Added: 3 years ago
From: bongomar
Views: 1,702
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  • you need to work with a met

  • TEMPO TEMPO TEMPO

  • i agree, work on the diddles a bit... stop playing the drum like you are inside (you know what i mean). Play it! Makie it your bitch hahah

  • now you just need to add the bass line and snare and you can really beast out

  • I don't understand marching band drumming, but that was superb!

  • You're treating the drums like concert drums...PLAY THEM!!!

  • this was our cadence last year... i never thought i would find it... nice job could use some fine tuning in some parts but still great

  • I think I'm in love, will you marry me?

  • first thing you need to do is pick up a single pad and practice your diddles A LOT. if you can't play strong diddles on one drum, don't expect to play anything double stroked across multiple drums. and use american grip when playing multi-tenors, that is in between french grip with thumbs up, and german grip with thumbs down. keep drumming :)

  • not very good...work on your cross overs..seriously

  • last half of song, on the end of the repeat... 4 e + a doubles aren't fully heard. sounds more like 4 e + make sure you roll all the way through it

  • yaa manly practice on doubles and scrapes

    and a major major thing i see is how u hold

    the sticks when u hold em make sure ur thumb is on the side a little down knuckles up i got

    yelled at by scott johnson last yr when saw that so i changed that right away good luck

  • Don't drag on our herta's the skank at the very end needs to be brought out and your playing zones need some work especially on your our drum.

  • bring out the diddles most def. marian catholic played this as their drum cadence in 07, i was on that line so it was pretty funny finding it on youtube. dont lift up the back of your sticks when doing the crossover heretas. check the sticking when your doing the big hit section on drum 4. the roll on the shot drum needs to be checked out, sound really right hand heavy. other than that good job.

  • not too bad. I would work on double stroke ex. so your rolls can speak a bit more. Keep it up!

  • thats really good...the only thing i have to say is that you should try playing tenors with full matched grip with the top of hands facing up instead of using french grip..other than that thats a pretty good cadence you got there...if you have the whole thing with the entire line playing it i would like to watch it

  • That was rly good, nice to see u groovin' along as well,only thing to work on is just 2 keep on gettin better

  • That was pretty damned good.  Interesting to see a chick getting down on tenors!

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