It actually sounds like water, and the irregular ripples that appear on the surface. I don't car 'bout what y'all is sayin', I see the sound as a bright blue in the beginning, an it ripples exactly like water. I've never heard another piece that sounds like what the movement of water sounds like to me. I'm a synaesthete, and this piece looks like water.
What a Brilliant Improvisation/addition from 6:38 to 6:55.
He goes kind of fast for my taste in some places, but his technique is magnificent, and his phrasing in most parts is head and shoulders above the general crowd who play this piece.
Yes, he did modify it a little bit, and it works well. Instead of the impossible trills in the right hand, where 2 against 2 are trilled, he simply turns it into an arpeggio. I had to listen closely to know the difference.
Other than that, I love his version of it, it's very fine, not rushed at all. Always concentrating on a beautiful tone.
One of my favorite pieces of music. I love the Louis Kentner performances of this and the old Vox Turnabout recording by Jerome Rose is nothing to sneeze at either. But there is such a synergy between performer and composer when Wild plays Liszt. I'm going to miss his performances.
This is finer than i thought anyone could do .All the stuff that seems cheap before is brought back to its original iridesence ! Maybe only a few can play as softly with all the layering and without shrieking in top register but for the impossible hear PLETNEV!
One of the greatest -- and most under-appreciated -- pianists America has ever produced.
What was lacking?
If Sol Hurok had taken him on, or Columbia Artists Management, his name might also have become a household word. I think Earl Wild may have been a victim of poor public relations --- and being American.
Well now really......you people going on about him swatting at something....do get some lives will ya? How about listening to the extraordinary playing of this piece, eh?
Earl Wild DID modify this. He believed (like many others,not me), that Liszt's tremolos in this, and other works, was excessive and "offensive".
Wild was, and is (now in his 90's), a fine pianist. It is true that for decades he did a lot of TV and radio stuff that may have included what one could call "tack". But this began from the need to earn a living when he was a young man in those dreadful depression years.
I have the book "Reflections from the Keyboard":a collection of interviews with pianists by the American musician Davie Dubal. Asked about "touch-ups in the texture" of this piece, Earl Wild says "Sometimes I think Liszt was carried away with his orchestral thinking. When there are too many tremolos, I am offended".
It was my understanding that tremolos irritate him because they were overused in silent movies (to indicate sadness, crying, death, etc.) so much that it cheapened them. From then on, whenever tremolos appeared in whatever he was playing, he amended the score in this way.
God! One of the most inspired interpretations of this piece ever. Never gets carried away like pletnev for example. And dare I say, more poetic than Arrau's too. Lets not forget the bug annoyance at 3:00 which was handled most professionally.
A magnificent performance in the grand manner. Not "impressionistic" or overpedalled or precious. Just brilliant. The tone as beautiful as one is likely to hear nowadays. Bravo.
This comment has received too many negative votesshow
Personally I think that the ear-scratching at exactly 3:00 is distasteful to the aim of what Liszt originally intended. What a grotesque symbol of modern interpretations of already-perfect pieces.
This comment has received too many negative votesshow
This music is trash. Earl Wild was a hack and everybody knows it. No self-respecting musician would take his hands off of his instrument like Wild does at 3:00.
Wow, I almost have to wonder if you're John Bell-Young. First of all most people who enjoy non-modern music would agree that this is one of List's more sublime works. Wild's performance is excellent and I have to wonder if you've ever receieved applause from an audience like he has. If you actually are 19 I'd venture to believe you are still trying to find out who you are. Perhaps you believe saying negative things about an aclaimed pianist will make you special. OH BTW - Earl Wild is alive.
Hmm. I cannot imagine why my name was mentioned by you here, or for what reason, especially in connection with Wild. Whoever it is you are referring to is not me; and I am 55, not 19! What's more, Earl Wild is a magnificent pianist, whose performance of Les Jeux d' Eaux is quite wonderful in every respect. My many glowing reviews of Wild over the years for American Record Guide, the St Petersburg Times and other publications is evidence enough of my esteem for this magnificent pianist.
