Anyone fond of Mr. Galper's saying about improvisation should check dr. Ed Byrne. He has develop a thourogh system of melody reduction, guide-tone lines, Root progression and rhythmic reduction to improvisation, just like Hal is explaining here. It's worth checking it. Just google for ByrneJazz.
i'm with hal on all this. but what's up with the "showing chords in stacks" comment? i'm not really getting what he's saying here and why that's not harmony. not saying he's wrong, i literally just do not comprehend what the criticism is.
Chord-scale shredding is not bogus if that's what your brain impulsively sends to your fingers and you happen to like it. It is bogus if you're just doing an intellectual exercise. Try to create resonance in your listeners.
@messerJ4H For excample On Gershwin's You Can't take that away from me, you play Eflat on the melody for each word "the way you wear your- hat" going to G on hat. These are 8th and 16th note. You can nicely imply this melody by playing just one Eflat and one G. This is "rhythmically inactive" i.e., no 16 and 8ths just whole or half notes [the 5th and 3rd of the chord of the moment in this case] as you sing the words.
This is so great. I am always saying that learning modes and chord scales and all that stuff is just an approach for a teacher to give you something to do. It's academic.
let the melody be your guide -- little jimminy cricket style bit of advice. and dead right. all the great solos do just that. e.g. red garland's piano solo in miles' version of "it never entered my mind." the examples are abundant.
mind = blown
funnyguy1321 1 month ago
Anyone fond of Mr. Galper's saying about improvisation should check dr. Ed Byrne. He has develop a thourogh system of melody reduction, guide-tone lines, Root progression and rhythmic reduction to improvisation, just like Hal is explaining here. It's worth checking it. Just google for ByrneJazz.
cesarbr777 1 month ago
nice!! do you have some video talking about reharmonization or something to indicate me???
caiaum2 2 months ago
He loves the word embellish.
4Zoot 2 months ago
i'm with hal on all this. but what's up with the "showing chords in stacks" comment? i'm not really getting what he's saying here and why that's not harmony. not saying he's wrong, i literally just do not comprehend what the criticism is.
jaxjagsman 2 months ago
This is amazing! Thanks!
MrBHarber 5 months ago in playlist MrBHarber's Favourited Videos
@MrBHarber Hal is deep, no doubt about that.
JazzVideoGuy 5 months ago
what exactly does he mean by chord scale relationship guide to improv? Is he saying that playing scales over chord progressions is bogus?
187alacran 5 months ago
@187alacran
Chord-scale shredding is not bogus if that's what your brain impulsively sends to your fingers and you happen to like it. It is bogus if you're just doing an intellectual exercise. Try to create resonance in your listeners.
themancable 5 months ago in playlist Weitere Videos von JazzVideoGuy
i love this guy
tbonea1dam1 6 months ago
@tbonea1dam1 Me, too!
JazzVideoGuy 6 months ago
What does he mean by "rhythmically inactive"?
messerJ4H 8 months ago
This has been flagged as spam show
@messerJ4H For excample On Gershwin's You Can't take that away from me, you play Eflat on the melody for each word "the way you wear your- hat" going to G on hat. These are 8th and 16th note. You can nicely imply this melody by playing just one Eflat and one G. This is "rhythmically inactive" i.e., no 16 and 8ths just whole or half notes [the 5th and 3rd of the chord of the moment in this case] as you sing the words.
I think this is what it means. Try above to see .
karpopper 6 months ago in playlist Hal Galper, Teacher
@messerJ4H
He means, hardly any 1/8 th notes in the rhythm in the written melody.
MarkEisenman 6 months ago
Oh for sure!!
tedybear335 10 months ago
I have been studying jazz for years, NOW I GET IT...!!
joeyguitarlo 11 months ago
brilliant
dragondix 1 year ago
what an excellent video, thanks!
desigrrl08 1 year ago
This is so great. I am always saying that learning modes and chord scales and all that stuff is just an approach for a teacher to give you something to do. It's academic.
lougar1 1 year ago
I love it!!!
Dadee3 1 year ago
Wow. He's completely right. I understood his embellishments so much better when he explained what he meant and played those simple melodies.
HuggumsMcgehee 1 year ago
FINALLY!! Somebody said it! I was just having this conversation with somone the other night...
detroitbuffalo 1 year ago
excellent series, and excellent advice! Thanks for posting!
loondoo 1 year ago
let the melody be your guide -- little jimminy cricket style bit of advice. and dead right. all the great solos do just that. e.g. red garland's piano solo in miles' version of "it never entered my mind." the examples are abundant.
willmiller5 1 year ago
good points, this was fucking genius
jhg123456 1 year ago