I would like to hear him sing this now--since he has matured and his voice has darkened abit. I'm sure hoping that Pava was correct about Grigolo's career.. For my preference, one just cannot beat an Italian tenor singing Italian opera! Something about that voice and those Italian good looks and sensuality. Grigolo has that same round, bell quality as Pava---not quite the same projection but spot on pitch! here's hoping!
oh and on top of that is youve seen him do any other song or in concert he doesnt have popped out veins. special Olympics when he sang this song there were no popped out veins.
i love how ppl are saying his technique is bad and that hes only heard because of some machine when Pavarotti was his mentor, and said himself that vittorio was the next great tenor, also look at a lot of other professional tenors who have been doing it for years and youll see there veins pop out as well occasionally. vittorios great and anyone who doesnt agree probably have never song in front of a lot of people or opera
Vittorio is fantastic. Heard him sing Romeo in LA last week. Surely Placido had a few tips. Vittorios voice was spine-tingling. Not a great opera. Building was packed to the ceiling. Everybody wants to hear it.
Want to hear him sing in Italian. L'Elisir." He's got it. He knows he's got it. Let's set back the time machine..
In sala di registrazione si sa è un'altra cosa,i tecnici del suono fanno miracoli,anche se qui un aiutino dal microfono l'ha avuto.Dallo sforzo compiuto per una romanza di tre minuti,mi chiedo se ce la può fare,e con quali esiti, a cantare l'intera Turandot in teatro;dalla scena degli enigmi e tutto il resto.Mah!
I disagree curmudgeon. Domingo's technique is excellent and he's endured for decades. He's sung more tenor roles than any other in the history of opera. His middle register is excellent and his voice in that arena is fuller than Pav's. He doesn't have the true high C but neither did Caruso. Domingo is an all-time great and perhaps the most versatile tenor within the operatic genre, even though not my all-time favorite. But I prefer him to Pav, whose voice was undersized.
I respect the man but I don't think he has sufficient pipes for any operatic career. Not a bad try though. Would be good for a change of pace in a concert but nothing more.
Luciano Pavarotti, dessen Arie er jetzt singt, würde Beifall klatschen und er hat ihn ja auch schon gehört und für phantastisch befunden. Ich kann mich dem nur anschließen. Er ist erst 34 Jahre alt und singt schon so grandios! Wir werden noch viel von ihm hören. Einfach super!!! Und wie er aussieht!!! Ebenso!
Just heard him sing "Faust" at Covent Garden today... He was very good... He looked very young next to Angela Gheorghiu... who was supposed to be a young "Marguerite" but looked more like a "cougar"... ;-)
What you fail to wrap your head around is this: ANY IDIOT CAN SING WITH EMOTION. You have no respect for the 500 year old tradition of opera singing, something which most singers will work for a lifetime to perfect. But no. We are satisfied by the faux-operatic posturing of this toolbag, whose microphoned voice still sounds strained. And for what? The juvenile "emotions" of his waving his arms around a bit? He doesn't even understand the context of this aria.
He will never sing the complete role. We can understand that, as many other tenors, he can't resist to the temptation to sing this sublime aria in recital. Operasinger91, I hope that you are wrong; so many singers break their voice in a short time ( Rolando Villazon...) . But in this case, you can notice, he began as first solist in productions at the age of 18, fifteen years ago, and the voice remains beautiful; the top notes are still there. Of course, he is at his better in the bel canto.
The reason he turns purple and seems to constantly strain is simple. This aria is at least two sizes too heavy for him. The part of Calaf is too heavy for Pavarotti too. Alas it's a hit tune and gets programmed for all tenors these days.
Grigolo can be heard elsewhere on YouTube singing an excellent Una Furtiva. That's his fach, not dramatic tenor roles like Calaf. In order to get something like the correct sound poor Vittorio has to push.
@Agorante He turns purple and strains because he has an excess of tension where there shouldn't be any. I'm not downplaying the difficulty of the song, but he shouldn't be attempting it with such faulty technique
jajajjajajajjajajjajajjajajjajajajajjajajaajaj si vede benissimo che sa come fare le fellatio.... ingrossa la voce tutta nell aprima ottava e poi l'acuto diventa così piccolino... ajjajajjaaj dovrebbe essere il contrario no? e poi l amega amplificazione bocelliana fa il resto.... madooooo come siamo caduti in basso....
Una presa per i fondelli al teatro lirico, ma chi è sta checca isterica? Claudio Villa l'avrebbe cantata con più voce e meno fatica, va beh, deve ringraziare il fatto che è pieno d'incompetenti ignoranti, questo, all'epoca d'oro l'avrebbero aspettato all'uscita per menarlo
Nice sound, but it is real? Listen to his second low "Nessun Dorma", he barely croaks it out. And his vibrato sounds constructed and unnatural at times. But he is young, give him a half decade or so before we pull out the Pavarotti comparisons.
Nice sound, but it is real? Listen to his second low "Nessun Dorma", he barely croaks it out. And his vibrato sounds constructed and unnatural at times. But he is young, give him a half decade or so before we pull out the Pavarotti comparisons.
I have never been really a fan of this sort of singing, but ONCE I have found Vittorio ... I melt down like butter hearing him. I can cry, I can smile, I can break ... his voice inspires you to FEEL ... To really FEEL ... Wow ... this guy is a miracle. His voice is magical! And powerful! Vittorio, Vittorio! :O)
Bravo Grigolo!!!! a lovely lyric tenor with a gret look and musicality is always greeted by us!!! He sure resembles in his voice the warm color of italian lycal tenors. He is very musical and expresive.Bravo!!!!
Vittorio was a student of pavarotti's. Do you really think that he would have took the time to teach him if he didn't have the potential to be great. Pav was known for his tecnique and passed it on to him. He will be great, he knew it. Other should know it too!
Very nice job. Gorgeous voice but I feel the text is too choppy here and there. He's straining on his top and he looks like he's in pain. I don't think that's very good.
If you sing with technique, your veins won't pop out and face won't turn into a cherry. He's heard because of the mic aka not good for any opera singer. He'll be ruined in a few years.
@Operasinger91 I'm inclined to agree with you about being heard. The voice does sound free, though. Veins popping out and stuff it does look like he's straining, but he is known for being absurdly emotional - I wonder if that's where this comes from? The A after the high B sounds strained (but it's hard, coming back into the passaggio) but other than that it sounds like a free tone, if not one that would be heard without a mic.
