Clara Haskil remains to this day one of the best Mozart interpreters. It's a shame that she did have such a hard life, and (I think) never really owned her own piano!
@12icey34 i don't care about the story the song tells. fairy tales, other children's stories, and what not have various levels of political incorrectness and sordid stories to tell. we cannot judge their content using present day standards. they were written in a different context and time. besides, i was commenting on the beauty of the piano paying. the comment was also directed towards the pianist and mozart's genius!
that's a new variation, where'd you hear that? when I saw it in a book of French nursery rhymes it was about a little boy crying over the math problems his dad makes him do, and he does not enjoy it one bit,
@Montyleeny14 Oh no they are not. Look at the repeat signs and use your ears: the first section is repeated, the second one is not. Don't you feel that each variation leaves you wanting for more, for something missing? He put the repeats for a reason.
I adore this! This is a perfect song to play at a party too. First 15 seconds: aww it's so cute and simple! Then the rest of VAR I comes along and you're like WHOA! Then comes VAR II and you're just blown away.
@SadaharuUchisawa No, it's simply that I only talk when I know what I am talking about, and part of my limited education includes a certain familiarity with the works of Mozart.
If you did not know about the Köchel catalogue, you needed the help of whatever search engine to get to the real friend Wikipedia.
As for the "style" thing, I guess your expert knowledge on Mozart's style always was aware of what Lambach symphony was Wolfgang's and, most important, WHY.
@SadaharuUchisawa I was simply answering in an orderly manner to your orderly exposed rant.
You talked about me "SOUNDING" to you, so I just followed your logic in my writing. If you find it all dumb, then don't start the game in the first place.
@SadaharuUchisawa 1. I didn't. I simply said that you were as cocksure in your wrongness as people who make a living on being authoritatively clueless. 2. You may have an ear/hearing problem if I "sounded" to you more snobbish than yourself or than anyone else. 3. You admit you do not know much about Mozart, not even the 5-year-old Mozart you were referring to. 4. Again, you may be having a hearing problem if showing that you are totally reinventing Mozart makes me a snobbish expert.
@SadaharuUchisawa It's precisely the contrary what I said, if you care to read it, and my point was that if you can't tell the difference between what he wrote at 5 and what he composed at 25, it's normal that you believe these variations were composed by him at 5.
I'm still waiting for you to say exactly what are the "style" differences or similarities that you detect between K300e and, say, K330.
@haranoe no, i can tell the difference in what he wrote at 5 and what he wrote at 25, but your point was thats i couldnt tell the difference between the minuets he wrote at 5 and the a vous dirai-je maman that he composed when he was 25, and i repied with something like: "i didnt listen to the minuets", so therefore your arguments are irrelevant. and as for the PIANO SONATAS (k330-333)we were talking about, then here you go
@SadaharuUchisawa Not as irrelevant as your pretension that by saying that you can tell the difference between Mozart's first pieces and the variations in question, when you insisted that both were composed by him at 5.
The point is not so much whether you can tell some difference, as what exactly are the differences you claim to distinguish between both compositions: everything can be said to be different from and similar to anything else, but not all distinctions are equally relevant.
@haranoe i never said i could tell the difference, if you read the text, it says i cant because i never heard his minuets, and as for the the stuff i said about his variations, you asked for the differences in the pieces, not composers, so stop bringing haydn into this. and "flow like oil" was Mozart's own words, so dont "facepalm" it.
@SadaharuUchisawa Mozart composed, he did not care to analyze. I facepalm the insistence of throwing vague phrases as if they had a clear and definite meaning, and as if they could not be applied to cases overall more dissimilar than similar.
As for pieces and composers, we use labels as "Mozart" or "Haydn" to refer to the a body of compositions characterized by certain features, which is exactly the topic we are supposedly discussing here: the "differences" between pieces and, then, composers
@haranoe sooo, your saying that mozart just composed random pieces, of course he analysed his pieces before they were published and performed, otherwise there would be more faults in his pieces then in you... acctually, maybe not. And i still dont think you should have brought other composers into this... of course, just my opinion.
@SadaharuUchisawa You are mistaking the instinctive use of skills used and shared by dozens of technicians (musicians in this case) with the erudite academical analysis of why and how those technicians did what they did. You don't think I should have brought other composers into this because it simply helps clarify the discussion and go beyond the simplistic and ultimately meaningless feeling in the guts that this guy is just right and the other is just wrong.
