As the first aria I really learned, I remember its many pitfalls which you have pointed out in the intro. One of the things I love about FW is that he always anticipates the higher notes and places his voice to be ready for them...no tension, no pushing, no struggling. He makes the space, supports the note (french horn training) and lets it happen. Lovely.
Schön Gesang!!!!, he sure was one of the best of all times!!!!. Thanks don Edmund for sharing this jewel with all us (I learn from listening to your channel...thanks!!!)
any recordings of Wunderlich singing this in Italian? I would love to hear it...Unfortunately german is a little too "gutteral" to do this beautiful music appropriate justice! IMHO.
@djschlom Sorry, I don't. As I reflect on it, I don't think I have anything at all by him in any language except German. You raise an interesting point, actually. Let me double check that.
@djschlom Nope. All my recordings by Wunderlich are in Italian. He even sings "Granada" in German! There are videos on Youtube (a few) of him singing in Italian. At a quick glance, I found Il Mio Tesoro and La donna e mobile. I think, if you were to listen to La Donna e Mobile, you might see why he recorded so much in German. He tends to puch out every single word in Italian (at least in La Donna e mobile) and it blows the musical line all to pieces. Most interesting question!
Mozart like Bach, Telemann, Gluck, Haydn, Beethoven, Wagner, Schubert, Schumann, Brahms, Orff etc. are native, German speaking artists - if their art sounds "gutteral" to you, it probably is - I am sorry to say that - because you are thinking procincial. All of the music of these extraordinary artists is far beyond of any language - it is devine art. I really hope you will always appreciate the art and the genius of these artists...
@axelvonchiemgau I do appreciated it!! I love german leider, and find Schubert's "Im Abendrot" sung by Dietrich Fischer Dieskau to be one of the most beautiful things I have ever heard. I just find that the original language seems to fit better with the musical line of this piece. I love Mozart German, see Wunderlich singing "Oh wie Angstlich" for a good example of what I am trying to say.
Perhaps it is too obvious to mention, but Wunderlich had the most horn-like sound of any singer I know. No doubt his vocal style was influenced by his training on the French Horn, but no other horn player can sing like this! What a magnificent instrument he had: completely organic and unaffected; free and beautiful in passaggio; fully voiced in the lowest notes; and of course those beautifully clear, trumpeting high notes. And all of it sewn together with a faultless legato. One of the greats!
As you and Tim point out, Mozart's music is often deceptively simple but in fact very challenging to perform, as well as being healthy for the voice. Roberta Peters commented on this, as did Eleanor Steber and Richard Tucker. Wunderlich is the ideal Mozart singer, with his beautiful tone, elegant style, and expressive phrasing. Thanks for sharing this, Edmund.
@meltzerboy Thank you very much a typically well-informed comment. And you are right.....I know of singers who use favorite Mozart arias, or pieces of arias, as vocalises. They are a tonic for the voice.
Heifetz used to say that Mozart's music is the most difficult to perform as it demands the uttermost refinement and perfection in musicianship. Wunderlich's voice and musicianship are ideal for this music and fulfil all its demands. His wonderful renditions of the Mozart roles makes one feel that they are composed for his voice. This one goes to my favorites list. Many thanks for posting, Edmund.
I really wish he'd sung it in Italian, as he did with Don Ottavio later in his career. His performances as Belmonte and Tamino set the standard for any tenor since him - but his interpretations in Mozart's tenor roles written in Italian were also nothing less than spectacular, proving it was not just the German language, but that Wunderlich's voice itself was highly compatible with Mozart's music. My personal favorite rendition of this particular aria is Simoneau's from the 1954 full recording.
As the first aria I really learned, I remember its many pitfalls which you have pointed out in the intro. One of the things I love about FW is that he always anticipates the higher notes and places his voice to be ready for them...no tension, no pushing, no struggling. He makes the space, supports the note (french horn training) and lets it happen. Lovely.
jepthah15 2 weeks ago
@jepthah15 Thank you for an interesting comment!
EdmundStAustell 2 weeks ago
I agree, immaculate, sung perfectly! A very BIG Thank you for posting!!
forcefullyadvancing 2 weeks ago
@forcefullyadvancing A very BIG thank you for your comment! Much appreciated!
EdmundStAustell 2 weeks ago
Merveilleux Wunderlich !
Merci Edmund une fois de plus ...
francesca7564 2 weeks ago
@francesca7564 Mon plaisir tout à fait. Il était un ténor merveilleux!
EdmundStAustell 2 weeks ago
@EdmundStAustell
Je dirai même "lumineux" et inégalé à ce jour ...