Very nice voice, very musical. Of course, he knows and we all know this opera isn´t for him, but why is everyone criticizing him like if this was part of his repertoire?. Anyway, I like his voice. Only thing I think he could improve is his breathing. It´s too high. The rest is beautiful. Bravo!
Very nice voice, very musical. Of course, he knows and we all know this opera isn´t for him, but why is everyone criticizing him like if this was part of his repertoire?. Anyway, I like his voice. Only thing I think he could improves is his breathing. It´s too high. The rest is beautiful. Bravo!
@ezayi Yes, too much chest heaving and veins sticking out in the neck. I think he could make a true opera stage tenor, although in the lyric repertoir, not spinto. I like the sound a lot, just think it still needs some work...
This is a perfect example of how to make someone a dishonorable opera-star. Overrated and exploited for sex and money. It's just a business. Nothing more.
Wow. So many critics on here. I have a feeling that, regardless of what anyone thinks, Vittorio will continue to sing for as long as he wants. Why? Because he loves it. Whether it's opera or whether it's pop - who cares? (@JockamoGoon: I also saw him at the Met, and thought his sound was beautifully focused - all throughout his range...AND he acted the heck out of the part!)
i dunno, i saw his boheme at the met and honestly it was a bit too brassy for me. definitely not a pav...i think his lack of lower partials gives for an unbalanced sound for that rep. it just sounds like he's a leggiero trying to sing more lyric rep. I'd rather hear vargas as rodolpho
@InNairn4ever Opera is an art form, not a circus. Look at what happened to that Mexican clown: what he and those so called critics who had showered him unreserved praises did to the classical music is sacrilegious. The whole industry, inclduing those so called critics, are now firing all cylinders to manufacture this poster boy/man into the next Mexican clown.
He is wearing a piece allright. His voice is allright too and he might have the potential to become a great tenor, but he is a long way off before he can step into Pavarotti's shoes. Frankly i don't think he is gonna make it.
The most underwhelming tenor Metdebut in sometime. There are tenors that are more intelligent about rep and who are more dramatically and musically arresting and capable.
Tone quality A+; but get a coach-- much refinement needed, also too stressy-- should not look that hard; and what about tempo: I want to push it a bit.
An audience of uneducated bufoons!!! Start clapping before he's finished and dopey women screaming like they are at a football game. What a fabulous voice he has. Truly an example of casting pearls before swine.
A fine voice. Great to see and hear such talent. With more grounding, physical support his tone will only get richer, and the phrasing easier (as long as he avoids going too ‘Hollywood’ - forcing - thus tightening up). In such a delicate art, one must continue to study carefully and build slowly... Best of luck.
There is extraordinary talent here I think. I agree that he has trouble phrasing and sustaining phrases and that he lacks the kind of physical economy that made Domingo and Carreras and Pavarotti so compelling to watch. The great artists make their art look effortless, and that deception is what often makes art accessible.
@mr39jeffy Agreed on the physical economy with Pavarotti, but not with Carreras (later in his career, anyway, sometimes very effortful to watch) and I won't mention Domingo. I think this guy has a lot of potential, but needs to work on the technique to avoid doing a Villazon....
I wonder . . . been around opera since the 1950's, the Met on Saturday afternoon radio was a religion in my childhood. When Pavarotti first burst on the scene, I was into road racing, I likened his performance to that of a great race driver, seemingly always on the edge of ohysical limts, courting disaster, but always coming out on top. Well, that excitement made for a shorter career than, as my idol, Domingo.
Just listened to Domingo's Nessun dorma. A richness. He endures. Still the best.
@curmudgeonNOT CANNOT agree!!! Pavarotti always appeared to be singing more within his capability than Domingo, was a true tenor voice, and never had the amount of public cracking that Domingo did. Also sang a lot more, and for longer, in original keys. By contrast, Domingo, to me, sounds hooty and manipulated to get his upper register out. Somewhat a matter of opinion, but also read some of Richard Miller and look at acoutical analysis of the two voices.
Well, he is good looking but the voice needs a lot of work. He is unable to sustain long passages, for a Italian his Italian is unimpressive and this is far to dramatic for him. I listened to some of his samples from his CD and he seems to croon a lot. In "Donna non vidi mai" his chords slam together on the last B flat. He needs to be careful and find a good teacher. His voice is too pretty to blow this early.
Emmanuel di Villarosa sings this so well. I saw him live. One word, "Wow"!
For what it's worth, I was a critic, for many years, for Opera News, long before Vittorio Grigorio came along. I am also the author of a fairly new book on Puccini. Until now, in spite of having heard word about him, I had not heard Grigorio. I have only one thing to say: He has it. Whatever *it* ultimately may be -- a certain purity of tone, affective intensity, or some transcendental communicative quality, or all of these - he has *it*, alright, in spades. It's overwhelming. Bravissimo!
@banaliltes Vittorio has just last week released in the US an album of tenor arias, titled The Italian Tenor. I first found him by his pop album, In the Hands of Love, a very beautiful album indeed. He has his debut at The Metropolitan Opera on October 16, this Saturday.
Yes, of course, that's basic, and thanks for pointing that out. ON the tiny, tinny and wholly insufficient speakers on my little lap top, I was unable to discern such detail. Listening again with my ear to the speaker, I think you're absolutely right.
@banaliltes I totally agree! I just hope that he follows the footsteps of his mentor, Pava and waits on these heaver roles until the voice is fully mature and then has the good sense to not try to force his voice into the dramatic, heaver sound but sings the aria with his own lighter style and voice.
@appeace1 I have exactly the same opinion (although I personally think Pav also went for the heavier roles too early (and maybe even some roles he shouldn't have taken at all, but his incredible squillo and formants made it possible to hear him even with big orchestras). It's appropriate to have Grigolo sing this aria here for posterity, but in general, on his album with Donizetti, Verdi, and Puccini, as the repertoire gets heavier, he sounds worse and less likely to be heard live.
@8x8MaVerick8x8 I agree with most of your comment. However, I believe that Pava did wait until the right time for his voice and did not remain in the heavy Verdi roles for very long--smart move. Mostly, I find that he did not try to "push or darken" the voice to fit the heavy roles but instead sang them in his lyric, spinto style. This perhaps took away abit of the drama, al la Domingo, intended for the roles but I very much enjoy the lighter, more flexible take on the heavy drama.