You're kidding, right? It looks to me like a fly landed on his ear or something and seriously distracted him. He cares about the sound, not about his appearance, and he obviously couldn't maintain that sound without dealing with the distraction. Every serious musician shares/shared the same philosophy, including Liszt. So how exactly is that distasteful to Liszt's intentions?
Its in the score. Look carefully. At that particular moment there is a direction that says "wiggle your head", then immediately after it says "wave your hand over right ear".
yeah you are absolutely right, but i think he overplayed the upper notes a bit. i think the intention of liszt was to let them just be the background, like a purling creek when you walk along it.
I do not like it, first of all, his own arrangement is not what we are used to by wild, normally his arrangements are much better. Second, if you want to play this piece so slow , you better make more of it for the interpreation, then I would recommend arrau, also somewhere on youtube, he plays it very slow but very very deep.
I like Steinways, but I actually chose a Schimmel 213 over a Steinway Model B. The Schimmel simply had a clearer focus especially in the treble and sang better (typical European bell-like sound). I suspect that the Hamburg Steinway would have the same quality.
I'm going to buy a Hamburg Steinway sometime soon. I love my schimmel213 over the Seilers, even which tend to be overly brilliant to me. It's a matter of preference.
Hamburg's are nice, but take much effort to make performance ready, I used one at the Anne Margritte in '81, went well, you must voice carefully, in return they give tremendous range and evenness. Good luck.
i have to disagree. i have had a baldwin and a kawai and i currently have a M Steinway. Baldwin was a very harsh sound, three keys on my kawai broke in the first three months and the sound was not natural. My steinway, however, is very clear sounding and i have not had a problem with it in the last two years! But it is a personal preference.
I think saying someone is better than someone else is realative. I mean I love Horowitz in Scriabin but, in Mozart I feel he is sub par. Most pianists have their strengths and faults certainly Wild has had a longer career because Cliburn has taken many breaks in his career.
Earl Wild is a great pianist, but when he started out, it was practically impossible for a non-European pianist to make an important career. On top of that, he started out performing Gershwin, which got him labeled as a "pops concert" artist, not a serious classical performer. About time people woke up to his greatness! His transcriptions are also superb!
I think not being a Steinway Artist also hurt his career -Steinway has definatly been able to market themselves well and many feel anyone who doesn't play one is inferior. On NOv 29th 2005 he gave a concert in Carnegie hall at the age of 90 to great reviews as a pianist I have to say I think most of what he does is amazing and very musical.
Why did he decide not to play Steinway? He played it when he was young, and recorderded on it, too. I actually find some Kawaii's, Baldwin's better than Steinways in todays world...
Steinway pays artists to play them. Do you think Steinway is in a world all its own? I don't think so! There are many better pianos out there. Earl Wild also uses a Shigeru Kawai piano.
Yes Shigery Kawaii is Fantastic. There are only 2 grands Shigery Kawaii in the USA today. I love Kawaii, I myself have a Cremay Grand "Boston" designed by Steiway and made by KAWAII... Love it...
DAMN this video is old...this is one from 2006. shit son. you're an original.
Aerovistae 3 months ago
Maybe the fly was Franz Liszt reincarnated :)
But excuse me for a moment while I whipe the semen off my keyboard. This piece is definetely going in my playLiszt XD
e4e5sf3sf6 4 months ago 3
2:49 right hand rhythm and chord structure. sounds like that's where Ravel "borrowed" part of the melody for jeux d'eau (??)
JazZebra 8 months ago
@JazZebra Yes.
ImmortalSpecies 8 months ago
It actually sounds like water, and the irregular ripples that appear on the surface. I don't car 'bout what y'all is sayin', I see the sound as a bright blue in the beginning, an it ripples exactly like water. I've never heard another piece that sounds like what the movement of water sounds like to me. I'm a synaesthete, and this piece looks like water.
VyvienneEaux 10 months ago
What a Brilliant Improvisation/addition from 6:38 to 6:55.
He goes kind of fast for my taste in some places, but his technique is magnificent, and his phrasing in most parts is head and shoulders above the general crowd who play this piece.
maxscriptguru 10 months ago
Yes, he did modify it a little bit, and it works well. Instead of the impossible trills in the right hand, where 2 against 2 are trilled, he simply turns it into an arpeggio. I had to listen closely to know the difference.
