Added: 1 year ago
From: BFIfilms
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  • Yes, I have Alfred Hitchcock "The Early Years" I think 1926 - 1936 or so, on DVDs, and you can tell they need some work although I was still impressed with the originals.

  • Yes, yes, please restore every Hitchcock!

    If I ever won the lottery, you will be on top on my list! :-)

  • IT'S PERFECTLY TRUE...I am a huge Hitch fan. I have the silents on DVD..but they are from old prints..yes the DVD image will always be around..BUT the original prints are the key...most of the DVDs are full of jumps, blurry images, missed scenes and worse...Hitch was a title writer for silents before he was a Director and I am sure he would want all the housekeeping done well on all these films...good luck BFI !!

  • But there are already out on dvd in good condition.They did a huge botch job releasing The Lodger with no Sound

  • @Notterrancehill THEY'RE

  • @Notterrancehill - mate, assume you must have the US release. The box set available in the UK (includes some sound titles too) looks terrible and the soundtracks are even worse!!! and just cos a film looks OK on DVD dosn't mean it would be good enough for the cinema.

  • If you think the DVD releases are in good condition you ain't seen nothing yet! Restoration techniques developed in the last few years can make a remarkable difference to the clarity of the image, bringing the films up to cinema standard. We will also be researching and sourcing materials to restore missing footage and original colour tints as well as cleaning up and improving overall picture quality. Our greatest filmmaker deserves nothing less.

  • @BFIfilms I would be interested to read more about these techniques.

  • @doubledeckers - there's a film on the BFI's website that shows how we recently restored Anthony Asquith's Underground (1928). Many of the techniques and approaches used in this restoration - as well as the challenges we faced - will be employed when restoring the Hitchcock silents. You can see the film at bfi dot org dot uk slash live slash video slash 326

  • @BFIfilms thanks that was interesting.

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