Meilleures amitié Edmund . :-)
francesca7564 2 weeks ago
@francesca7564 Merci pour le sublime Wunderlich! Sa version en allemand est meilleure que bien d'autres en italien.
Et merci M. Edmund d'avoir mis en ligne.
RoyKa2010 2 weeks ago
Schön Gesang!!!!, he sure was one of the best of all times!!!!. Thanks don Edmund for sharing this jewel with all us (I learn from listening to your channel...thanks!!!)
Bravo!!!!!!
tenorschofield 2 weeks ago
@tenorschofield You're quite welcome, my friend. Thank YOU!
EdmundStAustell 2 weeks ago
Listening to this, I grieved for him all over again. What a loss for all of us that he couldn't sing another few decades.
ZeitwirdhierRaum 1 month ago
@ZeitwirdhierRaum Amen! Thank you!
EdmundStAustell 1 month ago
SEMPLICEMENTE UNA MERAVIGLIA!!!
THANK YOU FOR POSTING
klemperer100 1 month ago
Certified Intergalactic!
Dogaradodia 2 months ago
This is by far one of the best renditions. His voice has a beautiful even quality all the way through this aria. Excellent singing.
AntW11 5 months ago
@AntW11 Yes, I absolutely agree. Thanks for the comment.
EdmundStAustell 5 months ago
This is by far one of the best renditions. His voice has a beautiful even quality all the way through this aria. Excellent singing.
AntW11 5 months ago
Superb singing by one who was as good as it ever got. TY Edmund for posting.
paulostroff99 5 months ago
@paulostroff99 Thank you, and you are absolutely right! Especially in Mozart; it's impossible for me to imagine anyone doing it better.
EdmundStAustell 5 months ago
@EdmundStAustell -He is oneof the most sorely missed of all artists that departed long before their time.
paulostroff99 5 months ago
Wunderlich is a German Ferrari!!!!
igancedo 5 months ago 2
@igancedo Or Porsche even:-)
EdmundStAustell 5 months ago
@EdmundStAustell Indeed! but he's sound is so "Italian"...a wonderful amazing lyric tenor!!
igancedo 5 months ago
I've never heard this sung better. Such a shame Wunderlich died young.
matavidya 6 months ago
@matavidya Thank you very much. Yes, I agree--on both counts.
EdmundStAustell 6 months ago
If there are any Mozart, or Fritz. detractors out there, please play them this glorious performance, and rest your case, on both counts.
Arellessful 6 months ago
Fritz Wunderlich gives as an elegant, masterful, and majestic performance of the aria as can ever be heard. Thanks for sharing, dear Edmund.
SuperLuckydream 6 months ago
@SuperLuckydream My pleasure, Tamara. Thank you for the comment, and you are right...Wunderlich is perfect for Mozart.
EdmundStAustell 6 months ago
Each note a burnished jewel. Each jewel caressed into a priceless necklace.
BazzasBest 6 months ago 2
see Wunderlich doing Im Abendrot! Usually a baritone song, but beautiful!
djschlom 6 months ago
@djschlom Thanks! I'll take a look at it!
EdmundStAustell 6 months ago
Fritz Wunderlich ist einfach nicht zu übertreffen. Er besass eine natürliche Sitimme mit
einem wunderschönen Oberklang und herrlichem Timbre.
Bislang ist er unübertroffen. Eine Jahrhundertstimme par exellence!
einherzundeineseele 7 months ago
@einherzundeineseele Thank you, my friend!
EdmundStAustell 7 months ago
Magnifique!
sdegrace 10 months ago
@sdegrace Merci! Je suis absolument d'accord!
EdmundStAustell 10 months ago
any recordings of Wunderlich singing this in Italian? I would love to hear it...Unfortunately german is a little too "gutteral" to do this beautiful music appropriate justice! IMHO.
djschlom 11 months ago
@djschlom Sorry, I don't. As I reflect on it, I don't think I have anything at all by him in any language except German. You raise an interesting point, actually. Let me double check that.
EdmundStAustell 11 months ago
@djschlom Nope. All my recordings by Wunderlich are in Italian. He even sings "Granada" in German! There are videos on Youtube (a few) of him singing in Italian. At a quick glance, I found Il Mio Tesoro and La donna e mobile. I think, if you were to listen to La Donna e Mobile, you might see why he recorded so much in German. He tends to puch out every single word in Italian (at least in La Donna e mobile) and it blows the musical line all to pieces. Most interesting question!
