Added: 4 years ago
From: KlassikFan2007
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  • Спасибо!

  • It feels like at 0:28 melody takes wrong turn and goes back to 18 century.

  • Tear my heart out...

  • amazing..no words!!!!!!!!!!!!!!!!

  • THE INNER LINE AT 5:11! I've been playing this on repeat for about an hour

  • Cam you provide further information (author, publication date, language etc) of the Gilels biography cited here. Does the mention when and where Rachmaninoff heard Gilels? I'd be grateful for any additional information you might provide.

  • @FJCrociata I can't post the web site here, YT stops it - sorry. it's on 'emilgilelsfoundation'.

    I'll send you a message :-)

  • how gentle and decent he just sits there after the performance... he has a deep personality

  • Gilels is actually Ukrainian, not Russian as stated in the description. :)

  • @TheGor8000 Well, I changed Russian to soviet now. Does this make more sense? ;-) I think the place of birth does not matter much in this case, actually. Horowitz is often referred to as a "Russian-American" pianist, although he was born in Ukranine, too (see wikipedia, for example)

  • @KlassikFan2007 You're right, the music is what matters! Just something that caught my eye, that's all. Thanks for changing it either way! :)

  • @KlassikFan2007 Well... Gilels was absolutely anti-Soviet in everything, he rejected all things Soviet particularly in his pianism and artistry! It is grossly insulting to place the label "soviet" on Gilels :-)) Gilels is the true disciple of Rachmaninoff as Rach ackknowledged!

  • @Bret6464 Well, maybe he was "anti-Soviet" in his art (if this makes sense at all), by he nevetheless received a dozen of highest Soviet prizes and awards during his lifetime, did not protest against the regime openly and was not forced to leave the country like Rostropovich or Solzhenitsyn ;-) Imho he was concerned with pure Art.

  • @KlassikFan2007 "Soviet" art is a rejection of individual creativity and artistry, and strict adherence to dogma stated as "utilitarian". It is fact that Gilels was anything but "utilitarian" in his pianism. It absolutely follows that he is anything but "Soviet" :-)) Gilels was foremost an artist and musician who placed expression first, in the extraordinary tradition of Rachmaninoff, Horowitz and Moiseiwitsch, and Gilels was acknowledged by Rachmaninoff as his disciple - that says all :-))

  • @Bret6464 I see where the problem lies: I used the word 'soviet' to refer to the historical period rather than to describe Gilels in any other way... Just like many call Shostakovich 'a soviet composer'. It would be more correct, of course, to call Gilels 'the great Russian pianist of the Soviet period' :-) I will adjust the video description accordingly.

  • @KlassikFan2007 It was my fault - a misunderstanding and I should been clearer :-)

  • @KlassikFan2007 Vadim, would you mind if I deleted my comments here? I am getting hassled and it gets tiring :-))

    Bad enough I am now harassed everywhere on YT by some nutcase "fan" of Yuja Wang - UGH what a typist she is!

  • @Bret6464 Oh, sorry to hear about that. But of course you can! I know, sometimes it can get really tiring...

  • @Bret6464 You're getting mixed up;today we can say"Ukranian,"but in Russian times,soviet or czarist,"Ukraine",or "Little Russia"was considered a province and most Ukraine-born elite called themselves"russian."Rachmanino­ff never considered Gilels,(or anyone else),as a disciple;he saw him on Soviet war propaganda film and was relieved to know that his music was reinstated after a ban.Gilels has nothing to do with the czarist,(Rach,Horowitz,etc)lin­e,but everything to do with soviet life.

  • @NOSEhow2LIV

    Rachmaninoff said "Gilels is the only pianist worthy to be called his successor in pianism", Rach also gave Gilels the Anton Rubinstein medal Rach was given as the successor to Anton Rubinstein and also wrote Gilels name on the certificate that accompanied the medal. This is historical FACT. Interesting that Gilels gave Cliburn 1st prize in the first Tchaikovsky competition, Cliburn was taught by the Lhevinnes ("Old Russian School", Juilliard, New York) :-))

  • @Bret6464 You may have fallen victim of a neo-soviet propaganda,a"GilelsFoundation"­site,rather selective on info!Rach specialists who've trawled all the Library of Congress letters find nothing corresponding to this.Gilels himself never mentioned it to anyone close to him.The only candidate Rach mentioned as"spiritual heir"was Moiseiwitch(another Odessan!).Gilels' immense artistry doesn't need this sort of posthumous puff. Of course the Russians adored Cliburn;he had all they'd lost!

