Awesome job of mixing early music sensitivity in the vocals, but adding the new things we've learned about placement and forte since, also LOVE LOVE LOVE the subdued organ setting.
Just wonderful! I had this disk for a few years. I found this very engaging. I can listen to it over and over again. His voice and interpenetration is just amazing. He brings such an energy to the Brogue music otherwise I would not probably listen to it !! Just love to listen to it. Thanks Rolando.
Really terrible singing. I find it astonishing that someone of his profile would sing this in public. Has he read nothing about singing Monteverdi? What about Monteverdi's description of the three registers? Villazon just does the 'modern tenor thing' and sings everything in the same strained and wobbly way. The dictum? Focus on the modern technique and forget about everything else. Zzzzzzz.
il est évident que la présence de Villazon rehausse cette production: l'artiste est talentueux, engagé. Mais il n'est pas certain que sa voix soit monteverdienne, et de manière plus générale, baroque. C'est plutôt un timbre pour le romantisme italien.
Quant aux gesticulations de la chef, elles sont inutiles et franchement ridicules; la musique se vit de l'intérieur : minimum de gestes pour maximum de contenu a souvent été la devise de grands interprètes...
@drtmuir You are right...they really have similar very interesting facial expressions, but , as you know, Mr Bean stays away from singing...I guess if he could sing like this we would have missed out on the funny movies...
BRAVO, Rolando!Voila un autre magnifique visage musical de ta carriere ..Sei straordinario , come sempre !.Ti vogliamo tutti un sacco di bene.Desde Rumania , en donde te esperamos lo mas antes posible, nuestro amor a ti, para siempre !
mah... per quanto mi piaccia villazon, non riesco a capire il perché di quest'operazione, ahimè, fin troppo commerciale. La declamazione richiesta dal testo di Tasso e dalla musica di Monteverdi non ne esce come avrebbe potuto, vista la razza pregiata degli esecutori. Mi sembra un'occasione persa. L'aria della Notte è senza mistero, la voce è sempre troppo presente e uniforme, senza i giusti accenti e le pause di declamazione... peccato
Bueno fluye sentimiento..pero no es Verdi.Aparte ,su voz tapa los matices e intención de la orquesta como que no estan en comunión ambos planos...pero ya esta hecho...y creo que eso querian a hacer una versión ...el publico elige
me parece fantastica su interpretacion, a pesar de la adversion q veo q provoca su vibratto, pero señores el espiritu del barroco es la provocacion de los afectos, no un canto purista llano q no provoca ni a la abuelita ajoajoajaojaoj
Monteverdi n'est pas Verdi. Comme d'habitude E. Haim préfère l'exhibition à l'introversion et privilégie le star system ( on a eu droit à N. Dessay dernièrement).Et en prime on a ses contorsions.
Ich schliesse mich diesem Urteil vor allem in Bezug auf Emmanuelle Haim an. Dieses ewige Chargieren ist nervig und hat überhaupt nichts mit der Musik zu tun - unorganisch und einfach nur lächerlich! Kein Wunder, dass der Klang derart drahtig und überspannt rüberkommt! Ein Absteller! :<
connaissez vous seulement l'histoire de cette piece? et que pouvez vous me dire du "style monteverdien"... Mr Villazon est bien meilleur dans ce repertoir que dans du verdi ou du donnizetti. et quel est cette maniere de denoncer des artistes et des professionnels qui ont fait leur preuves...eux!
Je ne dénonce pas , je donne un avis sur une interprétation qui fait l'objet d'une commercialisation. Toute critique est légitime et ne pas être chanteur n'interdit pas de dire ce qu'on en pense. Faut-il être metteur en scène pour critiquer , dans un sens comme dans un autre, un film? Je persiste à penser que Monteverdi n'est pas Verdi et que Mm Haïm privilégie les stars pour ses interprétations; business oblige!
Villazon clearly put everything he's got in it and seems to be in awe of Monteverdi and his music. He also seems to be able to handle the complexities of 17th century operatic singing with as much poise as any of those who specialize in it....and I've listened to many. And the power of his voice excels.
I don't know much about the technicalities of 17th century opera, but I have heard other singers and compare him to the best I have heard. A more powerfully delivered piece of singing I have never heard.
