I love it man, we get caught up so much sometimes in playing things that are "soulful" or other intangibles that we use to abstractly define music and denigrate things that we don't understand or can't play (for example anything dealing with speed) we forget to pay attention to the basics as we attempt to blow by them. Everyone should strive to play that consistently on the beat while still being cognizant of the changing harmony for as long as you have, a great exercise thanks for inspiring
As a player who plays solely by ear (lacking reading skills), I have found this exercise hugely helpful when improvising. It is in my bookmarks and I regularly listen and play along. So far, I can play along to about the first half. Maybe time to garner some reading skills, but again, very beneficial in its own right. So thanks!!
You played the changes correctly, but this isn't really a great example of anything else. The lack of rhythmic or dynamic variation, angularity, double stops, anything to break the endless stream of consecutive scale notes made this difficult to really get into.
sweet playing and very smooth over the changes. I`m playing over the Blue bossa at the moment and not so many changes as here so great work:) P.S. I should say i`m `trying` to play over the Bossa:)
It depends on the progression. You don't necessarily switch keys with every chord. For example in C major, a harmonised scale gives you the chords C, Dmin, Emin, F, G, Amin, Bmin7b5. You can play C major scale (Ionian mode) over all those but you need to pay attention to the chord underneath your playing - try to hit notes in the chord on the beat and use the scale to link them. This is a simplified explanation but might help if you are just starting out.
alright i have a question. let's say you are soloing over another guitar that is just playing a chord progression, let's say it's C D A, or something, if you are soloing over that, when the guitar is strumming C, let's say you are soloing in the pentatonic major of C, when the background guitar then moves to D, do you also have to switch to D? or can you stay in C even when the background guitar is in D or A? just a question
@mathsquadforlife technically you would switch keys with every chord. you could play in different modes of C to fit with the chord thats playing rythem. but i couldnt tell you how to do that since i only just started studying music
greetings! nice! hey man, this are permutations? (the notes of the chords playing with an diferent order, or something like that?) you say something like is an exercise, where i can get it please i´m just a student i love with music xD
this is good but you are rushing. i have this problem as well. you should never be playing ahead of the beat. when you strike a string you should always be able to hear the click track or bass drum or what ever you are keeping time to, that forces you to play slightly (very slightly) behind the beat. the click/bass drum should feel like its pulling you with it slightly. a good way to do this is to turn the rhythm track down a little so you have to play behind the beat to hear it.
If you take the time to read the description you will see this is not a live improvisation! It is a written exercise from a Joe pass book on using eighth notes to play though and describe harmonically the changes found in jazz blues.
very nice and very clean .and i suggest to people should study more jazz ( melodic minor and harmonic minor in funccioning chord ) to understand your improvisation about minor blues.
@lawdropeplato Hey could you explain what that means the melodic minor and harmonic minor in functioning chord? I know the scales as they are but not how they are applied to chords or improvising, thanks.
i try to figure out the lines by ear, knowing the chords. i guess it's a good exercise, so really thank you for posting your efforts :) and it's a great tone you got, is the guitar es-175 with P-94s?
Back in the early 1970's I had the privilige of attending a seminar by Joe Pass here in St. Louis, Missouri at a Holiday Inn. He followed the seminar with a concert accompanied by local musicians. It was an inspiring experience which had a profound influence on me and I will always remember it.
I'm with RoseyM. Haha, if Joe Pass isn't jazz then what is?
Very nice-sounding lines in this exercise. I need to get this book. I'm transcribing a solo by Joe Pass right now and it's the hardest thing I've done up to this point in my guitar playing. Hopefully, it's well worth it in the end though.
Pass was always great, and particularly when he was younger his plectrum work is amazing. As he got older, it became more and more about solo chord/melody style, which is great too.
Joe pass wouldn't play it this way. The feel and timing aren't right because notes are played strictly on the beat but the phrasing is about right. This is a very useful minor scale exercise.
this is just a study video. If every note he plays is a swung 8th note and the chord names are brought to our attention, then it's most likely a tutorial.
all minors or dominants. You're rarely going to get Maj7th chords in the blues, except in the Modern (Parker) changes. The Fm7(+7) is a minor triad (F Ab C) with a Major 7th (E)which here is just an approach note to the F root. It's how it's written in the book, but you wouldn't normally bother to specify it in comping chords. It's sometimes notated as FmM7.
