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  • I've heard better voices (that is not to say she isn't amazing, she is), but her emotion in this just makes it for me. When he sings "Ah! Edgardo mio!" my heart just breaks.

  • meno male che la Callas non c'è più. . Vi immaginate cosa poteva dire di questa interpretazione. Sarebbe meglio che la Scena della Pazzia non venisse mai più rappresentata nè incisa: nessuno mai, neppure in futuro potrà eguagliare quella della Callas, e cercare di farlo porta solo a scarne, deludenti, sforzate ed anche orribili tentativi di imitazione dell'INIMITABILE!!!!!

  • :D

  • She's amazing.

  • One of the best performances of this difficult and complex, but the same time magnificent role. She managed to avoid a simple theatrical role and delivered a deeply sensitive presentation with her exceptional voice.

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  • She's a wonderful acress and great singer too. Amazing!

  • She is fabulous in this role-- I don't think anyone can do this scene better, or at least I can't imagine it.

  • Best rendition of Lucia Ive ever seen

  • Wonderful!! I will be seeing this opera at the Kennedy Center in DC on November 12.

  • is it soprano????

  • @CagedWind Yes, it is. This is a lyric coloratura soprano which is a highest soprano voice with a lot of agility.

  • I think this is one if not THE best of Natalie's Lucias! It's so sweet, so young, so Lucia (as I see this role, of course) Thanks for posting this amazingly beautiful performance of the bravissima Natalie!

  • I saw the original recording of this, she is amazing in every way. ♥♥ Easily one of my favourite singers and operas.

  • Listen to MADO ROBIN 

  • Brilliant actress as well as singer.

  • she is terrific in the role. enjoy the performance, don't make yourself sick dissecting it........

  • Natalie IS Lucia...!

  • Loved it.! What a nice surprise it was to discover Lucia was on PBS this past Sunday! Even though it was a gorgeous day, I couldn't tear myself away from the television!

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  • This was on PBS Great Performances today and seeing it was overwhelming. Thank you for posting this mad scene. The glass harp is awesome!

  • @65willows It's called a glass armonica.. Deesay refuses to do the scene without it.. the aria was written during a time before it was went out of fashion, it was believed to drive people crazy.. wich is fitting for the scene. I am a purist and believe the scene should not be done without it.. a flute just doesnt quite do it for the scene..

  • @Chivalryaintdead Oh, thank you for making the distinction, and I agree that it adds a definite sense of "otherworldliness".

  • @65willows glass harp?

  • @jellolova I could not retrieve all of your message, but thank you so much for posting additional Dessay parts. I would appreciate subscribing to your site. My husband suffered a debilitating stroke and while he is bi-lingual, his second language is Spanish, not Italian, so it is very helpful for him to watch with English subtitles. Thank you again.

  • This was on PBS Great Performances today and seeing it was overwhelming. Thank you for posting this mad scene.

    

  • she always plays crazy well...

  • Interesting! The YT trolls have been posting for years now about how she has no voice anymore, her acting is bad and getting worse, and blah, blah, blah. But Dessay goes on from triumph to triumph. She does what she wants to do and keeps on being Natalie! I love her. Her best Olympia was fantastic and her various Zerbinettas were great, but what he is doing now is, to me, better and better.

  • @MrHbc3 YT people are way too critical, and some of them look for impossible standards - some abstract combination of all greats of the past in which one singer has better voice color, another - better trill, yet another - acting ability. No single person stands a chance. Or they try to go into "my singer is better than yours" type of war, as if one can't like different singers. At this level, a lot is the matter of personal preference.

  • @jewelmarkess I do agree with that. Some are sincere, some even know a lot about music. IMHO most of the more critical people are not sincere and don't understand very much. And then there are, of course, the trolls. They seem to me to not be very nice people who have neuroses that I do not pretend to understand. I am not even at all clear where the dividing lines are between the various kinds of critics and the worst trolls.

  • One of the best performances I've ever seen

  • Good God... that's scarier than The Exorcist.

  • Tutti voi che parlate bene di questa performance di Natalie NN CAPITE NIENTE DI OPERA!

  • Thank you for your comment. I know very well that Elina is a mezzo and the Mad Scene is not for her voice mo. what I attempted to say is that, on youtube, every person who likes a female singer, to exalt her, uses to compare to Anna and try to detract from Anna. Some of them have said things like this: My singer is better and more beautiful than Anna. Even in the video of Natalie's Mad scene, there are many similar comments.

