Maybe a hair too fast, but other than that, I liked it. I'd kill to hear this on one of the big organs, like the Wanamaker or the Atlantic City organ(if it ever works right again). God, imagine that 64' diaphone...
I agree with those of you who say it is played too fast. Yes it is a difficult piece and playing it fast shows great talent, but in my humble opinion C.M. Widor did not intend for it to be played that fast. Still a great performance!
I agree with those of you who say it is played too fast. Yes it is a difficult piece and playing it fast shows great talent, but in my humble opinion C.M. Widor did not intend for it to be played that fast.
Nice rendition; and why shouldn't this peice be played in a popular fashion? It's a popular piece. One hell of a pedal division in this thing; when KW hits the 32's at 3:00 -- yowza! I'm sure I hear a 32' reed in there; maybe even more than one. Dan Garland should be duly proud of this one.
@helloitsmelol097 I'm not sure who has got full size 64's and who doesn't. Not really a "size" guy, myself. More into frequency. I remember seeing a 32' reed when I worked at Wicks that was the size of a coffee can. It was like tuning a compressor; but when played in a division, it really put a nice edge on the sound.
Music, like fine wine, needs room to breath. If you bolt it down you may well get a buzz off it but you will not appreciate the subtleties lovingly created by the vineyard's experienced wine maker. Widor creates a myriad of colours in this movement which are lost at this speed. Hope that answers your question.
Concerning your Johnny and June Jackson song. May I humbly suggest renaming it as a cover. Its very frustrating searching for original material and only finding covers. Btw, I did find the footage I was looking for. All the best.
the reason they "hate" it is because it is a technically difficult piece. I have tried to play it before, and the rhythm itself is a nightmare. But the rewards are ample, as you and I both know.
This organ was originally a SKINNER. This is the famous Nita Akin organ. I played it once when visiting Kiyo before the renovation By Dan Garland. The strings would make you weep!
I like those little bounces he starts with the swell at 2:30. Not enough of a buildup to the finale at 2:45, I thought, but then again, the recordings of this instrument I've seen have consistently had volume problems, so it may be the recording equipment. Didn't like the decrescendo at 4:00. Thought he took the finale a little fast, but I liked that he played the double-pump. Overall-*louder*. Don't be afraid of full organ.
Who's the manufacturer here? Does it have a web page I can check out?
The "bounces" with the swell are actually the little crescendo/decrescendos written into the original score. I like it when it is taken a little slower at the beginning. I learned to play it with the decrescendo at the end. This was part of the original score, and I believe that you loose so much of the suspense of the piece without it. The greats such as Marie-Claire Alain, Simon Preston, Gordon Turk, Daniel Roth, Samuel Metzger, and others always have played it with that decrescendo.
ok, this guy is seriously good.
LorinTone 3 months ago
Maybe a hair too fast, but other than that, I liked it. I'd kill to hear this on one of the big organs, like the Wanamaker or the Atlantic City organ(if it ever works right again). God, imagine that 64' diaphone...
iloverush123 4 months ago
Very well played, but that room is far too soft (needs more echo).
JWall416 1 year ago
B R A V O !
OfficerRobertHall 1 year ago
a peice played to perfection,
justchris52 1 year ago
I agree with those of you who say it is played too fast. Yes it is a difficult piece and playing it fast shows great talent, but in my humble opinion C.M. Widor did not intend for it to be played that fast. Still a great performance!
bimmerboy67 1 year ago
I agree with those of you who say it is played too fast. Yes it is a difficult piece and playing it fast shows great talent, but in my humble opinion C.M. Widor did not intend for it to be played that fast.
bimmerboy67 1 year ago
Brilliant acoustics...
64ftContraBombarde 1 year ago
It's played too fast!!! It sounds good, but it's not the way Widor intended it.
smiffy1071 1 year ago
Your church surely is blessed to have such a fine organist and fine organ!
theremin137 1 year ago
Nice rendition; and why shouldn't this peice be played in a popular fashion? It's a popular piece. One hell of a pedal division in this thing; when KW hits the 32's at 3:00 -- yowza! I'm sure I hear a 32' reed in there; maybe even more than one. Dan Garland should be duly proud of this one.
dbjarrett 1 year ago
@dbjarrett Correction. 64's. Man, I'd love to see the chambers on this one.
dbjarrett 1 year ago
@dbjarrett Same here. are the real ones i thought only 2 organs had real 64' pipes? and would love to see pipes also.
helloitsmelol097 1 year ago
@helloitsmelol097 I'm not sure who has got full size 64's and who doesn't. Not really a "size" guy, myself. More into frequency. I remember seeing a 32' reed when I worked at Wicks that was the size of a coffee can. It was like tuning a compressor; but when played in a division, it really put a nice edge on the sound.
dbjarrett 1 year ago
Comment removed
dbjarrett 1 year ago
I'm surprised he was able to pull that off as well as he did since the tempo was quite fast. But still it was a nice rendition.
trmptplyr100 1 year ago
a bit too fast son.