@haranoe wooooah, now your confusing me, what guys right where others are wrong, cause if your refering to mozart and other composers, then the other composers arent wrong, but i still dont get it...
@haranoe k330 childlike and "happy". k331 un-sonata like, starts with variations and ends with rondo with ABCBAB form. k332 sudden "mood-swings". k333 features "cross-influences" and the melodies should "flow like oil" in all three movments more so than the others
@SadaharuUchisawa "Childlike and happy": a subjective impression that can be applied to a work of Mozart, of Haydn or your little niece's. "Variations, rondo, ABCBAB": like in thousands of compositions of hundreds of composers of the same era. "Sudden mood-swings": again, are you describing Haydn, Mozart or just babbling pretentious "expert" vacuity?. "Cross-influences": pretty much the most typical description of virtually all XVIIIth century music in the German area. "Flow like oil": facepalm.
I love this music (I'm french!) I love mozart: the song is very easy and his variations a monument. clara Haskil plays it wunderfull. I love this recording.
I always asked myself why, at the third variations, she doen'st play a trille and play an another note that is writed on the partition. Is there two differents versions ?
@Plumedore I've heard a number of people each play this slightly differently, especially when it comes to the trills. Many pianists choose to omit some of them. Basically, there are as many versions of this as there are pianists. Since the piece as written is expected to be playful, I think that it is the theme that is important rather than any specific passage.
@KMRockwell i totally agree with you ^^ that's beautiful and that will beautiful ! so it's pianist"s choice, and not a error of partition... thank you !
@KMRockwell i totally agree with you, that is beautiful and that will stay beautiful ! so it's the pianist's choice and not a doubtfuness on the mozart's write. Thank you !
@psychofish25 Try your local library, I know the system where I live has massive amounts of sheet music available to check out. It's in deadtree format though, but hey, it's free, and legal!
@psychofish25 You can download the sheet music free from the Petrucci Music Library. I tried sending you a direct link to save you time but couldn't paste the link for some reason.
The favourite recording in my world. I played it myself many years ago, - having little idea of what I was doing, so I´d like to have a go at it now. The piece is very good on harpsicord too.
@lavamaster530 not exactly, the pieces are just in an order that makes sense theory-wise and musically, for example, the contrast between 4, 5, and 6 makes it interesting.
VIII and X were probably the best two, although I like XII and XI as well (The 32nd/64th notes in XI were amazingly well thought out). They're all genius though.
I was just thinking how cool it would be to redo twinkle twinkle.. But no, apparently some douche all ready did 200 + years ago. Bah!!
rgrant023 1 week ago
You don't actually play the variation at this speed. Ruins it really.
fordorish 1 week ago in playlist Mozart Videos (Pianoplayer002)
I'm not Asian. I can play most of this. it's a beautiful piece.
Penrbrown 2 weeks ago
i can barely play the theme -_-
yooandabooya 2 weeks ago
Clara Haskil remains to this day one of the best Mozart interpreters. It's a shame that she did have such a hard life, and (I think) never really owned her own piano!
nardaf 3 weeks ago
i can play the first two versions:P
cuteythunder 3 weeks ago
All i can say is great job playing this. I played trumpet for 23 years and a little piano as well but not as advanced as this music.
ScotsmanRex 1 month ago
# 8 really reminds me of bach for some reason.
MsLazycatt 1 month ago
Holy shit, wow.
ExaggeratedCool 1 month ago
yes why ignoring
vince10220 1 month ago
I'm going to learn this!! It's so beautiful..
Jessica616ify 1 month ago
I never knew Twinkle Twinkle Little Star could be this EXCITING! :D
senseofvertigo 1 month ago
@senseofvertigo this was also used for the popular nursery rhyme baa baa black sheep
ScotsmanRex 1 month ago
I need these sheets , may I have these sheets please?
MEIYOSI 2 months ago
@MEIYOSI type in Ah, vous dirai-je, maman sheet music and it should be there
xXxJustForFunxXx95 2 months ago
There should be a "love" button
Blackrose09x 2 months ago
why there are 6 dislikes?
TheMagnificoo 2 months ago
@TheMagnificoo Click the wrong button
JasonWong3838 2 months ago
Difficulty level: Asian.
blinxwang 2 months ago
i will play it for my recital on january 2012~~
ruth880723 2 months ago
6 dislikes? what can you dislike about this? theres nothing offensive or any thing? i don't get it.....