    Natalie is very good but let Anna quiet.

  • I wanna see this soo badly!!

    For those of you who seen it. Your lucky!! ^_^

  • Can anyone tell me if in the original score, the aria is supposed to be accompanied by a flute or by a glass harmonca?

  • @matthieusarah glass harmonica, but because of its general unavailability, the part is written for flute. but donizetti's original conception was for glass harmonica

  • My life is now closer to complete since I saw her on March 19th.  AMAZING!

  • I find it strange that to highlight any contemporary singer, it has to say she is better than Anna Netrebko.

    I have seen comments that Elina Garanca sings better and is prettier than Anna. Nino Machdaise if it is a true soprano, and Anna is not. Now I see that to exalt NatalieDessay have to say that her.

    But something has to be Anna, that anybody may have reference her to say that other is better.

  • @jfsanin I think you are confused a bit. Elina Garanca is a mezzo soprano, so she should really not be compared to sopranos. She doesn't sing this aria. Anna Netrebko is a soprano, but she is a lyric soprano. Natalie Dessay is a lyric coloratura soprano which makes it easier for her to sing all of the trills and ornaments and high notes in this aria, as Lucia is written for coloratura soprano. Nino Machaidze is lyric coloratura soprano too.

  • I saw them today from the MET ....Joseph Calleja was the best vocally. Great baritone and Bass. Dessay did a great Job, but in the mad scene it was a shame that she didnt sung with the flute, the result was that the audience just get applauses in the end of the act, not after the first part of the mad scene.....and in the a capella section .....in the end she was not perfectlly on tune....

    But I had a nice time whatching this Lucia!!!

    Joseph Calleja is like having a Modern Gigli!!!

  • WOW!! I have been looking forward to seeing this for ages, have just seen it and it was soooo fantastic!!! Natalie was incredible and so inspiring for a young singer!!! Thank you Met for broadcasting this and other amazing operas!! :D

  • I just saw it today at the auditorio luis elizondo in monterrey, mexico, live from the MET in HD, it was PERFECT, i just loved the way natalie song this scene, she is complettly awesone =)

  • Just saw it at the Met on Wednesday - it was just superb. Natalie and Joseph Calleja were simply phenomenal....That performance will stay in my memory forever.

  • It would be lovely if anyone could post footage of these broadcasts of Dessay's Lucia this year in 2011, it would be great to hear how her voice and interpretation has evolved in 4 years!! :D

  • I just saw this on March 4! It was AMAZING

  • @sam1322xx I saw it on March 8th and must agree with you! I left the opera wanting more! At the end I turned to my dad and said "It was too short!!!" hahaha

  • @sam1322xx I saw this March 19th! IT WAS AWESOME! I loved it.

  • fisrt off...I think Dessay is a pure gift to opera ...but a genuine question ...does anyone else find her vibrato a little wide???

  • @jenson7720 Yes i think her vibarto is wide. But thats cool because that makes her more unique ;)

  • Very nice, but no one did it with the power, beauty or vocal splendor and agility of Sills.

    Southerland goes all flutey, and Callas voice is too dark and ugly.

  • I saw her yesterday. Her performance last nite was better than this one... which just proves that she's getting better and better and better. I was in awe at the clarity of her voice and the octaves she sang in ONE BREATH.

  • Like this if the Fifth Element brought you here

  • I just watched the 2009 Met Opera version on DVR again tonight. Really great.

    This one has some funky camera work.

  • This is really beautiful, but I prefer Sumi Jo in this role

  • I love this opera, I'm actually going to go see it with my french class. The group is in Hawaii but they're very good.

  • Where can I purchase this production of Lucia. I keep finding her in a French version but not the Met. I really, REALLY want it. a link please

  • @bigdigger87 It's not available for purchase, sadly. The March 2011 Met Lucia (featuring Ms. Dessay) will be part of their Met Live in HD series and (one hopes) eventually released on dvd.

  • il dolce suono is perhaps my favorite aria and this particular performance is exceptional...Ms. Dessay captures madness well and I found her movements and immersion to be classic.

  • @epiksonik Amen to that. @shaylybri Also that. The combination of the glass and her voice gives the scene a really haunting quality. It's like the ghost of her sanity has enchanted the crystal to sing.

  • i LOVE that they used the glass harmonica instead of the flute!!!

