I recorded many CDs playing Klezmer Music using a Vandoren Austrian lay mouthpiece. This is a very closed and profoundly classical mouthpiece. I used a #4 Austrian cut reed on it and could make all the "laughing" and other ornaments that I wanted to.
It's not about the mouthpiece it's about what you do on it.
@merlinmichaeshepherd Of course you can produce "laughing" effect on closed classical mouthpiece but it is more difficult because it doesn't give you much freedom of bending the notes. The more opened the mouthpiece and the softer the reed the more bending you can produce. Thats why armenian, greek, turkish folk clarinetists use very soft reeds and opened mouthpieces. Thanks for comment, Merlin!))
u should all work on your voicing, once you can voice, u don't even have to move your jaw, it's almost like you are "singing" notes as you play and you can do this much easier....that is once you get the voicing down...which is sometimes frustrating to learn. i wouldn't really reccomend anyone moving their jaws for this maybe it could get inefficient? maybe not. what ever works for you!
This seem's preety easy. I think if I practice this I may learn how to do this.. but I believe I've done this at times when I've practiced and not known I was doing this. But your lesson was really easy to understand, I hope that I may be able to do this on my own clarinet!
sure I know the notes, I've played it at hundreds of Jewish weddings, including one the night before last...but maybe you should ask Oleg to transcribe it for you.
Does anyone know what the tune is that he is playing? I am trying to figure it out on my clarinet. I have only just started playing and have a Bflat clarinet. Is that the one used for Klezmer music?
It depends on the model of the mouthpiece. Laughing effect will be possible if the mouthpiece is designed for jazz music. It is more difficult to bend the notes and achieve the laughing effect on the classical mouthpieces.
I recorded several CDs including "Intimate Hopes & Terrors" using an Austria lay classical mouthpiece on #4 Austria cut reeds. It is easy to create that particular ornament if the set up works for you. Now I use a more open mouthpiece than a 5JB with #1 French cut reeds. Go figure.
Profile 88 gives you the convenience of holding it in the mouth. The difference is the outer shape of mouthpiece only so it is not really affects on tone or glissando.. I personally like the classic profile.
For the Greek music you need German system clarinet, as it is more convenient in terns if fingering and tone is better for this kind of music.
Ah! That's interesting. That would make sense. I tried #2.5 first and that didn't work at all and even switching to #2 still resulted in a somewhat stuffy sound in the chalumeau register. I should definitely try #1.5...
Just curious, are you using this setup (Vandoren #1.5 on the 5JB) just for the laughing effect or to play klezmer in general?
Probably requires lots of control in the upper registers...
Greets from Russia.
Demon1aq 4 months ago
-_- This is similar to the horrible sound I was making when I first started clarinet. My dog is never gonna be able to hear again...
ChristianOrtega123 6 months ago
@ChristianOrtega123 ikr
Robloxlover8743 5 months ago
That's cool but I can't do that on mine ha
kookykallie 6 months ago
I love russians lol
LouieOmega 9 months ago
what is the name of that klezmer song?
JazzYugioh1022 9 months ago
@JazzYugioh1022 Khosn Kale Mazltov. I have a video tutorial for this tune. Check the video description.
oliverlapidus 9 months ago
I couldn't here that mouthpiece number. I have a VD B46 and a 2RV (5RV), Are these OK or what was it you are using ?
JoeGancher 10 months ago
россия
koenigsegg6611 10 months ago
is that a Buffet 12?
hadenough996 11 months ago
nice... i like hw it sounds real eastern when you play it... compared to like the clarinet on tommy johnson's black mare
busessuck1 1 year ago
hahaha im not that good yet !
idkcat97 1 year ago
i can bend the pitch down with easily, but i can't bend up at all
how do you bend pitch up?
crazitaco 1 year ago
this is kind of funny... because he cant effectively communicate by talking, but he can by playing his intrument. Music is a universal language.
spesalfred 1 year ago
Uhhhh something sounds seriously wrong with that laugh......
Maybe you should practice on making it sound less amish
flippyluva 1 year ago
Hey Oleg,
I recorded many CDs playing Klezmer Music using a Vandoren Austrian lay mouthpiece. This is a very closed and profoundly classical mouthpiece. I used a #4 Austrian cut reed on it and could make all the "laughing" and other ornaments that I wanted to.
It's not about the mouthpiece it's about what you do on it.
merlinmichaeshepherd 1 year ago
@merlinmichaeshepherd Of course you can produce "laughing" effect on closed classical mouthpiece but it is more difficult because it doesn't give you much freedom of bending the notes. The more opened the mouthpiece and the softer the reed the more bending you can produce. Thats why armenian, greek, turkish folk clarinetists use very soft reeds and opened mouthpieces. Thanks for comment, Merlin!))
oliverlapidus 1 year ago
Олег, теперь можно по-русски)
EelSidorin 1 year ago
can you teach more about clarinet b'cuz i ddnt know muck more about my clarinet
jhanine1217 1 year ago
i do this but i do it with my throat. is that a good way too? or should i do the jaw movement
osh0011 1 year ago
does moving ur body lik tiping forward help??
flameking01 1 year ago
This is so good! Now all I have to do is learn to play clarinet.