TheUNIONSKATEvideos 2 months ago 2
@TheUNIONSKATEvideos they can't play the piano ;)
nosrep09 2 months ago
one day... one day..
xeNduRaNcex 2 months ago in playlist Piano
Really nice. Thank you.
utrinisan 3 months ago
thumbs up for music students listening to this learning theme & variations!
WhatsGoingOnGuys 3 months ago 64
As it goes on you lose the main theme of the song. Its like its varied itself into something different.
rawrimadinonpianox 3 months ago
challenge completed.
dudearanamie 3 months ago
I'm trying to learn to play this but I don't know how to do the freakin trill thing :P
anokomfan 3 months ago
@anokomfan trills have their own techique. remembe to play them soflty and with grace. it s not easy i know. i m still working on them too :P
jen1989z 3 months ago
@jen1989z Thanks :D
anokomfan 2 months ago
clara has skill indeed...
ijdoti 3 months ago
those last two variations are my favorite
godwhyisthistaken 4 months ago
OMG THIS PIECE IS ATCL, DIPLOMA LEVEL O.O
Vesivian 4 months ago
wonderful! just wonderful!
anohbey 4 months ago
@anohbey wonderful ? its a song about a girl telling her mother she was seduced.
12icey34 4 months ago
@12icey34 i don't care about the story the song tells. fairy tales, other children's stories, and what not have various levels of political incorrectness and sordid stories to tell. we cannot judge their content using present day standards. they were written in a different context and time. besides, i was commenting on the beauty of the piano paying. the comment was also directed towards the pianist and mozart's genius!
anohbey 4 months ago
@12icey34
that's a new variation, where'd you hear that? when I saw it in a book of French nursery rhymes it was about a little boy crying over the math problems his dad makes him do, and he does not enjoy it one bit,
MsPandaRosa 4 months ago
Your welcome CCU form and analysis.
wflynn01 4 months ago
var XII 6:50
wflynn01 4 months ago
var XI 5:49
wflynn01 4 months ago
var X 4:59
wflynn01 4 months ago
var IX 4:30
wflynn01 4 months ago
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wflynn01 4 months ago
This has been flagged as spam show
var VIII 3:57
wflynn01 4 months ago
This has been flagged as spam show
var VII 3:30
wflynn01 4 months ago
var VI 3:00
wflynn01 4 months ago
var V 2:30
wflynn01 4 months ago
var IV 2:04
wflynn01 4 months ago
var II 1:30
wflynn01 4 months ago
Comment removed
wflynn01 4 months ago
var II 1:00
wflynn01 4 months ago
var I 0:35
wflynn01 4 months ago
Nice job to whoever put this together!
FryChicken 4 months ago
Variation VIII! I was looking for a minor variation for my first composition~ thank u mozart!
great variations
classiccandle27 4 months ago
why ignoring the repetitions, why...
Tsume81 5 months ago 26
@Tsume81 totally agree
AABA.... who are we to question the master??
kypsterx55 5 months ago
@Tsume81 For your information, the passages are repeated. :-)))))))
Montyleeny14 4 months ago
@Montyleeny14 Oh no they are not. Look at the repeat signs and use your ears: the first section is repeated, the second one is not. Don't you feel that each variation leaves you wanting for more, for something missing? He put the repeats for a reason.
Tsume81 4 months ago
@Tsume81 Oh.
Montyleeny14 4 months ago
0:35
Ok whoa.
ZAznGirlZ 5 months ago
I could imagine how much fun Mozart was having while composing this.
nanioushka 5 months ago
@nanioushka mozart did not "compose" this, he created variations of an already composed theme. heheh
anohbey 4 months ago
sublime music as well as playing. folks, it doesn't get much better than this.
Michelangelo61 5 months ago
sublime music as well as playing. folks, it doesn't get much better than this.
Michelangelo61 5 months ago
It was my homework to listen to this exact video.
The03Show 5 months ago
@The03Show yea me too lol
PR7ification 5 months ago
@PR7ification That is why the music course in college is great.
The03Show 5 months ago
was my first piece! what beautiful memories ... :D
TheClaux97 5 months ago
4 people don't recognize genius when they hear it....
violadude0987 5 months ago
why do I find it annoying that he plays tr that is not there?
Mogansss 6 months ago
@Mogansss don't you see those 2 awesome letters above some of the notes :o
roxasmanable 6 months ago
@roxasmanable I do, but it seems like Clara Haskil sees a bit more of them than there is on the sheet :o
Mogansss 6 months ago
@Mogansss oh i see what you mean. :) (or is it hear? :d) lol
roxasmanable 6 months ago
I adore this! This is a perfect song to play at a party too. First 15 seconds: aww it's so cute and simple! Then the rest of VAR I comes along and you're like WHOA! Then comes VAR II and you're just blown away.
