I love Leontyne Price, but I don't care for this rendition very much. Her head voice is too abrupt, so it doesn't flow naturally from the chest voice. The emotional connection is lost in the mechanics of the transfer. I'm not sure she has the right emotional connection in the first place, pacing it, as she does, so quickly. The voice itself is, of course, pure beauty, but in this case, to what end?
I patterned my singing after you, You are have been and always will be the best, most amazing gift of voice and heart. Thank you so much for sharing such a great gift with the world.
Always an admirer, My dream was always to sing not only like you but with you. You retired much too soon.
Njeanpierre P.S. We are now three generations of classical singers because of you.
Ms. Price is certainly due her laurels, and her place in operatic history is secure. However, this performance spotlights Ms. Price's grave weakness: the lower register was always unfocused. I don't care for the chest singing she does here. I hear two disconnected voices here. Leontyne's was a large, rich voice that didn't have a lot of frontal ping to project it. The lower register was pushed a bit. That and her incessant sliding bother me in this performance.
For the duration of her career she has sang perfectly. i think she wanted to have a little fun and give us a more authentic interpretation of the character of serena.
I wonder if anyone has Florence Quivar's reading of this aria with Levine conducting. i used to have it on and old VHS tape that died. I would so adore to see it on youtube... It also had Simon Estes and Grace Bumbry singing the Porgy duet. Gold. Pure gold.
@lilslim83 exactly and sense she is classically trained she's obviously using her chest voice for effect here. I dont happen to like it...particularly because she sounds like she has two distint vocies... head and chest; instead of a seamless single voice which is more classical. I prefer other verions where the head and chest voice are less distinct
That "joltiness" is her signature singing style..No one can sing like that and get away with it..She's made it her own..Like it or not, it's here to stay !!!
@augur999 it is her signature style and BRAVA TO LEONTYNE! i dont particularly like it in this piece; thats just my opinion ;-) and arent we all entitled to one?:-)
Brava! Leontyne Price has one of the most colossal voices in opera! I would also suggest that Gershwin aficinados listen to Audra McDonald's performance of the piece. Audra infuses a sense of genuine tragedy into the piece.
This performance is much better and more mature than the one performed with Levine. It seemed to me that the Levine tempo was rushed. Not enough time to hear the pathos of the aria, or the humidity that's inherent in the scene. I so grateful to have live during her era of musical excellence.
so the maestro's dances at the beginning at are awesome hes so into... I so love the note "dead!!!" and the way she gasps for air at 2:56!Watch her spike her eyebrows! but love also her extreme focus when at the inhalation--watch the eyebrows again!--
I love Leontyne Price, but I don't care for this rendition very much. Her head voice is too abrupt, so it doesn't flow naturally from the chest voice. The emotional connection is lost in the mechanics of the transfer. I'm not sure she has the right emotional connection in the first place, pacing it, as she does, so quickly. The voice itself is, of course, pure beauty, but in this case, to what end?
princeandrey 1 week ago
I patterned my singing after you, You are have been and always will be the best, most amazing gift of voice and heart. Thank you so much for sharing such a great gift with the world.
Always an admirer, My dream was always to sing not only like you but with you. You retired much too soon.
Njeanpierre P.S. We are now three generations of classical singers because of you.
jeanpizzle 3 months ago 2
Ms. Price is certainly due her laurels, and her place in operatic history is secure. However, this performance spotlights Ms. Price's grave weakness: the lower register was always unfocused. I don't care for the chest singing she does here. I hear two disconnected voices here. Leontyne's was a large, rich voice that didn't have a lot of frontal ping to project it. The lower register was pushed a bit. That and her incessant sliding bother me in this performance.
albertthrelkeld 4 months ago
2:50 is just priceless...God I love her...she feels it!
southprince69 6 months ago
Heart wrenching, a requiem superbly done, with unbelievable operatic wailing and moans of grief. Breathtaking, exhaustingly sad.
hangout2007 8 months ago
@hangout2007 you are a true music lover...you hear with your heart.
sprinter848 3 months ago
You need a voice like this for this song...it needs this power. Thank you Miss Price
blessOTMA 1 year ago 4
Awesome! TY.
paulostroff99 1 year ago 2
For the duration of her career she has sang perfectly. i think she wanted to have a little fun and give us a more authentic interpretation of the character of serena.
blckglam 1 year ago
It's too bad that the sound quality of this video isn't that great.