  • @NOSEhow2LIV I do not think the "GilelsFoundation" site is neo-soviet - to the contrary if you read the Gilels biography on that site, you will see it has a decidedly anti-soviet and anti-Neuhaus slant, and it hits the nail on the head about Neuhaus promoting Richter as the anti-Gilels! :-)

    On the site, you can see a photo of the "Anton Rubinstein" medal that Rach willed to Gilels, presented to him by Rach's family in 1955, the first time Gilels was allowed to perform in the USA!!

  • @Bret6464 Well,fair enough if you wish.. However,having read most books on Rach,(the author of the major work(1990)is a old friend,we have frequent conversations),having had two chats with Gilels,(last time in 1984,in heeavily accented eengglyesh!),&working with ex-soviet musicians,(Russian,Lithuainian­,Armenian..)intimate with Gilels Moscow circle,i've learned that Internet is not the best means to deepen your knowledge! All the best.

  • @NOSEhow2LIV It's incredible you chatted with Gilels, more so that you probably had multiple opportunities to see him live - there is a multitude out there feeling envy :-)

    I absolutely agree that Gilels' immense artistry say it all - still I believe that Rach did say Gilels was worthy to be called his successor in pianism. And Moiseiwitsch absolutely merited Rach calling him his spiritual successor, and Horowitz merited all the praise Rach heaped on him. Best regards

  • @Bret6464

    >Soviet" art is a rejection of individual creativity and artistry, and strict adherence to dogma stated as "utilitarian".

    It's an outrageous lie

  • @ss18ss1 I don't know what other description better fits "Soviet art" that absolutely had the be approved by the State. Further, Rachmaninoff was banned by the Soviets, and Rach is the personification of the highest level in INDIVIDUAL creativity that humans can hope to attain in music. I am making a distinction between "art of the collective" and "art by the individual". One shining example of a true artist during that era that survived soviet suppression is Solzhenitsyn :-)

  • @Bret6464 What about Gilels, who was born, lived and worked in Soviet Union all of his life?

    Rachmaninoff never was banned in SU.

    Solzhenitsyn is rat.

  • @ss18ss1 We have a difference in opinion, nothing personal. Have a great day

  • @Bret6464 Gilels was a soviet pianist. He plays in the Russian school. He lived in the Soviet era in a communist state. Stop being pedantic and ridiculous.

    

  • @xiangyik Emil Gilels was never Homo -Sovieticus! He was born in 1916 in the forth largest city Odessa of The Imperial Russia ! If you need me to write more what definition "soviet " means, I may have to do it... I hope you will spare me from doing this ...

    It does not sound right " Gilels was a soviet pianist" and this expression is full of discord for me.

  • @Bret6464 I can't find anything of him being a disciple of Rachmaninoff..

  • @artymowycz

    After hearing Gilels play, "Rachmaninov decided that Gilels alone was worthy of being called his successor in terms of pianism, and sent him his medal and diploma. This medal, engraved with the profile of Anton Rubinstein, and diploma were once presented to Rachmaninov to symbolize his succession from Rubinstein, and Rachmaninov himself added Gilels' name to the document."

    This is from Gilels' biography :-))

  • @Bret6464 Thank you very much !!! I was born in former USSR but would not like to be called "soviet"! My ancestors would turn in their graves if somebody placed the labels " soviets" on them...

  • @lilytoka There are some people who continue to adore the USSR and everything it stood for - hence you get people calling Gilels "Soviet" - that is an insane stament :-))

  • @Bret6464 I agree with you ! I was very happy when the Soviet Union finally collapsed in 1991 and happy that it does not exist !

  • @lilytoka :-))

  • @TheGor8000 Gilels is not Ukrainian... He is Odessitian, it used to be a big differene from Ukraine at that time. And now they call him Ukrainian.

  • @pianotalent I agree with you !

  • (I appreciate Wikipaedia's contributions in the descriptions on previous comment)

  • Vocalise, Op. 34, No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Op. 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.

  • he is takling to god. i can`t say anything. he is just amazing. i cry when i listen rachmaninov-vocalise by gilels. : X

  • This man was touched by love!

  • Why is there so many different versions of this piece? that makes it more hard to find sheets, when they are all different? The version I like the most is: watch?v=ek-GwyUOmUs

  • Milyen csodásan szol a hangszer! Milyen csodás zene! Milyen természetesen lélegzik minden!

