Sure, her voice wasn't 'beautiful' in the conventional sense, but this song shows her versatile voice, and the brilliance of her voice. (She is magnificent)
kai tora sta ellinika axize kati kalitero sthn prosopiki tis zoi panta skeftomai tin epilogi tis poses fores arage itan distihismeni otan tragoudouse toso teleia
Having listened to all 20 or so versions of Gluck's "Ja'i perdu mon Eurydice" or Che Faro Senza Euridice, I think this is possibly the best. Not too keen on the accompanying pictures though, which are quite inappropriate
@sblackmun The role was originally written for Gaetano Guadagni (an alto castrato,) and this French version was rescored for Joseph Legros (an haut-contre.) After castratos no longer existed, but before modern countertenors did, the Italian version tended to be sung by contraltos or mezzo-sopranos; but it was never a true Hosenrolle, i.e. one written with a female singer in mind.
One of the best performances of this by a female singer on YT. Only some of Kathleen Ferrier's performances have greater ferocity and poignancy, though Aafje Heynis came close, too.
I love this aria so much, it's so beautiful and sadly touching at the same time. And Maria.. wow, she's just surpassing. I can understand people that say her voice is not always 'beautiful' in sense of the word, but these people don't understand where the real beauty in Callas' singing lies: it's that she sang everything from the bottom of her heart and with deepest belief like no one else did before. Maybe her suffering in life was the sacrifice she had to give to become this divine singer..
@Zimtschaefchen I think you are right and I agree with what you said about her, she did it from the deepest of her heart and it was for this reason that she only sang what she thought could perform perfectly well, nothing else. She felt sacred respect for the composers, and respected evrything it has to do with her singin, in a manner never seen before or after her, she is unique and long time will pass tfor humanity to hear a voice and a performance like hers again.
Maria Callas-- " The Greatest Soprano Of All Time " , the BBC, 2007. Every post on here
against Callas is a futile, desperate attempt to elevate Netrebko to La Divina status. LMAO!! It's a done deal , Callas rules the opera world from her grave, as SUPREME, AND ETERNALLY REIGNING QUEEN !!!!
you wouldn't end the Callas-Netrebko battle and you breaks the agreement. 3 days we don't wrote comments on Callas sites but you bash Netrebko on and on.
Come on, dirty swine, answer our questions!! COWARD!!!
Question:
Why Callas' child Omero was still-born? Why she was the first opera whore and greatest shame of opera?
Maria sang Ifigenie and Alcesti at La Scala,she was a very fine singer of Gluck.Here,Maria seems more passionate,but "gli affetti" are born with opera.Great musician.....
GOOD NEWS dear Callas fans!!!! Striker capitulates! The automated production of feces is over. He's a nervous wreck because the great Filaredo gang has destroyed the white knight on his black donkey. Striker, you are alone in a hopeless plight!Go home and lick your wounds!!! Hoohooohaahaahhhaaa..... what a wonderful world...!!! Striker is only a picture of misery.....LOL
GOOD NEWS dear Callas fans!!!! Striker capitulates! The automated production of feces is over. He's a nervous wreck because the great Filaredo gang has destroyed the white knight on his black donkey. Striker, you are alone in a hopeless plight!Go home and lick your wounds!!! Hoohooohaahaahhhaaa..... what a wonderful world...!!! Striker is only a picture of misery.....LOL
My comment is a sick joke. Al Queda does not allow:- Jewelry lipstick gloves dresses shoes bare ankles hairdo plucking of hair smiling singing of songs,opera bared shoulders showing breast though clothing impure thoughts of pleasure etc etc etc
Makes me wish she had done more of this repertoire. This is, along with Ferrier's, the most stunning, heartbreaking recording of this aria. She was a gift to humankind, the voice of suffering and sadness.
BUT.................Folks, YouTube is a great fun and no more! Most of the users come from USA and who takes little LEO or people from america and italy seriously in opera? Definitely no one!!
For this NOOB's a third class singer like Callas is "La Divina"???? HAW HAW HAW.....LMAO!!!!!!