@appeace1 Yeah it *may* be that Pav didn't damage his voice singing the roles but I just don't see him as appropriate for some of them compared to other singers. Still, I sometimes wonder if it contributed in any way to his vocal decline (he did sing, and do so reasonably well, quite late into his life, however) or whether it was just the instrument and the number of performances period. In any case, my understanding of Grigolo right now is that much Verdi and Puccini is too heavy right now.
@8x8MaVerick8x8 Damaged Pava's voice? I can't go along with that. Pava had a magnificent voice well into the 90's and a very nice one even longer. However, I do grant that there were 3 distinct changes in the voice thru the years and he even said so. I believe, as you said, it was just the instrument, and perhaps, the toll of ill health. Yes, I do strongly agree that Mr Grigolo needs avoid the heavy Verdi roles for abit. Tho even now, I can detect some darkening, maturing of the voice.
Oh, oh! Look at those veins popping in his neck after the first climax... I listened but didn't watch after that for fear.... Lovely, natural sound. Nice focus. Great potential. I suspect he's a lyric tenor, not a spinto, and this aria is on the edge of What He Should Do. He'd better watch out or he'll blow a gasket, like Villazon. (I also heard that blowout coming! A singer senses these things.)
I agree; his voice strikes me, too, as something more on the order of a lyric than spinto. But it's a wholly different sound and approach than that of Villazon, whose vocal problems may well have origins in other, perhaps psychological issues. Even so, it's true enough that, like every young singer, he has to be careful about choosing his roles and not imagine himself a Heldentenor or something of that sort just yet, if ever. He strikes me as a smart guy who will take care of his voice.
This was beautiful...Sounds like a young Pavarotti...wonderful. He will only get better from here he could've held the last note a bit longer...but just beautiful
scusatemi,apparte il si naturale, che lasciamo stare ma sembrava impiccato....allora che abbia una bella presenza va bene,HA UN BEL timbro di voce....ma turandot non è il suo repertorio....e OK siamo all aperto!ma questi MICROFONI saranno la fine delle voci!!!!!!!!!ma dal momento che siamo abituati a berci di tutto da spettatori....impareremo ad adattarci PURTROPPO anche a questo!poveri spettatori e profani dell arte..........NON HO NIENTE CONTRO VITTORIO!!!!!MA QUESTO SISTEMA COSI NON VA!
His voice sounds amazingly powerful without too much pressure, he brings the pure unaltered tone out of his mouth like only an extremely talented Italian could do!
Was that a helicopter in the background at a certain point? I do confirm he must have been not well, he seems very tired and upset. I know him (we went to the same school) and he was never like that while singing when I saw him. It must have been a very hard day for him that one.
Che pubblico di burini! Subito ad applaudire (ancor prima della fine del brano)... E gli schiamazzi?! Roba da matti. Certa gente neanche dovrebbe entrare in un auditorium.
What a lot of negative comments about Vittorio, if his voice was not that good he would have not been chosen for the Sistine Chapel Choir in Rome as a soloist. He was also the youngest man to perform in La Scala in Milan. So that must mean something.
@bboymasochist What upper notes? Maybe it's the forum, but I hear only an incredibly weak upper register that doesn't come anywhere close to a Carreras or a Pavarotti.
He is no Pavrotti or Domingo but rather more of a Fritz Wunderlich....if he didn't push the voice. Would like to hear him try more Mozart. His top is just not for Puccini.
What model microphone is this? It is the 3 Tenor Microphone, I have seen it over and over--he is all veins in the neck, natural tech, but looks great --and sounds good---like franco nero/terrence hill with a voice. better than 95% out there right now---he smokes Bocelli for sure.
What does (c) Laurene mean? Not copyright surely? Don't, I'll laugh out loud. How cute; to sit in the audience making illicit videos of a performance and then post it with a copyright notice.
Some quite ridiculous comments here - the guy's got a stunning voice. What are people ON about? Mind you its never going to sound brilliant recorded like this, but you can still hear his voice is great.
Unlike all the other posters here who don't think his performance here is that great, the only thing I can personally criticise is his eyes. He squints too much.
Why? It's completely unnecessary. And as amazing as you MIGHT look, if you want to be taken seriously in this genre of music, button up your freakin' shirt!!!
Boy was he having trouble here! Just watch the blood rushing into his cheeks on the first set of A naturals...And what's with raising the shoulders? That's a huge no-no for singers as it cuts the air supply off. Perhaps he was ill. if it's always that much effort for his then he's not a true tenor...
to be honest what a foolish comment, ok the raise in the shoulders is a no no, but each singer has their own natural way of anchoring, and maybe he has a natural curve to his back when he sings. this is an unbelievable performance, can you do any better??
So right englishtenor. Tiny voice, poor technique and not a real tenor. That's why there are 8 and a half thousands views of this video alone! I guess if he was a bit more talented he'd be sitting at home looking at youtube and criticising other singers!
I would say a light lyrico or straight lyrico. Any other opinion? There's a mix between Carreras and Pavarotti in his timbre. He makes a good Alfredo.
Why is it that so may ignorant people are given a voice to critique others on YouTube. Pavarotti himself bequeathed honors on Vittorio, hence his nickname in Italy of the "Little Pavarotti". He has a fantastic voice and is a true tenor. Denying THAT just shows abject, unadulterated ignorance on the subject. As for his "demeanor" while singing, there is not ONE opera star (past, present, or future) who doesn't have some quirkiness in expression or posture.
I totally agree with you, and who the heck cares what his face is doing when he sounds that terrific. There are not many people in the world who can do what he does!
@Englishtenor2 You're an idiot. On behalf of myself and all my fellow professional singers I wish to apologise to the sensible posters here who have to put up with this drivel.
He is a very good singer-his voice was big enough to sing Manon at the garden recently. Maybe he's not a Calaf but this is a CONCERT!
Some people just love to criticise without thought. Hope you enjoyed pushing your ego up a little.
Sicuramente non è paragonabile a Luciano Pavarotti.
La voce però, a mio modesto parere, è buona. La posizione è corretta e lo squillo c'è. Forse, e dico forse, ingrossa un poco la voce sulle note centrali. Acuto sbagliato secondo me: schiacciato e stretto.
I would like to hear him sing this now--since he has matured and his voice has darkened abit. I'm sure hoping that Pava was correct about Grigolo's career.. For my preference, one just cannot beat an Italian tenor singing Italian opera! Something about that voice and those Italian good looks and sensuality. Grigolo has that same round, bell quality as Pava---not quite the same projection but spot on pitch! here's hoping!
appeace1 1 month ago
loved it, many thanks!
