Hey, i'm not sure its a " teensie weensie little bit too fast " like 2shanman10 said. I love this song and have been listening to it a lot as of late. Seems like you play it ever so slightly slower than Horowitz, so your speed is as dead on as anyones. And its interpretation anyway.. I mean, do we really know the speed at which Beethoven intended ? Daniel Barenboim is the slowest i've heard and Glenn Gould is too fast. Anyway, you play this really well and i can hear the feeling...!!
@skipdippity Interesting observations! Thank you! Andras Shiff, a great Beethoven authority, has proponed two contrary ideas to my version: first, he says that the time signature, 2/2, should be taken faster, since it means "in two." Though the piece is Adagio, taken literally it would seem to drag counting in two. So he says faster is the game. The 2nd thing he discusses is the use of the pedal. He says we should take what Beethoven wrote literally: hold it down through the entire piece.
If you want to know the reason why it is so popular, it is because it resonates remarkably well with the inherent emotions generated by the every day struggles, and the deep emotional scars that come with the anguish of life. Certain sounds, and combinations of sounds resonate well, the feeling of sorrow, never to be happy or upbeat, are as timeless as life itself.
Hey, i'm not sure its a " teensie weensie little bit too fast " like 2shanman10 said. I love this song and have been listening to it a lot as of late. Seems like you play it ever so slightly slower than Horowitz, so your speed is as dead on as anyones. And its interpretation anyway.. I mean, do we really know the speed at which Beethoven intended ? Daniel Barenboim is the slowest i've heard and Glenn Gould is too fast. Anyway, you play this really well and i can hear the feeling...!!
skipdippity 1 year ago
@skipdippity Interesting observations! Thank you! Andras Shiff, a great Beethoven authority, has proponed two contrary ideas to my version: first, he says that the time signature, 2/2, should be taken faster, since it means "in two." Though the piece is Adagio, taken literally it would seem to drag counting in two. So he says faster is the game. The 2nd thing he discusses is the use of the pedal. He says we should take what Beethoven wrote literally: hold it down through the entire piece.
teakbridge101 1 year ago
a tiny eensie weensie little bit too fast, but who am i to judge ? i couldnt play this that beautifully to save my life. haha
2shanman10 1 year ago
If you want to know the reason why it is so popular, it is because it resonates remarkably well with the inherent emotions generated by the every day struggles, and the deep emotional scars that come with the anguish of life. Certain sounds, and combinations of sounds resonate well, the feeling of sorrow, never to be happy or upbeat, are as timeless as life itself.
opferte 1 year ago 2
Well played!
TzviErez 1 year ago 4
Matt, this is absolutely beautiful. You play this amazing composition so perfectly!!!! Congratulations! I LOVED it!!
Jeff
97669 1 year ago 4
Thank you so much, man! I wish the people watching my other piano videos were as nice as you. God bless!
teakbridge101 1 year ago
Great played!!!
Longmovie09 1 year ago 6