  • good use of a glass harmonica!

  • es la mejorrrrrr !!!!!!!!!!!!!!!!!!!!

  • muchas gracias por este video ,lucia es maravillosa...!!!

  • Como todo lo de esta maravilla de mujer, esta Lucía está excelente !!!!

  • Callas's version sounds better

  • @lovegerard4ever Natalie claims to be the best ever in this role. There are many great versions of this aria. Callas was a great soprano, she is dead, we cannot exactly see/hear her live in opera. If we all stay at home with old recordings, not only we'll miss on the magical beauty of listening to unamplified voices and the whole opera experience, but then all opera theaters would have to close. Also, don't forget, this is a live opera performance not a recording.

  • @jewelmarkess I don't stay at home with old records... I go often to the Opera (I live in Paris, so I can see beautiful operas at Bastille). Surely Dessay plays this role very well, but to me, Callas version is better (on records I say). Scuse my bad english, I'm french.

  • @lovegerard4ever Callas is more expressive than probably anybody, so I can see how you prefer it. They are very different though - in voice color, power, timbre. But I do see your point.

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  • @lovegerard4ever

    your poor attitude is also very french lol ..just kidding.

  • @jewelmarkess I very much doubt that "Natalie claims to be the best ever in this role". She may or may not have been, but it would be tremendously unlike her to say such a thing.

  • @MrHbc3 I am sorry, I think it was a typo on my part. When I got your comment I thought "did I say that?", then I checked what I wrote. I meant to say the opposite - Natalie doesn't claim to be the best. I was replying to someone who claimed Callas was better, so I was trying that Natalie doesn't claim to be the best, and that we cannot keep comparing to the greats of the past. But... must've been late at night, so I messed up the comment completely and said the opposite of what I meant.

  • Anyone know what the instruments are around at :45? It sounds like crystal water glasses

  • @valkyrio Good ear. It's a glass harmonica or armonico using the same idea as water-filled crystal glasses played with the fingers. A number of composers wrote pieces for it including Mozart. It was viewed as inducing heightened emotional states in those who played and listened to it and was associated with madness, so an appropriate choice for this scene. Often a flute is substituted for the armonico in "Lucia".

  • semplicemente sublime.. ora cerco la versione della Callas, solo la divina potrebbe fare di meglio..

  • Anyone else learn of this opera from reading Madame Bovary? Thumbs up for real music and real literature in any case :)

  • omg......such emotion.......too awesome

    i think her dress is pretty sexy too...

  • @mistyken Watch Dessay's performance of this scene in French!

  • Natalie Dessay is scheduled to perform this opera for the Met HD broadcast in many movie theaters on 3/19/11.

  • Wow, the veil falling like a ghost....

  • glass-harmonica

  • I really like. she's not like the BEST singer I've ever heard, but she has the whole package.

  • can anyone tell me where in the play this part is? act I, II, or III?? i have the score and can't find this song!!!

  • @charstar1989 Last act. 

  • @jewelmarkess thank you!

  • @charstar1989 Act 3

  • Really nice performance, the Subs are just good!... Thanks a lot for posting this!

  • I....am tearing....this is magnificent....

  • I saw Diana Damrau in this production and she was out of this world.

  • She's amazing.

  • Who plays Edgardo in this performance?

  • a wedding dress, the knife, lots of blood....and that falling veil, so much tragedy: I like :)

  • Simply horrid!

  • @thriftyscotswoman "Simply horrid"? I know what you mean. When those Italians get ahold of a perfectly sweet family story by Sir Walter they have to start tragedizing. Do you prefer Scottish Opera?

  • ME ABURRE

  • el proximo mes al teatro arena de Avanches se presentara esta opera..me podrian decir de que se trata...?

  • Excellent performance ... please guys ... have a look at the mad scene with Mariella Devia who is even better than Dessay's.... that's her best role. I can tell you that she was hugely acclaimed at La Scala. Maybe we should a bit get over the world stars and look for excellence, not sensationalism like Sumi Jo and co... Please check Mariella Devia Mad scene and then let me know .

  • Who plays Raimondo?

  • I love natalie sooo much! WOW

  • Impressive ...

  • Impressive 

  • What a wonderful actress she is! *speechless*

  • Thanks for posting. I recently saw Cleveland opera's performance of Lucia and it was amazing. There was a meet the conductor cocktail reception and he spoke of how Natalie Dessay is one of the only sopranos who can actually sing in the octave that Donzietti had intended. I'd never heard her sing until this, so thanks. I'm realy looking forward to the Met's production of Lucia this spring.

