Some have criticized the elaborate ornamentation in thei performance. I agree that ornamentation should not change the original melodic line enough to make it un recognizeable. However, when one has heard a trillion and one interpretations of an aria, it is quite exhilirating to hear a fresh well executed impovise version of that piece. I think the artist here performs prodigiously in that context.
Amazing voice! You do need a challenge, though, that would compliment your agility. Over-singing this has robbed it of its beauty, but I would love to hear your Mozart!!
Beautiful voice...really nice coloratura but this is baroque not bel canto...this aria really works how it's written although some fine ornaments are always interesting and that's one of the points that makes it different from a singer to another...In this case it's too much; I'm wondering whose work dominates there Handel's or Leah Partridge's...
Impressing voice, but I am not agree with over ornament the aria, it really loses the composition of the work, I can imagine the face of Handel listening this singer.
This reminds me of a story about Rossini. At one of his soirees a famous singer did a rendition of Una Voce Poco Fa, showing off her voice with fantastical ornamentation from first note to last. At the end of the aria, the Maestro said, not unkindly, "Nice song. Who wrote it?"
Nice voice actually, but musically it sounds like she is struggling to sing something else entirely and isnt comfortable with Handel. It's like she's got her fingers in her ears and thinking 'no, its not Handel, its really Verdi etc...'. Lol
well, considering that ornamentation in baroque time was probably about 4x as campy as is normal today, it's really not bad. don't much care for the voice, but it's poor audio quality, it's a little hard to tell.
There is quite a disconnect between the tempi of the orchestral ritornelli and the tempo that Ms. Partridge sings the aria. The faster tempo would've been more sylistically appropriate. I agree with the foregoing comments about ornamentation.. not in the best Baroque taste.
Partridge was one of the nieces in the Met's Peter Grimes and is profiled in this month's Opera News.
She must be a good singer with a powerful voice and great top notes and all, but man, I hear Handel rolling in his grave. It was almost ANTI-Baroque. It sounds to me that she hates Handel. It's so obvious she's wishing she were rather singing Lucia or something.
Yeah, I gotta agree about the ornaments...but wow, what a great singer!! Does anyone here know her name? Voice reminds me of my fave coloratura, Diana Damrau, at times. ;)
I agree about the ornamentation. I saw her in La Sonnambula, and she did well with that, b/c I think she used Sutherland's embellishments. But I think these embellishments are a bit odd and not right for this music. To me they are somewhat campy.
je ne reconnais plus le morceau avec tout ses changements.
KarinaFrance1 1 month ago
I like it! Not typical performance, very emotional, expressive and in good way (vocally)
Please give some more videos! :)
HandelLover1989 10 months ago
Some have criticized the elaborate ornamentation in thei performance. I agree that ornamentation should not change the original melodic line enough to make it un recognizeable. However, when one has heard a trillion and one interpretations of an aria, it is quite exhilirating to hear a fresh well executed impovise version of that piece. I think the artist here performs prodigiously in that context.
Rudolph03 10 months ago
Amazing voice! You do need a challenge, though, that would compliment your agility. Over-singing this has robbed it of its beauty, but I would love to hear your Mozart!!
nodross7777 11 months ago
HOLY CRAP. she sure is a soprano!
CantoSemper49 1 year ago
Beautiful voice...really nice coloratura but this is baroque not bel canto...this aria really works how it's written although some fine ornaments are always interesting and that's one of the points that makes it different from a singer to another...In this case it's too much; I'm wondering whose work dominates there Handel's or Leah Partridge's...
andreideathboy 1 year ago
Nice voice.
Great Body.
I think she is a Lyric Spinto Soprano or a future Mezzo.
Would love to hear her voice in a lyric opera aria.