It's actually improper to use a "+" for anything but a raised fifth or fourth. That symbol technically means 'augmented'. Typically only the perfect fifth is raised one half step to an augmented fifth. Rarely is this symbol used with a minor 3rd. Usually it;s like this: F+ = F A C#. A chord is always major unless otherwise specified. The proper way for a minor/major 7th is Fm(ma7) or some variation thereof. Don't use Fm7(+7). That's just ignorant. That almost means F Ab C# Eb E
Well I wouldn't go as far as calling Joe Pass ignorant! Let's just say the book dates from a time when chord notation was a bit less standardised than it is today. In the book it's actually shown as Fmin(+7) and you can find Fm7+ also in other books from that era, along with things like F9+ used for what is now shown as F7#9.
@bleakanddivine You're both right! It's a good thing that it gets standardised because there could be lots of misunderstanding with diff notation... I see there's a G7+ in the video too. What does it mean in this case? Gmaj7 or G7 with an augmented 5th? for me it's an augmented fifth. I wouldn't even use the + for a raised fourth (Lyd or #11). Anyway, the notation depends on where you learned it..
@bleakanddivine I got a responce from you. Thanks bro, but i was just makin joke :) . I play music and it is techniqually a contridiction, like an oxy-moron of sorts. But it was only joke, relax. You play smoothly, keep up the persistence.
Great guitar. Finally someone on You Tube playing Jazz on a guitar with single coils instead of Gibson humbuckers. Great tone you have. Do you have flat or roundwounds?
gendel i think the purpose in the right hand is to have 8th jazz notes only,, good groove,i liked very much, that i played with my guitar but sometimes the chords that you show are not the ones that correspond, for example the firts chord is not a Cm7 is a CmMaj7, you are playing a B not a Bb. Keep it up i like it very much!!!!!
I love it man, we get caught up so much sometimes in playing things that are "soulful" or other intangibles that we use to abstractly define music and denigrate things that we don't understand or can't play (for example anything dealing with speed) we forget to pay attention to the basics as we attempt to blow by them. Everyone should strive to play that consistently on the beat while still being cognizant of the changing harmony for as long as you have, a great exercise thanks for inspiring
SupairDup 1 month ago
Hey man,
As a player who plays solely by ear (lacking reading skills), I have found this exercise hugely helpful when improvising. It is in my bookmarks and I regularly listen and play along. So far, I can play along to about the first half. Maybe time to garner some reading skills, but again, very beneficial in its own right. So thanks!!
TravellingMan79 3 months ago
where could i find sheet music for this? Please reply
4the3dom 3 months ago in playlist 4the3dom's Favorited Videos
You played the changes correctly, but this isn't really a great example of anything else. The lack of rhythmic or dynamic variation, angularity, double stops, anything to break the endless stream of consecutive scale notes made this difficult to really get into.
RSRop0 6 months ago
@RSRop0 It's an excercise, written by Joe Pass. Can you play it?
bleakanddivine 5 months ago 16
Love the axxe and the tone and playing are nice indeed
stratcatavarious 9 months ago
sweet playing and very smooth over the changes. I`m playing over the Blue bossa at the moment and not so many changes as here so great work:) P.S. I should say i`m `trying` to play over the Bossa:)
maxmoves64 10 months ago
@mathsquadforlife & Guitarist2095
It depends on the progression. You don't necessarily switch keys with every chord. For example in C major, a harmonised scale gives you the chords C, Dmin, Emin, F, G, Amin, Bmin7b5. You can play C major scale (Ionian mode) over all those but you need to pay attention to the chord underneath your playing - try to hit notes in the chord on the beat and use the scale to link them. This is a simplified explanation but might help if you are just starting out.