  • Always seems like Gilel has the best version of these classics.

  • I just can't find a better version, this really sounds like perfection to me. Thanks a lot for sharing.

  • Wasn't there a version by Kissin somewhere floating about? I hope it didn't get removed :(

  • Beautiful performance....Thank you!

  • most emotional performance I've ever heard

  • BarnabyFalls, I find it interesting that you mentioned what is one of the gravest tragedies in classical music today. Namely, the lack of understanding that emotion is internal until it is put forth through the instrument or voice and was indeed taught strictly that way for many generations of great musicians as it was passed on to me. Unfortunately due to the fraud that runs the "business" of music these days - it has become a "show" catering to as well as by - the lowest common denominators.

  • @EdmontDantes2 Yes, you have it right, musicianship from pianists is no longer desired. Still there are a couple left that play to reflect what is within, that is perform with immense artistry and musicianship. Thank god we still have Argerich and Jung Lin performing :-)

  • @Bret6464 We do have a different esthetic in our choices of pianists today, but that is the beauty of music.

    In my professional and personal opinion the people you mention are in a different league and a distant galaxy from this playing above. However, enjoy your inspirations as you do and thanks for writing!

  • Rubato,ma non troppo!

  • Only Rachmaninov could come up with music like this. Beyond words, beyond beyond, beyond....

  • J'en pleurerais presque :')

  • There is no God! But God, there is Emil Gilels

  • Safronitsky came back to life just to click the dislike button six times

  • Emil jan, only you can do it...

  • This is so moving

  • Wow...I've always cherished the depth and romanticism of Vocalise....this is just absolutely stunning. Who transcribed this? And is it possible to get the music for this anywhere?

    I was listening to the symphonic version one afternoon when sirens came on in the background. It was the most hauntingly beautiful thing i'd ever heard.

  • One of the most musical pianists of the 20th Century. What marvelous control of line and balance. what a great transcription. My first hearing.

  • Hermoso tema; y para ser de Rachmaninov esta excelente

  • This music is like being in church....it's so awesomely beautiful, it seems like nobody should break the spell with applause.

  • Beautiful, beautiful, beautiful.

  • Классно... Сколько переживаний в этих звуках... Надежда, тревога, отчаянье, светлая печаль, понимание неотвратимости судьбы... И одно как бы проступает сквозь другое... Это было бы хорошей музыкой к какой-нибудь красивой и глубокой драме :)

  • @Veryaev Did you like it? If yes, say so!

  • Гениально! невозможно представить лучшее исполнение "Вокализа".

  • @MegaMk2010 Прежде, чем сказать, сначала подумай, а уж потом - молчи! ;) Во-первых, это транскрипция Ричардсона, а не оригинал, а во-вторых, он играет ГЕНИАЛЬНО. И не стыдно такую чушь пороть? Повзрослей сначала, а потом будешь судить о Гилельсе! Думать научись, а то, похоже, пока только мнение иметь горазд.

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  • The understated virtuosity in this performance is amazing. Take, for instance, the 3-4 trill at 5:26. They simply don't make pianists like this anymore.

  • @5random1 Exactly :) Nice that you validate my point. Thanks.

  • Groß und nobel!

  • I think if you can play this piece without any emotion you must be either a robot or a demon.

  • He played this flawlessly (and very muscially). Now if he'd just lose a few pounds he'd be darn cute, too!!!! (kind of a hottie) . . .

  • when was the video produced?

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  • @chuhangchun The recital took place in December 1977

  • Lyrical playing.

  • I love Gilels...he looks like a brute of a man & yet...plays this piece so wonderfully with the sensitivity it deserves. Just glorious!! My second favorite Rachmaninoff piece. Music is so much more calming than drugs & alcohol. It has such an amazing effect on the nervous system.

  • @vickiehill1

    If I may ask, what's your first :D?

  • @keetner Indeed you may. :) It is Rhapsody on a Theme of Paganini Op. 43.

  • sergei was there that day

  • Stirring, beautiful

  • Nobody plays this gem better than Gilels. Of course, the same goes for his famous rendition of Rachmaninov´s Prelude in G Minor...His inimitable burnished sound makes this piece heavenly beautiful...

  • @zmapel dobre ty:)

  • They are alive today as they were years ago...amazing how classical music can last as opposed to pop. You listen to classical music and you hear pop. This is for a civilized age.