Mozart is fabulous!
foreverdream1 6 months ago
Its amazing! She's got the perfect feeling for it, i can hear againg and again, doesnt bore me
Jesusfreak88888 6 months ago
Clara Haskil could really play Mozart!
huckfinn135 6 months ago
i like it but i don't like her interpretation of it... she follows her on thing instead using the markings already printed
Thedinosaur999 6 months ago
wow It's wonderful
ngocco2 6 months ago
hwee
Waltzhybrid92 7 months ago
I LOVE variation 8
grobmit1992 7 months ago 2
@grobmit1992 Yeah, Variation 8 is niiiiiiice.
Youhko 6 months ago
I could totally picture Mozart composing this just to be a jerk to preschoolers.
Mostlyharmless1985 7 months ago 69
This has been flagged as spam show
@Mostlyharmless1985
I like your ideas! On the other hand, he probably knew it would be extremely catchy :-)
MsPandaRosa 3 months ago
The VII variation has a somewhat metal feeling going on \m/
Plasternik 7 months ago
hey i m playing this song
ballan12345 7 months ago
this piece makes me happy somehow
DavidMumo 7 months ago
Comment removed
SadaharuUchisawa 7 months ago
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haranoe 7 months ago
Comment removed
haranoe 7 months ago
This has been flagged as spam show
@SadaharuUchisawa No, it's simply that I only talk when I know what I am talking about, and part of my limited education includes a certain familiarity with the works of Mozart.
If you did not know about the Köchel catalogue, you needed the help of whatever search engine to get to the real friend Wikipedia.
As for the "style" thing, I guess your expert knowledge on Mozart's style always was aware of what Lambach symphony was Wolfgang's and, most important, WHY.
haranoe 7 months ago
Comment removed
SadaharuUchisawa 7 months ago
@SadaharuUchisawa I was simply answering in an orderly manner to your orderly exposed rant.
You talked about me "SOUNDING" to you, so I just followed your logic in my writing. If you find it all dumb, then don't start the game in the first place.
haranoe 7 months ago
Comment removed
haranoe 7 months ago
Comment removed
SadaharuUchisawa 8 months ago
@SadaharuUchisawa 1. I didn't. I simply said that you were as cocksure in your wrongness as people who make a living on being authoritatively clueless. 2. You may have an ear/hearing problem if I "sounded" to you more snobbish than yourself or than anyone else. 3. You admit you do not know much about Mozart, not even the 5-year-old Mozart you were referring to. 4. Again, you may be having a hearing problem if showing that you are totally reinventing Mozart makes me a snobbish expert.
haranoe 7 months ago
Comment removed
SadaharuUchisawa 7 months ago
@SadaharuUchisawa It's precisely the contrary what I said, if you care to read it, and my point was that if you can't tell the difference between what he wrote at 5 and what he composed at 25, it's normal that you believe these variations were composed by him at 5.
I'm still waiting for you to say exactly what are the "style" differences or similarities that you detect between K300e and, say, K330.
haranoe 7 months ago
@haranoe no, i can tell the difference in what he wrote at 5 and what he wrote at 25, but your point was thats i couldnt tell the difference between the minuets he wrote at 5 and the a vous dirai-je maman that he composed when he was 25, and i repied with something like: "i didnt listen to the minuets", so therefore your arguments are irrelevant. and as for the PIANO SONATAS (k330-333)we were talking about, then here you go
SadaharuUchisawa 7 months ago
@SadaharuUchisawa Not as irrelevant as your pretension that by saying that you can tell the difference between Mozart's first pieces and the variations in question, when you insisted that both were composed by him at 5.
The point is not so much whether you can tell some difference, as what exactly are the differences you claim to distinguish between both compositions: everything can be said to be different from and similar to anything else, but not all distinctions are equally relevant.
haranoe 7 months ago
@haranoe i never said i could tell the difference, if you read the text, it says i cant because i never heard his minuets, and as for the the stuff i said about his variations, you asked for the differences in the pieces, not composers, so stop bringing haydn into this. and "flow like oil" was Mozart's own words, so dont "facepalm" it.
SadaharuUchisawa 7 months ago
@SadaharuUchisawa Mozart composed, he did not care to analyze. I facepalm the insistence of throwing vague phrases as if they had a clear and definite meaning, and as if they could not be applied to cases overall more dissimilar than similar.