  • Lily Pons is preferable

  • Her acting is fantastic as well as her voice

  • OH MY GOD!!!! i love this one.....

  • Look what she's doing when they sing the line "She is as she's risen from the grave!" It's sort of comical! Yes, she looks more like a zombie here! LOL!

    In fact, she doesn't even look crazy at that moment, but rather she's cleaning up the murder weapon like most murderers in a movie... Hahaha...

  • Sieglinde's Diaries

    05 August 2008

    Natalie Dessay, in her continued progress towards greater artistry, still doesn't know what opera is about

    In recent years, Dessay's top notes have been shrieky and metallic, cold, effortful, and generally unpleasant to the ear. The disdain she has for top notes is therefore understandable. She tends to compensate with buffoonish histrionics, overacting the pieces of meaning she gleans from the (mostly bankrupt) text.

  • Thanks for posting these consecutively so I don't feel like a retard searching for the other parts.

  • lol you're welcome ^^

  • Oh que Voz que artista increible se acuesta, se tuerce, corre su voz no se cambia ni se nota el minimo stress y que agilidad y limpio suena los altos tonos. anodada es una excelente Koloratursopranista ....wow Wow WOW

  • She is amazing !!!!!!!!!!!

    Es asombrosaaaaa!

  • Natalie Dessay is fab in Donizetti operas..especially La Fille Du Regiment..:)

  • Thank you for the subtitles. How she makes it look and sound so easy!

  • 1:20 ... depth* not depht... i actually paused it and stared at the screen for a solid 30 seconds untill i realised what was wrong with the subtitles

  • Captivating

  • Does anyone know when this was performed?

  • Look at the description...

  • whoops...  haha

  • @KitanaiBaishunfu "

    Natalie Dessay as Lucia performing the aria "Il dolce suono" Metropolitan Opera, NY, 2007."

    people must hate reading.....

  • man she did this scene like nobody else!!! brava!

  • Now, I'm hardly an expert on the subject, but I fell in love with this opera (specifically, this scene) a few months ago, and have been looking for a performance I like...this was spot on for me! I've heard A LOT of different recordings and performances, but this one, in my opinion, is the best yet. Thank you so much for uploading this!

  • Begin at 6:00, the peak of the mad scene

  • thank you so much, thecelticspirit, me too! I'd rather know what it's all about and since I don't speak Italian - and I totally agree with your wish for a DVD of Dessay's Lucia AT LAST!!! But NOT of a stupid production like THAT one! People dressed like that and getting Valium shots don't get into this kind of mess to start with - what's wrong with nice period costumes, great singers (or the best = Dessay) and a decent production without the wannabe "genius" of some stupid EGOMANIAC director

  • You're very wecome, glad you appreciated the idea ^^ I kinda like this production too, even if there're some flaws. The mad scene is incredible! Dessay is incredible!

    Are you refering to Zimmerman's production of La Sonnambula? I really like it, even though it's not perfect. Maybe it's because of the singers ^

  • She is currently the best Lucia!

  • operathash, I know that the fact that Dessay's voice is unattractive and is weak and childish, does not mean anything to you. Dessay's acting is bad, if not for music one will never distinguish between her Amina and Lucia. Oh, I forgot Dessay is ugly - that should be a plus! So, she got a "proper" training, so why then Dessay was booed at La Scala? Because people in Italy know a thing or two about beautiful singing, they mostly value the voice, and there Dessays perfect training meant nothing!

  • Can you stop posting over and over the same comment on every video ??? I think we got your point ! And can you stop being disrespectful toward artists who are giving their live to their art ? You plead everyone to stop bashing Netrebko, but look at yourself when your talking about Dessay... This is so childish, I just don't believe it.

  • Of course not. I've already explained myself about that : every artist should be respected for what he/she does. I don't like Netrebko's Lucia, but I would never say she's shit. It's just that she does not touch me. What I don't understand is your attitude : you say that Dessay fans are disrespectful, but you do the same toward Dessay. Respect works both ways.

  • Lets wait for Netrebko's Lucia in la Scala in 2011!!!!!!!!

    I'm Italian and I tell you that Dessay is a perfect Lucia in singing, speaking and acting....