I portamenti verso l'alto sono una scorrettezza che la Callas si guardava bene dal commettere; è pazzesco che sia contrabbandato quasi per 'regola' un espediente utilizzato da cantanti dall'emissione non sufficientemente pura. E gli attacchi della Callas sono purissimi. La scelta di portare verso il basso è discutibile, per quanto l'effetto qui mi sembri di mirabile morbidezza, ma almeno non è dovuta a limiti tecnici. Come si faccia considerare Gluck un precursore di Mozart, poi, non capisco.
I've heard both: Pavarotti with the Italian version, Juan Diego Florez sang the French in his "Great Tenor Arias" collection. Callas may rival them both!
Callas was truly in a class of her own- how she captures the profound tragedy of this great aria. The power of simplicity. When sung like this Gluck is so alive- not like the embalming of period instruments and practice.
Sounds fine to me though I do prefer mezzos and contraltos singing this piece. I am still amazed by her perfect, I mean PERFECT diction. Not very easy for french opera.
She sounds like a soprano with a good bottom and middle.. but it is still a soprrano sound.. full of the promise of a resonant top... which she had until the Greek bearing gifts.
Callas' reputation to most people is Callas = famous and great; ergo, the peformance is great. She sings this popular aria with sensitivity even though the composer did not intend it to be a "trouser role." A Baroque timbre and technique would be even more impressive in contrast to feminine timbre and 20th-century technique.
The anguish, the love, the torment, the passion! It's all in her voice! The way she does the cries for Euridice, with a caress on the beloved name....breathtaking!
Bravo! To those few who for whatever reason disparage Ms. Callas, or doubt her artistry, need only listen to this sublime, heart-wrenching performance. Better than any other version I have heard, Ms. Callas portrays the despair and soul-emptying devastation of having lost a lover. While some may quibble that her vocal quality at the time of this recording had slipped, her phrasing and psychological insight remained , to my mind, without peer.
thanks for posting this. Maria Callas and Kathleen Ferrier (whose interpretation of this song was amazing and touching) are my favourite singers... so different as range and colour of voice, but both divine.
1961 recording in Paris. Maria sings this great aria that is usually performed by a mezzo or contralto - and in the same key! What an amazing range she had! Some of the low notes remind me of her "Suicidio". Maybe she was slightly past her vocal prime, but she could convey emotion like none other.
I'm so glad you posted this...I had this recording, but lost it years ago, so it's so nice to hear it again..I think she sounds lovely here...it's actually very touching...thanks again.
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Sure, her voice wasn't 'beautiful' in the conventional sense, but this song shows her versatile voice, and the brilliance of her voice. (She is magnificent)
jjj29871 2 days ago
Comment removed
profMinervaMcG 2 days ago
MAGNIFIQUE ....
gaelkik 2 months ago
chaque fois que j'entend un air debuter aussitot , ha c'est la Callas sa voix et unique admirable entre toutes
MsVerlinden 2 months ago
The diction is always perfect, both in French and, above all, in Italian.
Bhavatam 3 months ago
C'est unique, une voix qui viens du ciel, je suis tout à fait touché par María Callas, très emouvante. Glück est sublime aussi.
GrafvonPlanken07 3 months ago
kai tora sta ellinika axize kati kalitero sthn prosopiki tis zoi panta skeftomai tin epilogi tis poses fores arage itan distihismeni otan tragoudouse toso teleia
thalassinou1 5 months ago
merita ceva mai bun in viata personala mereu ma gindesc la alegerea ei oare de cite ori a fost nefericita cind a cintat atit de perfect
thalassinou1 5 months ago
Axize kati kalitero sthn zoi ths
thalassinou1 5 months ago
α ρε μαρια η καλυτερη ησουνα.. μια και μοναδικη! να σε προσεχουν οι αγγελοι εκει που εισαι!
hellasracism 5 months ago
La seule l'unique J'en vibre chaque fois.
ATLAS196533 6 months ago 2
Okay this is actuallly from Iphegenia in Tauris (still by Gluck). Thank you for uploading it! Brightens these ever-darker days.
asifthroughsleep 7 months ago
If only La Stupida had this diction...
NEBESHIKU 8 months ago
goosebumps with every note ... eternally beautiful!! Nobody beats La Callas
mkhliefat 10 months ago 2
БОГИНЯ !!!