This is fabulous -- to find a 'mainstream' tenor sing Monteverdi according to HIP. Even if aspects could be more 'perfect', it is fabulous, and he has a voice! We need more performers to cross-over between HIP and mainstream.
Monteverdi, unido a Villazon es un dueto bellisimo, ah! por favor no pueden filtrar un poco las opiniones de gente que no conoce este Genero culto y antiguo
Questo e' perche' mi piace la musica classica, ma non mi piace la musica classica, perche' e' la bellissima, ma ognuno pensi che conosci tutto degli stili.... la maggioranza sono persone che non sono cantanti.
usted a estudiado canto antiguo, si hasta mozart lo dice, el vibrato natural es muy bonito pero cuando pasa a ser exagerado, se hace antinatural y es molesto.
Y además esta cantado muy romanticamente, y piensa que es barroco, y tampoco es Lully a sin que según mi gusto como la escuela del canto no esta tan evolucionada, la gente cantaba más natural, sin hacer tantisimo vibrato. Parece una ópera de Wagner
I can understand this point of view, but why should this kind of musical art always depend on "natural" paradigms ? I see your point, but I think that coloraturas based on this kind of vibrato give baroque music its authentic and characteristical traits. "Possente spirto" from L'Orfeo is the best example for the intensity and profoundness of vibrato.
- im surpised vilazon does not have the perfect technique of tenor coloratura to sing the complex ornament without shouting... i thought his voice was truly no1 material or is it he didnt exaclty know how to sing this?
"What now, ma'am? Ah, let me see the score. So we're singin'... Verdi... Yah, I remember my Verdi lessons (Or was it Verdie?--I think it's short for Monteverdie)... he was a kewl guy"
Tremendous! And to those arguing about the Monteverdi style, I suggest to see the whole DVD and listen to the explanations by RV and Mme. Haim. Makes perfect sense and sounds great.
I have heard 3 performances of the 1610 Vespers and several Poppeas and I am convinced that Claudio Monteverdi loved adult and ripe sounding voices capable of fast coloratura and a wide range of dynamics. I don't think he would have responded to an English or French boys' choir sound. I don't think Emma Kirkby (despite her awesome musicianship) would have impressed the maestro. But then, we'll never know! I just like the blood and guts of this strong MODERN music...
Ok. Perhaps isn't the Monteverdi style. But is a greath thing that a "traditional" opera singer try this repertory. Agree to anything wrote tenorbear60
well,i must say that i didn't expect that from villazon.i'm always suspicious to voices like villazon when it comes to old music,but he did it very good.just...i don't like the vibrato.but his voice is very movable,and i have to say that this is very good!!
I bought this disc as a direct result of stumbling over this clip here. I must say, as a devout Monteverdi-fan that I love this. Sure its not the Tallis Scholars, but I absolutley love it! Its something new! Ive never heard Monteverdi with such vibrato and passion. Screw tradition and conformity! Prais creativness and fresh thinking! Kudos to Villazon for venturing where the common crowd think he should not!
@talornin I am a big Monteverdi fan, too, and I was trained in the early-music style, and I have to say I absolutely love it when I see singers from the "big" opera world attempt it. They have varying degrees of success (Bostridge-pretty bad; Keenlyside and Villazon-- have their good points; Rolfe-Johnson, Allen and Murray- amazingly good), but I give them big points for trying.
Buy the disc!! I got it and I can tell you: the ensemble is fantastic and co-singers Topi Lehtipuu, a real tenor, and the soprano Patrizia Ciofi fit. And even if Villazon sings like Domingo on drugs here - fine with me if it helps selling this wonderful music
Unexpected, but Monteverdi was Italian, and what seems to be bad taste or too bright for northern people, I am nearly believing that it's a good choice of interpretation. And we have also to think to recreate life, not only trying to be philological.
People who are not happy with a style keep forgeting that all project has director Ms. Haim. She was looking specially for him, Rolando.
She needed HIS voice, HIS temperament,HIS
personality. They of course were agree with HIS degree of energy. And this is another Rolando's success. That's right-- this is a war.Thank you tenorbear60 and m0e4q2 for your comments.