Luzdemisojos 1 month ago
oh and on top of that is youve seen him do any other song or in concert he doesnt have popped out veins. special Olympics when he sang this song there were no popped out veins.
usagoaliehoward 2 months ago
i love how ppl are saying his technique is bad and that hes only heard because of some machine when Pavarotti was his mentor, and said himself that vittorio was the next great tenor, also look at a lot of other professional tenors who have been doing it for years and youll see there veins pop out as well occasionally. vittorios great and anyone who doesnt agree probably have never song in front of a lot of people or opera
usagoaliehoward 2 months ago
Un vero bluff!!! Ma dico, tutti sordi???
Boneggio 2 months ago
Mäcker stimme. Schlagersänger. Der Arme. Schöne Zähne.
Gizalles1 3 months ago
Mäcker stimme. Schlagersänger. Der Arme.
Gizalles1 3 months ago
Vittorio is fantastic. Heard him sing Romeo in LA last week. Surely Placido had a few tips. Vittorios voice was spine-tingling. Not a great opera. Building was packed to the ceiling. Everybody wants to hear it.
Want to hear him sing in Italian. L'Elisir." He's got it. He knows he's got it. Let's set back the time machine..
esquibelle 3 months ago
ésta musica consegue -me sempre arrepiar
marinasantosgrou 3 months ago
I saw him sing Romeo in LA Nov 9, 2011 and somehow, he was brilliant.
It's not a great opera. We all know this. His acting was spot on.
I'd love to hear him do Mozart or "L'Elisir D'amore".
He's got the chops.
esquibelle 3 months ago
ahahahahahahahahah
luilucm 3 months ago
In sala di registrazione si sa è un'altra cosa,i tecnici del suono fanno miracoli,anche se qui un aiutino dal microfono l'ha avuto.Dallo sforzo compiuto per una romanza di tre minuti,mi chiedo se ce la può fare,e con quali esiti, a cantare l'intera Turandot in teatro;dalla scena degli enigmi e tutto il resto.Mah!
1947Rollo 4 months ago
beautiful
Sarayax8 4 months ago
I disagree curmudgeon. Domingo's technique is excellent and he's endured for decades. He's sung more tenor roles than any other in the history of opera. His middle register is excellent and his voice in that arena is fuller than Pav's. He doesn't have the true high C but neither did Caruso. Domingo is an all-time great and perhaps the most versatile tenor within the operatic genre, even though not my all-time favorite. But I prefer him to Pav, whose voice was undersized.
Mikep487 4 months ago
I respect the man but I don't think he has sufficient pipes for any operatic career. Not a bad try though. Would be good for a change of pace in a concert but nothing more.
Mikep487 4 months ago
my god.. can't people wait 10 more seconds, before bursting into those ridiculous cries? "wooo!! woooo!!". Do you ever listen to yourself?
kawai1 4 months ago
Luciano Pavarotti, dessen Arie er jetzt singt, würde Beifall klatschen und er hat ihn ja auch schon gehört und für phantastisch befunden. Ich kann mich dem nur anschließen. Er ist erst 34 Jahre alt und singt schon so grandios! Wir werden noch viel von ihm hören. Einfach super!!! Und wie er aussieht!!! Ebenso!
TheLenaAnna 5 months ago
I love Vittorio, I think he has a beautiful voice and a great technique but this aria (and this role obviously) is not for him... at least not now.
TheAleph74 5 months ago
Just heard him sing "Faust" at Covent Garden today... He was very good... He looked very young next to Angela Gheorghiu... who was supposed to be a young "Marguerite" but looked more like a "cougar"... ;-)
homerdalore 5 months ago
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Check out Gianluca Paganelli he is really similar to him.
missbethanthomas 5 months ago
@Fundamentalkonstante
What you fail to wrap your head around is this: ANY IDIOT CAN SING WITH EMOTION. You have no respect for the 500 year old tradition of opera singing, something which most singers will work for a lifetime to perfect. But no. We are satisfied by the faux-operatic posturing of this toolbag, whose microphoned voice still sounds strained. And for what? The juvenile "emotions" of his waving his arms around a bit? He doesn't even understand the context of this aria.
operaticsnyc 6 months ago
He will never sing the complete role. We can understand that, as many other tenors, he can't resist to the temptation to sing this sublime aria in recital. Operasinger91, I hope that you are wrong; so many singers break their voice in a short time ( Rolando Villazon...) . But in this case, you can notice, he began as first solist in productions at the age of 18, fifteen years ago, and the voice remains beautiful; the top notes are still there. Of course, he is at his better in the bel canto.
bpicaud1 6 months ago
You are not able to sing like him so shut the fuck up!
TheGerakas 6 months ago
Yelling!
TheKyomu2010 7 months ago
The reason he turns purple and seems to constantly strain is simple. This aria is at least two sizes too heavy for him. The part of Calaf is too heavy for Pavarotti too. Alas it's a hit tune and gets programmed for all tenors these days.
Grigolo can be heard elsewhere on YouTube singing an excellent Una Furtiva. That's his fach, not dramatic tenor roles like Calaf. In order to get something like the correct sound poor Vittorio has to push.
I'd like to hear him sing Dalla Sua Pace.
Agorante 7 months ago 2
@Agorante He turns purple and strains because he has an excess of tension where there shouldn't be any. I'm not downplaying the difficulty of the song, but he shouldn't be attempting it with such faulty technique
Ayanamiishot 2 months ago
@Agorante ...his Rodolfo is fabulous though! Saw/Heard him in Berlin weeks ago!
FlosWeisheiten 1 month ago
@FlosWeisheiten I'm glad to hear it. I'm ot surprised.
Agorante 1 month ago
un ammmmmmmm0jfimj fmkfokfákfpaigjkmaiaIGJGAITOPAKKMDIOHEUI
Gustavocasanovatenor 7 months ago
Quel timbre !!!!!!!
mariasarda 7 months ago
jajajjajajajjajajjajajjajajjajajajajjajajaajaj si vede benissimo che sa come fare le fellatio.... ingrossa la voce tutta nell aprima ottava e poi l'acuto diventa così piccolino... ajjajajjaaj dovrebbe essere il contrario no? e poi l amega amplificazione bocelliana fa il resto.... madooooo come siamo caduti in basso....
lagiustizziera 7 months ago
Una presa per i fondelli al teatro lirico, ma chi è sta checca isterica? Claudio Villa l'avrebbe cantata con più voce e meno fatica, va beh, deve ringraziare il fatto che è pieno d'incompetenti ignoranti, questo, all'epoca d'oro l'avrebbero aspettato all'uscita per menarlo
NinaMicheltorena1 7 months ago
SIMPLY BAD ....