bendugard 11 months ago
ooh, I want that book
tommooremusicfl 11 months ago
alright i have a question. let's say you are soloing over another guitar that is just playing a chord progression, let's say it's C D A, or something, if you are soloing over that, when the guitar is strumming C, let's say you are soloing in the pentatonic major of C, when the background guitar then moves to D, do you also have to switch to D? or can you stay in C even when the background guitar is in D or A? just a question
mathsquadforlife 1 year ago
@mathsquadforlife technically you would switch keys with every chord. you could play in different modes of C to fit with the chord thats playing rythem. but i couldnt tell you how to do that since i only just started studying music
Guitarist2095 1 year ago
Hey my friend, where can I get those scores? and the back track of that piece, Greetings(:
israpitt82 1 year ago
Sweet!! :)
Pablito73X 1 year ago
hey you keep it up there! do you have all those chords memorized now?
i've got a few guitar vids up on my own site, nothing like this though, check it out if you have time..
jot2b 1 year ago
wow,that swings
niers 1 year ago
greetings! nice! hey man, this are permutations? (the notes of the chords playing with an diferent order, or something like that?) you say something like is an exercise, where i can get it please i´m just a student i love with music xD
morrovedder 1 year ago
man, that is great. nice tone, and nice choice of notes.
diz52nd 1 year ago
this is good but you are rushing. i have this problem as well. you should never be playing ahead of the beat. when you strike a string you should always be able to hear the click track or bass drum or what ever you are keeping time to, that forces you to play slightly (very slightly) behind the beat. the click/bass drum should feel like its pulling you with it slightly. a good way to do this is to turn the rhythm track down a little so you have to play behind the beat to hear it.
vguitarman 1 year ago
I like the improv, just a thought:
Don't you think that Rhythmically is more or less the same? kinda like eight notes? Share please...
CarlosGTR 2 years ago 2
If you take the time to read the description you will see this is not a live improvisation! It is a written exercise from a Joe pass book on using eighth notes to play though and describe harmonically the changes found in jazz blues.
tjuo77 2 years ago
it are eight notes
subcontrabassaxofoon 1 year ago
@CarlosGTR yeah, you could variate a little more, try some sixteenth notes and quarter notes. and little themes that repeat a few times in the solo
123frizzlefry 1 year ago 2
Yeah I could, but it wouldn't be the exercise as it was originally written then would it.
bleakanddivine 1 year ago 10
@bleakanddivine oh snap
tonynevada 1 year ago
@bleakanddivine hi my friend
very nice and very clean .and i suggest to people should study more jazz ( melodic minor and harmonic minor in funccioning chord ) to understand your improvisation about minor blues.
thanks and 5*
lawdropeplato 1 year ago
@lawdropeplato Hey could you explain what that means the melodic minor and harmonic minor in functioning chord? I know the scales as they are but not how they are applied to chords or improvising, thanks.
Hermdo 1 year ago
where did you ge tthe book from?
bliu7 2 years ago
Oh man !!! all those chord changes !!! and you handeld them like a champ!! thanks for posting what choords you were plaing through!! and when!!!
nuke97 2 years ago
is this BAND IN A BOX?
thewallx1x 2 years ago
Very nice! I love the sound of a 175 with p90's! Is it from the 1950's?
jamestdawson 2 years ago
i try to figure out the lines by ear, knowing the chords. i guess it's a good exercise, so really thank you for posting your efforts :) and it's a great tone you got, is the guitar es-175 with P-94s?
axiluss 2 years ago
Sounds more like Joe Diorio. which is not an insult. He's bad ass too if he's still alive, not sure.
benthemiester 2 years ago
Very nice. Thank you. Joe's playing was a truly beautiful thing.
SPGGuitar251 2 years ago
Know your keys I guess. All the chords he's playing are all Cm7 chords or altered dom7 resolving to the Cm or just coming out of the key of Bb
zinnington 2 years ago
Where you take the tracks?
Good job!
lipos81 2 years ago
Gracias por recordarme a Joe Pass.
I thought I was alone
Es un buen ejercicio para las cuerdas bajas.