So she took another tempo in the Handel-piece then you preferred. So what! Only amateurs nag about tempo! Is an artist supposed to do what people expect them to do? I don't think so.
it's just the performance. I have a recording of this piece and it sounds fantastic and definitely very much Monteverdi at his best. the problem with some singers is that they seem to ignore what style is about in order to show off their powerful voices. the guy is good, of course, but not for Monteverdi, or at least not in this interpretation. it destroyed this fantastic piece.
I must disagree with them who wrote this style would be ok for monteverdi:
this is a COMPETE WRONG IDIOM for such a music. Villazon sounds like a italian pizza-baker, with all this 'forza' in his voice, i don't understand how a such a clever musician (who he is) could let this happen!!!!!!!!!!!!
very well said: the ensemble is actually quite fine and I was expecting a great performance based on the first seconds, but it's extremely unfortunate how the voice is completely out of Monteverdi's style!!! It happens quite often, unfortunately!!
no, there is nothing stupid in saying that this performance is a fiasco. By the way, if you can't argue using more intelligent words and being less aggressive, please stay out of the discussion. Very bad, pathetic performance of this "ancient" singer.
bel canto is fine when the music asks for it. It's not the case in Monteverdi's ouvre. I don't want to be aggressive here, I just trying to say that this performance is highly affected and that's not a positive thing. Emotion doesn't mean affectation.
His has a powerful voice, but this is a total distortion of Monteverdi's piece!
Passion is also the second theme of this very fine piece , and Testo here is being the witness for us of this love story between Tancrede and Clorinda .Rolando's interpretation of Testo is astonishing ,showing that Monteverdi was refering to melodies perhaps influenced by El-andalus ,as he mentions in one of his letters having choosen an arab musician for the originality of his instrument.that passage 'notte.....fame..' marvellous discovery with this wonderful voice,a Monteverdi .
To those who say Rolando's singing is not the correct style for Monteverdi - I must disagree. This opera is about warfare, and Monteverdi is not some bloodless Oxford esthete; he was Italian. This is a battle scene and should be violent. I think we get the English sound of the late 60s and 70s in our heads for this early Baroque music; that was a valid approach, and so is this. Regarding the flailing, singers do that in rehearsal to get their bodies moving; its perfectly legit.
i wholeheartedly agree with tenorbear60. it is ridiculous to think that this music can only be performed in the affected style that's currently accepted as performance practice. it is italian music, and italianate voices aren't any different now than in the 1400's or 1600's, regardless of stylistic differences. a full bodied voice sounds quite appropriate here.
I have a performance of this piece by William Christie's arts florissant, more restrained but I think this is fine too. It's such a powerful text that having the narrator being so passionate about it makes total sense.
I like him, but he's gotten the whole lot so whipped up into a frenzy that it's getting a bit weird. The director is too busy flailing around. They made it almost sound like flamenco music or something...?
I liked the performance very much, but I wish the director at the key boards would take a valium and sit down. I've never been involved in a performance of this piece where such hysterical gesticulations and jumping up and down were necessary.
It's a little like the "good old days" before the musicologists ruined early music by insisting on "authentic" performances--when you could hear singers like Gwynenth Jones and Vickers sing the repertoire. Wouldn't it be nice to hear real voices tackle this repertoire?
There is something in this singer which reminds me of Domingo. Anyways, he is a terrific lyric tenor and sings this music with so much abandon which is a rarity. I would to hear some clearer pronunciation though. Most of the early music artists like Emma Kirkby and anthony R Johnson who truly specialize in this music, deliver this arduously meticulous music with such agility and pure tones.
mi piace il suo canto, si sente la piena voce maschile. chi puo` dire come venivano esibite queste cose al giorno del Monteverdi...insomma, le opere hanno una vita propria che non dipende piu` dall`autore o dallo stile! Lasciamo che ci siano piu` varianti di una cosa...
I commend Villazon at a wonderful attempt at this music. He has extraordinary passion for the music but his voice and ornamentation do not fit Monteverdi well. I love him singing Bellini and Donizetti though. This music requires a clearer, more free tone. It is such an amazing piece of music. Go Monteverdi!
