Nope. He's insane. He's having detached, schizophrenic dialogue in his head while playing, but his fingers are certainly well trained, like a good monkey. They just don't have access to Beethoven's mind. But they might have a better chance than Glen.
Still by far the best performance I've heard of this piece. Everything just sounds perfect to my ears. His tempo works beautifully, it gives the piece liveliness and makes it feel more moving. With the possibility of contradicting Beethoven himself, I think the themes connect much better at this tempo, it doesn't feel so stiff.
The way he hits that new section at 1:56...just bliss.
Mr. Gould's interpretation of the Maestro is controversial, indeed! I have struggled with this, myself , believe me!!! If you'd like to hear the best Beethoven, listen to Vladimir Horowitz. Best Bach on the planet, on piano, (an instrument Bach only wished he could have had...) Glenn Gould!! We clear?
But how do you know that Beethoven would like Gould less then other modern performers? Most play on modern instruments, and for that reason and others, probably play very differently from how Beethoven played. It certainly sounds completely different on a historical instrument. Granted, Gould doesn't try to be historic, but I have nevertheless always felt myself unable to decide which of our approximations the composer would prefer.
@gr0mithtimon We have no way of knowing how Ludwig would have felt. I would probably give several body parts up, just to learn the answer to that one!! I understand that the quality of pianos greatly improved during Beethoven's lifetime, and he was provided with the absolute best the world could offer at that time. Beethoven's last piano was a 76-key instrument that was especially strong, since each of the keys was fitted with four strings instead of the usual three!
I love this -- it's perfectly played all the way through! And doesn't he seem to be enjoying it?! I love to see him 'emoting' like this...it always just adds to the perfection...the 'icing on the cake,' hmm? I think he put a smile on 'grumpy' ol' Beethoven's stern face with this one!! ;-D My statue [bust] of Ludvig, beside my computer, even smiled a bit, I think!! ;-)
This comment has received too many negative votesshow
Again, Gould proves that only the insane can inaugurate art. There is a vortical motion about his head, and an escape into unself-conscious neurosis, maintained by self-assuring ecstasies - something that resembles a whirling dervish in delay.
Gould is sensational in this movement: singing line in the right hand, perfectly balanced textures, clarity of articulation, superb tension in the musical line, and an always forward moving line. I don't like his Bach, but I highly respect his playing even when I disagree with some of his interpretive choices.
This comment has received too many negative votesshow
For one, while a performative genius, Gould takes the first movt. TOO FAST, hands down...and inso doing obscures some of the pathos that can only be drawn out with longer reverberations. Bach is where he SHINES...he was born to be a contrapuntal performer and not a chordal/homophonic one.
This is my favorite performance of Tempest II. The dynamics are just spot on! And he somehow manages to convey romance with an utterly classical style. Very impressive.
Also hats of to Beethoven: Most composers wouldn't resist and repeat the nice sweeping melody over and over - but not Mr. B.
The "heart beats" played with the left hand are perfect in my mind. Many pianist seams to play them slower.
A story I heard about this piece is that it is sort of a love serenade... The low "heart beat" being the man and the high, the woman. I like that interpretation.
(and of course the whole sonata is said to be shakespeares The Storm.
the comment over this adagio I made it mistankenly in the allegretto,nevertheless i repeat here that this sounds like a theater of pure sonorities,where else one can feel the tragic moments through which Beethoven was passing by during these years 1801-1802,beautiful,long live ludwig van
This is the video that (years ago) convinced me that I could actually play this mvt. of Beethoven. Gould makes it look so easy, that I realized it SHOULD be easy when you play such a piece. Easy and difficult are mostly in the mind. I always found it easier to play after watching this video. Good stuff.
Nope. He's insane. He's having detached, schizophrenic dialogue in his head while playing, but his fingers are certainly well trained, like a good monkey. They just don't have access to Beethoven's mind. But they might have a better chance than Glen.
Steger27 3 months ago
Still by far the best performance I've heard of this piece. Everything just sounds perfect to my ears. His tempo works beautifully, it gives the piece liveliness and makes it feel more moving. With the possibility of contradicting Beethoven himself, I think the themes connect much better at this tempo, it doesn't feel so stiff.
The way he hits that new section at 1:56...just bliss.
JacobRudduck 6 months ago 2
Mr. Gould's interpretation of the Maestro is controversial, indeed! I have struggled with this, myself , believe me!!! If you'd like to hear the best Beethoven, listen to Vladimir Horowitz. Best Bach on the planet, on piano, (an instrument Bach only wished he could have had...) Glenn Gould!! We clear?
ideamachineim 6 months ago
Gould: the sublime messer.
illiustrope 7 months ago
Beethoven would be overjoyed! We're so lucky to have these videos.
jigbix 10 months ago
@jigbix Lol. Beethoven would have hated this guy.
Mw2M4oA3 8 months ago
@Mw2M4oA3
Do share with us his current address so we don't have to rely on your claim to knowledge on the wishes of a 200-year dead man.
gr0mithtimon 7 months ago 2
@gr0mithtimon read up on beethoven. He hated people who didn't play his music the way he wanted it to be played.
