Added: 4 years ago
From: SueAnnNivens
Views: 2,313
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  • What's a fach? Who's this other girl everyone's talking about? I LOVE Joan's dress, but why are the wings so small???

  • I cannot play this video. Have you deleted this??

  • I believe this is from the "Who's Afraid of Opera?" series in the early '70s. It is sung with Sutherland's usual fluency and brilliance, but is not really her kind of role. It was a Pons specialty, though I understand she did not like the role very much. Some great recordings of the aria include Tetrazzini's several versions, Galli-Curci's, Abendroth's, and Siems'.

  • Agreed. Great to see this, what a gem, but not her fach. Still, I'd rather see your bigger coloraturas singing light stuff rather than the other way around. Hilarious lip-syncing, loves it.

  • As a follow up to Mesple, I only own one recording of her from "Ninetta." But I've heard others. She really did sing the "canary stuff" as Sutherland would say. Dame Joan's voice and Mesple's are not even remotely alike. Mesple's is very light, thin in the middle, and a small voice. Sutherland's was very rich, creamy and full in the middle, and a very large voice. They could never sing the same repertory.....with very few exceptions... like Mignon

  • Yes, I would agree that Mesple was lighter and thinner that Sutherland's. Also, her Italian diction was poor. Her one appearance at the Met, as Gilda, was met with less-than-stellar reviews, and she was not invited back. I definitely consider Sutherland to be the greater artist and talent. Still, in the light French reperatoire, Mesple could cast a spell.

  • Yes, I do like what I have heard. But have heard only a few recordings.

  • A fun role, which Richard seemed to feel she enjoyed. Sutherland DID sing F's.....not in this music. She sang Madame Hertz in Mozart's Schauspieldirektor....which included the F's. And recorded the Queen of the nights aria back in the 60's. She was never really comfortable on F's...but she performed them and recorded them a few times.

  • Do you like Mady Mesple?

  • Pitty this never was on cd!!!

    I love here as Philline!!!!!

  • Actually, I believe she had it on her "French arias" CD...

  • No she doesn't.

  • I find Joanie's interpretation to be a bit eccentric, though certainly full of jaw-dropping trills and runs. Still, I have to say, hands-down, that Mady Mesple owns this aria. Mesple could go all the way up to F, whereas Joan could only go to E.

  • I'm a huge Mesple fan! Her version of this aria is fabulous... the F is taken with phenomenal ease. Joan does a fine job here, but I with she had opted for the C instead of an E flat in the cadenza, it just sounds a bit awkward in her voice.

  • I honestly think that the sound of the video is distorted - Sutherland had no problem with the E flat in 1972.

  • Well, she certainly had one, but I just think the delicacy this one requires and the awkwardness of its approach just wasn't quite right for her dramatic coloratura instrument, her high e flats were generally best when it was soaring above a large orchestra, instead of being used as an ornamental addition. It sounds awkward when most sopranos do it, generally it's only the highest and most lyric of coloraturas that can really pull it off (in my opnion anyway).

  • the fairy of all fairies!

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