Maybe his way of singing is suitable to dramatic rules,and I'm so tired to listen to only one color of voice in different operatic rules and musics,I don't know what about you guys,but I don't think always being "SHOW OFF" could be a great singers
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Feliz Natal, Próspero Ano novo pra você e Família! ;D
JonyDanielski
JonyDanielski 1 year ago
whats the title for this piece....
ghyuuga 1 year ago
Awesome job of mixing early music sensitivity in the vocals, but adding the new things we've learned about placement and forte since, also LOVE LOVE LOVE the subdued organ setting.
marcusunlimited 1 year ago
Just wonderful! I had this disk for a few years. I found this very engaging. I can listen to it over and over again. His voice and interpenetration is just amazing. He brings such an energy to the Brogue music otherwise I would not probably listen to it !! Just love to listen to it. Thanks Rolando.
gkopij 1 year ago
3:07 renaissence rock
LordMgls 1 year ago
GENIAL
fernandoeltenor 1 year ago 2
@fernandoeltenor Concuerdo tocallo pero en tenor jeje, es fenomenal VIVA VILLAZON!!!!
ferbaritono5917 1 year ago
Really terrible singing. I find it astonishing that someone of his profile would sing this in public. Has he read nothing about singing Monteverdi? What about Monteverdi's description of the three registers? Villazon just does the 'modern tenor thing' and sings everything in the same strained and wobbly way. The dictum? Focus on the modern technique and forget about everything else. Zzzzzzz.
Svatopluk 1 year ago
is he singing monteverdi?? its more like verdi....
bwv243 2 years ago 6
il est évident que la présence de Villazon rehausse cette production: l'artiste est talentueux, engagé. Mais il n'est pas certain que sa voix soit monteverdienne, et de manière plus générale, baroque. C'est plutôt un timbre pour le romantisme italien.
Quant aux gesticulations de la chef, elles sont inutiles et franchement ridicules; la musique se vit de l'intérieur : minimum de gestes pour maximum de contenu a souvent été la devise de grands interprètes...
MYRHAH 2 years ago 3
"L'onta irrita lo sdegno a la vendetta"-- I thought that was going to be a lot worse than it was!!! ;)
drtmuir 2 years ago
Is it me or Villazon look like Rowan Atkinson? It;s like seeing Mr. Bean sing Monteverdi.
drtmuir 2 years ago 14
@drtmuir You are right...they really have similar very interesting facial expressions, but , as you know, Mr Bean stays away from singing...I guess if he could sing like this we would have missed out on the funny movies...
neelsdp1 1 year ago
Una lastima con el divismo de los cantantes, sin el compositor no existiria la obra
anocheciendo 2 years ago
ileanabarandiaran
BRAVO, Rolando!Voila un autre magnifique visage musical de ta carriere ..Sei straordinario , come sempre !.Ti vogliamo tutti un sacco di bene.Desde Rumania , en donde te esperamos lo mas antes posible, nuestro amor a ti, para siempre !
ileanabarandiaran 2 years ago
que pedejo baltazar rolando es de los meojores de estos tiempos.
marisolyd 2 years ago
D'accordissimo..
belcantomania 2 years ago
mah... per quanto mi piaccia villazon, non riesco a capire il perché di quest'operazione, ahimè, fin troppo commerciale. La declamazione richiesta dal testo di Tasso e dalla musica di Monteverdi non ne esce come avrebbe potuto, vista la razza pregiata degli esecutori. Mi sembra un'occasione persa. L'aria della Notte è senza mistero, la voce è sempre troppo presente e uniforme, senza i giusti accenti e le pause di declamazione... peccato
Bajazet 2 years ago
sono d'accordo
graulud 2 years ago
It is interesting to add such emotions to Monteverdi
ardnail 2 years ago 2
One might argue that the emotions are there-- he just expresses them more, um, emphatically.
drtmuir 2 years ago
Bueno fluye sentimiento..pero no es Verdi.Aparte ,su voz tapa los matices e intención de la orquesta como que no estan en comunión ambos planos...pero ya esta hecho...y creo que eso querian a hacer una versión ...el publico elige
maryrapshody 2 years ago
The conductor is strange^^
wasdwasd1337 2 years ago 4
Lo lamento ademas de cantar mariachi canta monteverdi como nadie BRAVISIMO!!!!!!!!
ortruda2009 2 years ago
oimè,caso acerbo!!!!!!!!!!!
belcantomania 3 years ago
me parece fantastica su interpretacion, a pesar de la adversion q veo q provoca su vibratto, pero señores el espiritu del barroco es la provocacion de los afectos, no un canto purista llano q no provoca ni a la abuelita ajoajoajaojaoj
melisandedebussy 3 years ago
Ridicule!Rien à voir avec le style monteverdien.