  • Gilels was ukrainian.

  • @MrAwsomeism No, he wasn't Ukrainian.

  • youtube.com/watch?v=ZyLqKQf-6m­I is in my opinion at least as good

  • Look at Pianist’s face and his soul/mind/body language and you must see the end as well!!!

    Emil is so touched by music he plays and you can witness how his spirit rose. When he plays it is goes beyond physical and you can see it vividely that he is not playing with fingers and mind but with something else. Emil Gilel obviosely has highly developed Affatus and I find he is so close to Love here

  • I am crying...

    

  • Vishnevskaya / Rostropovich: Vocalise (Вокализ), 1976:

    watch?v=F5Sj7QpUXNk

    Thanks and regards

  • From the depth of his soul to ours. Only a great artist can accomplish this.

  • Horowitz and Giles never were ones to be making so many faces as done today. I mean you could go down the yahoo smilies on how many faces they make now in days. Anyways thats how they wish to play it then let it be but Giles in my humble and not importante opinion does nothing but the best and finest work and with no faces just pure awesomness

  • how could even four people dislike this

  • we live in a great time. in a moment, i'm able to listen to the world's greatest music for nothing. an amazing time indeed.

  • It's amazing how so few notes can sound so much better than many notes.

  • This is simply beautiful. I heard Gilels live for the first time when he played at Constitution Hall in DC in 1955.

  • I would love to have this transcription.......

  • Never thought this piece could sound as convincing on piano as it does here. It proves the unique cantabile these Soviet giants such as Gilels, Richter and Ashkenazy possessed.

  • @zmapel - I translated that in Google Translate (:D), and I totally agree.

  • Ironically Giles had a heart-attack hours after this performance, so you're looking at a man in the last couple of hours of his life.

  • @MrLittlegate Is it really????

  • @Ilgiangyk No, he's full of shit.

  • @MrLittlegate Wrong.

  • @MrLittlegate

    E.Giles last concert was on the twelfth of September 1985 in Helsinki. He played Scarlattis sonatas, Debussys suite Pour le piano and Hammerklavier. After his return to Moscow he felt unwell and had to go to hospital, Gilels died on the 14-th of October.

  • uh mamma che bello!!!!

  • 5:18 heavenly...

  • This is really good...

    does anyone have the sheets?

  • I've got a copy of them. They are much more difficult than he makes it look. Just goes to show you how good he is :)

    P.M. me if you want them...

  • @CodyNelsonMusic

    i saw it too, it's really rather complicated

  • Traumhaft! 6 Minuten lang Gänsehaut. Vielleicht sollte man mit dem Ausverkauf europäischer Kulturen aufhören...

  • @neme5151 man sollte definitiv!

  • donde puedo conseguir las partituras de esa pieza?

  • Wow! This goes right to mye heart! Rach was a great composer and pianist as well. Gilels performance really shows that this fantastic music lives on.

  • Gilels is unquestionably talented and does a superb job in this performance.. But it was that genius of a composer Rachmaninov who originally conceived the extraordinary notes of the Vocalise. Lets not forget about him either.

  • @shysterlicious Or Richardson, the transcriber... This is a very good transcription.

  • OMG!!...I thought I had heard all the piano versions of this on You Tube....this performance is amazing!

    This is more than talent, it's like Gilels is channeling directly from God or something!

  • i didn't know there was a transcription for the piano, happy to find one played by Gilels.

  • j'ai déjà dit précédemment tout le bien que je pense de cette admirable interprétation ; j'ajoute que l'apparente impassibilité de Gilels traduit une intériorisation des sentiments, lesquels se retrouvent sous ses doigts. C'est sublime !

    J.-P. H.

  • Wonderful performance. What I find most interesting is that Gilels is so emotionless during the performance; it is filled with emotion. Horowitz is the same. These performers have it in their souls and it comes out naturally without the circus of emotions as seen by other performers. Also interesting, it appears the performance took a lot out of him and he needs a moment to recover at the end. Fantastic.

  • Sometimes putting emotion into a forte-piano requires more difficulty than achieving perfection of technique. In here, the challenge lies in perceiving the piano as a voice. Reading between the lines is a key element in fulfilling this task,. Legato, dynamics, crescendos and diminuendos, rubato, are all elements that are required to attain the most beautiful sound in the world. It is also not necessary to put on a show with movements. take any of the Russian pianists. Bravo, will be missed.

