Added: 3 years ago
From: mojorisen74
Views: 6,054
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  • Great to find these on the net. Just recently when going to Brighton/UK and checking out some second-hand record shops, I actually found the version with those 2 demo versions - finding them after 30 years was just too great!!! However, your rip is better because my copy has a few more scratches. Thanks so much for this! Cheers from Germany

  • Thank you for uploading this.. means so much ;)

  • Utopia at its finest-my opinion. RA was a great show in '77. I have always like the slowed-down-to-a-lower-pitch vocal toward the end (stay forever.....). This is a studio masterpiece! Todd's flanged guitar tone STILL is one of the best!

  • Brilliant is right ! Never tire of this classic in any mix !

  • So amazing. LOVE this song.

  • One of my favorite tracks of ALL TIME! Cool mix. Love the pic. Thanks.

  • Amazing stuff. But to see this band at there best, look round you tube to find them playing live. They are just jaw dropping when they are live.

  • Great stuff. Many years ago, I listened to this when I was really ripped. I convinced myself that the fast-to-slow transitions in the final section must have been spliced together, as they sounded impossible to play!

  • Terrific! Thanx so much for sharing.

  • great song ,todd is the greatest

  • the harmonies actually sound more clear-especially in the "echoing across the canyon.." section.Brilliant!

  • Saw them in Hawaii in '77 & '78. 8 times many many memories Thanks Todd

  • Jon,

    Thank You!

    John

  • This does not sound like an alternate take. The rhythm tracks are those on the album. The vocals, on the other hand, sound like they may be "scratch" vocals; although this does sound like a mixed track.

  • very nice, the band is kick butt!

  • hmmm, I have this song on cassette. Guess I have the rare version of RA and I didn't even know it!

  • I like it! I like it! :)

  • Both demos are from a rejected test pressing of the RA album. Todd accidently spliced those mixes into the master tape.

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