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  • ... he plays a G at the end...wtf..

  • It sure is interesting to listen to the different interpretations of the (for lack of a better word) "gliss" markings at the beginning. They're not even played in this recording. Was that marking added later or something?

  • This was made in the early 50's.  I studied with Masson in '56. He was very influential in my own playing. We became friends as well.

    Alan Raph

  • best part is @ 0:57

    (The high 'F')

  • Comment removed

  • Thanks for uploading it! It's good to hear the composer playing his own piece. And I would say very well played!

  • MAGNIFIQUE

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