From the real "golden age" of singing, the post-war generation produced an incredible number of outstanding singers compared to today's meagre few. Fabulous!!
I have 19 recordings of the songs (and counting). Though each has its highlights, I believe the late, wonderful, beautiful Lucia and the amazing Jessye Norman are probably my two favorites! Exquisite. Wonderful to see her performing live. Wat a loss. But thank God we were blessed with her for as long as we were.
Strauss was dying when he wrote this- Popp was dying when she sings this, and Solti was dying for some crack-cocaine while he orchestrates this- what a palaver.
Absolutely sublime! Eat your heart Renee Fleming! Ms Popp is one of the finest Vier Letzte Lieder exponents I have heard and WHAT a pleasure it is to hear Strauss as he expected his music to be sung and to sound. Bravissima!
What strikes me more about this superb rendition of the Four Last Songs is her INCREDIBLE MUSICALITY. Other great artists are waiting for a cue, a beat and stare at the conductor. Not Miss Popp, she seems an accurate instrument, one more in the orchestra. Never a single doubt. The voice is that of a coloratura and has thinner grain than a Fleming or Price, but she compensates with her impressive fiato and her impressive security. Brava Popp up in Heaven !
Thank you so much to the person who posted these videos. They are absolute magic. The way she just sings them. No drama or arm flapping - just stands and sings. And it's perfect!!!
@chubfuddler absolutely agree and sympathise with your anger! Anybody who knows the least bit about music understands the quality of this performance. These are the same sort of people who would be expected to cough during the quietest moments of the most beautiful performances. However, best to ignore these poor souls...
I love this music so much. I can't be bothered by comparisons. I enjoy Popp. Flagsdad, Fleming, and all of them. Each singer brings something special to her performance.
Though here, Solti controls his enthusiasm and uses a slower tempo than the one used in Im Abendrot, it is still faster than Tennstedt's, which suits this song better. Popp, as always, is wonderful. What a wonderful violin solo from the firt violin of the Chicago Symphony Orchestra!
I remember this performance. It was the first time I'd heard both Popp and this music. Time hasn't altered my opinion one bit; it's great music performed by a great artist. Wonderful to see and hear it again. Thanks.
I saw her once too, but to me she was an even better interpreter of Mozart. When I was a teenager I went to Mozart's house in Salzburg and they were playing 'Die Zauberflote' with Lucia as the Queen of the Night. Fantastic!
The placement of the microphones and subsequent balance of sound is not great. The concertmaster plays divinely. He gives her a lot to live up to when she comes in again. But she does sing gorgeously.
And this is a song that, if you can actually get through it, you are probably a great singer. In the same way that just getting through a Bach Cello Sonata is proof of competence. Or writing a sonnet. But actually, I think it is harder and more rare to sing this piece.
What a discovery! I own the recording with Tennstedt but had never seen this video. I think it made me even sadder than the day Schwartzkopf died and I listened to her recording (w/Szell). Popp was taken from us much too early. What a magnificent singer.
The violin solo, when played well as it is here, always moves me greatly. This sounds to me to be one of the better performances, although my favorite remains Gundula Janowitz.
Although a long admirer of Schwarzkopf in this music,I was never so moved by it as I was by Nilsson's one recording of it in her late career. It was a truly transcendent experience, and one I revisit as often as possible.
Having written about the violin-solo (so absolutely CRITICAL to this piece, no less than the soprano soloist in fact!!!), let me now say that I can truly ADORE Mme. Popp's beautiful singing and absolute maturity of understanding of this piece and its words - one that rivals Elisabeth Schwarzkopf quite handily. She conveys such nobility & profundity! Much to learn from and enjoy here! Bravi to all involved except the recording engineers (I hate that hiss and quasi-B-natural sibilance...).
She just oozes class. I especially love how she slowly turns to the concertmaster, at the beginning of his solo. It's such a graceful way to handle that moment, gently shifting the focus to him during that section of the piece.
Excellently said - that IS classy and even noble on her part, and he responds with a lovely solo indeed!! Yes, I could criticise having a bit less portamento in one place than I'd like - and then a bit more than would have been desired a few bars later; however, that's individual taste!!! If "Im Abendrot" feels controversial on account of Solti's speed, there's no such trouble here!!! This performance is GOLD and does what Masur's concertmaster misses in this piece for Norman (sadly)...
that¨s right, what i love more in this amazing woman, is that she is so natural!!, but I must say that i would like a little more intensity for this songs!!