Other than that, I love his version of it, it's very fine, not rushed at all. Always concentrating on a beautiful tone.
maxscriptguru 11 months ago
Beautiful, the fly makes it even more impressive.
ClonedTyranny 1 year ago 2
Bravo!
nellie2581 1 year ago
Sooo lovely...
jcsiegelman 1 year ago
One of my favorite pieces of music. I love the Louis Kentner performances of this and the old Vox Turnabout recording by Jerome Rose is nothing to sneeze at either. But there is such a synergy between performer and composer when Wild plays Liszt. I'm going to miss his performances.
MrNickKane 1 year ago
This is finer than i thought anyone could do .All the stuff that seems cheap before is brought back to its original iridesence ! Maybe only a few can play as softly with all the layering and without shrieking in top register but for the impossible hear PLETNEV!
lovesGenet 1 year ago
just awesome!
ChristianKeen 1 year ago
Amazing...
Tsamnon 2 years ago
cool
MrWeakness2 2 years ago
My YouTube-friend Earl Wild is dead.
nujij10 2 years ago
Earl Wild
November 26, 1915 - January 23, 2010
nujij10 2 years ago
This is the Earl I will always remember - that tremendous sheen to the sound and wonderful sense of timing.
R I P
nohpiano 2 years ago
i love 6:11 arpeggio's !!
dsyglym 2 years ago
Wow, this is so impressionistic! Liszt's genius cannot be exaggerated.
Caramellatta 2 years ago
This piece is for white mained lions of the keyboard of a class such as Wild and Cziffra.
maxscriptguru 2 years ago
I love 6:38 to 6:54!
felix0911176727 2 years ago
Earl Wild is my favorite Liszt interpreter. I love the elegance and light touch he brings to music that is all to often "banged out" on the piano!
Beakerandgreg 2 years ago
MUY CABRON FELICIDADES
JazzDioNy 2 years ago
One of the greatest -- and most under-appreciated -- pianists America has ever produced.
What was lacking?
If Sol Hurok had taken him on, or Columbia Artists Management, his name might also have become a household word. I think Earl Wild may have been a victim of poor public relations --- and being American.
Pischnaholic 2 years ago
excellent
loltheworld 2 years ago
Wonderful playing, deeply felt, beautifully re-written in the "tremolo" areas - am sure Liszt himself would have approved of this interpretation.
TomOwen77 2 years ago 2
Well now really......you people going on about him swatting at something....do get some lives will ya? How about listening to the extraordinary playing of this piece, eh?
cmhmuscle 2 years ago
Earl Wild DID modify this. He believed (like many others,not me), that Liszt's tremolos in this, and other works, was excessive and "offensive".
Wild was, and is (now in his 90's), a fine pianist. It is true that for decades he did a lot of TV and radio stuff that may have included what one could call "tack". But this began from the need to earn a living when he was a young man in those dreadful depression years.
pianocommy 3 years ago
Wild's version is quite beautiful, though I don't think Liszt's tremolos "were offensive". Do you have a quote for that?
prsnth1111 3 years ago
I have the book "Reflections from the Keyboard":a collection of interviews with pianists by the American musician Davie Dubal. Asked about "touch-ups in the texture" of this piece, Earl Wild says "Sometimes I think Liszt was carried away with his orchestral thinking. When there are too many tremolos, I am offended".
pianocommy 3 years ago
It was my understanding that tremolos irritate him because they were overused in silent movies (to indicate sadness, crying, death, etc.) so much that it cheapened them. From then on, whenever tremolos appeared in whatever he was playing, he amended the score in this way.
mcmilld1 2 years ago
God! One of the most inspired interpretations of this piece ever. Never gets carried away like pletnev for example. And dare I say, more poetic than Arrau's too. Lets not forget the bug annoyance at 3:00 which was handled most professionally.
shilloshillos 3 years ago 2
PURE BEAUTY! Don´t comment, just listen.
:)
jelenka1 3 years ago 10
A magnificent performance in the grand manner. Not "impressionistic" or overpedalled or precious. Just brilliant. The tone as beautiful as one is likely to hear nowadays. Bravo.