BrentAudi 1 year ago
Impressing voice, but I am not agree with over ornament the aria, it really loses the composition of the work, I can imagine the face of Handel listening this singer.
guitarblade1666 1 year ago
So slow
MrYankeeTex 1 year ago
Fantastic voice, but what is she singing ? This side is terrible.
bobsopera 1 year ago
slow.out of good taste.notes for them selves.Not impressive Difficult , but not impressive.Personal opinion
h0h1h2h3h4 1 year ago
yikes.
hollermahler 2 years ago
This reminds me of a story about Rossini. At one of his soirees a famous singer did a rendition of Una Voce Poco Fa, showing off her voice with fantastical ornamentation from first note to last. At the end of the aria, the Maestro said, not unkindly, "Nice song. Who wrote it?"
shinawillful 2 years ago
cecilia would sing it best !
georgirella 2 years ago
Leahs was the only reason we didn't bolt after the intermission {like 1/2 the audience}
ls33328 2 years ago
She has a big voice and the colorature is very difficult.
tenorismo 2 years ago
Ornamentation should not destroy the original melodic line...as always the line is a suggestion but must not dissapear!
Her tempo is a bit slow in my opinion but...it´s just me opinion, as everything else I said!
marascar 2 years ago 8
Another LOL by some hearing-challenged nitwit! Wtf are u to laugh I´d like to know, what´s wrong in oh so many ways is your head.
CoreyLeig 2 years ago
I think she should sing Verdi
lucamanga 2 years ago 3
Nice voice actually, but musically it sounds like she is struggling to sing something else entirely and isnt comfortable with Handel. It's like she's got her fingers in her ears and thinking 'no, its not Handel, its really Verdi etc...'. Lol
Rik77 2 years ago 4
struggling??? are u crazy? I´d like to see you attempting to do this. LOL? yes, at your stupidity.
CoreyLeig 2 years ago
yes.. i agree... i am usually very tolerant about atypical ornament in baroque music... but this is not an enhancement of the aria...
floridante2k 3 years ago 8
well, considering that ornamentation in baroque time was probably about 4x as campy as is normal today, it's really not bad. don't much care for the voice, but it's poor audio quality, it's a little hard to tell.
minirausch 3 years ago
I agree; wonderful singer but completely unidiomatic ornamentation. Listen to Marita Solbergs tasteful and extremely well sung version.
fot268 3 years ago 3
There is quite a disconnect between the tempi of the orchestral ritornelli and the tempo that Ms. Partridge sings the aria. The faster tempo would've been more sylistically appropriate. I agree with the foregoing comments about ornamentation.. not in the best Baroque taste.
Partridge was one of the nieces in the Met's Peter Grimes and is profiled in this month's Opera News.
Beatiful voice. Beautiful woman.
KozenaFan 3 years ago
She must be a good singer with a powerful voice and great top notes and all, but man, I hear Handel rolling in his grave. It was almost ANTI-Baroque. It sounds to me that she hates Handel. It's so obvious she's wishing she were rather singing Lucia or something.
vitellia 3 years ago 6
Ok we know you can sing high.... good for you....
DivaSoprano 3 years ago 3
hahaha, this comment is so bitchy it made me laugh, something Bette Davis could have said about a rival, green with envy by the way
CoreyLeig 2 years ago
Haha, I love her high notes, they're very good, but just not appropriate for this repertoire. As someone else said, she should sing Verdi.
DivaSoprano 1 year ago
The voice is uneven, covered and she tends to sing on the harmonics
796824 3 years ago
I like her voice.
Her range is excellent.
A- on the very high notes, but A on everything about her voice.
A real talent worth seeing!
George Vreeland Hill
GeorgeVreelandHill 3 years ago
is this Haendel?
I didn't like the ornaments...
paminaase 3 years ago 3
Whoever wrote these ornaments has poor taste. Let's hope it's not our good friend Richard.
pesciolinotriste 3 years ago
Yeah, I gotta agree about the ornaments...but wow, what a great singer!! Does anyone here know her name? Voice reminds me of my fave coloratura, Diana Damrau, at times. ;)
morgaine531 3 years ago
Leah Partridge..This clip does not capture the true beauty of her voice..Live, she is awesome!
ls33328 3 years ago
I agree about the ornamentation. I saw her in La Sonnambula, and she did well with that, b/c I think she used Sutherland's embellishments. But I think these embellishments are a bit odd and not right for this music. To me they are somewhat campy.
PenneallaNorma 3 years ago
Funny someone posted she looks like Netrebko, I just said the same exact thing on her other video. lol. I like her voice but HATE the ornaments.
gransasso101 3 years ago
She looks so much like Anna Netrebko, I thought it was her. hahah
wobblatura83 3 years ago
Fine voice, good top...really unidiomatic ornamentation!
tamerlano 3 years ago