As for pieces and composers, we use labels as "Mozart" or "Haydn" to refer to the a body of compositions characterized by certain features, which is exactly the topic we are supposedly discussing here: the "differences" between pieces and, then, composers
haranoe 7 months ago
@haranoe sooo, your saying that mozart just composed random pieces, of course he analysed his pieces before they were published and performed, otherwise there would be more faults in his pieces then in you... acctually, maybe not. And i still dont think you should have brought other composers into this... of course, just my opinion.
SadaharuUchisawa 7 months ago
@SadaharuUchisawa You are mistaking the instinctive use of skills used and shared by dozens of technicians (musicians in this case) with the erudite academical analysis of why and how those technicians did what they did. You don't think I should have brought other composers into this because it simply helps clarify the discussion and go beyond the simplistic and ultimately meaningless feeling in the guts that this guy is just right and the other is just wrong.
haranoe 7 months ago
@haranoe wooooah, now your confusing me, what guys right where others are wrong, cause if your refering to mozart and other composers, then the other composers arent wrong, but i still dont get it...
and didnt i imply for you to stop replying??
SadaharuUchisawa 7 months ago
@SadaharuUchisawa I was referring to you, Mr. "5-year-old" .
haranoe 7 months ago
Comment removed
SadaharuUchisawa 7 months ago
@SadaharuUchisawa Ok.
haranoe 7 months ago
Comment removed
SadaharuUchisawa 7 months ago
@haranoe k330 childlike and "happy". k331 un-sonata like, starts with variations and ends with rondo with ABCBAB form. k332 sudden "mood-swings". k333 features "cross-influences" and the melodies should "flow like oil" in all three movments more so than the others
SadaharuUchisawa 7 months ago
@SadaharuUchisawa "Childlike and happy": a subjective impression that can be applied to a work of Mozart, of Haydn or your little niece's. "Variations, rondo, ABCBAB": like in thousands of compositions of hundreds of composers of the same era. "Sudden mood-swings": again, are you describing Haydn, Mozart or just babbling pretentious "expert" vacuity?. "Cross-influences": pretty much the most typical description of virtually all XVIIIth century music in the German area. "Flow like oil": facepalm.
haranoe 7 months ago
Comment removed
SadaharuUchisawa 8 months ago
Comment removed
haranoe 8 months ago
OMG facts...yep...hit that shit
funnyNickname 8 months ago 4
I love 8 and 11!
DoubtingTheChic 8 months ago
Nodame
horace10 8 months ago
0:35
SHOWING OFF...
SycrosD4 8 months ago
@SycrosD4 3:03 more showing off...
thatsexywhiteguy 8 months ago
One day... one day, I will learn how to play this on my clarinet. One day.
YellowUbi 8 months ago
i love 4 and 8
KevinJGraham100 8 months ago
my favorite is 4
KevinJGraham100 8 months ago
I could listen to this all day long. -3
jzye23 8 months ago
i love 8 and 10 <3
AerynnMikhial 8 months ago
I want to learn this~ c:
konanparty1 8 months ago
I love 5 so much
SourExplosion 8 months ago
AlL i can hear is the abc's and ba ba black sheep
Diablodave363isawsum 8 months ago 2
im pretty sure i saw this on my wife and kids
singingstudio05 8 months ago
I love this music (I'm french!) I love mozart: the song is very easy and his variations a monument. clara Haskil plays it wunderfull. I love this recording.
domino248 8 months ago
and to think i'm meant to play it like this for my exam in 5mnths time... (T .T)
gaaraisthabomb 8 months ago
I like either 3, 5, 7, 8, 12. They are all amazing
bmk2kmb 8 months ago
My ULTIMATE favorite variation is #8. I love the minor key it's in. It's so beautiful. Very nice work!
aoazulemi3 8 months ago
@aoazulemi3 Agreed! I always love minor key variations, they have a different sort of beauty altogether.
arahavez08 8 months ago
wow, it's amazing
MMCtaspe 8 months ago
wow, it's wonderful
MMCtaspe 8 months ago
Danke, habe Link gesetzt
MrConvivator 8 months ago
amazing command of the technique
luigiperso 8 months ago
It's beautiful, i loved so much clara askyl...
I always asked myself why, at the third variations, she doen'st play a trille and play an another note that is writed on the partition. Is there two differents versions ?