AulicExclusiva 3 years ago 2
This has been edited/transcribed by Wild and the edition is available from G. Schirmer
pianovideo 3 years ago
love..
Briccy777 4 years ago
This comment has received too many negative votes show
Personally I think that the ear-scratching at exactly 3:00 is distasteful to the aim of what Liszt originally intended. What a grotesque symbol of modern interpretations of already-perfect pieces.
LisztFan10 4 years ago
What the Hell? Earl Wild was a good friend of mine and he could run circles around you at the piano. Think before you insult such a fantastic player.
KuppaDuppa2 4 years ago
And you have heard LisztFan10 play? Or are you just ASSuming.
Frozentoes1 4 years ago
This comment has received too many negative votes show
This music is trash. Earl Wild was a hack and everybody knows it. No self-respecting musician would take his hands off of his instrument like Wild does at 3:00.
GaussVsEuler 3 years ago
Wow, I almost have to wonder if you're John Bell-Young. First of all most people who enjoy non-modern music would agree that this is one of List's more sublime works. Wild's performance is excellent and I have to wonder if you've ever receieved applause from an audience like he has. If you actually are 19 I'd venture to believe you are still trying to find out who you are. Perhaps you believe saying negative things about an aclaimed pianist will make you special. OH BTW - Earl Wild is alive.
tnmtemerity 3 years ago
Hmm. I cannot imagine why my name was mentioned by you here, or for what reason, especially in connection with Wild. Whoever it is you are referring to is not me; and I am 55, not 19! What's more, Earl Wild is a magnificent pianist, whose performance of Les Jeux d' Eaux is quite wonderful in every respect. My many glowing reviews of Wild over the years for American Record Guide, the St Petersburg Times and other publications is evidence enough of my esteem for this magnificent pianist.
guirlandes3 2 years ago
Oh, what anguish a paranoid, delusional schizophrenic must suffer through...
tnmtemerity 2 years ago
if your face itches... scratch it
oh and learn something about piano
ohhazel69 2 years ago
You're kidding, right? It looks to me like a fly landed on his ear or something and seriously distracted him. He cares about the sound, not about his appearance, and he obviously couldn't maintain that sound without dealing with the distraction. Every serious musician shares/shared the same philosophy, including Liszt. So how exactly is that distasteful to Liszt's intentions?
mcmilld1 3 years ago 7
how do u know what Liszt intended?
Maybe he got the original liszt scores and there said scratch your ears???
you never know
Likui 3 years ago
Liszt obviously never scratched...
AulicExclusiva 3 years ago
you never know what he did you weren't there so u can't say. Who knows man that day liszt just had a mosquito bite there??
Likui 3 years ago
Its in the score. Look carefully. At that particular moment there is a direction that says "wiggle your head", then immediately after it says "wave your hand over right ear".
shilloshillos 3 years ago
@LisztFan10 Lol =D
123mazeppa 7 months ago
@LisztFan10 hearing aid malfunction mb. i heard franz once took a shit on the bench while playing.. explain that..
timearchitecture 7 months ago
@LisztFan10 i love you
Aerovistae 3 months ago
I have heard this many times before, but I've never heard the upper notes quite like this rendition. I liked it.
ddoyle11 4 years ago
yeah you are absolutely right, but i think he overplayed the upper notes a bit. i think the intention of liszt was to let them just be the background, like a purling creek when you walk along it.
e1337air 4 years ago
un suono limpido come l'acqua delle fontane in villa d'este
francescoambrosi 4 years ago
Elegance personified.
nohpiano 4 years ago
I do not like it, first of all, his own arrangement is not what we are used to by wild, normally his arrangements are much better. Second, if you want to play this piece so slow , you better make more of it for the interpreation, then I would recommend arrau, also somewhere on youtube, he plays it very slow but very very deep.
marcelmombeekeigen 4 years ago
Fantastic tone and personality, very originals "improvisations" wonderfull, deep soul, and to be really compared with one of my teacher... Cziffra!!!
ioehmichen 4 years ago
A really sensitive and commanding, yet personal interpretation. This pianist is under-rated. Not as "deep" as Richter or Cziffra?...? Beautiful!
