Does anyone notice an underlying similarity between the theme of the 1st movement and that of the 4th movement of Brahms 1st symphony? Does anyone know why?
Thank you for posting this! I grew up on the entire Leibowitz set of Beethoven symphonies, so I know just what an underrated conductor he actually was. A great interpreter of orchestral color, second only to Ormandy in the 20th century.
And to billyguns2: Yes. The Beethoven Eroica, particularly the final movement, is incredible under Leibowitz's direction.
It always fascinates me that avant garde composers such as Maderna and Leibowitz (a student of Schoenberg if I am correct) play the German Romantics more romantically than anyone else. In this case, I think Leibowitz is using an orchestration other than the original. Notice the trumpet "Bump.. bumpbum" at :08 and :012 that at least aren't in the Dover edition of the score. I think you hear this in some Schuricht performances as well. Anyone know whose orchestration this is? Doubt it's Mahler's.
This recording, taken from the Reader's Digest vinyl set "Music of the World's Great Composers", means a lot to me as it was practically the only piece I listened to in the fall of 1991, thus it arises memories from my fantasies of that time like no other version can.
Once again, Leibowitz doesn't disaappoint; this is the most rousing performance of this elusive symphony I have ever heard. Why isn't Leibowitz mentioned in the same breath as the great conductors? Check out his 1961 Beethoven Eroica with the Royal Phil; amazing!
Although the rhythmic conception is at times too rigid for my tastes,it is in every other way admirable.The conductor has a fabulous elan which he has imparted to this orchestra exceedingly well.I have never heard a conductor get as much out of brief dynamic swells than this guy. Also he has trained the orchestra to change expressive gears on a dime,as they successfully differentiate all the conflicting strangenesses and quirks of this peculiar and rich rhetoric.
Altro che depresso! E' l'unico Autore capace di farmi rilassare e di tirarmi un pò su il morale...Grande Leibowitz, mi ricorda la mia adolescenza quando ascoltavamo la "Renana" diretta da Lui con mio fratello Carlo...
Next time on DRAGONBALL Z
shadowviperXXXX 4 weeks ago
Yes, this is absolutely GREAT ! So full of life, at the same time
so sophisticated in giving the different tempi. I never heard of Leibowitz being
a Schumann conductor at all !! The best first movement of the "Rheinische" I ever heard ! What immense tension and differentiation !!
aeinbeck 4 months ago
Questa musica ti prende fin dall'inizio, e non ti lascia mai.
This music takes you from the beginning, and never leaves you.
Dinelliful 7 months ago
best performance!
StephaCicos 8 months ago
Willow!
ctchampagne 10 months ago
so wonderfoul
enfariner 1 year ago
This is the best performance I've heard.
Rkmajora 1 year ago
thnx so much. great performance.
maxtanz 1 year ago
Both the first movement of the Schumann 3rd and the fourth movement of the Brahms 1st echo the sounds of alpenhorns.
FERENCEFF 1 year ago
Does anyone notice an underlying similarity between the theme of the 1st movement and that of the 4th movement of Brahms 1st symphony? Does anyone know why?
FERENCEFF 2 years ago
I'm not sure what you mean, but Schumann was an important mentor/friend to Brahms. Maybe that was why?
reetania 1 year ago
@reetania They both use themes that echo the sound of alpenhorns heard at the headwaters of the Rhine.
FERENCEFF 1 year ago
Thank you for posting this! I grew up on the entire Leibowitz set of Beethoven symphonies, so I know just what an underrated conductor he actually was. A great interpreter of orchestral color, second only to Ormandy in the 20th century.
And to billyguns2: Yes. The Beethoven Eroica, particularly the final movement, is incredible under Leibowitz's direction.
gpwerner 2 years ago
Was sind das für Bläser? Spielen die mit Dämpfer? Peinlich.
novemberclub 2 years ago
Excellent performance!
werewethere 2 years ago
It always fascinates me that avant garde composers such as Maderna and Leibowitz (a student of Schoenberg if I am correct) play the German Romantics more romantically than anyone else. In this case, I think Leibowitz is using an orchestration other than the original. Notice the trumpet "Bump.. bumpbum" at :08 and :012 that at least aren't in the Dover edition of the score. I think you hear this in some Schuricht performances as well. Anyone know whose orchestration this is? Doubt it's Mahler's.
moosatious 2 years ago
This recording, taken from the Reader's Digest vinyl set "Music of the World's Great Composers", means a lot to me as it was practically the only piece I listened to in the fall of 1991, thus it arises memories from my fantasies of that time like no other version can.
m2esectr 3 years ago
Once again, Leibowitz doesn't disaappoint; this is the most rousing performance of this elusive symphony I have ever heard. Why isn't Leibowitz mentioned in the same breath as the great conductors? Check out his 1961 Beethoven Eroica with the Royal Phil; amazing!
billyguns2 3 years ago
He was also a great composer.
zmov1 3 years ago
Although the rhythmic conception is at times too rigid for my tastes,it is in every other way admirable.The conductor has a fabulous elan which he has imparted to this orchestra exceedingly well.I have never heard a conductor get as much out of brief dynamic swells than this guy. Also he has trained the orchestra to change expressive gears on a dime,as they successfully differentiate all the conflicting strangenesses and quirks of this peculiar and rich rhetoric.
ClassicalMusicReview 3 years ago 2
One of the more powerful versions of this great piece of music. Thanks.
oehoe 3 years ago
This symphony tells a story of life lived and loved and lessons learned.
galaxyrainguy 3 years ago
Altro che depresso! E' l'unico Autore capace di farmi rilassare e di tirarmi un pò su il morale...Grande Leibowitz, mi ricorda la mia adolescenza quando ascoltavamo la "Renana" diretta da Lui con mio fratello Carlo...
opera54
povepupe 3 years ago