NemanjaFan 7 months ago
@NemanjaFan Yes. He needs to learn to sing properly. His entire technique is about constriction and gird.
mwk12kev 7 months ago
Nice sound, but it is real? Listen to his second low "Nessun Dorma", he barely croaks it out. And his vibrato sounds constructed and unnatural at times. But he is young, give him a half decade or so before we pull out the Pavarotti comparisons.
fenwicksfather 8 months ago
Nice sound, but it is real? Listen to his second low "Nessun Dorma", he barely croaks it out. And his vibrato sounds constructed and unnatural at times. But he is young, give him a half decade or so before we pull out the Pavarotti comparisons.
fenwicksfather 8 months ago
Very short...
QUESTANOTTE88 8 months ago
Bravo bravo bravissimo!
aaroxbeck 9 months ago
I have never been really a fan of this sort of singing, but ONCE I have found Vittorio ... I melt down like butter hearing him. I can cry, I can smile, I can break ... his voice inspires you to FEEL ... To really FEEL ... Wow ... this guy is a miracle. His voice is magical! And powerful! Vittorio, Vittorio! :O)
Haywestra1 9 months ago in playlist 1a vittorio
estradaa ra
Operisimo77 10 months ago
Bravo Grigolo!!!! a lovely lyric tenor with a gret look and musicality is always greeted by us!!! He sure resembles in his voice the warm color of italian lycal tenors. He is very musical and expresive.Bravo!!!!
tenorschofield 10 months ago
Vittorio was a student of pavarotti's. Do you really think that he would have took the time to teach him if he didn't have the potential to be great. Pav was known for his tecnique and passed it on to him. He will be great, he knew it. Other should know it too!
singerman2008 11 months ago
Bow down to Vittorio.
He's utterly amazing.
May he live a long time to sing for the world.
esquibelle 11 months ago
¡Fatal! No acompasa nada.
erjefe1 1 year ago
Ugly and stinky bold head blocking the camera!
Grigolo's shirt is missing one button. Looks vulgar.
theconfusedsinger 1 year ago
Er singt mit jeder Zelle seines Körpers - ein großartiger Tenor...
Marlis43 1 year ago
Very nice job. Gorgeous voice but I feel the text is too choppy here and there. He's straining on his top and he looks like he's in pain. I don't think that's very good.
choochooboi 1 year ago 2
If you sing with technique, your veins won't pop out and face won't turn into a cherry. He's heard because of the mic aka not good for any opera singer. He'll be ruined in a few years.
Operasinger91 1 year ago 4
@Operasinger91 I'm inclined to agree with you about being heard. The voice does sound free, though. Veins popping out and stuff it does look like he's straining, but he is known for being absurdly emotional - I wonder if that's where this comes from? The A after the high B sounds strained (but it's hard, coming back into the passaggio) but other than that it sounds like a free tone, if not one that would be heard without a mic.
8x8MaVerick8x8 3 months ago
Prénom:Vittorio.
Nom:Gromikro!
abracadabranque 1 year ago
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Very nice voice, very musical. Of course, he knows and we all know this opera isn´t for him, but why is everyone criticizing him like if this was part of his repertoire?. Anyway, I like his voice. Only thing I think he could improve is his breathing. It´s too high. The rest is beautiful. Bravo!
ezayi 1 year ago
Very nice voice, very musical. Of course, he knows and we all know this opera isn´t for him, but why is everyone criticizing him like if this was part of his repertoire?. Anyway, I like his voice. Only thing I think he could improves is his breathing. It´s too high. The rest is beautiful. Bravo!
ezayi 1 year ago
@ezayi Yes, too much chest heaving and veins sticking out in the neck. I think he could make a true opera stage tenor, although in the lyric repertoir, not spinto. I like the sound a lot, just think it still needs some work...
colino72 1 year ago
nessuno mistero,il tuo nome e Nemorino.
bodiloto 1 year ago
@bodiloto Hahaha! Un prodotto commerciale insopportabile.
BassoCantante19 8 months ago
There are some buttons missing on his shirt. Arghh.
However, I am convinced. He sings brilliantly. Very, very good.
SteamFanHannover 1 year ago
This is a perfect example of how to make someone a dishonorable opera-star. Overrated and exploited for sex and money. It's just a business. Nothing more.
steakopera 1 year ago
Wow. So many critics on here. I have a feeling that, regardless of what anyone thinks, Vittorio will continue to sing for as long as he wants. Why? Because he loves it. Whether it's opera or whether it's pop - who cares? (@JockamoGoon: I also saw him at the Met, and thought his sound was beautifully focused - all throughout his range...AND he acted the heck out of the part!)
jlmonro 1 year ago
i dunno, i saw his boheme at the met and honestly it was a bit too brassy for me. definitely not a pav...i think his lack of lower partials gives for an unbalanced sound for that rep. it just sounds like he's a leggiero trying to sing more lyric rep. I'd rather hear vargas as rodolpho
JockamoGoon 1 year ago
Well done! (tell that guy to move his ear the next time, hehe)
InNairn4ever 1 year ago
He's a popera singer, not an opera one, period.
mannail888 1 year ago
@mannail888 you know what, who cares? does it REALLY matter? Whichever---its great, so let it go, okay?......no one cares
InNairn4ever 1 year ago
@InNairn4ever Opera is an art form, not a circus. Look at what happened to that Mexican clown: what he and those so called critics who had showered him unreserved praises did to the classical music is sacrilegious. The whole industry, inclduing those so called critics, are now firing all cylinders to manufacture this poster boy/man into the next Mexican clown.
mannail888 1 year ago
ridicolous
fiorearmwrestler 1 year ago
A Hollywood Tenor ...
dg6da 1 year ago
He is wearing a piece allright. His voice is allright too and he might have the potential to become a great tenor, but he is a long way off before he can step into Pavarotti's shoes. Frankly i don't think he is gonna make it.
joset1100 1 year ago
Wow. What is this guy singing Nessun Dorma? He sounds that he is about to die.
