Unfortunately, Barere makes too many flaws in this recording. I've played the piece myself - not with much better result, it's difficult - but it is very good music.
As an amateur classical pianist and stay-at-home dad who enjoys the Simon Barere anthology on CD every so often, I got the sheet music to this and started practicing it while I was holding my newborn son on my right arm. Two years later, I have discovered that this melody lulls my infant daughter to sleep despite the fact that I can only play at a fraction of this speed (and fairly choppily at. that!)
BTW, it's in a Schirmer anthology, "Piano Music for One Hand" - ed. by Raymond Lewenthal
You should have seen and heard Severin von Eckardstein's version of this piece played yesterday at the Concertgebouw in Amsterdam...... the roof went off..... and that was after he had just played Ornstein's Suicide on an airplane, Messiaen's Regards and Skriabin's 7th sonata...
Is there a story to this piece, similar to Ravel's Concerto written for the pianist who lost the rt. arm in WW I? Very inspired composition and performance.
@Quuee7n Well, he didnt ask if this was related to Paul Wittgenstein (who's brother inspired so much). He did ask though if there was a similar motive like a dedication, rather than pure boredom and exuberance as an instrumentalist.
If the eye had not seen the right hand resting on the trouser-leg the ear would have declared that it was not possible to range over the whole compass of the keyboard with such consummate ease and unspoiled musical effect with the left hand alone. This was the measure of M. Barers technical accomplishment, which was at the service of a mature musical judgement.
Horowitz said that Barere played this piece 'like a dream' and Leon Fleischer said he must have used 3 hands. I play this piece (sort of) and can say that Barere solves the real challenge of this piece, which is not the speed but being able to phrase the piece and make it sing, which is a hard task at any speed. That said, I think Hamelin's recording of this piece is slightly better musically and technically.
A live performance from one of the immortals! Even with a few mistakes, to prove he was human, the velocity of the piece is astounding without sacrificing the lyricism of the piece. Another age and time.
One afternoon last year, I noticed an elderly neighbor clutching a Schirmer Schumann Album-Leaves in the elevator. I ask him if he is taking up piano. The question is not absurd. I know an actor, 92 years old, who began serious piano study when over 80, very sucessfully. I was curious. He laughs. It turns out Boris is a pianist. He is teaching his great grand-daughter, just as his father, Simon Barere, taught him. I was stunned.
great pianist!
newFranzFerencLiszt 1 month ago
Unfortunately, Barere makes too many flaws in this recording. I've played the piece myself - not with much better result, it's difficult - but it is very good music.
Bluetooth6483 4 months ago
No one who lived into the time of recording can compete with Barere.
Both Barere and Horowitz studied with Blumenfeld.
Horowitz dropped this piece from his repertoire after hearing Barere play it.
marcxopoco 11 months ago
As an amateur classical pianist and stay-at-home dad who enjoys the Simon Barere anthology on CD every so often, I got the sheet music to this and started practicing it while I was holding my newborn son on my right arm. Two years later, I have discovered that this melody lulls my infant daughter to sleep despite the fact that I can only play at a fraction of this speed (and fairly choppily at. that!)
BTW, it's in a Schirmer anthology, "Piano Music for One Hand" - ed. by Raymond Lewenthal
MTabla 1 year ago
Tuttora insuperato in questa interpretazione!
sugarve 1 year ago
and what a perfectly gorgeous piano he's playing on.
aardvaark069 1 year ago
You should have seen and heard Severin von Eckardstein's version of this piece played yesterday at the Concertgebouw in Amsterdam...... the roof went off..... and that was after he had just played Ornstein's Suicide on an airplane, Messiaen's Regards and Skriabin's 7th sonata...
ewoutkramer 1 year ago 5
Quelle élégance! Quelle merveilleuse souplesse!
kiasmus 1 year ago
Amazing...for one hand?!!!
Bognarfan 2 years ago
@Bognarfan
That's right. Many pianists couldn't play this even by two hands :-))
Quuee7n 1 year ago
Is there a story to this piece, similar to Ravel's Concerto written for the pianist who lost the rt. arm in WW I? Very inspired composition and performance.
GaryPansey 2 years ago
No, it's just a showpiece. Blumenfeld wrote quite a few of them, actually!
davidjb100 1 year ago
@GaryPansey
No, this etude wasn't connected with Paul Witgenstein. It is dedicated to Leopold Godowsky.
Quuee7n 1 year ago
@Quuee7n Well, he didnt ask if this was related to Paul Wittgenstein (who's brother inspired so much). He did ask though if there was a similar motive like a dedication, rather than pure boredom and exuberance as an instrumentalist.
omgtkseth 7 months ago
Verry imprssive!
Mfkxia927 2 years ago
If the eye had not seen the right hand resting on the trouser-leg the ear would have declared that it was not possible to range over the whole compass of the keyboard with such consummate ease and unspoiled musical effect with the left hand alone. This was the measure of M. Barers technical accomplishment, which was at the service of a mature musical judgement.
The Times, 1934
pianopera 2 years ago 3
Thank you for that, @pianopera .
marcxopoco 6 months ago
Horowitz said that Barere played this piece 'like a dream' and Leon Fleischer said he must have used 3 hands. I play this piece (sort of) and can say that Barere solves the real challenge of this piece, which is not the speed but being able to phrase the piece and make it sing, which is a hard task at any speed. That said, I think Hamelin's recording of this piece is slightly better musically and technically.
whatsmylogin 4 years ago 2
Hamelin's isn't even close to this.
micheldvorsky 3 years ago
A live performance from one of the immortals! Even with a few mistakes, to prove he was human, the velocity of the piece is astounding without sacrificing the lyricism of the piece. Another age and time.
wilbur1960 4 years ago 3
One afternoon last year, I noticed an elderly neighbor clutching a Schirmer Schumann Album-Leaves in the elevator. I ask him if he is taking up piano. The question is not absurd. I know an actor, 92 years old, who began serious piano study when over 80, very sucessfully. I was curious. He laughs. It turns out Boris is a pianist. He is teaching his great grand-daughter, just as his father, Simon Barere, taught him. I was stunned.
marionetanyc 4 years ago 20
WONDERFUL story! Thanks so much for sharing that. :)
Schnabel87 4 years ago 2
This IS a wonderful story. It's great to hear that Boris is still alive and well, and teaching, on W. 79th Street.
schunkeone 4 years ago 3
Unbelievable!
chopin114 3 years ago
marionetanyc - incredible story! how is he doing?
kasyapa 1 year ago