Monteverdi n'est pas Verdi. Comme d'habitude E. Haim préfère l'exhibition à l'introversion et privilégie le star system ( on a eu droit à N. Dessay dernièrement).Et en prime on a ses contorsions.
cggchat 3 years ago 2
J'ai raccourci après 1 minute de Villazon. Tout à fait d'accord avec toi. C'est pas du Monteverdi mais du Descenduverdi si je puis me permettre.
Un chanteur verdien peut-il avoir une bonne conception d'interprétation pour les baroques ?
Emma Kirkby par ex, bien pour le baroque par contre chez Mozart, déjà, ça me laisse perplexe...
J'abhorre -aussi- les contorsions de cette chef...
Kerlerot 3 years ago 2
Ich schliesse mich diesem Urteil vor allem in Bezug auf Emmanuelle Haim an. Dieses ewige Chargieren ist nervig und hat überhaupt nichts mit der Musik zu tun - unorganisch und einfach nur lächerlich! Kein Wunder, dass der Klang derart drahtig und überspannt rüberkommt! Ein Absteller! :<
wm0912 3 years ago
connaissez vous seulement l'histoire de cette piece? et que pouvez vous me dire du "style monteverdien"... Mr Villazon est bien meilleur dans ce repertoir que dans du verdi ou du donnizetti. et quel est cette maniere de denoncer des artistes et des professionnels qui ont fait leur preuves...eux!
xpywe 2 years ago
Je ne dénonce pas , je donne un avis sur une interprétation qui fait l'objet d'une commercialisation. Toute critique est légitime et ne pas être chanteur n'interdit pas de dire ce qu'on en pense. Faut-il être metteur en scène pour critiquer , dans un sens comme dans un autre, un film? Je persiste à penser que Monteverdi n'est pas Verdi et que Mm Haïm privilégie les stars pour ses interprétations; business oblige!
cggchat 2 years ago
Bravo!!!Grande!!!
eres un artista muy completo Rolando!
Felices Fiestas!!! 20-12-2008
cantantesmexicanos 3 years ago
Villazon ponte a cantar Mariachis!
Aprende: Laerte Malaguti, Carlo Gaifa,
Werner Hollweg, te dejan bien atrás.
lexjulia44 3 years ago
Villazon clearly put everything he's got in it and seems to be in awe of Monteverdi and his music. He also seems to be able to handle the complexities of 17th century operatic singing with as much poise as any of those who specialize in it....and I've listened to many. And the power of his voice excels.
Aficionadorientalis 3 years ago 3
I don't know much about the technicalities of 17th century opera, but I have heard other singers and compare him to the best I have heard. A more powerfully delivered piece of singing I have never heard.
Aficionadorientalis 3 years ago
Far too much vibrato, sounds like 19th century opera!
dulcissimusverus 3 years ago
i watched this right now on tv (arte). very nice =)
BlauerBooo 3 years ago
Bravissimo...
eddi1178 3 years ago
Mais qui est donc cette chef d'orchestre ? ne serai-ce pas Emmanuelle Haïm ??
Cosifantuttee 3 years ago
si la pc tiembla con ese vibrato... no es usual para este periodo
Veraeikon 3 years ago
This is fabulous -- to find a 'mainstream' tenor sing Monteverdi according to HIP. Even if aspects could be more 'perfect', it is fabulous, and he has a voice! We need more performers to cross-over between HIP and mainstream.
cyclingviolin 3 years ago 2
Monteverdi, unido a Villazon es un dueto bellisimo, ah! por favor no pueden filtrar un poco las opiniones de gente que no conoce este Genero culto y antiguo
acitipo 3 years ago
Questo e' perche' mi piace la musica classica, ma non mi piace la musica classica, perche' e' la bellissima, ma ognuno pensi che conosci tutto degli stili.... la maggioranza sono persone che non sono cantanti.