De todas las voces quien más refresca la esencia de estas canciones dándole vida es Lucia Popp. Un sonido humano y flotante en su voz. IMpecable su instrumento.
what a great singer she is! her '4 letzte Lieder' with Tennstedt and the London Philh., recorded five years later in 1982, is imho the best of all '4 letzte Lieder'-recordings
I agree with you, most singers forget that their voice is an instrument and do their own stylisation during a concert or performance. Lucia is perfect in every way, very much missed and quite lovely
THANK YOU for this piece! *Wonderful* I love Lucia Popp, I miss her so much... This song always brings the tears to my eyes. Lucia will be forever one of the best opera singers!
Thank you for posting this! Popp's warmth and knowingness in these songs is unsurpassed. Not the ideal voice given its weight, but certainly the ideal intepreter.
Exactly!! Sometimes one can't have completely everything (this music is extremely demanding - and not just technically!). One needs spiritual, mental and emotional maturity to really bring out the profundity and full content of these pieces, and both Popp and Solti prove things here. Even if Popp may not have been vocally as big as Norman or Nilsson, she truly had everything else (and Solti was a very sympathetic accompanist - he knew how to work well with what he had!)! Utterly splendid!!!
How I miss her. Her version of Mahler's 4th with Paul Kletzki/Pittsburgh Symphony is still unparalleled for me.
DoverGwynedd 3 days ago
From the real "golden age" of singing, the post-war generation produced an incredible number of outstanding singers compared to today's meagre few. Fabulous!!
TheVaughan5 1 month ago
I have 19 recordings of the songs (and counting). Though each has its highlights, I believe the late, wonderful, beautiful Lucia and the amazing Jessye Norman are probably my two favorites! Exquisite. Wonderful to see her performing live. Wat a loss. But thank God we were blessed with her for as long as we were.
spn1007 2 months ago in playlist Four Last Songs
8 people are deaf
sandro4646 4 months ago 5
Awesome! TY Gabba02 for posting this gem.
paulostroff99 4 months ago
Within 30 seconds I was crying...beautiful. beautiful..
still crying.... beautiful
PTCello 4 months ago
Qué voz más bella...
mixolidius 4 months ago 2
That violin solo with the orchestra is ravishing.
bobareebop 5 months ago
miss her......
DeLonAlma 5 months ago
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Strauss was dying when he wrote this- Popp was dying when she sings this, and Solti was dying for some crack-cocaine while he orchestrates this- what a palaver.
Tommyfazz 6 months ago
Comment removed
Tommyfazz 6 months ago
Absolutely sublime! Eat your heart Renee Fleming! Ms Popp is one of the finest Vier Letzte Lieder exponents I have heard and WHAT a pleasure it is to hear Strauss as he expected his music to be sung and to sound. Bravissima!
MrAndredekock 6 months ago
@MrAndredekock -Very well said.There really is no comparison.
paulostroff99 4 months ago
By God, she's brilliant, isn't she!
algernon4444 7 months ago 2
What strikes me more about this superb rendition of the Four Last Songs is her INCREDIBLE MUSICALITY. Other great artists are waiting for a cue, a beat and stare at the conductor. Not Miss Popp, she seems an accurate instrument, one more in the orchestra. Never a single doubt. The voice is that of a coloratura and has thinner grain than a Fleming or Price, but she compensates with her impressive fiato and her impressive security. Brava Popp up in Heaven !
Greatfan2011 7 months ago 2
What a wonderful, wonderful version. She makes the long phrases seem so effortless.
DivaKazza 8 months ago
NO WORDS FOR THAT...
tomazvital1986 8 months ago
Thank you seattle8131. That also caught my attention!
nwest127 9 months ago
Sam Magad, solo violin -- very tense vibrato.
seattle813 11 months ago
She was a wonderful singer and it is a great loss that she is gone!
chopinlover49 1 year ago
This comment has received too many negative votes show
i hate this supid sucking song!!!
cansert41 1 year ago
Thank you so much to the person who posted these videos. They are absolute magic. The way she just sings them. No drama or arm flapping - just stands and sings. And it's perfect!!!
damianjb1 1 year ago
Always a question to ponder -- who the bloody hell are the six tin-eared maroons who don't love it, but actually and actively don't like it?
chubfuddler 1 year ago
@chubfuddler absolutely agree and sympathise with your anger! Anybody who knows the least bit about music understands the quality of this performance. These are the same sort of people who would be expected to cough during the quietest moments of the most beautiful performances. However, best to ignore these poor souls...
shrekinasuit 1 year ago
Always a question to ponder -- who the bloody hell are the six tin-eared maroons who don't love it, but actually and actively don't like it?