Mw2M4oA3 7 months ago
Comment removed
gr0mithtimon 7 months ago
@Mw2M4oA3
But how do you know that Beethoven would like Gould less then other modern performers? Most play on modern instruments, and for that reason and others, probably play very differently from how Beethoven played. It certainly sounds completely different on a historical instrument. Granted, Gould doesn't try to be historic, but I have nevertheless always felt myself unable to decide which of our approximations the composer would prefer.
gr0mithtimon 7 months ago
@gr0mithtimon We have no way of knowing how Ludwig would have felt. I would probably give several body parts up, just to learn the answer to that one!! I understand that the quality of pianos greatly improved during Beethoven's lifetime, and he was provided with the absolute best the world could offer at that time. Beethoven's last piano was a 76-key instrument that was especially strong, since each of the keys was fitted with four strings instead of the usual three!
ideamachineim 6 months ago
it is very nice to see 0 disklikes.
1black1small1moon 11 months ago
I love this -- it's perfectly played all the way through! And doesn't he seem to be enjoying it?! I love to see him 'emoting' like this...it always just adds to the perfection...the 'icing on the cake,' hmm? I think he put a smile on 'grumpy' ol' Beethoven's stern face with this one!! ;-D My statue [bust] of Ludvig, beside my computer, even smiled a bit, I think!! ;-)
DesertAnnie 1 year ago 5
magical... i'm speechless
jinsugarbrown 1 year ago
que forma tan bella de expresar con sus gestos el sonido de esta gran obra.
goldberg847 1 year ago
wonderful!!!!
kiorer 1 year ago
This is the most unique, wonderful rendition. But then again, it's Glenn Gould.
JarnicMcCoy 1 year ago 5
Fantastic!!!
NLLObStEr 1 year ago 3
6:12 - 6:20
That is just so brilliant played I had to highlight it.
JacobRudduck 2 years ago 3
If you have ever seen his interviews you would know he was nowhere near insane.
docnovacane 2 years ago 31
@docnovacane I don't believe in insanity
Deadlytrick 1 year ago
@docnovacane
He had a strong physical expression for the music felt...only the people who never really "felt" music say; "he is insane, what is he doing???"
Sesh61 11 months ago
@Sesh61
Romantic bull. The physical movements where his outlet for his extreme stage freight, his way of coping with it.
gr0mithtimon 7 months ago 2
This comment has received too many negative votes show
Again, Gould proves that only the insane can inaugurate art. There is a vortical motion about his head, and an escape into unself-conscious neurosis, maintained by self-assuring ecstasies - something that resembles a whirling dervish in delay.
musicalidea 2 years ago
Marvellous!
musicdivinemusic 2 years ago 4
I am absolutely captured.
What a musical genious once lived in this earth!
parkhighmountain 2 years ago 19
Mr. Bean
puchalaka 2 years ago
Gould is sensational in this movement: singing line in the right hand, perfectly balanced textures, clarity of articulation, superb tension in the musical line, and an always forward moving line. I don't like his Bach, but I highly respect his playing even when I disagree with some of his interpretive choices.
billyguns2 2 years ago
This comment has received too many negative votes show
For one, while a performative genius, Gould takes the first movt. TOO FAST, hands down...and inso doing obscures some of the pathos that can only be drawn out with longer reverberations. Bach is where he SHINES...he was born to be a contrapuntal performer and not a chordal/homophonic one.
musicalidea 2 years ago
This is my favorite performance of Tempest II. The dynamics are just spot on! And he somehow manages to convey romance with an utterly classical style. Very impressive.
Also hats of to Beethoven: Most composers wouldn't resist and repeat the nice sweeping melody over and over - but not Mr. B.
centrum2k4 3 years ago 4
Don't you meen Dr. B?
:)
timpanitimptim 2 years ago
The "heart beats" played with the left hand are perfect in my mind. Many pianist seams to play them slower.
A story I heard about this piece is that it is sort of a love serenade... The low "heart beat" being the man and the high, the woman. I like that interpretation.
(and of course the whole sonata is said to be shakespeares The Storm.
Thank you from Mr. Besserwisser!
Ohaddo 3 years ago
that was true he had no chilren, a bit pity, but, because he had a mission to do, play J.s Bach on his best
thegoddescomposer 3 years ago 3
he's kind of a musical father figure to me so it can kiiiind of be said that he had chrildren lol :-)
munkybrain 3 years ago
the comment over this adagio I made it mistankenly in the allegretto,nevertheless i repeat here that this sounds like a theater of pure sonorities,where else one can feel the tragic moments through which Beethoven was passing by during these years 1801-1802,beautiful,long live ludwig van
beethomozart 3 years ago 2
lovely
grizfk 3 years ago
beside playing brilliantly he was also quite handsome.shame he never got married and had children...
nousernamewhatsoever 3 years ago 7
maybe he was a butt-pirate
zemaneldaquinta 3 years ago
Beethoven wrote this just for Glenn!
northicekate 3 years ago 2
This is the video that (years ago) convinced me that I could actually play this mvt. of Beethoven. Gould makes it look so easy, that I realized it SHOULD be easy when you play such a piece. Easy and difficult are mostly in the mind. I always found it easier to play after watching this video. Good stuff.
Chuck
charlesbunch995 3 years ago 3