Javaking9000 3 years ago
demasiado vibrato! demasiado antinatural
jsaltod 3 years ago
Too much vibrato? Is your favourite music "Cats" or what? Then please never listen to renaissance era music again, please.
Imperath 3 years ago
usted a estudiado canto antiguo, si hasta mozart lo dice, el vibrato natural es muy bonito pero cuando pasa a ser exagerado, se hace antinatural y es molesto.
Y además esta cantado muy romanticamente, y piensa que es barroco, y tampoco es Lully a sin que según mi gusto como la escuela del canto no esta tan evolucionada, la gente cantaba más natural, sin hacer tantisimo vibrato. Parece una ópera de Wagner
jsaltod 3 years ago
I can understand this point of view, but why should this kind of musical art always depend on "natural" paradigms ? I see your point, but I think that coloraturas based on this kind of vibrato give baroque music its authentic and characteristical traits. "Possente spirto" from L'Orfeo is the best example for the intensity and profoundness of vibrato.
Imperath 3 years ago
Por lo mismo que tu dices deberias aceptar libremente las versiones...
tachiniger 3 years ago
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why is all that sound coming out of his chest - it's not heavy rock music
guyosborn 3 years ago
- such a beautiful piece
- im surpised vilazon does not have the perfect technique of tenor coloratura to sing the complex ornament without shouting... i thought his voice was truly no1 material or is it he didnt exaclty know how to sing this?
Lohengrin 3 years ago
mmh... bello, molto bravo. Però deve stare attento a non confondere Verdi con Monteverdi....
AngeMarais 3 years ago
this is nice!!!!!
Adachmar 3 years ago
"What now, ma'am? Ah, let me see the score. So we're singin'... Verdi... Yah, I remember my Verdi lessons (Or was it Verdie?--I think it's short for Monteverdie)... he was a kewl guy"
arcsense 3 years ago 3
Tremendous! And to those arguing about the Monteverdi style, I suggest to see the whole DVD and listen to the explanations by RV and Mme. Haim. Makes perfect sense and sounds great.
mltube 3 years ago
I agree that is not the "style" of Monteverdi, but i quiet liked the first bit...
thanks
Gealach74 3 years ago
I have heard 3 performances of the 1610 Vespers and several Poppeas and I am convinced that Claudio Monteverdi loved adult and ripe sounding voices capable of fast coloratura and a wide range of dynamics. I don't think he would have responded to an English or French boys' choir sound. I don't think Emma Kirkby (despite her awesome musicianship) would have impressed the maestro. But then, we'll never know! I just like the blood and guts of this strong MODERN music...
tenorbear60 3 years ago 3
Ok. Perhaps isn't the Monteverdi style. But is a greath thing that a "traditional" opera singer try this repertory. Agree to anything wrote tenorbear60
raxmeger 3 years ago
Me too, raxmeger. Tancredi is a man and a warrior. Also, phrasing and coloratura is good. Monteverdi would have loved it!
murksov 3 years ago
awful. This is monteverdi, not verdi
firebreathone 4 years ago
lmao!!
picapin 3 years ago
Liric style in baroque music: Villazon sings Monteverdi like Verdi. It isn't good.
medesmentego 4 years ago
Comment removed
sylviebaroque 4 years ago
well,i must say that i didn't expect that from villazon.i'm always suspicious to voices like villazon when it comes to old music,but he did it very good.just...i don't like the vibrato.but his voice is very movable,and i have to say that this is very good!!
muzicarka 4 years ago
Comment removed
sylviebaroque 4 years ago 2
Very impressive singing from Villazon. He shows excellent agility and intonation in this difficult music.