JambaJoy 2 years ago 6
She's A Legend.. Beyond Critcism.. she has demonstrated for many years why she's Le.. her flaws we luv they r precious and few if there's any..
dare57 3 years ago 6
Awesome. Thanks for sharing!
I wonder if anyone has Florence Quivar's reading of this aria with Levine conducting. i used to have it on and old VHS tape that died. I would so adore to see it on youtube... It also had Simon Estes and Grace Bumbry singing the Porgy duet. Gold. Pure gold.
benjaminvox 3 years ago 2
@benjaminvox It's on YouTube now.
liedersanger1 1 year ago
she's not screaming she's just sings from her chest on part, it's called being classicaly trained
lilslim83 3 years ago 35
true she is chesting it... i guess the sound quality is screamy to myears..
Babs22h 2 years ago
I love it when she sings from her chest, she controls it soooooo well compared to other sorpranos..
JUSC83 2 years ago 6
@lilslim83 exactly and sense she is classically trained she's obviously using her chest voice for effect here. I dont happen to like it...particularly because she sounds like she has two distint vocies... head and chest; instead of a seamless single voice which is more classical. I prefer other verions where the head and chest voice are less distinct
babs22hh 3 months ago
That "joltiness" is her signature singing style..No one can sing like that and get away with it..She's made it her own..Like it or not, it's here to stay !!!
augur999 3 years ago 19
@augur999 it is her signature style and BRAVA TO LEONTYNE! i dont particularly like it in this piece; thats just my opinion ;-) and arent we all entitled to one?:-)
babs22hh 3 months ago
This comment has received too many negative votes show
i dont like the way she is all screamy at parts like she is talk singing 0:47,1:18,2:10,2:30, its very jolty
Babs22h 3 years ago
It's an opera with a little soul. If anyone can get away with it, it's Leontyne!
thornolie 3 years ago 4
I like this one alot. It's slower and more effective!
enautica04 3 years ago 3
Brava! Leontyne Price has one of the most colossal voices in opera! I would also suggest that Gershwin aficinados listen to Audra McDonald's performance of the piece. Audra infuses a sense of genuine tragedy into the piece.
vikramparalkar 3 years ago 3
This performance is much better and more mature than the one performed with Levine. It seemed to me that the Levine tempo was rushed. Not enough time to hear the pathos of the aria, or the humidity that's inherent in the scene. I so grateful to have live during her era of musical excellence.
Arnold3135 3 years ago 4
@Arnold3135 I agree with you!
liedersanger1 5 months ago
Her singing screams courageousness and with utter abandon. Her technique is just uncanny.
castodivo 3 years ago 4
The last bit of wailing sounds like a ghosts sound or a theremin. That was something special. WOW!
TollerAffe 4 years ago 2
so the maestro's dances at the beginning at are awesome hes so into... I so love the note "dead!!!" and the way she gasps for air at 2:56!Watch her spike her eyebrows! but love also her extreme focus when at the inhalation--watch the eyebrows again!--
Babs22h 4 years ago
you are so right about 2:56 lol, that is very dramatic!
JairusSteed 3 years ago 2
Glorious Gloriana!
higharch 4 years ago
i love how she totally changes her sound and she gets all gospel belty and bright and then back to her her usual operatic tone...
Babs22h 4 years ago 2
Stop being LAZY. You all know Leontyne is the bomb, OOPS, that's why no comments. OK,,, new at this you tube stuff...
amd73td63 4 years ago
LOVED THAT! More polished than her other performance of that (somewhere here on youtube).Her voice and presence is phenomenal
weloveannanetrebko 4 years ago
Charles Dutoit is conducting
sketL 4 years ago
Vocal and emotional power of a phenomenal kind.
Leontyne Price is an icon for real singing on the highest level. Who could the conductor be?
klokheten 4 years ago