He is completely out of style. Really terrible
pericotenor 1 year ago
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pericotenor 1 year ago
The most underwhelming tenor Metdebut in sometime. There are tenors that are more intelligent about rep and who are more dramatically and musically arresting and capable.
coryisawake 1 year ago
Tone quality A+; but get a coach-- much refinement needed, also too stressy-- should not look that hard; and what about tempo: I want to push it a bit.
richardcarlisle1 1 year ago
I LOVE THIS VOICE AND THE HALF DOZEN OR SO OTHER FRESH YOUNG BEAUTIFUL STRONG HEALTHY INTELLIGENT TENORS ON THE SCENE TODAY. I AM HAPPY FOR US !
raymeo888 1 year ago
An audience of uneducated bufoons!!! Start clapping before he's finished and dopey women screaming like they are at a football game. What a fabulous voice he has. Truly an example of casting pearls before swine.
brightonmusic 1 year ago
Is it true he walks on water besides sing?
dziady1 1 year ago
A fine voice. Great to see and hear such talent. With more grounding, physical support his tone will only get richer, and the phrasing easier (as long as he avoids going too ‘Hollywood’ - forcing - thus tightening up). In such a delicate art, one must continue to study carefully and build slowly... Best of luck.
OdysseyArts 1 year ago
There is extraordinary talent here I think. I agree that he has trouble phrasing and sustaining phrases and that he lacks the kind of physical economy that made Domingo and Carreras and Pavarotti so compelling to watch. The great artists make their art look effortless, and that deception is what often makes art accessible.
mr39jeffy 1 year ago
@mr39jeffy Agreed on the physical economy with Pavarotti, but not with Carreras (later in his career, anyway, sometimes very effortful to watch) and I won't mention Domingo. I think this guy has a lot of potential, but needs to work on the technique to avoid doing a Villazon....
colino72 1 year ago
I wonder . . . been around opera since the 1950's, the Met on Saturday afternoon radio was a religion in my childhood. When Pavarotti first burst on the scene, I was into road racing, I likened his performance to that of a great race driver, seemingly always on the edge of ohysical limts, courting disaster, but always coming out on top. Well, that excitement made for a shorter career than, as my idol, Domingo.
Just listened to Domingo's Nessun dorma. A richness. He endures. Still the best.
curmudgeonNOT 1 year ago
@curmudgeonNOT CANNOT agree!!! Pavarotti always appeared to be singing more within his capability than Domingo, was a true tenor voice, and never had the amount of public cracking that Domingo did. Also sang a lot more, and for longer, in original keys. By contrast, Domingo, to me, sounds hooty and manipulated to get his upper register out. Somewhat a matter of opinion, but also read some of Richard Miller and look at acoutical analysis of the two voices.
colino72 1 year ago
Well, he is good looking but the voice needs a lot of work. He is unable to sustain long passages, for a Italian his Italian is unimpressive and this is far to dramatic for him. I listened to some of his samples from his CD and he seems to croon a lot. In "Donna non vidi mai" his chords slam together on the last B flat. He needs to be careful and find a good teacher. His voice is too pretty to blow this early.
Emmanuel di Villarosa sings this so well. I saw him live. One word, "Wow"!
10rfan 1 year ago
Could easily give Cura, Villazon and Alagna a run for their money.
mannail888 1 year ago
For what it's worth, I was a critic, for many years, for Opera News, long before Vittorio Grigorio came along. I am also the author of a fairly new book on Puccini. Until now, in spite of having heard word about him, I had not heard Grigorio. I have only one thing to say: He has it. Whatever *it* ultimately may be -- a certain purity of tone, affective intensity, or some transcendental communicative quality, or all of these - he has *it*, alright, in spades. It's overwhelming. Bravissimo!
banaliltes 1 year ago 15
@banaliltes Vittorio has just last week released in the US an album of tenor arias, titled The Italian Tenor. I first found him by his pop album, In the Hands of Love, a very beautiful album indeed. He has his debut at The Metropolitan Opera on October 16, this Saturday.
Glad you enjoyed the video.
laurenek 1 year ago
@banaliltes Agree but he needs to z his 'sses' a bit
parabat7 1 year ago
Yes, of course, that's basic, and thanks for pointing that out. ON the tiny, tinny and wholly insufficient speakers on my little lap top, I was unable to discern such detail. Listening again with my ear to the speaker, I think you're absolutely right.
banaliltes 1 year ago
@banaliltes
he gained 40 min applause in Berlin, Deutsche Oper, for his performance of Alfredo in La Traviata.
The woman was great, too.
ulizinho 11 months ago
@banaliltes I totally agree! I just hope that he follows the footsteps of his mentor, Pava and waits on these heaver roles until the voice is fully mature and then has the good sense to not try to force his voice into the dramatic, heaver sound but sings the aria with his own lighter style and voice.
He does indeed have "it" tho!
appeace1 3 months ago
@appeace1 I have exactly the same opinion (although I personally think Pav also went for the heavier roles too early (and maybe even some roles he shouldn't have taken at all, but his incredible squillo and formants made it possible to hear him even with big orchestras). It's appropriate to have Grigolo sing this aria here for posterity, but in general, on his album with Donizetti, Verdi, and Puccini, as the repertoire gets heavier, he sounds worse and less likely to be heard live.
8x8MaVerick8x8 3 months ago
@8x8MaVerick8x8 I agree with most of your comment. However, I believe that Pava did wait until the right time for his voice and did not remain in the heavy Verdi roles for very long--smart move. Mostly, I find that he did not try to "push or darken" the voice to fit the heavy roles but instead sang them in his lyric, spinto style. This perhaps took away abit of the drama, al la Domingo, intended for the roles but I very much enjoy the lighter, more flexible take on the heavy drama.
appeace1 3 months ago
@appeace1 Yeah it *may* be that Pav didn't damage his voice singing the roles but I just don't see him as appropriate for some of them compared to other singers. Still, I sometimes wonder if it contributed in any way to his vocal decline (he did sing, and do so reasonably well, quite late into his life, however) or whether it was just the instrument and the number of performances period. In any case, my understanding of Grigolo right now is that much Verdi and Puccini is too heavy right now.
