Never tired of hearing the great, glorious and golden voice of the young Maltese tenor JOSEPH CALLEJA. He's superb and luckily has still a long way to go. Good luck to all opera lovers regaled by JOSEPH'S marvellous singing! Joseph Cardona.
Never tired of hearing the great, glorious and golden voice of the young Maltese tenor JOSEPH CALLEJA. He's superb and luckily has still a long way to go. Good luck to all opera lovers regaled by JOSEPH'S marvellous singing!
Actually me too...my partner is actually jealous of him although he loves him too. I just saw him in Hoffmann and he is also very hot on stage if you like bears.. :) :) :)
I met him during a production of Rigoletto in Rotterdam some years ago....... Cool dude as well....... Mi piace piu che Florez.... lui ha una voce piu voluminosa........ piu di forza maschile..........
You may feel the vibrato to be fast for your personal taste, Elried. But not only is it of the same pulse speed of Bjorling, Lauri-Volpi, & Pavarotti in their vocal prime, but is actually a true vibrato that only appears when the technique is very close to flawless. It is a completely natural event far beyond the singers conscious control. A true vibrato has a tonal pulse between 6.2 & 7.2 pulses per second. Any slower is called a wobble, any faster is called a tremolo.
yes I know that. but usually only the lighter voices have a vibrato that fast. for example florez. but this is a pretty heavy voice. thats why i think its too fast.
But with too fast i dont want to critizize his technique (how could one?) but most of the tenors have slower vibratos. for example wunderlich. and who would say that he had a wobble?
Elried, in relation to the speed of tonal pulse for the heavier voices, it should be no different. A genuine dramatic voice simply has tonal qualities of greater power & weight, due to perhaps longer cords than the norm for the fach, but certainly due to greater chest register engagement in the technique. But young Corelli, Caruso, Melchior, Amato, Ruffo, Tamagno, Giacomini, etc, all had true vibrato's of the same periodicity as the lighter voices. Wobble occurs when light voices are pushed.
I'd say that true colour are a combination of vocal cord length and thickness, the size of the resonating chambers of the chest and pharynx,and of course the degree of subglottic air pressure. I agree that there should be little difference in vibrato rates between voice types. I agree that wobbles occur if there is too much pushing and not enough true connection of breath from the deep andominal / pelvic muscles ( such an etherial concept i know!!)
@ozhilarion Thanks, I agree with most of the above. I would also add personality type & emotional empathy with particulayr vowel colours. Very few voices have timbres identical to the true natural timbre of the laryngeal physiology. Most apply an artificial colour of some form either on individual vowels & notes, or even throughout the range. It is this imposition that hinders vocal progress & range!
Channel owners rather than YouTube have the right to censor comments. I have blocked some comments and users on my own channel if they are spiteful and derogatory.
i think he need to work in his fiato technique
javmex2003 1 month ago
a joy to listen to this voice
violetavalery 2 months ago
I hear a hint of Caruso's style and a LOT of Pavarotti's! Joseph is, arguably, the best tenor today.
rexxcarz 1 year ago
@rexxcarz not argually, he IS without a shadow of a doubt!
violetavalery 2 months ago
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Never tired of hearing the great, glorious and golden voice of the young Maltese tenor JOSEPH CALLEJA. He's superb and luckily has still a long way to go. Good luck to all opera lovers regaled by JOSEPH'S marvellous singing! Joseph Cardona.
cardonajoe1 1 year ago
Never tired of hearing the great, glorious and golden voice of the young Maltese tenor JOSEPH CALLEJA. He's superb and luckily has still a long way to go. Good luck to all opera lovers regaled by JOSEPH'S marvellous singing!
cardonajoe1 1 year ago
solo un po di fraseggio pulito..........ci manca....ma è Bravo.
luciayangne 1 year ago
he makes me weak in the knees :)
doodlydoo23 2 years ago
Actually me too...my partner is actually jealous of him although he loves him too. I just saw him in Hoffmann and he is also very hot on stage if you like bears.. :) :) :)
danielefrustrador 2 years ago
Calleja great always great great GREAT!
gatticasazza 2 years ago
I met him during a production of Rigoletto in Rotterdam some years ago....... Cool dude as well....... Mi piace piu che Florez.... lui ha una voce piu voluminosa........ piu di forza maschile..........
Dalmata1961 2 years ago
He looks so handsome here and what a voice
gharusa 2 years ago
Not as good as a young Leech!
manishafan 2 years ago
Bravo!
dalferr 2 years ago
Splendid!
Romania567 2 years ago
Assieme a Florez, uno dei miei tenori contemporanei preferiti. Splendido !
31122051 2 years ago
He has a fantastic expressive and sensitive voice.
cattleman6420012000 2 years ago
A lovely expressive voice! TY!
CanadaPisces 2 years ago
love his timbre but i think the vibrato is too fast
Elried 3 years ago
You may feel the vibrato to be fast for your personal taste, Elried. But not only is it of the same pulse speed of Bjorling, Lauri-Volpi, & Pavarotti in their vocal prime, but is actually a true vibrato that only appears when the technique is very close to flawless. It is a completely natural event far beyond the singers conscious control. A true vibrato has a tonal pulse between 6.2 & 7.2 pulses per second. Any slower is called a wobble, any faster is called a tremolo.
hiyadroogs 2 years ago 2
yes I know that. but usually only the lighter voices have a vibrato that fast. for example florez. but this is a pretty heavy voice. thats why i think its too fast.
But with too fast i dont want to critizize his technique (how could one?) but most of the tenors have slower vibratos. for example wunderlich. and who would say that he had a wobble?
Elried 2 years ago
Elried, in relation to the speed of tonal pulse for the heavier voices, it should be no different. A genuine dramatic voice simply has tonal qualities of greater power & weight, due to perhaps longer cords than the norm for the fach, but certainly due to greater chest register engagement in the technique. But young Corelli, Caruso, Melchior, Amato, Ruffo, Tamagno, Giacomini, etc, all had true vibrato's of the same periodicity as the lighter voices. Wobble occurs when light voices are pushed.
hiyadroogs 2 years ago
I'd say that true colour are a combination of vocal cord length and thickness, the size of the resonating chambers of the chest and pharynx,and of course the degree of subglottic air pressure. I agree that there should be little difference in vibrato rates between voice types. I agree that wobbles occur if there is too much pushing and not enough true connection of breath from the deep andominal / pelvic muscles ( such an etherial concept i know!!)
ozhilarion 1 year ago
@ozhilarion Thanks, I agree with most of the above. I would also add personality type & emotional empathy with particulayr vowel colours. Very few voices have timbres identical to the true natural timbre of the laryngeal physiology. Most apply an artificial colour of some form either on individual vowels & notes, or even throughout the range. It is this imposition that hinders vocal progress & range!
hiyadroogs 1 year ago
Yes Yes Yes
tagliavini 2 years ago
Thanks! Succinct & to the point! Lol
hiyadroogs 2 years ago
The vocal quality is on a par with Bjorling & Pavarotti
Ameans2anend 3 years ago 3
Awesome.
chrisvetera 3 years ago 2
Why is youtube censoring user comments?
JussiTM23 3 years ago
A beautiful voice. Thank you for posting this.
Channel owners rather than YouTube have the right to censor comments. I have blocked some comments and users on my own channel if they are spiteful and derogatory.
duettists 2 years ago
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olp
salsero 3 years ago
Superb!
FrancoisNouvion 3 years ago 3
Bravo! Bravissimo! Thank you iforgeti for posting this.
dalferr 4 years ago 4
This comment has received too many negative votes show
troppo veloce il vibrato di calleja
rexeterna 4 years ago