ich

  • simple, strong clear. rare to hear this like this in our times..and this wasn't., I presume.

    Now there is push,and the wobbles that come from strain on the voice. Peccato! thank you for the pleasure of this.

    The eyes are from the intense concentration needed to rpoduce that sound and line.. Music and singing is concentration pura..

  • @gwirgalon Hell, isn't it just. I have no time for acting when I try to sing anything operatic - too much thinking and remembering the notes for that. I'd better learn soon, though.

  • @witness124 I think, in fact that that is our work to do for the hours and hours BEFORE we set foot on stage, justement. The work done with the script, pulling the connecting strings from inside ourselves, studying the culture(books paintings, writings of the times, and in the timeline of the role itself. So that when we finally step out there, these things have become part fo teh very sound, in our nerves, no longer acting but being..

  • Unforgetable

  • perfect...

  • I though about this and have decided to give it 5/5 stars!

  • who is the singer?

  • @MadamePetrarca

    It is Frau Kammersängerin Waltraud Meier

  • @voidptr

    thank you very much!

  • fantastic

  • todo el secreto de que guste tanto esta producción es que está tomada prácticamte toda la ópera en primeros planos, y se ven todos los gestos faciales e inconscientemente impresiona más.Tomad por ejemplo el liebestod de Stemme en Glyndebourne ( la toma es de kilómetros, jaja ), y a mí particularmente me deja frío Stemme actuando ( porque solo se ve su silueta ). Si no me explico bien, pido disculpas

  • Kip Kinkel listened to this before going to school and killing a few people, injuring a bunch of others.

  • At Harvard University, there is a class in the English department called "Lives Ruined by Literature". Essentially, it is an exploration of the crazy fictional people who have mis-interpretated great art to do bad things. Remember it is always the case that art should immitate life. Having said that, "Art is much less important than life, [oh] but what a poor life without it."

  • @crankatorium and?

  • Comment removed

  • Que HERMOSO!!Cuan dulce y suave sonríe, como se entreabren sus ojos tiernamente ¿Le veis, amigos? ¿No le veis?... ¡Cómo resplandece con luz creciente! Cómo se alza rodeado de estrellas.
  • M'm not sure what has entranced me more, the talent of Wagner and this sopranos voice, or the incredibly specific faces she's making.

  • I have to listen to this at least once a day, sometimes more often.

  • This is as good as it gets.

  • what a beautiful woman and what great singer

  • I'm out of my mind while listening to this. Waltraud is more than PERFECT. She is DIVINE!

  • There is no words to say, just perfect, sublime!

  • i defy anyone to listen to this and say that german is an ugly language

  • @sirsick1 It's ugly when spoken, but it lends itself well to operatic singing... especially powerful martial songs that make one want to cross the Oder-Neisse Line and invade Poland.

  • @sirsick1 German is a beautiful language, and the Germans are an extraordinary nation. Greetings from Armenia.

  • @sirsick1 I studied german and GCSE level because of this sort of stuff.

  • @sirsick1 iam german i understand nothing

  • @paranapoleon It may depend on where in Germany you live and which dialect (accent) of German you speak. Wagner was born and raised in Leipzig. Where do you reside?

  • @sirsick1

    I speak German myself, but I don't understand a word she's singing - so as far as I'm concerned, she could've been singing sny language, or gibberish for that matter.

  • @sirsick1 Ugly sounding it is...

  • @sirsick1 Try reading poems by Heine or Goethe and the absurdity of such notion becomes evident.

  • @sirsick1 You are not only stupid, but also arrogant too and without any sensitivity, but mayby you are en angel?

    Hjort

  • @sirsick1 yes but: i am a german and (if i dont have the libretto) do not understand a word of it.

  • @GrauenausderTiefe then get a libretto... they are cheap nowadays... :-)

    I am a non german who speaks fluent german and I admit I know the text of this aria but still understood at least 90 percent of what she sung during the rest of the piece where I was not that familiar with the libretto...

  • @MariaCaIIas chill out, dude. If the librettos of opera were intelligible, there'd be no point in having Uebertiteln at the shows...

  • @sirsick1 No offense, but this comment really wasn't necessary, and didn't deserve so many thumbs up. I mean, you don't need to point out the libretto's pretty, and if we've come this far to hear the aria, we probably already think German is pretty anyway. That's like walking into a French Restaurant, & saying to other people eating there, "I dare you to say French food isn't tasty..." It's awkwardly stating the obvious in a context where it doesn't need to be said...

  • @NazTb0y Cheers for sharing that. It sounds like one is jealous of the thumbs!

  • @sirsick1 LOL I'll admit, that was kind of douchy of me, but I like seeing intelligent discussion in these comments, not just fawning praise. I mean, most of us know Waltraud Meyer is a good singer and know that Wagner's a good composer, or we wouldn't have come here anyway...

  • @NazTb0y

    Besides you don't hear much of the language here anyway ;)

  • @NazTb0y

    ... aaaaaaand... the only place where the language is harder to understand than here is in death metal growling.