EdmundStAustell 11 months ago
@djschlom
Mozart like Bach, Telemann, Gluck, Haydn, Beethoven, Wagner, Schubert, Schumann, Brahms, Orff etc. are native, German speaking artists - if their art sounds "gutteral" to you, it probably is - I am sorry to say that - because you are thinking procincial. All of the music of these extraordinary artists is far beyond of any language - it is devine art. I really hope you will always appreciate the art and the genius of these artists...
axelvonchiemgau 9 months ago
@axelvonchiemgau I do appreciated it!! I love german leider, and find Schubert's "Im Abendrot" sung by Dietrich Fischer Dieskau to be one of the most beautiful things I have ever heard. I just find that the original language seems to fit better with the musical line of this piece. I love Mozart German, see Wunderlich singing "Oh wie Angstlich" for a good example of what I am trying to say.
djschlom 6 months ago
@axelvonchiemgau -Correct and very well said.
paulostroff99 6 months ago
@djschlom strange - you dont do Mozart justice - whoms mothertongue was "German" - eith the wonderful Austrian tone of course
moosopal 7 months ago
@moosopal eith is "with"
moosopal 7 months ago
Perhaps it is too obvious to mention, but Wunderlich had the most horn-like sound of any singer I know. No doubt his vocal style was influenced by his training on the French Horn, but no other horn player can sing like this! What a magnificent instrument he had: completely organic and unaffected; free and beautiful in passaggio; fully voiced in the lowest notes; and of course those beautifully clear, trumpeting high notes. And all of it sewn together with a faultless legato. One of the greats!
theirisher 1 year ago 2
@theirisher Wonderful comment! Thank you very much!
EdmundStAustell 1 year ago
Wunderlich was certainly the most aptly named singer I've ever heard. One thing about him: he made everything sound easy.
Cantormatis 1 year ago
@Cantormatis Exactly. And that's an indicator of great art in and of itself.
EdmundStAustell 1 year ago
NO ONE sings this, my favorite Mozart aria, better........niemand!
RossiniSoprano 1 year ago
@RossiniSoprano Thank you. Yes, you are right. I can't think of anyone either. A magnificent tenor!
EdmundStAustell 1 year ago
As you and Tim point out, Mozart's music is often deceptively simple but in fact very challenging to perform, as well as being healthy for the voice. Roberta Peters commented on this, as did Eleanor Steber and Richard Tucker. Wunderlich is the ideal Mozart singer, with his beautiful tone, elegant style, and expressive phrasing. Thanks for sharing this, Edmund.
meltzerboy 1 year ago
@meltzerboy Thank you very much a typically well-informed comment. And you are right.....I know of singers who use favorite Mozart arias, or pieces of arias, as vocalises. They are a tonic for the voice.
EdmundStAustell 1 year ago
@EdmundStAustell The jelly for the throat, as Tucker would say.
meltzerboy 1 year ago
@meltzerboy :-) :-)
EdmundStAustell 1 year ago
@EdmundStAustell Caruso always sang Mozart to warm up his voice, and then again after the performance to lighten his voice.
GermanOperaSinger 1 year ago
@GermanOperaSinger The ultimate vocal tonic! Thank you!
EdmundStAustell 1 year ago
@EdmundStAustell The jelly for the throat, as Tucker would say.
meltzerboy 1 year ago
Comment removed
meltzerboy 1 year ago
thank you thank you thank you! :)
ValentinLundin 1 year ago
@ValentinLundin You're welcome, welcome, welcome:-)
EdmundStAustell 1 year ago
Heifetz used to say that Mozart's music is the most difficult to perform as it demands the uttermost refinement and perfection in musicianship. Wunderlich's voice and musicianship are ideal for this music and fulfil all its demands. His wonderful renditions of the Mozart roles makes one feel that they are composed for his voice. This one goes to my favorites list. Many thanks for posting, Edmund.
dantitustimshu 1 year ago
@dantitustimshu My pleasure, and I agree with you absolutely about Wunderlich and Mozart. Thanks for your comment.
EdmundStAustell 1 year ago
Superb! TY Edmund for this great post.
paulostroff99 1 year ago
@paulostroff99 Thank you very much. A really great tenor!
EdmundStAustell 1 year ago
I really wish he'd sung it in Italian, as he did with Don Ottavio later in his career. His performances as Belmonte and Tamino set the standard for any tenor since him - but his interpretations in Mozart's tenor roles written in Italian were also nothing less than spectacular, proving it was not just the German language, but that Wunderlich's voice itself was highly compatible with Mozart's music. My personal favorite rendition of this particular aria is Simoneau's from the 1954 full recording.
GermanOperaSinger 1 year ago
@GermanOperaSinger I agree with you. I know the Simoneau recording, and it is spectacular! Thanks for comment.
EdmundStAustell 1 year ago