  • Finaly someone respecting both artists !Thanks :)

  • I think Dessay is a great Lucia, in my opinion she is the greatest!!! I can not understand why at the MET they have recorded Lucia with AN!!! Netrebko is a good singer and the greatest singer-entrepreneur... Simply Lucia is not for her!!!! She should choose in a better way her repertoire...

  • This is exactely what I was thinking. Dessay's Lucia was far more touching and convincing than Netrebko's. Netrebko has a great voice, but this is not her repertoire : I really like her Violetta, but Lucia, no way. And I listen both MET's and Vienna's versions... Definitely not for her. (sorry, Netrebko's fans ^^)

  • They are not simple fans, but blind fans ;DDDDD

  • Definitely. One can't have a normal conversation with them without being insulted if one does not worship Netrebko.

  • The best way to show it to them is to have netrebko's voice dubbed over an ugly and fat woman. They will hear her scream with no overtones.

  • heartstrings76 , if one is having halluciations that is of couse possible.

    See some help.

  • maggeo78 , I do not intend to change your mind, but do you know that Netrebko's Lucia (not Dessay's) was shown on public this April television for 4 days in a row as "Great performances at the MET"? What they broadcast here on youtube is very low quality clips and one cannot judge by that.

  • I know, I've seen it in HQ... and I still prefere Dessay....

    Sorry but AN is not my Lucia...

    I love her in others roles, but not in this...

    The fact that they shown her and not Dessay or Damrau for me doesn't mean that she is a better soprano.

    Maybe it can mean that she is more popular.

  • This is definitely NOT about success. It's not because something is said to be a "great performance" that it actually is. It could simply be marketing. Anyway, for me, success means nothing. I want emotions first. And I don't give a damn if a singer is famous.

  • Dessay's Lucia was shown at Times Square and people at the streets stopped.

  • Xa,Xa, Xa

  • This sorkin is crazy and has a fixed mind about netrebko.

  • Klaszimuss just mentioned Dessay has never been booed in La Scala. What a lie. Sorkin is crazy. Just gotta ignore.

  • I will wait for a Traviata of her.... But not for her Lucia.... Sorry, but I think she is not for Belcanto!!!!!

  • maggeo78 , you would not believe how much basing is going on Netrebko's Traviata pages. Actually they bash her everywhere. I am at lost, why do they hate her so much? Because she is successful and beautiful? Netrebko is one of the best living sopranos. Why people are so hateful?

  • I don't know why people hate her. I think she can not sing Lucia, but I think she is a great Violetta. The Traviata in Salzburg is surly one of the best Opera in last years like Lucia with Dessay at the Met or die Zauberflote with Damrau at ROH.

    The most important thing is to say what you think with respect for others and for the singers...

  • BRAVO!!!!

  • I don't think she's hated because of her success/beauty. I totally agree with maggeo78, she can't sing Belcanto. Well, not for the moment. I'm sure she would do far better things without overacting/lack of nuances. Her Violetta is to me her best performance. You should respect Dessay as I respect Netrebko even if I don't appreciate what she does, because singers deserve to be respected for their work. They are also human.

  • Actually they are so different, comparing them is delicate, I'm convinced they both shows talent for different things, that's all, no need to be discourteous.

  • I have to tell you. You are one of the few people on here who understands that. Even if you aren't a fan, the singer puts out so much work that really... they deserve respect. It takes years to learn this stuff. I love Netrebko. I love Dessay. I don't think I don't like any singer. To me, no one really competes with Joan Sutherland, but that's a personal preference. They're all amazing in their own right.

  • *stalk*

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  • Comment removed

  • don't bother waiting to hear NeTRASHko's DVD- Natalie ROCKS

  • operathash, you can keep your ugly and voiceless creature to yourself, nobody is bying Dessay's DVD's (or CD's) anyway !!!

  • Esplendorosa escena de la locura...Escénicamente es fantástica...y la coloratura es hermosa...esos sobreagudos.!!! Por eso Dessay es tan querida para mí !!! Mírenla completa !

  • Did you get any of the performance on Saturday by Anna?? I saw it on HD

    I really want to hear, il dolce suono, i think Anna sung the first part as a nod to Vitas, it had a sort of pop feel.

  • No, I don't have it. I think you'll have to wait for the DVD, because there are only few excerpts of her HD performance .

  • Yea that is sad, she did something there that might piss off some purists but I thought it sounded amazing!

  • thank you for posting this!!

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