The French subtitle is simply horrible, never corresponding to what Dame Janet is singing. I bet it was done by a labourer who has no knowledge of the French language, let alone any respect for the arts.
To be able to evaluate dispassionately what Baker was doing most of the time, there is the necessity to blast the irrational hype that protected her and made her much better than she actually was. Here she may be good but not great. Her riding on the music and not penetrating the subtle nuances of the words is pedestrian. Her sound colors are very limited. Her evident enthusiasm for the music would be better served if she were an instrumentalist, instead of a singer who must communicate text.
as a French, let me tell you that Dame Janet Baker sounds french here, as she sounds english in english!.. her diction is excellent (even the famous fench 'R' are respected!..) definitivly NO, you will never find here any common defects you can hear usually in anglophone singers!...
furthermore, the voice is sensual and the artist is very stylish!...
This post does no particular credit to Ms Baker, or Berlioz, for that matter. Specifically, the dramatic impact is compromised by the too-fast tempo, and the quality of the sound is just a couple of clicks this side of awful. Ms Baker is served to much better effect in her recording with Sir John Barberolli, which I believe has been posted on youtube.
I've never heard DJB singing before. I have two different recordings that I listen to; one is by Jessye Norman and another one is by Susan Graham. I think I'm completely hooked by the latter one.
berlioz wrote two versions of les nuits d'ete...the first version was for mezzo OR tenor...only no.5 was supposed to be solely for tenor. Later he orchestrated the music for soprano to sing 1, 4 and 6...and contralto on 2, baritone on 3 and tenor on 5...so basically what im saying is this is sung by a woman most of the time!
Yeah, you're right, I prefer it sung by a woman in fact; it's just that the lyrics talk about her being in love with a female. But I guess that happens all the time with classical songs.
The French subtitle is simply horrible, never corresponding to what Dame Janet is singing. I bet it was done by a labourer who has no knowledge of the French language, let alone any respect for the arts.
xapaga1 2 months ago
To be able to evaluate dispassionately what Baker was doing most of the time, there is the necessity to blast the irrational hype that protected her and made her much better than she actually was. Here she may be good but not great. Her riding on the music and not penetrating the subtle nuances of the words is pedestrian. Her sound colors are very limited. Her evident enthusiasm for the music would be better served if she were an instrumentalist, instead of a singer who must communicate text.
zamyrabyrd 5 months ago
as a French, let me tell you that Dame Janet Baker sounds french here, as she sounds english in english!.. her diction is excellent (even the famous fench 'R' are respected!..) definitivly NO, you will never find here any common defects you can hear usually in anglophone singers!...
furthermore, the voice is sensual and the artist is very stylish!...
raskkass 11 months ago
@raskkass
As a French... let me tell you that I frequently met English persons with a perfect knowledge and pronunciation of our mother language...!
Nevertheless, Dame Janet Baker is marvelous !
jolicrasseux 11 months ago
This post does no particular credit to Ms Baker, or Berlioz, for that matter. Specifically, the dramatic impact is compromised by the too-fast tempo, and the quality of the sound is just a couple of clicks this side of awful. Ms Baker is served to much better effect in her recording with Sir John Barberolli, which I believe has been posted on youtube.
blakley42 1 year ago
Definitely Herbert Blomstedt!
altoegovcl 1 year ago
TROP NUL je doi laprendre !!
LesGirlsPower 2 years ago
I prefer the contralto and tenor versions.
neverforeverkate 2 years ago
Je l'ai chantée au solfège ^^
McMagic 2 years ago
the subtitles are really out! like the voice.
Orlymusicboy 2 years ago
A great singer.
The conductor is Herbert Blomstedt,
not Colin Davis
rogeroak 2 years ago
wai jlé étudier en cours de musique
LiiRyXx 3 years ago
I've never heard DJB singing before. I have two different recordings that I listen to; one is by Jessye Norman and another one is by Susan Graham. I think I'm completely hooked by the latter one.
Pacabelle 3 years ago
This certainly is a beautiful song, although it sounds rather strange being sung by a woman.
henripche 4 years ago
berlioz wrote two versions of les nuits d'ete...the first version was for mezzo OR tenor...only no.5 was supposed to be solely for tenor. Later he orchestrated the music for soprano to sing 1, 4 and 6...and contralto on 2, baritone on 3 and tenor on 5...so basically what im saying is this is sung by a woman most of the time!
CreenCB 2 years ago
Yeah, you're right, I prefer it sung by a woman in fact; it's just that the lyrics talk about her being in love with a female. But I guess that happens all the time with classical songs.
henripche 2 years ago
you're right.. it is weird!
CreenCB 2 years ago
This has been flagged as spam show
WHAHAHAAH THIS GREAT CAUSE IT SUCKS
supereend666 4 years ago
The recording quality is low, but this is a fine performance...
derbratsche 4 years ago
Baker was a great voice and a great musician...a very rare combination of virtues. And she had a noble bearing to top it off. A true class act.
rolliekop 4 years ago 2
M. Reebachan : Il est très désagréable de comparer! Rome est-elle plus belle que Paris???
marcocito 4 years ago 4
What a wonderful voice she had: full mezzo with a silvery ring that is more common in the higher voices. This song is very well done.
mltube 4 years ago
This comment has received too many negative votes show
Baker is so much better than Crespin!
reebachan 4 years ago
I would not say that! Both have a splendid diction and a superb voice. The voices are different. Both are great!
belgian 4 years ago 2
very true.
moghedien13 3 years ago