De nuevo muchas gracias
Juanse
jnsbstn 2 years ago
this seems do-able! thanks !
racine09 2 years ago
Back in the early 1970's I had the privilige of attending a seminar by Joe Pass here in St. Louis, Missouri at a Holiday Inn. He followed the seminar with a concert accompanied by local musicians. It was an inspiring experience which had a profound influence on me and I will always remember it.
kdkmo 2 years ago 4
I'm with RoseyM. Haha, if Joe Pass isn't jazz then what is?
Very nice-sounding lines in this exercise. I need to get this book. I'm transcribing a solo by Joe Pass right now and it's the hardest thing I've done up to this point in my guitar playing. Hopefully, it's well worth it in the end though.
Pass was always great, and particularly when he was younger his plectrum work is amazing. As he got older, it became more and more about solo chord/melody style, which is great too.
BensonBirdie 2 years ago
he never said it was jazz, no need to be a downer...
guitardude247 3 years ago 3
So joe pass isn't jazz? lol...
RoseyM 3 years ago
Joe pass wouldn't play it this way. The feel and timing aren't right because notes are played strictly on the beat but the phrasing is about right. This is a very useful minor scale exercise.
tbcass 2 years ago
You're flipping the viewer off while playing :D:D:D
poromise 3 years ago
Haha this made me laugh quite a bit. It's just the way he's holding his pick, though. So, whatever sounds best for him.
Dalsia 2 years ago
You would laugh at that.
MrWoloohojian 2 years ago 2
Some people hold picks that way, most notably Van Halen and Steve Morse.
It leaves them the choice for using the index finger to tap.
But for a jazz player, I think maybe he learn to play that way.
wckoek 2 years ago
Hey, this a great chord study. Great for learning! Thanks for posting.
elvind222 3 years ago 6
this is just a study video. If every note he plays is a swung 8th note and the chord names are brought to our attention, then it's most likely a tutorial.
billynosidam 3 years ago
This is what i struggle with- outlining chords with arpeggios. You do a great job here man.
Yoruboy 3 years ago 2
the video quality is bad, i see best the chord headlines, but what you play is brilliant!
axiluss 3 years ago 4
Good
unsavourycharacter 3 years ago
I don't think he's really going at it. It almost feels like he's trying to outline the chords using arpeggios
fishqwer 3 years ago
I think this is very good, and much better than I can do, but your swing-feel is a little stiff is some sections.
jessethemachine 3 years ago
are these arpeggio's or scales?
Enjoiosaur 3 years ago
No entiendo porque van apareciendo los acordes, estas improvisando en la escala, tocando los arpegios o las dos cosas al mismo tiempo ?
hjjaureguiber 3 years ago
Acuerdate que los acordes son la base de la improvisación sin importar si estás tocando la escala o modal....
penaflorsonia 3 years ago
Really well done chap, i'm a blues player myself but this is obviously much more disciplined but kind to the ears nonetheless.
Two thumbs up for not being a generic wanker! :P
sam19851 3 years ago 4
you rock! fantastic
swiebud 3 years ago
Don't knock on him for the shuffle 8ths.
It's good for a beginner, and he does a good job with the harmony.
It's clearly not a video made trying to show off.
largemoose 3 years ago 2
"Fm7(+7)"
Been said already, but it's FmM7.
1 b3 5 7
largemoose 3 years ago
get some new rhythms bro
slapshot2940 3 years ago
Yeah he's straight 8ths but that's a great place to start.
ReverendNovember 3 years ago
The point of the exercise is not to create rhythmic variety, but instead to weave a melody through the harmonies in a jazz style.
It's a helpful exercise. Not the end-all and be-all.
BensonBirdie 2 years ago
Hey guys a few questions...
Are there really no major 7th chords in this progression? Do you mean that they're all dominant 7th chords?
And also, what's that chord around 1:51? Fm7(+7)? I'm confused, what does that mean?