19721949ful 10 months ago 2
Mi piacerebbe ascoltarla fatta da lei in Italiano chissà se esiste
80Mrmirko 10 months ago
j'adore. merci
melinanilles 10 months ago
Peccato che gli uomini nella vita di noi DonneArtiste ,recitano sempre lo stesso ruolo...Che carogne
rosadivetro 11 months ago
Not her best performance but a wonderful voice anyway, as another comment says it comes from the heart.
elliebagshawe 11 months ago
Having listened to all 20 or so versions of Gluck's "Ja'i perdu mon Eurydice" or Che Faro Senza Euridice, I think this is possibly the best. Not too keen on the accompanying pictures though, which are quite inappropriate
1947Gentleman 11 months ago
Callas sempre Diva.
chico00566 1 year ago
The role of Orpheus is a "hosenrole," or a "pants role" sung by a woman or, originally, a castrato.
sblackmun 1 year ago
@sblackmun The role was originally written for Gaetano Guadagni (an alto castrato,) and this French version was rescored for Joseph Legros (an haut-contre.) After castratos no longer existed, but before modern countertenors did, the Italian version tended to be sung by contraltos or mezzo-sopranos; but it was never a true Hosenrolle, i.e. one written with a female singer in mind.
OlDoinyo 1 year ago
This is very beautiful, but isn't it supposed to be sung by an Orpheus?
davidovich00 1 year ago
Very beautiful rendition!
sevcik2 1 year ago
Voz suprema da musica lirica.
avalokiteshivara 1 year ago
One of the best performances of this by a female singer on YT. Only some of Kathleen Ferrier's performances have greater ferocity and poignancy, though Aafje Heynis came close, too.
OlDoinyo 1 year ago
As usual she made it a Callas turn -it falls within range so no screaming -for true
artistry hear Souzay -she is not in his league .
dziady1 1 year ago
Wonderful. Bravissima! Thank you.
tamerlano236 1 year ago
no one can sing this like CallasI La Divina siempre!
onepoetlover 1 year ago
i prefer the german original ,but this is good as well..
hbsler 1 year ago
@hbsler the "original" version is in italian. gluck revised it to french himself later on. i don't think i've heard of a german version.
condorice 1 year ago
@condorice gluck is german^^
and sure the original version is german...cause gluck makes the "german national opera" famous,..just google.
hbsler 1 year ago
@hbsler the language of the original libretto of Orfeo was in Italian. Later it was translated into French. Look it up.
condorice 1 year ago
Aaah, the beauty......................
Ellevius 1 year ago
I love this aria so much, it's so beautiful and sadly touching at the same time. And Maria.. wow, she's just surpassing. I can understand people that say her voice is not always 'beautiful' in sense of the word, but these people don't understand where the real beauty in Callas' singing lies: it's that she sang everything from the bottom of her heart and with deepest belief like no one else did before. Maybe her suffering in life was the sacrifice she had to give to become this divine singer..
Zimtschaefchen 1 year ago 30
@Zimtschaefchen I think you are right and I agree with what you said about her, she did it from the deepest of her heart and it was for this reason that she only sang what she thought could perform perfectly well, nothing else. She felt sacred respect for the composers, and respected evrything it has to do with her singin, in a manner never seen before or after her, she is unique and long time will pass tfor humanity to hear a voice and a performance like hers again.
michatoyota 1 year ago 3
@Zimtschaefchen you are absolutely correct. i am grateful for your views and insights.
keats said 'a thing of beauty is a joy forever', and that is never more true as in the case of this amazing voice.
theinkbrain 6 months ago
Grossartig!
Ilija Sikic
...wenn Du schon um comments bittest.
leoboldekus 1 year ago
This comment has received too many negative votes show
Callas was singer with a heart of stone. She brought hate in opera scene and disdained the audiences.
gandor1337 1 year ago
Divina...snif=(
merlinfan1006 1 year ago
Maria Callas-- " The Greatest Soprano Of All Time " , the BBC, 2007. Every post on here
against Callas is a futile, desperate attempt to elevate Netrebko to La Divina status. LMAO!! It's a done deal , Callas rules the opera world from her grave, as SUPREME, AND ETERNALLY REIGNING QUEEN !!!!
hammer55292 1 year ago 2
This comment has received too many negative votes show
She sounds like a donkey.
shirly961 1 year ago
COGLIONE
SecondaParte 1 year ago
@SecondaParte Callas my balls!
shirly961 1 year ago
@SecondaParte Vorrei sapere cosa voleva dire con questa parolaccia in questo contesto.
corellithebest 1 year ago
This comment has received too many negative votes show
She must wonder how Tebaldi so often managed to succeed in singing where she has so dismally failed.
