Added: 4 years ago
From: foropera
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  • Wgnaer and Rossini are now in heaven telling Callas, as she sits in the throne as the opera goddess, that this is how it had to be sung and what they wanted and that no one else was able to do so!

  • MARIA CALLAS- " The Greatest Soprano Of All Time ", the BBC, 2007.

  • @hammer55292 My farts make better notes than this shit

  • @mainah7910 You breath is a fart, like the rest of that KID-KILLER STATE OF MAINE!

  • Magnífico!!! bueno...es María Callas....no es para menos...

  • She was a very good Kundry, but her Fiorilla was a unique achivement—especially in 1950, when the opera was largely forgotten and there was no reliable edition of the score. Here, she literally reinvents the part, adding a dazzling cadenza of which, sadly, there is no trace in the 1954 studio recording.

  • It's breaking my heart to hear the sweetness of tone, supported sound and ease of singing here, especially compared to the hard color, strangled sound and wobble in the upper register she developed. (although she did not lose her portamenti, coloratura and pitch) I think her weight loss affected her voice badly. It's so sad -- She was a disciplined a musician and wonderful actress, and somewhere along the way her technique got way off track, robbing her of years of good singing.

  • she is so cute on kundry screaming i remember seeing one of her interviews and she say she hate it the screaming

  • I'm looking at the two last photos on this video-posting, and she is a very beautiful woman in those pictures. She's voluptuous and statuesque, but she's not what I would ever call "very fat" or "obese." In the last photo, she looks almost like a belly dancer. I don't think even at her fattest she weighed any more than 220lb, and she was thin compared to a lot of the singers on the stage now, or for that matter, compared to a lot of people on the streets in the USA.

  • huy que volumen distorciono el sonido

  • Magnificent!!!

  • That is precisely why Callas became what she became. NOt only did she do these two roles, but she did them REALLY WELL!.. What a sensation.. I too hold out hope that we can hear her Wagnerian roles.

  • I think it's very difficult that a live Turco with Callas will come off.....

  • Lilli Lehmann?

  • C'è da chiedersi perché a te non sia ancòra successo.

  • operagoddess, thou art a harsh judge but a just one. Maria's early Isolde is in fact something to marvel at. Too bad she lost all that nice tone molding weight. I don't like skinny women, especially sopranos...

  • It would be marvellous if a complete Turco in Italia LIVE would be exist!!!!

  • What wonderful videos and useful too. They really show Marias extraordinary vocal ability. She was/is a phenomenon.

    Thanks for posting.

  • This is singing not like this awful Bartolichicken!

    BRAVA LA DIVINA!

    Bartoli have to sing for people without ears..this would be enough....

  • Bartoli's coloratura virtuosismo is incredible though, you can't deny her gift.

  • Amazing! Brava Callas You're one of my two favorites sopranos ever!

  • It's interesting how in those years E flat was a natural in her throat!

    In Turco she ends teh aria with an interpolated E flat, in Parsifal when she screams she hits an E flat, and in Mexico in the same year when she discovers that mario is dead in the 3rd Act she screams an E flat!! :)

  • It's like letting Bartoli try Kundry and Meier do Fiorilla today...ridiculous....Callas had both roles in her throat. What a miracle!

  • Since no one has commented on it - what the hell is she doing singing these two very different vocal roles? I mean who the hell sings wagner and then dusts off their voice for the runs, roulades and trills in Rossini? Ridiculous - in a good way!

  • Well, I suspect the Wagner was because she was relatively unknown in the later forties, probably accepted this role, because she needed to work. The coloratura stuff was her fach.

  • Ridiculous for a limited voice. But Callas was an assoluta, a unique vocal fach that means someone who can alternate between high soprano and dramatic mezzo, sing poweful and dramatically, sing the most intricate coloratura both lirically and heroically with a range of at least low Bb to high Db.

  • she had a UNIQUE voice!!!!!!!, cant catagorize it, insome roles she was incomprable..in some didn;t work to well, but overall KISS!!!!!!!!!!!! bravisamima!

  • GEEE the screaming now i see why Callas once say i hated the screaming in Kundry but what a voice interesting first time i hear this aria well dueto BRAVA CALLAS

  • Many people would say that Maria wasn't good enough etc,but I think she was unique and love most of her performances.

  • Wow. I have never heard her Kundry before. It is phenomenal!

  • Thanks again for all of your great postings.

    Your commentaries for most informative!

  • It was just like that in the fifties, you were singing in the country's language. Don Carlo in German was a classic until the 70s.

  • Parsifal in Italian? :) It sounds funny, bo I prefer the original version.

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