Laughing on flute is much easier, all you have to do is start laughing regularly.
TechnoFluteDude 1 year ago
woow very cool =)
thankss
Clarinet311 1 year ago
Wow!! Лучший урок в ютубе! побольше миниуроков для завлечения аудитории и поменьше цены на веб-уроки)
sedasedavidon 1 year ago
hahaha how to laugf..not laugh but laugf hahaha thats funny..his accent is epic
lexmelese 1 year ago
compare the meerkat..
evieiable 2 years ago 2
You are teaching how to bend the note down but in some cases you are banding up, how do you do that?
marksp 2 years ago
INTERESTING!
ClarinetHagenah 2 years ago
loool very cool !!!
Sidiaddy 2 years ago
u should all work on your voicing, once you can voice, u don't even have to move your jaw, it's almost like you are "singing" notes as you play and you can do this much easier....that is once you get the voicing down...which is sometimes frustrating to learn. i wouldn't really reccomend anyone moving their jaws for this maybe it could get inefficient? maybe not. what ever works for you!
hope this helps anyone.
jkjimmy 2 years ago
LOOOOOOL
this was funny
SUSIEL86 2 years ago
the sound...... O_O awesome!! is there a tutorial on how to make the best sound possible??
jmbuemio 2 years ago
You are awesome!!!!
bigVrocks 2 years ago
thank you this really helped i just got my clarinet today for 5th grade band.
Twilightnov2108 2 years ago
Comment removed
musicalrapture 2 years ago
This seem's preety easy. I think if I practice this I may learn how to do this.. but I believe I've done this at times when I've practiced and not known I was doing this. But your lesson was really easy to understand, I hope that I may be able to do this on my own clarinet!
cowgirl14zz 2 years ago
sure I know the notes, I've played it at hundreds of Jewish weddings, including one the night before last...but maybe you should ask Oleg to transcribe it for you.
merlinmichaeshepherd 2 years ago
the melody is a yiddish one called "khosen, khale mazel tov". "groom, bride good luck", it's a wedding tune obviously.....
merlinmichaeshepherd 2 years ago
Cheers, do you know what the notes are?
Jammer3591 2 years ago
It's not that long..learn it by ear
xHuntedGunzPCGx 2 years ago
Does anyone know what the tune is that he is playing? I am trying to figure it out on my clarinet. I have only just started playing and have a Bflat clarinet. Is that the one used for Klezmer music?
Jammer3591 2 years ago
i have a bflat clarinet too (:
3xGod 2 years ago
cool
cottoncandy5999 2 years ago
I tried, will it work with with a 6 jody jazz alto sax mouthpiece, on a student selmer?
RainbowSaxgirl 2 years ago
It depends on the model of the mouthpiece. Laughing effect will be possible if the mouthpiece is designed for jazz music. It is more difficult to bend the notes and achieve the laughing effect on the classical mouthpieces.
oliverlapidus 2 years ago
I recorded several CDs including "Intimate Hopes & Terrors" using an Austria lay classical mouthpiece on #4 Austria cut reeds. It is easy to create that particular ornament if the set up works for you. Now I use a more open mouthpiece than a 5JB with #1 French cut reeds. Go figure.
merlinmichaeshepherd 2 years ago
I would like to know whether this techique can be applied to saxophone using the same method
sosax02 2 years ago
Yes, it can be applied to saxophone as well.
oliverlapidus 2 years ago
Is this how they produce the "laughter" music in the old silent cartoons like Tom and Jerry?
binglepuss 2 years ago
Exactly!
oliverlapidus 2 years ago
this is cooool man
smashtree 2 years ago
Which 5JB do you get a better glisando effect, the regular or profile 88 version?
klarinomou 2 years ago
Profile 88 gives you the convenience of holding it in the mouth. The difference is the outer shape of mouthpiece only so it is not really affects on tone or glissando.. I personally like the classic profile.
For the Greek music you need German system clarinet, as it is more convenient in terns if fingering and tone is better for this kind of music.
oliverlapidus 2 years ago
Bahahahaha!! that is so cool!
Grobanite122549 2 years ago
Thanks and spasiba Oleg, i love to play Klezmer.
landauerert 2 years ago
Cool! Very neat way of showing how expressive the clarinet can be. Hope to see lots more of your videos.
teachyourtunes 2 years ago
lol
amvboy503 2 years ago
What strength reeds do you use with 5JB?
iazh 2 years ago
Vandoren #1.5
oliverlapidus 2 years ago
Ah! That's interesting. That would make sense. I tried #2.5 first and that didn't work at all and even switching to #2 still resulted in a somewhat stuffy sound in the chalumeau register. I should definitely try #1.5...
Just curious, are you using this setup (Vandoren #1.5 on the 5JB) just for the laughing effect or to play klezmer in general?
Probably requires lots of control in the upper registers...
Спасибо!
iazh 2 years ago
I play Klezmer and jazz music on this setup. Sometimes even classical.
oliverlapidus 2 years ago
This is really informative :D I was wondering what gave Klezmer music its distinct sound.
whifling 3 years ago