Horseshoe4441 1 year ago
COGLIONE 2 la vendetta
SecondaParte 1 year ago
Bellissima
thefashionair 1 year ago
Great opera
lornsby 1 year ago
RIP Callas
yoxles 1 year ago 2
she's the best!
derek5ur 1 year ago
Es exelente.
vocalandchords 1 year ago
Awesome.
luboc007 2 years ago
The better voice of the 20th century !
Loemsa 2 years ago
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Fuck Greece!
Anna Netrebko the best soprano!
shirly961 2 years ago
fuck your fucking asshole you don't know nothing for opera... go listen anything rock..
tazkorinthos 2 years ago
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Striker comme on,
you wouldn't end the Callas-Netrebko battle and you breaks the agreement. 3 days we don't wrote comments on Callas sites but you bash Netrebko on and on.
Come on, dirty swine, answer our questions!! COWARD!!!
Question:
Why Callas' child Omero was still-born? Why she was the first opera whore and greatest shame of opera?
You crappy woodman give us a answer!!!
Neanderthalgirl 2 years ago
This has been flagged as spam show
Striker
why you don't answer on my questions?
Ok, new question:
1. Why Callas shouts like a donkey?
Answer:
Under the dress, between her elephant legs, jams a Pinocchio puppet and he sticks his nose into everything.
Pinocchio, the only man less than 70 years who sah Callas' greasy, smelly gap.
Neanderthalgirl 2 years ago
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STRIKER,
questions only for you:
Is it right, that Onassis fucked such a ugly hag?
Is it right, that Omero, the dead piglet from the sow Callas was Onassis' child?
Is it right, that Callas blew dicks from every old men who had money?
Is it right, that she had a stinking hairy cunt with labia like a potato sack?
bellafredina 2 years ago
This has been flagged as spam show
Do you know this pig?
boring voice?
ugliest singer ever?
hairy stinking cunt?
blowjob whore?
elephant legs?
who sounds like a donkey?
YES, it's naturally Callas and her little dead piglet Omero!!!!!!
gandor1337 2 years ago
Maria sang Ifigenie and Alcesti at La Scala,she was a very fine singer of Gluck.Here,Maria seems more passionate,but "gli affetti" are born with opera.Great musician.....
saverioorlando 2 years ago
A great musician. RIP Callas.
luboc007 2 years ago
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Dear Callas fans!
Striker is a liar and fraud. He breaks the agreement with Filaredo group since 3 days and continues to bash Anna Netrebko on Anna Netrebko sites.
He cannot end his bad comments and we come back to Callas sites if he don't stop his insults right now.
gandor1337 2 years ago
Awesome!
cvilla06 2 years ago
La Divina!
SnezanaCkojic 2 years ago 3
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belmanotre 2 years ago
This has been flagged as spam show
vandrops 2 years ago
Ευχαριστώ Μαρία!!!!!
akis1948 2 years ago 4
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lambecolin 2 years ago
talking about A.Q....in conjunction with Callas is just stupid and making a honour to those terrorists ...it's really sick..in that I agree with you
soledemina1 2 years ago 2
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Who would execute her on the spot ? Al Queda
lambecolin 2 years ago
What do you mean?
BetuliaLiberata 2 years ago
best singer ever & forever
snappycruise 2 years ago 5
Amazing Callas and she will live forever throuth her music.
bulgari82 2 years ago 3
Such emotion in music is a universal language. Gracias Maria!
vocalandchords 2 years ago 5
Callas was a singer with a true heart. She gave inspiration to singers and listeners when they needed it.
bulgari82 2 years ago 12
Grazie Maria...
distefano13069609 2 years ago 4
Makes me wish she had done more of this repertoire. This is, along with Ferrier's, the most stunning, heartbreaking recording of this aria. She was a gift to humankind, the voice of suffering and sadness.
Elisabetta611 2 years ago 5
Maria Callas. She has the best voice!
askjaniz 2 years ago 6
This has been flagged as spam show
For a second class Mezzo not bad!!!!