Samurai9 4 years ago
I bought this disc as a direct result of stumbling over this clip here. I must say, as a devout Monteverdi-fan that I love this. Sure its not the Tallis Scholars, but I absolutley love it! Its something new! Ive never heard Monteverdi with such vibrato and passion. Screw tradition and conformity! Prais creativness and fresh thinking! Kudos to Villazon for venturing where the common crowd think he should not!
talornin 4 years ago 19
@talornin I am a big Monteverdi fan, too, and I was trained in the early-music style, and I have to say I absolutely love it when I see singers from the "big" opera world attempt it. They have varying degrees of success (Bostridge-pretty bad; Keenlyside and Villazon-- have their good points; Rolfe-Johnson, Allen and Murray- amazingly good), but I give them big points for trying.
drtmuir 1 year ago
@drtmuir True, true, but whatever is happening around 3:20 is not excusably.
empedokles1983 1 year ago
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@drtmuir True, true, but whatever is happening around 3:20 is not excusably.
empedokles1983 1 year ago
Buy the disc!! I got it and I can tell you: the ensemble is fantastic and co-singers Topi Lehtipuu, a real tenor, and the soprano Patrizia Ciofi fit. And even if Villazon sings like Domingo on drugs here - fine with me if it helps selling this wonderful music
Hirnhinweg 4 years ago
Unexpected, but Monteverdi was Italian, and what seems to be bad taste or too bright for northern people, I am nearly believing that it's a good choice of interpretation. And we have also to think to recreate life, not only trying to be philological.
foropera 4 years ago
People who are not happy with a style keep forgeting that all project has director Ms. Haim. She was looking specially for him, Rolando.
She needed HIS voice, HIS temperament,HIS
personality. They of course were agree with HIS degree of energy. And this is another Rolando's success. That's right-- this is a war.Thank you tenorbear60 and m0e4q2 for your comments.
huhas1 4 years ago
Comment removed
sylviebaroque 4 years ago 2
So she took another tempo in the Handel-piece then you preferred. So what! Only amateurs nag about tempo! Is an artist supposed to do what people expect them to do? I don't think so.
Monrealese 3 years ago
it's just the performance. I have a recording of this piece and it sounds fantastic and definitely very much Monteverdi at his best. the problem with some singers is that they seem to ignore what style is about in order to show off their powerful voices. the guy is good, of course, but not for Monteverdi, or at least not in this interpretation. it destroyed this fantastic piece.
Justino111 4 years ago
I must disagree with them who wrote this style would be ok for monteverdi:
this is a COMPETE WRONG IDIOM for such a music. Villazon sounds like a italian pizza-baker, with all this 'forza' in his voice, i don't understand how a such a clever musician (who he is) could let this happen!!!!!!!!!!!!
lilastabilo 4 years ago
very well said: the ensemble is actually quite fine and I was expecting a great performance based on the first seconds, but it's extremely unfortunate how the voice is completely out of Monteverdi's style!!! It happens quite often, unfortunately!!
Now, this is a masterpiece, no question.
Justino111 4 years ago
stupid.... This is a real ancient italian singer... passionate and very careful to the pronunciation... not as many northern singers
AuroraDeVenessia 4 years ago 4
no, there is nothing stupid in saying that this performance is a fiasco. By the way, if you can't argue using more intelligent words and being less aggressive, please stay out of the discussion. Very bad, pathetic performance of this "ancient" singer.
Justino111 4 years ago
Justino, espero que algún día aprenda a apreciar el bel canto...
leblanc1000 4 years ago
bel canto is fine when the music asks for it. It's not the case in Monteverdi's ouvre. I don't want to be aggressive here, I just trying to say that this performance is highly affected and that's not a positive thing. Emotion doesn't mean affectation.
His has a powerful voice, but this is a total distortion of Monteverdi's piece!
Justino111 4 years ago
Passion is also the second theme of this very fine piece , and Testo here is being the witness for us of this love story between Tancrede and Clorinda .Rolando's interpretation of Testo is astonishing ,showing that Monteverdi was refering to melodies perhaps influenced by El-andalus ,as he mentions in one of his letters having choosen an arab musician for the originality of his instrument.that passage 'notte.....fame..' marvellous discovery with this wonderful voice,a Monteverdi .
m0e4g2 4 years ago
To those who say Rolando's singing is not the correct style for Monteverdi - I must disagree. This opera is about warfare, and Monteverdi is not some bloodless Oxford esthete; he was Italian. This is a battle scene and should be violent. I think we get the English sound of the late 60s and 70s in our heads for this early Baroque music; that was a valid approach, and so is this. Regarding the flailing, singers do that in rehearsal to get their bodies moving; its perfectly legit.
tenorbear60 4 years ago 2
i wholeheartedly agree with tenorbear60. it is ridiculous to think that this music can only be performed in the affected style that's currently accepted as performance practice. it is italian music, and italianate voices aren't any different now than in the 1400's or 1600's, regardless of stylistic differences. a full bodied voice sounds quite appropriate here.
benjaminvox 4 years ago 3
oh no!!! no Rolando, this music is not into your brain!! I love you, but no in this!!!!, Monteverdi must sound with a highly less brilliant sound!!
cantanteporsiempre 4 years ago
you got to be kidding me...? less brilliant sound? what sound did you intend?
