I would suggest that the most effective method of desecration would involve placing pictures of your mother on top of the object or person you wish to defile. Good day.
I don't believe your threats of beating me to death are necessary, considering your staggeringly unlettered comments have nearly forced me into an early grave. The incessant nature of your posting shall only hasten your appointment with the reaper himself. Good day.
Rfaler, you write like a homosexual. Who knows, maybe you are a homosexual? You're fortunate in that I don't know what you look like. Because if I saw you walking down the street, I'd probably run after you and beat you to death.
All I can recognize as being disgraceful is your apparant lack of coherency and religious knowledge in your petty disection. Your input, as well as your entire family, would be better suited to the deepest, most forgotten depths of Hades. Good day.
For you to interpret the film as a commentary on solipsism and a homage to the Godfather is to commit an act of outrageous intellectual dishonesty. Disgraceful.
This is clearly the same God that was known to the ancients as Yahweh, and he proves to be just as petty and vindictive here as in the Pentateuch. Not only must the painter endure pain, he must also suffer unspeakable humiliation (as you will no doubt recall, he is peed on at the end of the film). I found this to be a deeply blasphemous and troubling film.
Here is my interpretation of the film. By engaging in the act of creation, the painter inadvertantly affronts God, the ultimate creator. Angered by this transgression, God sends an emissary in the form of a dirty Italian, who proceeds to dole out a harsh and brutal punishment. (Ironically, this punishment is entirely predicated on a key flaw in God's design - in this instance, the human body and its susceptibility to pain).
Your commentary on the self-destructive nature of solipsism intrigues me. Also, the relentless violence is an obvious but well-constructed nod to Santino's "ownage" of Carlo, minus the phantom punch.
i just ran a search for you after finding black paint in a pile of dvds.
postbear 10 months ago
Asshole.
Swordswinger 4 years ago
GOOD!
rfaler 4 years ago
I will.
Swordswinger 4 years ago
I would suggest that the most effective method of desecration would involve placing pictures of your mother on top of the object or person you wish to defile. Good day.
rfaler 4 years ago
If my "steggerinley unleddered" (sic) comments put you in an early grave, fine. Instead of beating you to death, I'll just desecrate your corpse.
Swordswinger 4 years ago
I don't believe your threats of beating me to death are necessary, considering your staggeringly unlettered comments have nearly forced me into an early grave. The incessant nature of your posting shall only hasten your appointment with the reaper himself. Good day.
rfaler 4 years ago
Rfaler, you write like a homosexual. Who knows, maybe you are a homosexual? You're fortunate in that I don't know what you look like. Because if I saw you walking down the street, I'd probably run after you and beat you to death.
Swordswinger 4 years ago
All I can recognize as being disgraceful is your apparant lack of coherency and religious knowledge in your petty disection. Your input, as well as your entire family, would be better suited to the deepest, most forgotten depths of Hades. Good day.
rfaler 4 years ago
For you to interpret the film as a commentary on solipsism and a homage to the Godfather is to commit an act of outrageous intellectual dishonesty. Disgraceful.
Swordswinger 4 years ago
This is clearly the same God that was known to the ancients as Yahweh, and he proves to be just as petty and vindictive here as in the Pentateuch. Not only must the painter endure pain, he must also suffer unspeakable humiliation (as you will no doubt recall, he is peed on at the end of the film). I found this to be a deeply blasphemous and troubling film.
Swordswinger 4 years ago
Here is my interpretation of the film. By engaging in the act of creation, the painter inadvertantly affronts God, the ultimate creator. Angered by this transgression, God sends an emissary in the form of a dirty Italian, who proceeds to dole out a harsh and brutal punishment. (Ironically, this punishment is entirely predicated on a key flaw in God's design - in this instance, the human body and its susceptibility to pain).
Swordswinger 4 years ago
Your commentary on the self-destructive nature of solipsism intrigues me. Also, the relentless violence is an obvious but well-constructed nod to Santino's "ownage" of Carlo, minus the phantom punch.
rfaler 4 years ago