BUT.................Folks, YouTube is a great fun and no more! Most of the users come from USA and who takes little LEO or people from america and italy seriously in opera? Definitely no one!!
For this NOOB's a third class singer like Callas is "La Divina"???? HAW HAW HAW.....LMAO!!!!!!
It's the joke of the century!
striker941O 2 years ago
SO BEAUTIFUL!
leoperarm 2 years ago 4
outstanding
tobobba 2 years ago 2
Touches the soul...what a voice! It's a privelage to hear...
nineteenforty7 2 years ago 3
Oh those low notes - leave you gasping for breath. One of the very best of interpretations.
mspg2 2 years ago
God Rest Her Soul..
BigBro1043 2 years ago 4
Thank you!!!!
DevaRupa 2 years ago 2
Portées de voix sont à utiliser entre notes qui montent, n'est-ce pas?
En descendant, elles deviennent plutôt des dégeulandos!
Puis, de nos jours on ne chante plus Gluck (précurseur de Mozart) ainsi.
1401JSC 2 years ago
I portamenti verso l'alto sono una scorrettezza che la Callas si guardava bene dal commettere; è pazzesco che sia contrabbandato quasi per 'regola' un espediente utilizzato da cantanti dall'emissione non sufficientemente pura. E gli attacchi della Callas sono purissimi. La scelta di portare verso il basso è discutibile, per quanto l'effetto qui mi sembri di mirabile morbidezza, ma almeno non è dovuta a limiti tecnici. Come si faccia considerare Gluck un precursore di Mozart, poi, non capisco.
anfiosso 2 years ago
This comment has received too many negative votes show
A Goddes of all dirty sluts in the world!
Callus sings and shouts like a donkey!
She is the GREAT La DIVINA of WHORES!
Today Callas would be third class and sings only a advertising jingle for cat food!
mtnmanjtt 2 years ago
Chissà dove saresti tu, allora!
anfiosso 2 years ago
A Goddess
FlyingElephant20 2 years ago 3
I've heard both: Pavarotti with the Italian version, Juan Diego Florez sang the French in his "Great Tenor Arias" collection. Callas may rival them both!
electricpigeon28 2 years ago
Is it a translation by her ? Or original ? I thought it was in Italian (Che faro senza Euridice).
Organiste06 2 years ago
C. W. Gluck created a French version in 1774 after he was brought to Paris by his former pupil Marie Antoinette.
poursuivant1 2 years ago
The "libretto" was written both in french and italian
SecondaParte 2 years ago 2
Superb, what a ++STAR++.
Thanks for posting.
richio44 2 years ago 2
Excellent!
fairlytaleofnewyork 2 years ago 2
Thank you! DANKE ! Wunderbar !!! Eine Jahrhundertstimme !
Einmalig !!!!!! Very beautiful !! Wonderful !! Muy bien !!
bergmannsglueck 2 years ago 3
Thank you for this remarkable aria. La Divina for eternity.
uah3080 2 years ago 22
Maria Callas=Classic Greek woman...
Viva Grecia!
ThracianRhodope 2 years ago 6
I Find so poetic the last Picture, Maria Goes Heaven!!! On her own jet!
Bellisimo, Saludos desdee caracas-venezuela!
fairyboy3 2 years ago 2
Awesome!!
robertomalo 2 years ago 2
Callas was truly in a class of her own- how she captures the profound tragedy of this great aria. The power of simplicity. When sung like this Gluck is so alive- not like the embalming of period instruments and practice.
baltoman24 3 years ago 3
Cette interprétation est unique; Maria Callas, à 47 ans de distance, transmet une émotion profonde et exprime une grande musicalité. Bravo!
mheroux 3 years ago 7
I can't believe her diction. Unbelievable clarity! She really practiced what she preached when she said, "Never throw away a phrase."
forallyouknow 3 years ago 5
That's it. Yes, thanks.
TedMichaelMorgan 3 years ago
Thanks: and also for some decent phots of Maria!
sebreathnach 3 years ago 2
Oh wow, I'm so used to the italian version.
