Added: 2 years ago
From: pauldoyle38a
Views: 13,456
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:

All Comments (17)

Sign In or Sign Up now to post a comment!
  • "the original way" (for gluing) is mentioned in some of the comments. Actually the kind of glue used in this video wasn't around when Torres and the other early luthiers were active. They used warm glue and some still use it today. I use it for many jobs on the guitar and it is very easy to remove the excess glue before it becomes hard.

  • well some of the students in my school of lutherie did not have time or wanted to use kerfed lining as on the acoustic guitar and for sure it was not the same free sound as the separated tentilons, either way i never use continuous on my own classical guitars, paul

  • I appreciate tentellones as much as the next luthier, but it is highly debateable if they make a superior sound to solid linings all things being equal even if seeming logic is correct. Cheers.

  • another one not reading the text agh

  • @jorgerloko how many guitars have you made? Cuantas guitarras has hecho?

  • deberias de poner menos cola....

  • eceso de cola.....

  • ops...I see :)

  • @st91bp7t did you read the text? i guess not cause its not a pain while its wet only if you let it dry, that is the original way it was done in Europe, read Antonio de Tores by Jose l Romanillos

  • This is the way--traditional. More of the top is free to vibrate

  • yep doing this 33 years now, and with a sprung top nothing to equal it for sound,,

  • Now that is the traditional way of installing linings,very pain staking process,but that's true guitar making!. :-)

  • individual and not kurft....kool

Loading...
Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more