Slayallica84 1 year ago
wow I didnt realise I could hold my breath for that long - that was awesome
chalyminx 1 year ago
.. ... and manual change too - from personal experience it is easy to make mistakes here - and this is four-manual instrument!
gerardbedecarter 1 year ago
Every note and stop change was committed to memory!
gerardbedecarter 1 year ago
Virtuosic and well played but two notches too fast for the piece, shame.
topbon2ndvalve 1 year ago
Why is it I'm so disagreeable concerning tempos?
I thought Kiyo's tempo was PERFECT!
I thought his performance was METICULOUS also!
THOSE FINAL CHORDS. HEY WOW !!!!
gerardbedecarter 1 year ago
Music, like fine wine, needs room to breath. If you bolt it down you may well get a buzz off it but you will not appreciate the subtleties lovingly created by the vineyard's experienced wine maker. Widor creates a myriad of colours in this movement which are lost at this speed. Hope that answers your question.
topbon2ndvalve 1 year ago 2
Simply magnificent!
KamiwanMUFFINS 1 year ago
Love the pedal part
fiziks2447 1 year ago
BRAVO
TrinityUMCOrganist 2 years ago
Concerning your Johnny and June Jackson song. May I humbly suggest renaming it as a cover. Its very frustrating searching for original material and only finding covers. Btw, I did find the footage I was looking for. All the best.
plastictree23 2 years ago
i know every organist that has ever lived hates this song but it is my absolute favorite organ piece ever!!
kjseek 2 years ago
the reason they "hate" it is because it is a technically difficult piece. I have tried to play it before, and the rhythm itself is a nightmare. But the rewards are ample, as you and I both know.
mortson978 2 years ago
@kjseek "song", learn English please the term is "piece" as a song, strange as it may seem is something SUNG and a piece is something PLAYED
Contratrombone64 2 years ago
well excuuuuuse me. I was only trying to get my idea across, not be graded by my english professer.
kjseek 1 year ago
Świetny utwór warte posłuchania
sawil21 2 years ago
Excellent performance! Thank you!
organpipes61 2 years ago
I agree! The toe piston boxes threw me off when I first looked!
haha
octavebasse8 2 years ago
hmm ... pedal is toooooo aloud (3:04)
ArmiaGiewont 2 years ago
i wouldn't say it was too loud if the next two notes were of the same volume, but you're right. there is a continuity error there.
mortson978 2 years ago
The limiter on th erecording mic about blew up with the reeds and 32" pedals. That is why it sounded so weird.
12inchshell 2 years ago
This organ was originally a SKINNER. This is the famous Nita Akin organ. I played it once when visiting Kiyo before the renovation By Dan Garland. The strings would make you weep!
JimJordan 2 years ago
It sounds fine to me. Anyone with complaints is not listening to the music, but must have their radio on by mistake.
ORUPRANKSTAZ 2 years ago
Oh right! Now I see.
advisorC101 2 years ago
A very good performance but I have to agree with willothebored, it would be nice if you used the full organ.
How many notes does this organs pedal board have?
advisorC101 2 years ago
I like those little bounces he starts with the swell at 2:30. Not enough of a buildup to the finale at 2:45, I thought, but then again, the recordings of this instrument I've seen have consistently had volume problems, so it may be the recording equipment. Didn't like the decrescendo at 4:00. Thought he took the finale a little fast, but I liked that he played the double-pump. Overall-*louder*. Don't be afraid of full organ.
Who's the manufacturer here? Does it have a web page I can check out?
willowthebored 2 years ago 3
Dan Garland Pipe Organs of Fort Worth, Texas built this instrument in 2003.
kiyow 2 years ago
The "bounces" with the swell are actually the little crescendo/decrescendos written into the original score. I like it when it is taken a little slower at the beginning. I learned to play it with the decrescendo at the end. This was part of the original score, and I believe that you loose so much of the suspense of the piece without it. The greats such as Marie-Claire Alain, Simon Preston, Gordon Turk, Daniel Roth, Samuel Metzger, and others always have played it with that decrescendo.
jeffroalpha700 1 year ago
organiste très fin et précis. Enthousiasmant !
jacques6870 3 years ago 4
Merci de vos mots aimables. (=^・^=)
J'aime la musique française!
kiyow 3 years ago
Moi aussi!
MisterApol 2 years ago
not only is the music great, Dr. Watanabe isn't using any music!
organist99x 3 years ago
As usual, nothing but the best from Dr. Watanabe. :)
I really like the good articulation. Adds lots of life to the piece.
octavebasse8 3 years ago