Thanks in advance, and great work on that video.
raleighwhisp 3 years ago
the blues is usually all dominant chords. Im not sure about that chord. The + usually means a sharp5 but im not sure about the +7
ampoetx 3 years ago
It's a Minor Blues, so the basic chords are
all minors or dominants. You're rarely going to get Maj7th chords in the blues, except in the Modern (Parker) changes. The Fm7(+7) is a minor triad (F Ab C) with a Major 7th (E)which here is just an approach note to the F root. It's how it's written in the book, but you wouldn't normally bother to specify it in comping chords. It's sometimes notated as FmM7.
bleakanddivine 3 years ago
It's actually improper to use a "+" for anything but a raised fifth or fourth. That symbol technically means 'augmented'. Typically only the perfect fifth is raised one half step to an augmented fifth. Rarely is this symbol used with a minor 3rd. Usually it;s like this: F+ = F A C#. A chord is always major unless otherwise specified. The proper way for a minor/major 7th is Fm(ma7) or some variation thereof. Don't use Fm7(+7). That's just ignorant. That almost means F Ab C# Eb E
ReverendNovember 3 years ago
Well I wouldn't go as far as calling Joe Pass ignorant! Let's just say the book dates from a time when chord notation was a bit less standardised than it is today. In the book it's actually shown as Fmin(+7) and you can find Fm7+ also in other books from that era, along with things like F9+ used for what is now shown as F7#9.
bleakanddivine 3 years ago 5
I didn't call Joe ignorant. Ok. I stand moderately corrected. I don't have that book. Nice improv tho. Anything newer?
ReverendNovember 3 years ago
@bleakanddivine You're both right! It's a good thing that it gets standardised because there could be lots of misunderstanding with diff notation... I see there's a G7+ in the video too. What does it mean in this case? Gmaj7 or G7 with an augmented 5th? for me it's an augmented fifth. I wouldn't even use the + for a raised fourth (Lyd or #11). Anyway, the notation depends on where you learned it..
MusiqueFrenetique 1 year ago
@bleakanddivine "FmM7" what a contridiction XP
ThatAudioChocolate 11 months ago
@ThatAudioChocolate Why is it a contradiction? Th m(inor) describes the 3rd, the M(ajor) describes the 7th.
bleakanddivine 11 months ago 5
@bleakanddivine I got a responce from you. Thanks bro, but i was just makin joke :) . I play music and it is techniqually a contridiction, like an oxy-moron of sorts. But it was only joke, relax. You play smoothly, keep up the persistence.
ThatAudioChocolate 11 months ago
Great guitar. Finally someone on You Tube playing Jazz on a guitar with single coils instead of Gibson humbuckers. Great tone you have. Do you have flat or roundwounds?
gretscher 3 years ago
Great.
carpatheknight 3 years ago
nice playing
largemoose 3 years ago
Thanks for adding the chords....!
reateguitare 3 years ago 2
good job! What guitar is that?
theriffer 3 years ago
1954 Gibson ES175
bleakanddivine 3 years ago
i love joe`s music and this is one of the greatest musicans of the jazz guitar
imthesun07 3 years ago
another joe p will be a long time coming
gadzooks63 3 years ago
smooooooooth.
Nailgun51 3 years ago 2
Joe Pass...the greatest guitarist jazz world ever have....
DaniMoneter 4 years ago 3
Very nice, beautiful melody and variations.
founitte 4 years ago
Good stuff, bot! Post tutorials/lessons?
plz?
DrLeroyGreen 4 years ago
ja yo estudie el mismo ejercicio esta muy bueno no?
jAmguitar84 4 years ago
very good player, great tone!
bdario70 4 years ago
great músic. play good
Gustaleal 4 years ago
gendel i think the purpose in the right hand is to have 8th jazz notes only,, good groove,i liked very much, that i played with my guitar but sometimes the chords that you show are not the ones that correspond, for example the firts chord is not a Cm7 is a CmMaj7, you are playing a B not a Bb. Keep it up i like it very much!!!!!
Jazzhardmusic 4 years ago
hi there! nicely done, but on the other hand, your playing seems a bit mechanical.
gendel 4 years ago
Thank You!!!!
Bertiklein 4 years ago
Nice teaching/instructional piece!
G7flat5 4 years ago
Well done, thanks for showing the chords.
lewood1204 4 years ago
Wonderful tone!! nice one. Great playing.
davidr9503 5 years ago
Nice work mate! keep it up!
chrismatthewman 5 years ago
Good tone good play.
Jusky1970 5 years ago