Monrealese 3 years ago
Who gave them cocaine?
swampman 4 years ago
I have a performance of this piece by William Christie's arts florissant, more restrained but I think this is fine too. It's such a powerful text that having the narrator being so passionate about it makes total sense.
SteveLatch 4 years ago
too much, beautiful voive but it is not monteverdi
juandatocas 4 years ago
I agree with you,it is too much.And his voice is good,but not that good.
BeniaminoGigli 4 years ago
I like him, but he's gotten the whole lot so whipped up into a frenzy that it's getting a bit weird. The director is too busy flailing around. They made it almost sound like flamenco music or something...?
steinwayalways 4 years ago
I liked the performance very much, but I wish the director at the key boards would take a valium and sit down. I've never been involved in a performance of this piece where such hysterical gesticulations and jumping up and down were necessary.
apodyterion 4 years ago
It's a little like the "good old days" before the musicologists ruined early music by insisting on "authentic" performances--when you could hear singers like Gwynenth Jones and Vickers sing the repertoire. Wouldn't it be nice to hear real voices tackle this repertoire?
juadan 4 years ago
Beautyful voice, but I don't find Monteverdi!
Cleessina 4 years ago 2
There is something in this singer which reminds me of Domingo. Anyways, he is a terrific lyric tenor and sings this music with so much abandon which is a rarity. I would to hear some clearer pronunciation though. Most of the early music artists like Emma Kirkby and anthony R Johnson who truly specialize in this music, deliver this arduously meticulous music with such agility and pure tones.
operaoaf 4 years ago
Wow, what an incredible voice. I wonder why I have never heard of this wonderful singer.
k0229071 4 years ago
mi piace il suo canto, si sente la piena voce maschile. chi puo` dire come venivano esibite queste cose al giorno del Monteverdi...insomma, le opere hanno una vita propria che non dipende piu` dall`autore o dallo stile! Lasciamo che ci siano piu` varianti di una cosa...
SuNuraxi 4 years ago
Wow. I usually nitpick at such "modern" voices in early music, but I love this:-) Anachronistic or not.
SinoSene 4 years ago
Che schifo
Orbazzano 4 years ago
summa plus ultra
danensago 4 years ago
This is lovely... he's a bit too showy for Monteverdi, but he's stylistically appropriate most of the time. I still think he's fantastic.
radiosupply 4 years ago
Me gusta muchísimo Villazón cantando Monteverdi.
lasultanica 4 years ago
I commend Villazon at a wonderful attempt at this music. He has extraordinary passion for the music but his voice and ornamentation do not fit Monteverdi well. I love him singing Bellini and Donizetti though. This music requires a clearer, more free tone. It is such an amazing piece of music. Go Monteverdi!
UNHStudly5 4 years ago
Wow! That's a DIFFICULT music! I don't know if Villazón has the right style for this music, but his singing pleases me a lot. ;-)
OperaBR 4 years ago
He has no idea for Baroque Musics
BeniaminoGigli 4 years ago
I don´t agree. He sang very weel. The Baroque´s aria can be played with energy too. Fantastic. And he sing other aria too much well.
linow666 4 years ago
Maybe his way of singing is suitable to dramatic rules,and I'm so tired to listen to only one color of voice in different operatic rules and musics,I don't know what about you guys,but I don't think always being "SHOW OFF" could be a great singers
BeniaminoGigli 4 years ago
!Impresionante¡
carmen1945 4 years ago
interesting- i like the performance, very emotional ; also, the rythm is intense- a bit "gipsy",maybe...some flamenco in it
trojaio 4 years ago
Pretty good. I liked it. The singer went a little overboard here and there, but it was great fun to listen to.
bobbygnosis 4 years ago