chubfuddler 1 year ago
Beautiful song. Beautifully sung. Beautifully performed.
muatlas 1 year ago
da piangere, perfetta e splendida come una icona
robertocozzarin 1 year ago
BEAUTIFUL.
thank you, i enjoyed that SO much.
gr333nyboy 1 year ago
I love this music so much. I can't be bothered by comparisons. I enjoy Popp. Flagsdad, Fleming, and all of them. Each singer brings something special to her performance.
dorjenne 1 year ago
EXPLENDID! NEC PLUS ULTRA!
mauricedelacroix 1 year ago
This performance is so beautiful it is exhausting - compares very well with Schwartzkopf.
lhspaiser 1 year ago
yeh Popp is the biz . Solti still waves around like he want to be a monkey with a bag of frogs in his kecks.
Tommyfazz 1 year ago
violin solo Samuel Magad !!!!!!
Rephrat 1 year ago
@Rephrat unhappy intonation and worse sheep vibrato......
guarnerius69 1 year ago
Though here, Solti controls his enthusiasm and uses a slower tempo than the one used in Im Abendrot, it is still faster than Tennstedt's, which suits this song better. Popp, as always, is wonderful. What a wonderful violin solo from the firt violin of the Chicago Symphony Orchestra!
antoniosergiocunha 1 year ago
I remember this performance. It was the first time I'd heard both Popp and this music. Time hasn't altered my opinion one bit; it's great music performed by a great artist. Wonderful to see and hear it again. Thanks.
Zyghnwyr 1 year ago
As near to perfection as is possible in this beautiful music - music in heaven must be exquisite with Lucia Popp and Georg Solti to perform it.
metacarple 1 year ago
This is just exquisite. For me the most beautiful of all. What a lovely artist she was. RIP, Lucia.
lindyms 1 year ago
Perfection all the way around :)
Thank you.
acatalano2641 2 years ago
Emozionante! Lucia Popp è un angelo che canta! Grazie, Lucia!
Enzocolor 2 years ago
Diese Stimme fehlt noch immer in der Welt des Gesangs!
ochnajanu 2 years ago 25
Simplemente, no se puede cantar mejor.
Gracias Lucia
rutyfromtheblock 2 years ago
Popp's angelic voice must now brighten the heavens.
11777766 2 years ago 3
This is amazing. BTW, why haven't more people set music to Hesse? He is one of the greatest writers of all time.
nihilistopher 2 years ago
Maravillosa Lucia Popp!!!
Fiumita 2 years ago 3
And complimments to Sam Magad on fiddle!
ealing40 2 years ago
So beautifully sung. I completely missed the fact that La Popp died way back in '93
until today. She was amazing. I once saw
her in a master class at Northwestern University. She entered the Lupton Hall
stage dragging a beautiful white fur behind her. It was a site to see! God rest her soul
Oaktownrob 2 years ago
I saw her once too, but to me she was an even better interpreter of Mozart. When I was a teenager I went to Mozart's house in Salzburg and they were playing 'Die Zauberflote' with Lucia as the Queen of the Night. Fantastic!
chucknyc123 2 years ago
S-U-B-L-I-M-E !!!!!!!!!!
masettoallegro 2 years ago 22
The placement of the microphones and subsequent balance of sound is not great. The concertmaster plays divinely. He gives her a lot to live up to when she comes in again. But she does sing gorgeously.
And this is a song that, if you can actually get through it, you are probably a great singer. In the same way that just getting through a Bach Cello Sonata is proof of competence. Or writing a sonnet. But actually, I think it is harder and more rare to sing this piece.
BillSalem 2 years ago
An angel!
FlyingElephant20 2 years ago 3
Wunderbar ! Ergreifend !
Für mich singt niemand, Strauss "Vier letzte Lieder " besser, als Lucia Popp. Diese Stimme erreicht mein Innerstes, dies ist Gesang in Vollendung.
Posthum, DANKE! THANK YOU !
bergmannsglueck 2 years ago 2
Beautifully sung. Pity the quality of the recording is that bad.
Uruguruh 2 years ago
The violin solo is played by samuel Magad.
She is with the angels.
Rephrat 2 years ago
she is looks so effortless. It's amazing!
cluckatura3 2 years ago
What a discovery! I own the recording with Tennstedt but had never seen this video. I think it made me even sadder than the day Schwartzkopf died and I listened to her recording (w/Szell). Popp was taken from us much too early. What a magnificent singer.
wally5353 3 years ago
The violin solo, when played well as it is here, always moves me greatly. This sounds to me to be one of the better performances, although my favorite remains Gundula Janowitz.
sfkcbf 3 years ago
Although a long admirer of Schwarzkopf in this music,I was never so moved by it as I was by Nilsson's one recording of it in her late career. It was a truly transcendent experience, and one I revisit as often as possible.