8x8MaVerick8x8 3 months ago
@8x8MaVerick8x8 Damaged Pava's voice? I can't go along with that. Pava had a magnificent voice well into the 90's and a very nice one even longer. However, I do grant that there were 3 distinct changes in the voice thru the years and he even said so. I believe, as you said, it was just the instrument, and perhaps, the toll of ill health. Yes, I do strongly agree that Mr Grigolo needs avoid the heavy Verdi roles for abit. Tho even now, I can detect some darkening, maturing of the voice.
appeace1 3 months ago
Oh, oh! Look at those veins popping in his neck after the first climax... I listened but didn't watch after that for fear.... Lovely, natural sound. Nice focus. Great potential. I suspect he's a lyric tenor, not a spinto, and this aria is on the edge of What He Should Do. He'd better watch out or he'll blow a gasket, like Villazon. (I also heard that blowout coming! A singer senses these things.)
liedersanger1 1 year ago
I agree; his voice strikes me, too, as something more on the order of a lyric than spinto. But it's a wholly different sound and approach than that of Villazon, whose vocal problems may well have origins in other, perhaps psychological issues. Even so, it's true enough that, like every young singer, he has to be careful about choosing his roles and not imagine himself a Heldentenor or something of that sort just yet, if ever. He strikes me as a smart guy who will take care of his voice.
banaliltes 1 year ago
Bravo. This is the first time I heard of Vittorio Grigolo and he passed my goosebumps test. Great voice to my ears.
stanbimi 1 year ago
bravo someone who can sing with emotion and make us all part of it is an incredible thing.bravo, a star is born.
bparno 1 year ago
Bravo, indeed! This guy is the next tenor Su[perstar.....
slicksteve1943 1 year ago
Doesn't have the power of the great 3. Maybe it's the acoustics.
azas1949 1 year ago
i think it is a plane flying but his voice verry great!!!!!!!!!!!with his heart and feeling!!!!
eden081039 1 year ago
This was beautiful...Sounds like a young Pavarotti...wonderful. He will only get better from here he could've held the last note a bit longer...but just beautiful
CholaChange 1 year ago
This was beautiful...Sounds like a young Pavarotti...wonderful. He will only get better from here
CholaChange 1 year ago
scusatemi,apparte il si naturale, che lasciamo stare ma sembrava impiccato....allora che abbia una bella presenza va bene,HA UN BEL timbro di voce....ma turandot non è il suo repertorio....e OK siamo all aperto!ma questi MICROFONI saranno la fine delle voci!!!!!!!!!ma dal momento che siamo abituati a berci di tutto da spettatori....impareremo ad adattarci PURTROPPO anche a questo!poveri spettatori e profani dell arte..........NON HO NIENTE CONTRO VITTORIO!!!!!MA QUESTO SISTEMA COSI NON VA!
bwillcoto 1 year ago
His voice sounds amazingly powerful without too much pressure, he brings the pure unaltered tone out of his mouth like only an extremely talented Italian could do!
achimsmile 1 year ago
E un bel ragazzo, ancora un pochino verde, ma sa cantare, e la voce e bella. Vedremo.......
joanabanyeres 1 year ago
@joanabanyeres il nuovo cd appena uscito è molto interessante. Il timbro è proprio gradevole, e ci sono belle idee, molto fresche.
gamberotto 1 year ago
una voz que logra expresar la idea de triunfar a toda costa y se entrega con total impetu BRAVO
yahualico2007 1 year ago
He makes his debut at the Met in October in "La Boheme" has tremendous
chest tones and his teacher was Pavarotti.
Fegen 1 year ago
It is official he will make his Metropolitan Opera debut in October 2010 in
the opera "La Boheme."
Fegen 1 year ago
Was that a helicopter in the background at a certain point? I do confirm he must have been not well, he seems very tired and upset. I know him (we went to the same school) and he was never like that while singing when I saw him. It must have been a very hard day for him that one.
PINKLUNAMOON 1 year ago
Love the quality of his voice and I hear he is headed for the Metropolitan Opera
House in New York City.
Fegen 1 year ago
@Fegen
Thanks fegen for this sharing too...a really great voice....enjoyable....indeed a remarkable talent!
Hugs my friend....Judie:))
gfks11 1 year ago
@Fegen he is singing in La Boheme in Met in season 2010 -2011. Rodolfo.
eurydike 1 year ago
perdonatemi ma non sa usare il diaframma
kingstontry 1 year ago
@kingstontry secondo me stava male, basta che vedi le espressioni del viso.
PINKLUNAMOON 1 year ago
Very Good.
6175102504j 1 year ago
Great technique! Very sensible singing throught the passagio, great pacing!!!
paddaman1 1 year ago
One of the best voices I've heard!
tigresskyong 1 year ago
nessun dorme se continui a strillare cosi'!!!!!!
theulkar 1 year ago
WHAT A GREAT VOICE this man has!
rtsea888 1 year ago 2
Schlagersänger mit mäckervibrato.
Gizalles1 1 year ago
Bravo, tutti frutti, cornetto
bigneil8888 1 year ago
Il est sympa mais un peu juste pour Nessun Dorma...
louvet66 1 year ago
Che pubblico di burini! Subito ad applaudire (ancor prima della fine del brano)... E gli schiamazzi?! Roba da matti. Certa gente neanche dovrebbe entrare in un auditorium.
soylentgrun 2 years ago
OMG!!! This is feel...
hansrober1 2 years ago
I think he is amazing! When he sings it gives me goosebumps! He is awesome and inspiring!
HotlantaBoricua 2 years ago 2
beh.. mi sembra che sforzi troppo.. al limite dell' infarto...
franztenor 2 years ago
What a lot of negative comments about Vittorio, if his voice was not that good he would have not been chosen for the Sistine Chapel Choir in Rome as a soloist. He was also the youngest man to perform in La Scala in Milan. So that must mean something.
Verelles 2 years ago 2
Belissimo!!!!
robmbc 2 years ago
Vittorio's voice is definitely awesome! I think it's sheer opinion anyway.
anakin419 2 years ago
It's very interesting; his voice seems to be a potpourri of many great tenors.
He sounds like Pavarotti in the upper notes (except for the B) but a Carreras down lower. It's pretty funny.
But that was great,
bboymasochist 2 years ago 12
@bboymasochist a mixture of Carreras and Pavarotti would seem very promising:-)
eurydike 1 year ago
@bboymasochist What upper notes? Maybe it's the forum, but I hear only an incredibly weak upper register that doesn't come anywhere close to a Carreras or a Pavarotti.
elpiconeroinabsentio 1 year ago
@elpiconeroinabsentio I don't judge him by the same standard as I do those two; I'm hinting at a certain vocal quality he has.
bboymasochist 1 year ago
He is no Pavrotti or Domingo but rather more of a Fritz Wunderlich....if he didn't push the voice. Would like to hear him try more Mozart. His top is just not for Puccini.