(sorry for my bad english, i'm french ^^)
Plumedore 9 months ago
@Plumedore I've heard a number of people each play this slightly differently, especially when it comes to the trills. Many pianists choose to omit some of them. Basically, there are as many versions of this as there are pianists. Since the piece as written is expected to be playful, I think that it is the theme that is important rather than any specific passage.
KMRockwell 8 months ago
@KMRockwell i totally agree with you ^^ that's beautiful and that will beautiful ! so it's pianist"s choice, and not a error of partition... thank you !
Plumedore 8 months ago
@KMRockwell i totally agree with you, that is beautiful and that will stay beautiful ! so it's the pianist's choice and not a doubtfuness on the mozart's write. Thank you !
Plumedore 8 months ago
Alright students - this would be the finger exercises required by Heir Mozart if you were his student.
Catlovertea4 9 months ago
a cristal clear recording.
hjiuhfhrehui 9 months ago 34
@hjiuhfhrehui how do they do that?
xoNickJisaCutieox 6 months ago
@xoNickJisaCutieox
practice practice and more practice :P
hjiuhfhrehui 6 months ago
@hjiuhfhrehui i meant get a recording of it lolll
xoNickJisaCutieox 6 months ago
wow truly amazing piece. My favourite variation is 7
Mozart1593 9 months ago
Beautiful! I've been listening to this all day.
churami1 9 months ago
Where can I get all of these as a big fat pdf file?
psychofish25 9 months ago 38
@psychofish25 imslp.org has it, I bet
flamingspinach 9 months ago
@psychofish25 msgme;)
whoslayedgoliath 9 months ago
@psychofish25
On IMSLP. Have you found it yet? If not, I can send you a link.
colourfulwithaU 7 months ago
@psychofish25 Try your local library, I know the system where I live has massive amounts of sheet music available to check out. It's in deadtree format though, but hey, it's free, and legal!
Mostlyharmless1985 7 months ago
@psychofish25 You can download the sheet music free from the Petrucci Music Library. I tried sending you a direct link to save you time but couldn't paste the link for some reason.
Waltzhybrid92 7 months ago
@psychofish25 You will find it on the International Music Score Library Project website (imslp.org).
browse through all the Mozart works available and you'll find it! :)
Simonechisena 7 months ago
@psychofish25 IMSLP, search it in google ;)
metstudioversions 5 months ago
I Love This!!
MusicalSheyzz 9 months ago
Were studing this in music for our exams at the momentt
PurpleQuote 9 months ago
This is my favorite piece! I keep listening to it every day, never bores me...
:-)
Genuinely masterful!
AreWaJesuDes 10 months ago
I'm play this in my colleges clarinet ensemble, it's really fun! I'm playing the bass clarinet!
natesquared 10 months ago
I love it. Best interpretation?
MrBean69er 10 months ago
The favourite recording in my world. I played it myself many years ago, - having little idea of what I was doing, so I´d like to have a go at it now. The piece is very good on harpsicord too.
metteholm75 10 months ago
Absolutely brilliant. I love this song. I'm learning it now.
Moose225777 11 months ago
yay..great music :D
PinguYH 11 months ago
does this get harder as the variations change? like variation 1 = easy and variation 12 = hard?
lavamaster530 11 months ago
@lavamaster530 not exactly, the pieces are just in an order that makes sense theory-wise and musically, for example, the contrast between 4, 5, and 6 makes it interesting.
baroque500 11 months ago
@lavamaster530 the other way around
raraandraja 11 months ago
@lavamaster530 not really....
stagesix6 10 months ago
oh God. how does she do that?????
schnisha95 1 year ago
Awesome performance, Clara could teach us a lot about being a great artist!
ruellan2003 1 year ago
VIII and X were probably the best two, although I like XII and XI as well (The 32nd/64th notes in XI were amazingly well thought out). They're all genius though.
WilltheTowelie 1 year ago
Variation VIII is totally awesome!
Mica, mica, parva stella,
Miror quaenam sis tam bella.
Super terra in caelo,
Alba gemma splendido.
Mica, mica, parva stella,
Miror quaenam sis tam bella.
TheNaveOfCharlemagne 1 year ago
I love variation 7, it is a work of genius in itself
Mozart1593 1 year ago
AWESOME
xXGuYzXx 1 year ago
Back after 6 months! And guess what? I can play all of them! Whew~
(I did not practice for 6 months; I practiced on and off, balancing homework with piano practice).
KardOfHeart 1 year ago
perfect
brasilcarioka 1 year ago