Added: 2 years ago
From: professorV
Views: 17,614
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  • I always thought this was called glissando, but I am enlightened!

  • yeah, let's call it "airplane landing" portemento

  • i love those really high frequencies, very fun watch!

  • Thank you sir. I don't play violin but just how you explained it was very well done and it all made sense. thank you!

  • Great lesson. Im not a violisnist, but this technique is pretty much the same as sliding on guitar :)

  • You look like the main character from Firefly.

    Also, I want to learn the violin now.

  • Just wanna thank you so much Sir, I'm a pianist and now I'm also a violinist and its all because of your video. Good luck to all your works and may God reward you for your goodness.

  • oh! you are there!! so very thanks again!! i'll check it out!!

  • oh, very thanks for your lessons... excuse me, i'm desperate 'cause i cannot finf the better way to start vivaldi's violin concert in a minor, so i beeeeg you to help me. i haven`t find the best video of this concert "to give me an idea", so pleease if you can help me (us), i will always thank youu!! ;)

  • Hi InezlaMagaineZ, I do have a video called Finding 3rd Position in Vivaldi A Minor. It will help you with the shift to 3rd at least. I have not done a video on the entire work. Good luck with Vivaldi, it's a great piece!

  • This is my FAVORITE articulation...especially on cellos and basses. A+ on your teaching skills! LOL

  • A sliding violin always brings tears to my eyes, for some reason. Such a beautiful sound...

  • you are a master teacher, i actually believe i may arrive after all, and i'll have you to thank for key insights. thank you.

  • thank you very much. I can now do it. This is the technique I haven't learned yet since I started studying violin

  • lol.

    I love your analogies.

    "It's not a helicopter. It's an airplane."

  • I give thanks to you and the guy that requested this.

  • At this point I just wanna thank you for all your lessons and your work. You are awesome, Todd! :)

    Greetings from Bavaria/Germany!

  • Hi piepsi1, Thank you for the comment!

    I traveled through Bavaria by train - it was incredibly beautiful...

  • I was taught to play perfectly "clean" and shift soundlessly--but I like portemento and am now developing what I like :)

    I was reading in some liner notes that Francescatti's portemento was quite a different style and I am trying to visualize what this could be--that he used 2 fingers to accomplish this and it was a differential style from other players--his portemento is very elegant and refined--can you imagine what he might have been doing?

  • teacher Todd, I would like to request for a video about how to practice a 2 or 3 octave scale. I think this would help alot of intermediate students to get familiar with it, good for auditions i guess for joining the orchestra? thanks alot

  • Thanks for your videos!

  • I was actually wondering this the last few days because I've been learning Elgar's Salut D'amour on my own. Thanks!

  • A great lesson as usual.

    Thanks!

  • Great video. Perhaps you could actually play real passages that contain these techniques at the end to show us the technique in context. I think the A-A you were playing a bit shows up in the Sibelius concerto.

  • thanks for lesson! :D

  • You are the best teacher I had. Thanks for all your videos. Perhaps it would be interesting if you posted some video on the problem of the trembling bow, I've seen lot of people asking you in other videos about that, also, what do you think of tilting the bow?

  • i am not a great violin player but i recently solved my trembling bow problems, it was all in my right hand wrist and elbow. On careful inspection i realized that i was dragging the bow in a slightly different direction from the direction it was moving.

    Once I concentrated more on how exactly the bow was moving, and asked myself if my motions made sense or not. Then again, professorv may have some insight :)

  • could you explain in more detail please?

  • hmm, in one of professorv's videos he explains that when moving from one string to another, you do it by lifting/dropping the elbow, not through any other kind of motion. Since i did not do this, it was much harder to control the bow motion than it needed to be.

    hope that helps

  • I still can´t solve the problem, it´s driving me nuts. Nobody has an idea why this is happening to me and I can´t afford a teacher

  • Hello Todd - I've been practicing these techniques only this afternoon, so it is good timing. I've never been taught this technique, so it is something I've had to work out and pick up myself. Hense it is very useful to have it confirmed that I'm on the right track. Thanks.

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