Her pronunciation is excellent.
zeclawness 3 years ago
BRAVA!!! BRAVA LA DIVINA!!!
oPeRa1923 3 years ago 5
Sounds fine to me though I do prefer mezzos and contraltos singing this piece. I am still amazed by her perfect, I mean PERFECT diction. Not very easy for french opera.
babydrane 3 years ago 2
Her tone is quite mezzo soprano ;) and she certainly had the chest voice
agnellodei 3 years ago 2
She sounds like a soprano with a good bottom and middle.. but it is still a soprrano sound.. full of the promise of a resonant top... which she had until the Greek bearing gifts.
kgarmaker123 2 years ago
she looks like DANA INTERNATIONAL
eisenschoen 3 years ago
Stunning! Brava! TY.
paulostroff99 3 years ago
Very beautiful aria. Maria Callas voice is exceptional expressive: a real Prima Donna.
Thank you for this beauty
charlottevk 3 years ago 4
Callas' reputation to most people is Callas = famous and great; ergo, the peformance is great. She sings this popular aria with sensitivity even though the composer did not intend it to be a "trouser role." A Baroque timbre and technique would be even more impressive in contrast to feminine timbre and 20th-century technique.
sfkcbf 3 years ago 2
@sfkcbf Dear one, Callas had the technique of The Golden Age Bel Canto Singers transmitted to her through her teacher Heldago.
angelovocci 1 year ago
Lovely!
Above,I've posted a video response from the same 1961 Paris recording session.
Callas could change her vocal colouring and dramatisation,as if at the click of a switch.
lochness11 3 years ago
Maravilha!!! Bravo!
surfedepeito 3 years ago
Choro todas as vezes ouvi este reclamacao...
BigBro1043 3 years ago
quelle voix extraordinnaire!!quel domage qu'elle ne soit plus des notre!
bartolicecilia 3 years ago
Sorry pressed the wrong thumbs down. I agree with you - Maria Callas is one of the greatest ever.
hardybee 3 years ago
oops... i did like you . well i had never noticed that we could click on the thumbs...hehe sorry
tchebinai71 3 years ago 4
The anguish, the love, the torment, the passion! It's all in her voice! The way she does the cries for Euridice, with a caress on the beloved name....breathtaking!
Elisabetta611 3 years ago 2
Bravo! To those few who for whatever reason disparage Ms. Callas, or doubt her artistry, need only listen to this sublime, heart-wrenching performance. Better than any other version I have heard, Ms. Callas portrays the despair and soul-emptying devastation of having lost a lover. While some may quibble that her vocal quality at the time of this recording had slipped, her phrasing and psychological insight remained , to my mind, without peer.
blakley42 3 years ago 4
BeurK! c'est encore Orphée revu et corrigé par Hector - je préfère Gluck par Gluck (voir Souzay).
giloubreizh 3 years ago
I'm lucky having this aria on an old disc. This woman was the BEST!
canzonettasullaria 3 years ago 3
Thank you very much for this wonderful musical moment
Mysticpat13 4 years ago 2
thanks for posting this. Maria Callas and Kathleen Ferrier (whose interpretation of this song was amazing and touching) are my favourite singers... so different as range and colour of voice, but both divine.
musighitta 4 years ago 2
Thank you for putting this clip onto youtube - what a heart-breakingly beautiful and haunting voice Maria Callas had.
ashbyjay 4 years ago
Thank you, this is my favorite.....So beautiful and rich!
classicfairy 4 years ago
brightside, thank you so much for posting this. But there are much better photos of Maria - more appropriate to this aria. Just a suggestion..
leander0 4 years ago
Glenmed, thank you for the info. This record is exceptional. Maria Callas was a goddess.
leander0 4 years ago
1961 recording in Paris. Maria sings this great aria that is usually performed by a mezzo or contralto - and in the same key! What an amazing range she had! Some of the low notes remind me of her "Suicidio". Maybe she was slightly past her vocal prime, but she could convey emotion like none other.
Glenmed 4 years ago 2
I'm so glad you posted this...I had this recording, but lost it years ago, so it's so nice to hear it again..I think she sounds lovely here...it's actually very touching...thanks again.
fiesco7 4 years ago
you're welcome =)...!! I believe it's touching too!
brightside18 4 years ago
Thanks for posting... She was no longer in her prime, but still stronger than many other singer in the same aria... She was amazing!
Joyarkalions 4 years ago
Post your coments!! pleaseeeeeeeeeeeeeeeeeeee!!
brightside18 4 years ago