Operanut9 3 years ago
I can´t find words
so perfect!
astartelucifer 3 years ago 2
Having written about the violin-solo (so absolutely CRITICAL to this piece, no less than the soprano soloist in fact!!!), let me now say that I can truly ADORE Mme. Popp's beautiful singing and absolute maturity of understanding of this piece and its words - one that rivals Elisabeth Schwarzkopf quite handily. She conveys such nobility & profundity! Much to learn from and enjoy here! Bravi to all involved except the recording engineers (I hate that hiss and quasi-B-natural sibilance...).
LJBSasha 3 years ago 3
no comparison! one of the best sopranos of all times
medmai 3 years ago 2
Very beautifully sung!
g420730a 3 years ago
She just oozes class. I especially love how she slowly turns to the concertmaster, at the beginning of his solo. It's such a graceful way to handle that moment, gently shifting the focus to him during that section of the piece.
Jokanaan 3 years ago 3
Excellently said - that IS classy and even noble on her part, and he responds with a lovely solo indeed!! Yes, I could criticise having a bit less portamento in one place than I'd like - and then a bit more than would have been desired a few bars later; however, that's individual taste!!! If "Im Abendrot" feels controversial on account of Solti's speed, there's no such trouble here!!! This performance is GOLD and does what Masur's concertmaster misses in this piece for Norman (sadly)...
LJBSasha 3 years ago
Captivating.
23474971 3 years ago
Absolutely!!
mpratt02 3 years ago
What a treasure she was and remains. Sophisticated and yet sincere. Thank you for posting this wonderful document of her art.
Moegiust 4 years ago 3
I love her. :]
Hemanthemannequin 4 years ago 3
Exquisite......breathtaking......
novisibersk 4 years ago
Effortless! Wonderful.
Archsorceror 4 years ago
that¨s right, what i love more in this amazing woman, is that she is so natural!!, but I must say that i would like a little more intensity for this songs!!
cantanteporsiempre 4 years ago
Phantastisch!
Die "Vier letzte Lieder" sind so wundervoll.
Nachtgarten 4 years ago
De todas las voces quien más refresca la esencia de estas canciones dándole vida es Lucia Popp. Un sonido humano y flotante en su voz. IMpecable su instrumento.
filiodecallas 4 years ago
what a great singer she is! her '4 letzte Lieder' with Tennstedt and the London Philh., recorded five years later in 1982, is imho the best of all '4 letzte Lieder'-recordings
PieterdeRooijHolland 4 years ago
Bewitching music ... the very loveliest lady and artiste. Hard to think this was 30 years ago and 14 years since Lucia's passing. Thank you.
Glenmed 4 years ago
i like how ms.popp is part of the orchestra and not just the soloist. very well matched.
bachboy111 4 years ago 3
I agree with you, most singers forget that their voice is an instrument and do their own stylisation during a concert or performance. Lucia is perfect in every way, very much missed and quite lovely
chubblove 4 years ago
THANK YOU for this piece! *Wonderful* I love Lucia Popp, I miss her so much... This song always brings the tears to my eyes. Lucia will be forever one of the best opera singers!
BravaBerganza 4 years ago
Thank you for posting this! Popp's warmth and knowingness in these songs is unsurpassed. Not the ideal voice given its weight, but certainly the ideal intepreter.
Azzenstudent 4 years ago
Exactly!! Sometimes one can't have completely everything (this music is extremely demanding - and not just technically!). One needs spiritual, mental and emotional maturity to really bring out the profundity and full content of these pieces, and both Popp and Solti prove things here. Even if Popp may not have been vocally as big as Norman or Nilsson, she truly had everything else (and Solti was a very sympathetic accompanist - he knew how to work well with what he had!)! Utterly splendid!!!
LJBSasha 3 years ago
How beautiful. I always love Popp and Solti is very nice.
boipussi 4 years ago
Yes. The late, great Lucia Popp. Music does not get better than the Four Last Songs.
johnshade 4 years ago
Fabulous voice. Sad that she is no longer with us. I have some wonderful memories of her as Pamina and as Queen of the Night before that!!
cyfieithydd 4 years ago
Yes, the late, great Lucia Popp. Music doesn't get better than the Four Last Songs.
johnshade 4 years ago