Lovelytenor1 2 years ago 4
Vittorio ti stai bruciando...
sammyfreezer 2 years ago
concordo, mi sa che hai ragione....
franztenor 2 years ago
La Voix de son maître... Pavarotti.
mariasarda 2 years ago
What model microphone is this? It is the 3 Tenor Microphone, I have seen it over and over--he is all veins in the neck, natural tech, but looks great --and sounds good---like franco nero/terrence hill with a voice. better than 95% out there right now---he smokes Bocelli for sure.
btsg 2 years ago
They are totally different. He smoked nobody and above all not Andrea BOCELLI.
InfernoDaBaka 2 years ago
Se questo è un tenore io sono Michael Jackson.
guitargurugu 2 years ago
This has been flagged as spam show
L...
O...
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bboymasochist 2 years ago
aaauuuuuuuuuu...aaaauuuuuuuuuuuu...auuuuuuuu...aaauuuuuuuuuuuu the lady yelling
mediterraneo1000 2 years ago
What does (c) Laurene mean? Not copyright surely? Don't, I'll laugh out loud. How cute; to sit in the audience making illicit videos of a performance and then post it with a copyright notice.
Some quite ridiculous comments here - the guy's got a stunning voice. What are people ON about? Mind you its never going to sound brilliant recorded like this, but you can still hear his voice is great.
trossachs2003 2 years ago 2
He's wonderful!
sopranosII 2 years ago
Vittorio, wonderful! as always.....a joy to hear! xxxx
QueridaLady 2 years ago
Unlike all the other posters here who don't think his performance here is that great, the only thing I can personally criticise is his eyes. He squints too much.
Why? It's completely unnecessary. And as amazing as you MIGHT look, if you want to be taken seriously in this genre of music, button up your freakin' shirt!!!
hotqueekboi 2 years ago
before degrading an artist work..state who you are and what is your academic knowledge of music..
we will Google your name and when we are sure about your qualification, learn from your criticisms
Otherwise, shut the fuck up !!
eutuve 2 years ago
What I can see here is very great passion and full Emotion.
Polihymna 3 years ago
in all honesty though, he has a very nice voice.
gnatural 3 years ago
Boy was he having trouble here! Just watch the blood rushing into his cheeks on the first set of A naturals...And what's with raising the shoulders? That's a huge no-no for singers as it cuts the air supply off. Perhaps he was ill. if it's always that much effort for his then he's not a true tenor...
Englishtenor2 3 years ago
LOL you are so right about those high notes, he looked like he was going to burst for a moment.
gnatural 3 years ago
to be honest what a foolish comment, ok the raise in the shoulders is a no no, but each singer has their own natural way of anchoring, and maybe he has a natural curve to his back when he sings. this is an unbelievable performance, can you do any better??
RyanWMusic 3 years ago 2
So right englishtenor. Tiny voice, poor technique and not a real tenor. That's why there are 8 and a half thousands views of this video alone! I guess if he was a bit more talented he'd be sitting at home looking at youtube and criticising other singers!
kiatumahia 2 years ago 2
Can you explain what you mean when you say he's not a true tenor?
What voice type would you say he is?
hotqueekboi 2 years ago
I would say a light lyrico or straight lyrico. Any other opinion? There's a mix between Carreras and Pavarotti in his timbre. He makes a good Alfredo.
dominiclorange 2 years ago 4
Why is it that so may ignorant people are given a voice to critique others on YouTube. Pavarotti himself bequeathed honors on Vittorio, hence his nickname in Italy of the "Little Pavarotti". He has a fantastic voice and is a true tenor. Denying THAT just shows abject, unadulterated ignorance on the subject. As for his "demeanor" while singing, there is not ONE opera star (past, present, or future) who doesn't have some quirkiness in expression or posture.
NobleRot1 2 years ago 3
I totally agree with you, and who the heck cares what his face is doing when he sounds that terrific. There are not many people in the world who can do what he does!
amdunning 2 years ago
Wonderful voice.
But - shoot the conductor!
OneAndOnlyMozart 3 years ago
he has a nice voice but i felt that his facial expressions were a bit too much(but it's just my personal opinion though:)
i don't think his technique is poor at all. unlike many contemporary 'popera'or 'classical crossover' singers, he CAN sing opera.
heureuse88 3 years ago
Fa meno fatica quando fa al bagno.....
il canto deve essere la cosa piu' naturale possibile,,, lui era a rischio d'infarto.
raffaelozzo 3 years ago
Ma che si applaudono......
raffaelozzo 3 years ago
Has anyone heard the version by Gianluca Paganelli? Now he is a great Italian tenor.
Avete sentito parlare del tenore Gianluca Paganelli? Ecco il tenore del futuro
Amaroma1 3 years ago
In looks he looks a lot like Mario Lanza here I think. However - I think he is ten times the singer than Lanza of course.
And I'm not really liking his haircut here either. The end note of course was beautiful!
hotqueekboi 3 years ago
what a powerful voice he has!!! breathtaking...
windowsbroken123 3 years ago
He's got a tiny voice! it's a little concert hall and he's miked up IN FRONT of the orchestra!!!
Englishtenor2 3 years ago
@Englishtenor2 You're an idiot. On behalf of myself and all my fellow professional singers I wish to apologise to the sensible posters here who have to put up with this drivel.
He is a very good singer-his voice was big enough to sing Manon at the garden recently. Maybe he's not a Calaf but this is a CONCERT!
Some people just love to criticise without thought. Hope you enjoyed pushing your ego up a little.
lubidog 1 year ago
In my first commentar I forgot to note. Ten Points.
Polihymna 3 years ago
This is the best Nessun Dorma I ever saw.You Ì would like to see in the Telecom Spot instead Paul potts.And the Tears on the End were your
greatest thing.Like Diamonds they came from your Eyes.I wish, more singers would show their
emotions on stage.Bravissimo.Go on Vittorio.
Polihymna 3 years ago
This guy really sings with heart and soul. The haters will always exist, so I just laugh about them.
gerry1976 3 years ago 9
wow. can't believe he took a high breath at the end. it was soooooo obvious.
that is all i have to say.
fpolende 3 years ago
It is just to painful to watch. NO SINGER should ever have that much force on their face. It is all due to a lack of good technique.
wowyourgaiy 3 years ago
Sicuramente non è paragonabile a Luciano Pavarotti.
La voce però, a mio modesto parere, è buona. La posizione è corretta e lo squillo c'è. Forse, e dico forse, ingrossa un poco la voce sulle note centrali. Acuto sbagliato secondo me: schiacciato e stretto.
Eruption1910 3 years ago