Added: 3 years ago
From: zmov1
Views: 26,641
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:

All Comments (22)

Sign In or Sign Up now to post a comment!
  • Next time on DRAGONBALL Z

  • Yes, this is absolutely GREAT ! So full of life, at the same time

    so sophisticated in giving the different tempi. I never heard of Leibowitz being

    a Schumann conductor at all !! The best first movement of the "Rheinische" I ever heard ! What immense tension and differentiation !!

  • Questa musica ti prende fin dall'inizio, e non ti lascia mai.

    This music takes you from the beginning, and never leaves you.

  • best performance!

  • Willow!

  • so wonderfoul

  • This is the best performance I've heard.

  • thnx so much. great performance.

  • Both the first movement of the Schumann 3rd and the fourth movement of the Brahms 1st echo the sounds of alpenhorns.

  • Does anyone notice an underlying similarity between the theme of the 1st movement and that of the 4th movement of Brahms 1st symphony? Does anyone know why?

  • I'm not sure what you mean, but Schumann was an important mentor/friend to Brahms. Maybe that was why?

  • @reetania They both use themes that echo the sound of alpenhorns heard at the headwaters of the Rhine.

  • Thank you for posting this! I grew up on the entire Leibowitz set of Beethoven symphonies, so I know just what an underrated conductor he actually was. A great interpreter of orchestral color, second only to Ormandy in the 20th century.

    And to billyguns2: Yes. The Beethoven Eroica, particularly the final movement, is incredible under Leibowitz's direction.

  • Was sind das für Bläser? Spielen die mit Dämpfer? Peinlich.

  • Excellent performance!

  • It always fascinates me that avant garde composers such as Maderna and Leibowitz (a student of Schoenberg if I am correct) play the German Romantics more romantically than anyone else. In this case, I think Leibowitz is using an orchestration other than the original. Notice the trumpet "Bump.. bumpbum" at :08 and :012 that at least aren't in the Dover edition of the score. I think you hear this in some Schuricht performances as well. Anyone know whose orchestration this is? Doubt it's Mahler's.

  • This recording, taken from the Reader's Digest vinyl set "Music of the World's Great Composers", means a lot to me as it was practically the only piece I listened to in the fall of 1991, thus it arises memories from my fantasies of that time like no other version can.

  • Once again, Leibowitz doesn't disaappoint; this is the most rousing performance of this elusive symphony I have ever heard. Why isn't Leibowitz mentioned in the same breath as the great conductors? Check out his 1961 Beethoven Eroica with the Royal Phil; amazing!

  • He was also a great composer.

  • Although the rhythmic conception is at times too rigid for my tastes,it is in every other way admirable.The conductor has a fabulous elan which he has imparted to this orchestra exceedingly well.I have never heard a conductor get as much out of brief dynamic swells than this guy. Also he has trained the orchestra to change expressive gears on a dime,as they successfully differentiate all the conflicting strangenesses and quirks of this peculiar and rich rhetoric.

  • One of the more powerful versions of this great piece of music. Thanks.

  • This symphony tells a story of life lived and loved and lessons learned.

  • Altro che depresso! E' l'unico Autore capace di farmi rilassare e di tirarmi un pò su il morale...Grande Leibowitz, mi ricorda la mia adolescenza quando ascoltavamo la "Renana" diretta da Lui con mio fratello Carlo...

    opera54

Loading...
Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more