Added: 4 years ago
From: hotazzoperastud
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  • @leprincebeaumont. I have to agree as best I can understand you. But I don't even think its that well schooled. Both Agnes Baltsa and Shirley Verrett to my ears had the combination of truly seamless legato and hauteur that this musical writing is calling for. I'm sure DiDonato is a nice lady but on the basis of this sample I wouldn't want to hear her sing this in the theater. I get she's trying to bring drama but the singing sounds mannered and effortful to me .

  • She is a soprano sfogato. Meaning a soprano who can do both mezzo and higher, in short almost everything. Colbran was the most famous soprano sfogato in history.

  • She coming to Houston to sing this role. I really wanna see it now that I hear how beautifully she sings it.

  • @CHRISsCRUZz Actually in this video she is singing as Elisabeth BUT she is making her role debut as Maria at HGO in April 2012.

  • Is there anything this brilliant and charming woman can't sing????? She fits into no vocal categories - except prima donna!

  • Is it possible for her to be any less fabulous? She's so ridiculous, I love her. And she makes a very striking Mary.

  • @AudreyN Help me; I thought this was Elizabeth's aria?

  • @Drrobbieg1 It is ;) 

  • Bette Midler singing opera!!! Funny, hahahahahaha :o)

  • She is truly amazing!! I ran into her in the super market a few hours ago haha! She is the sweetest person too!!

  • Anche se ha una voce gradevole e un'ottima tecnica, questa cantante non mi dice nulla: scolastica, tremendamente scolastica, corretta e nulla più, fa il suo compitino senza infamia e senza lode. E poi, checché se ne dica, le sue agilità sono tutt'altro che belle; sono meccaniche e povere di suono...sentire il suo ultimo disco rossiniano....veramente bruttarello!

  • Seeing her Elisabetta I can't wait to hear her Stuarda at the Met!!!

  • A ma honte , je viens seulement de découvrir Cette voix merveilleuse qu'accompagne avec bonheur un physique des plus agréables! Mais rien n'est perdu , je vais devenir inconditionnel.

  • de mis favoritas! bravisimo

  • Je ne sais trop quoi dire sur Joyce DiDonato, Belle couleur vocale mais je n'accroche pas sans vraiment comprendre pourquoi. Décor simple et impressionnant. J'aime les costumes qui ont une touche de modernité.

  • IMPRESSING JOYCE!! the best Elisabetta I have ever seen... So expressive! :)

  • Very up-tempo cabaletta, but I do suppose that is the point of a cabaletta, though. The soprano is quite good. They should have given her the second verse as well, but it probably wouldn't have worked with the staging. Bravi, tutti.

  • her dress looks like queen of the night.

  • J'adore Donizetti, il me touche à chaque fois...et là ...superbe performance de Didonato, c'est magnifique !

  • I meant that her voice carries extremely well WITHOUT it. :)

  • Even suggesting that Joyce needs a microphone is totally ridiculous. Her voice carries extremely well with it. It's such a well founded instrument, with such agility and wonderful colour, that I am addicted to her sound.

  • Grand Théâtre de Genève - mars/avril- 2005-

    Dir: Evelino Pido - Prod: Alain Garichot - Costumes :Claude Masson

    Gabriele Fontana - Joyce Di Donato - Eric Cutler-

    Marzio Giossi -

    Joyce gets a grey pearl on her front not a micro !!!

  • i heard she is singing the title role at the met! i wonder if she is doing the lower key version

  • Perhaps, but truly the lower key is only half step lower in the first aria and a whole step in the prayer. Also it is more florid overall.

  • Hallelujah! This woman is brilliant. I must say I love her already after one minute...

  • I dont believe my ears and my eyes, Bel Canto sung with full middle, lower and high register... she is FANTASTIC!

  • Wow! What a great soprano! Fab!!

  • spinto mezzo soprano :D

  • @celestialbakura

    dramatic coloratura mezzo soprano =D

  • @celestialbakura

    no,she's a dramatic colorature...

  • Why would you compare her to anyone else. She's a pure talent and a brilliant performer at her prime. Let yourself enjoy and let yourself get seduced by her singing and acting. BRAVISSIMA!

  • Fantastic and gorgeous artist ! I love her ! On her front it is not a micro it is a grey pearl ... !!! It moves with her !

    This was to answer to "CauldronBard" !!

  • No, no no! She is only "just like" a Joyce DiDonato... a beautiful voice, perfectly placed and controlled. A voice that will be one of "the greats." Please do not insult her by comparing her with any other singers!

  • To compare DiDonato to the great Giuletta Simionato is no insult. It is the highest compliment for a contralto or mezzo singer because from the 1950s until the end of the century, Siminonato was the yardstick by which contraltos and mezzos were measured, especially in the bel canto repertoire.

  • rrgallo c'était a l'opera de Geneve

  • Where was this production?

  • good, then go listen to that recording, and once you're ready to make a real comment about this video in particular and not look like a total fool for pointlessly downing this recording for no reason, then people won't "thumbs down" you so badly.

  • i don't know why she reminds me Simionato, with the exception that Simionato never used micros...

  • Where's the micro if I may ask?

  • wouldn't it be wonderful to hear Fleming and DiDonato in this opera!

  • I couldn't agree with you more!!! At the MET - wow, that would be something!!

  • her voice reminds me of a mezzo Fleming...

  • Joyce sings Elizabeths aria with such beauty!

    Who was Maria in this production?

  • is this donizetti's maria stuarda? I didnt know it could be sung by a mezzo. Joyce, as always is great!

  • Since the Joyce is redheaded and QE I was redheaded and she is singing about Maria and Elsibetta is mezzo, my guess is she is singing Elsibetta.

  • Thanks for clearing that up. I was under the impression Elizabeta was sung by a soprano, since I have the 78 of Beverly Sills and Eileen Farrell of Maria Stuarda. Farrell is Elizabetta on the recording.

  • Really Elizabetta could be sung by either mezzo or soprano... just as the title role Maria could be sung by either, just as Janet Baker did. The main point is that the singer has to be damn good no matter their vocal range!

  • Regardless, Joyce definately "brings it"! Brava!

  • @hotazzoperastud I just cannot wait almost 2 years to see Didonato in the title role of Stuarda!

  • Di Donato is a fantastic mezzo!YES!

  • I reckon Di Donato is a fantastic mezzo! She uses her great technique to convey drama.

  • Imperious, but without that voice-killing recklessness.

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