cynic150 4 years ago
hrm... it was a bit slow but overall good :D
ccen1 4 years ago
I like Steinways, but I actually chose a Schimmel 213 over a Steinway Model B. The Schimmel simply had a clearer focus especially in the treble and sang better (typical European bell-like sound). I suspect that the Hamburg Steinway would have the same quality.
bossmuscle 4 years ago
what steinway model are you referring to, new york or hamburg? a seiler would be better than a schimmel, but they are comparative notheless
libetta 4 years ago
I'm going to buy a Hamburg Steinway sometime soon. I love my schimmel213 over the Seilers, even which tend to be overly brilliant to me. It's a matter of preference.
bossmuscle 4 years ago
hence, both are clear-toned pianos. it's just a matter of tuning
libetta 4 years ago
Hamburg's are nice, but take much effort to make performance ready, I used one at the Anne Margritte in '81, went well, you must voice carefully, in return they give tremendous range and evenness. Good luck.
galaxyrainguy 3 years ago
i have to disagree. i have had a baldwin and a kawai and i currently have a M Steinway. Baldwin was a very harsh sound, three keys on my kawai broke in the first three months and the sound was not natural. My steinway, however, is very clear sounding and i have not had a problem with it in the last two years! But it is a personal preference.
ihrtmusic12334 4 years ago
Beautiful. I don't think i've ever seen anyone capture the essence of this song better than this man.
mardini1987 4 years ago
Beautiful performance and very tasteful transcription of some tremolo's! I love Wild's freedom and subtlety in his performances, truely great!
allegrissimo 4 years ago
is he better than van cliburn?
libetta 4 years ago
I think saying someone is better than someone else is realative. I mean I love Horowitz in Scriabin but, in Mozart I feel he is sub par. Most pianists have their strengths and faults certainly Wild has had a longer career because Cliburn has taken many breaks in his career.
tnmtemerity 4 years ago
Ha ha ha ha ha ha !!!
pianotalent 4 years ago
The king of US pianists. A great musicologist and amazing teacher -- his master classes are unforgettable.
Brianjonestown 4 years ago
I'd save that seat for Gershwin, although I must admit Wild is incredible
nairdaleo 4 years ago
Gershwin??? Uh...interesting you'd think Gershwin was a touring concert pianist. And not a little funny.
Brianjonestown 4 years ago
this is the best that I have heard. Perfect connection. Good feeling in music.
YYJBL 4 years ago
such a gentleman too, love the performance
luvgod 5 years ago
Not enough calm and quiet for me. The ending is like a explosion of water, but here it's too much precipitated to give a great effect
zangdaarr 5 years ago
i think he plays great, but havn't heard much about him.
pigolet2178 5 years ago
because he is genius.
pianotalent 5 years ago
Earl Wild is a great pianist, but when he started out, it was practically impossible for a non-European pianist to make an important career. On top of that, he started out performing Gershwin, which got him labeled as a "pops concert" artist, not a serious classical performer. About time people woke up to his greatness! His transcriptions are also superb!
emtube 5 years ago
I think not being a Steinway Artist also hurt his career -Steinway has definatly been able to market themselves well and many feel anyone who doesn't play one is inferior. On NOv 29th 2005 he gave a concert in Carnegie hall at the age of 90 to great reviews as a pianist I have to say I think most of what he does is amazing and very musical.
tnmtemerity 4 years ago
Why did he decide not to play Steinway? He played it when he was young, and recorderded on it, too. I actually find some Kawaii's, Baldwin's better than Steinways in todays world...
pianotalent 4 years ago
Steinway pays artists to play them. Do you think Steinway is in a world all its own? I don't think so! There are many better pianos out there. Earl Wild also uses a Shigeru Kawai piano.
libetta 4 years ago
Yes Shigery Kawaii is Fantastic. There are only 2 grands Shigery Kawaii in the USA today. I love Kawaii, I myself have a Cremay Grand "Boston" designed by Steiway and made by KAWAII... Love it...
pianotalent 4 years ago
what model are you talking about? the kawai ex or the shigeru sk7?
libetta 4 years ago