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  • Admittedly, even with the strongest passion for classical music, I am only just beginning to delve in its depths and my ear has been exposed to comparatively little than the experts'. However, anyone can tell you executed that performance brilliantly. Even with Bach, every note was sensitively placed, with just the right amount of dynamics. My hat's off to you - it was refreshing to hear such mastery.

    Even as an amateur, I know I know that much.

  • @Incendiae4

    Proud of your attention,

    and all the best for you and your piano studies.

  • MAGNIFIQUE!!!!!

  • @cuoylyf

    vraiment gentil. Merci!!!

  • Que bien estas escuchando !!

  • @nairigrigorian

    thank you!!!

  • you have mastered this Bach !! and you have mastered the recording nuances.

  • this is great!  thank you so much!

  • great is surely your kindness. Thank you by heart.

  • Wonderful Bach playing, free and expressive. To me, it can't be better...

  • Too much kind Mark, really happy you liked it.

  • Questi ultramondi che fanno da accesso alle fughe del secondo libro del cbt, sono già intrisi di contrappunto, fughe rapprese a metà fra il fuoco e la cenere. Bravissimo.Intoni da re, senza eccesso di espressività, la quarta discendente della prima battuta e la fai riconoscere in tutto il preludio. Regalaci anche un po' di Brahms...magari qualcosa dall'Op 116 che ha tanto in comune con il cbt

  • Eh, guarda, non so per i preludi, e quindi li suono, ma le fughe.......non ho uno straccio di idea di come suonarle in modo convincente, almeno per me. Quindi, solo preludi....

    Su Brahms hai ragione, dovrei fare qualcosa,

    pur sentendomi più lisztiano (ed ora ho infatti sulla mia strada un macigno lisztiano,

    la II Leggenda, che mi sbarra la strada e mi fa fare poco d'altro...).

    Grazie di cuore, i tuoi commenti mi sono sempre preziosi.

  • anche von Bulow cambiò giacchetta, forse per convenienza o per il peso delle batoste sentimentali, e si avvicinò a Brahms e a Verdi. E tu perdonerai a Brahms di essersi addormentato maldestramente ascoltando la sonata in si min di Franz?(capolavoro)Quante possibili letture per quel sonno!Saluti e buon lavoro.

  • Very expressively and with much soul. At some places the notes are not ideally together and partly there is much to much pedal. I didn´t listen with score, but I have to say, in summary I enjoyed it very much. I love also the fugue in f minor of WTCII. I played this pair many years ago, too.

  • Thank you much musicusblau, ever so kind.

  • I made a mistake in my reply above: of course, I wanted to say, "I love also the fugue f sharp minor of WTCII. I played this pair many years ago, too."

  • super!

  • Thank you raamsis, you are very kind.

  • Aah, this was really nice :) Never heard it before, and it is probably one of my favorite Bach pieces!! :) 5*

  • such a elegance, such a nice touch... I love it!! 5/5

  • wonderful !!!

  • Very refreshing!

  • Thank you for so kind words, and all the best.

  • Wonderful.

  • Thank you by heart, abmephise.

  • Too much kind, thank you.

    Happy you appreciated, and all the best.

  • Thank you soltisviolin. Here the audio quality assisted my poor but (I hope) generous playing.

  • I enjoyed it :)

    Sandro, once you told me that your Bach was inferior to your Scarlatti. I do not think so. This prelude was excellent. You should play Bach more.

  • Thank you Val! I think that here 30-40% of the decent result is of the piano and of the recording. A few notes, and all sound (abaout) good, many notes, and all becomes confused and unnatural. The acoustic of the (small) room is IMHO the problem.

  • i like bach very much and your interpretation sounds natural and emotional. it's not phoney or a maniersm and still pianistic.

    please more!

  • Thank you stocksam, happy you found it "natural and emotional", IMHO both great qualities.....

  • And again.. such Beauty and Lustre!

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