  • @BarnabyFalls That's funny because I think his face is full of emotion. It looks like he is going to cry at the beginning. Do not forget that the emotion these great artists possessed were never the fleeting type. It is shallow emotion we see on so many performers today - it appears more obvious to the eye but not to the heart.

  • @BarnabyFalls You fail to miss the larger picture. Piano Performance is circus work. It always has. Some acts are mood on point.

  • @BarnabyFalls Unlike Lang lang!

  • @BarnabyFalls It sure is difficult to understand what he's think or feeling. All we can do is to interpret. Maybe he was think about how Rachmaninov created this play or something he cherishes a lot.

  • @BarnabyFalls It's not about emotion in the soul, it's just that one of the fundamentals of a classical piano education is the ability to communicate emotion through the instrument/hands if you will...

  • @BarnabyFalls

    You could say the same for Heifetz, seemingly no emotion, or the great Austrian conductor Karl Bohm.

  • For me Gilels was the greatest musician/pianist.

  • I fully agree!

  • Guys search leo pirates it's meh lol

  • oh my god, how beautiful...Gilels absolute genious of music and piano...Emotion without sentimentality... He's missing today !

  • there is a church song that sounds similar to this. Brooklyn tabernacle Choir sings it, I think its called for every mountain. not sure, but i'm sure it may have been inspired from this.

  • amazing, timeless sentimentality

  • commuovente

  • Gilels is my favorite pianist Vocalise is my favorite piece. It is enough to pull up tears on me too Rach Girl. His reading of the Liszt b minor sonata is in a league of its own. Im trying night and dayto get my Liszt to sound just a little bit like his. How I love that reserve and awesome power. Youre right on with your critique on this one RACH GIRL.

  • "An error ocurred, please try again later."

    damn you!

    let me listen to Gilels! :'(

  • this is beautiful... i love this out of all the other vocalise players on youtube ^_^ i hope i will be able to play this as beautiful as him~~

  • 這是何等理性駕馭出感性的高水準演出!!

    起頭情緒的牽引完美~

    聲部接後出現一同詠唱...

    詠唱間,曲子的方向感還是顯而易見!

    有個比方說...

    若音樂會是一場繪畫展覽,

    那演奏者便是觀賞者的眼睛。

    吉爾利斯{Gilels}深刻地做到了這點!

    Bravo!

  • No words for this......

  • Interprétation sublime ; hélàs, le piano sonne désagréablement (mauvaise prise de son ?)

    J.-P. H.

  • heavenly performance

  • The first bars hit me straight in the heart. Music never makes me cry, but I came very close to it then.

    Stunning performance. An irrevocable loss to the world that the maestro is no longer with us.

    R.I.P. Emil Gilels

  • Reale esclamazione di un cuore

  • wow, I did not expect even him to pull this off on piano... but wow.

  • Virile, no-nonsense interpretation of this piece which often becomes a victim of shallow sentimentality. I like Gilels for this kind of approach. It's especially useful in the case of Rachmaninov to restore the inherent musical dignity that often get's overlooked while overemphasizing "pure emotion" and thereby pushing his works beyond the borders of good taste.

  • Pure balls.

    Has anyone every played this piece with greater emotion? What a pity that more people don't allow themselves to get as carried away in the ebb and flow as Gilels does here...

    A true no nonsense performance is that of Kissin. It's an absolute turd, by comparison to this wonderful performance.

  • noone can do it better ,...its impossible

  • Музыка Рахманинова охватывает огромный спектр чувств, всегда найдется что-то родное. Это потрясающе.

  • В разные моменты жизни я возвращаюсь именно к этой музыке. И всегда по-разному.

  • Hermosísimo!, siempre esta pieza y esta interpretación del gigante de Odessa me remueven el corazón.

  • is he want to cry?it is so touching!!!!!

  • There is so much acceptance in this music. A feeling of relenting perhaps .

    Gilels - he never gets in the way of the music. Such reverence, from both the composer and the pianist. Tears well - and I have a lump in my throat listening to this.

  • Gilels does not play the piano....he sings the piano..

  • Beautifully said!

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  • a piano god

  • 00:00 - 00:34 was written by god.

  • хочется плакать от красоты.................... это невозможно красиво!

  • magic!!

  • Damn people coughing.

  • 4:58

    Это потрясающе.

  • my god the tone quality...speechless...

    so much love...pain...like a story of life...