I know only that there was a smaller Viennese style, and following that was a larger English version by Broadwood (if I recall, correctly). This version and performance is satisfying and enjoyable, in any case. Thank you.
Smithsherman, could you tell me where I could find some of these ancient recordings (or at least more information on them)? Balbastre? Amazing. Surely it wasn't sound recordings for these earliest of recordings...must have been some kind of mechanical "piano-roll" method methinks. Thanks in advance.
Can you cite some examples of people born between 1727 and 1840 who lived long enough to make recordings? They are few and far between, I would think. Even recordings by late 19th-century greats like Rachmaninoff or Busoni are rare.
I'm very glad to hear that. I don't imagine the sound quality is very good but it would be marvelous to hear a person born in the 18th century playing.
Absolutely fantastic video and great interpretation. The Fortepiano really is the only way to listen to 18th century Piano Sonatas. They take on a whole different sound when performed correctly...and unfortunately that is rarely done!
Mozart will be great! But, did you know that Beethoven was a noted harpsichordist before he became famous as a composer? I bet his fortepianos were more like the instrument in the video, and the interpretations of his works in the monster pianos of the late 19th century, the standard for today's concerts, doesn't really reflect the way he conceived them.
You are absolutely right! And hearing mozart on pianoforte is much more enjoing than on Steinway or Bösendorfer! I know it and before I heard Richard Fuller I always thought nobody could play Mozart better than Clara Haskil! If you want to realize this, there are some CDs with Fuller produced in Vienna on historical instruments! Look for Richard Fuller at Google, I am sure you will find him !
kieor un fortepiano!!!
salen 10 mil dolares!!
ahh q suerte tienen los yanques!
tommyIglesias 2 years ago
Extraordinaria interpretación, llena de sentimiento, equilibrio y delicadeza.
ESPARZANO 3 years ago
Oh, I just love this music, the more simple the more appealing to me, I's BEAUTIFUl!!!!!
Mirro
stickom 3 years ago
I know only that there was a smaller Viennese style, and following that was a larger English version by Broadwood (if I recall, correctly). This version and performance is satisfying and enjoyable, in any case. Thank you.
mason104 4 years ago
Dear Nab,We have Balbastre's testimonial note
saying that he was extremely pleased that it accurately reproduced his playing.1 thing is sure...it may not reproduce tone well
but it does a fine reproduction of general tempo inner phrase tempo adjustments of play which
make balderdash of the late romantic-modern idea that 18th century music was "metric"
smithsherman 4 years ago
Dear Ty,The older recordings are disconcerting at 1st.
Their perception of time is so different than ours.
It takes a while just to realize that they almost
never played in a "regular" tempo & even that said...
they still simultaneously preferred to be behind or ahead of the beat perception,while adjusting the tempo to the moment.
smithsherman 4 years ago
Smithsherman, could you tell me where I could find some of these ancient recordings (or at least more information on them)? Balbastre? Amazing. Surely it wasn't sound recordings for these earliest of recordings...must have been some kind of mechanical "piano-roll" method methinks. Thanks in advance.
nabetz 4 years ago
Dear Neb,Balbastre is from the C.F.Colt clavier collection.I heard it at my professor's house 20 years ago on LP.The method was running a paper
over the piano mechanically while the keys equipped with punchers impressed the paper,the intervallic
relationship later transfered to metal cylinder.
smithsherman 4 years ago
God you guys are easily impressed!Put an historic
instrument performed with historic articulation in front of you and voila!...you're all wet in the pants.
Only you don't notice that his approach to rhythm is totally modern,because you haven't listened to the
recordings left by by people born between 1727 and
1840,who played this Viennese style utterly differently than this here.
smithsherman 4 years ago
Can you cite some examples of people born between 1727 and 1840 who lived long enough to make recordings? They are few and far between, I would think. Even recordings by late 19th-century greats like Rachmaninoff or Busoni are rare.
Tyronethe23rd 4 years ago
Dear Ty,2 many 2 list,But for starters,the following keyboardists...Claude
Balbastre b.1727...Karl Reinecke b.1829...
Theodor Leschititzky b.1830...Francis Plante
b.1839 just 2 start.Respectfully U R wrong about
the rarity.We have thousands of recordings by hundreds of virtuosi born before 1860.
smithsherman 4 years ago
I'm very glad to hear that. I don't imagine the sound quality is very good but it would be marvelous to hear a person born in the 18th century playing.
Tyronethe23rd 4 years ago
I wonder how much one of these costs
KarlAmade 4 years ago
josepf heiden (haydn) is from germany !
winfriedstar 5 years ago
Joseph Haydn is born in Austria (Rohrau) and he worked at Eisenstadt (Esterhazy) and Vienna.
Peter1945 4 years ago
Absolutely fantastic video and great interpretation. The Fortepiano really is the only way to listen to 18th century Piano Sonatas. They take on a whole different sound when performed correctly...and unfortunately that is rarely done!
jordan747400 5 years ago
After my harosichord I'll get one of these... ^_^
Contrapvnctvs 5 years ago
Thanks for your great performance Sir! Why won't more people record Haydn sonatas on the fortepiano?
dennisneo 5 years ago
Great! It's unusual to see such an authentic interpretation. I'd like to see something similar done with Mozart and even Beethoven.
Ribozyme 5 years ago
Dear music friend thaks for your reaction, I like Richard Fuller very much too. I can give you some Mozart soon !
Peter1945 5 years ago
Mozart will be great! But, did you know that Beethoven was a noted harpsichordist before he became famous as a composer? I bet his fortepianos were more like the instrument in the video, and the interpretations of his works in the monster pianos of the late 19th century, the standard for today's concerts, doesn't really reflect the way he conceived them.
Ribozyme 5 years ago
You are absolutely right! And hearing mozart on pianoforte is much more enjoing than on Steinway or Bösendorfer! I know it and before I heard Richard Fuller I always thought nobody could play Mozart better than Clara Haskil! If you want to realize this, there are some CDs with Fuller produced in Vienna on historical instruments! Look for Richard Fuller at Google, I am sure you will find him !
Peter1945 5 years ago